List of Cultural Properties of Japan - paintings (Okayama)
This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Okayama.[1]
National Cultural Properties[]
As of 1 June 2020, twenty-nine Important Cultural Properties (including two *National Treasures) have been designated, being of national significance.[2][3][4]
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
|---|---|---|---|---|---|---|---|---|
| *Court Lady, colour on silk 絹本著色宮女図〈／伝桓野王図〉 kenpon chakushoku kyūjo zu (den-Kanya ō zu) |
Yuan dynasty | Kurashiki | private | wearing a red gown and diaphanous black headdress, and with a flute tucked in her girdle; sometimes identified as the Eastern Jin Prince Huan Ye, known for his flute playing, based on a paper slip on a copy of the painting by (狩野養信) in Tokyo National Museum; however labels by Kanō Tan'yū and Kanō Yasunobu and a document by Osanobu identify the subject as a court lady; the authenticity of the imprint "seal of Qian Xuan" (錢選之印) is uncertain[5] |  |
86.1 centimetres (33.9 in) by 29.9 centimetres (11.8 in) | [1] | |
| *Landscape, ink and light colour on paper, by Sesshū 紙本墨画淡彩山水図〈雪舟筆／〉 shihon bokuga tansai sansui zu (Sesshū hitsu) |
Muromachi period | Kurashiki | private |  |
118.0 centimetres (46.5 in) by 35.5 centimetres (14.0 in) | [2] | ||
| N Family, oil on hemp cloth, by Koide Narashige Nの家族（小出楢重筆 一九一九／油絵 麻布） enu no kazoku (Koide Narashige hitsu 1919 abura-e mafu) |
1919 | Kurashiki | Ohara Museum of Art |  |
79.0 centimetres (31.1 in) by 91.0 centimetres (35.8 in) | 34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E | [3] | |
| Aizen Myōō, colour on silk 絹本著色愛染明王像 kenpon chakushoku Aizen Myōō zō |
Nanboku-chō period | Okayama | Hōtaku-ji (捧沢寺) (kept at Okayama Prefectural Museum) |
 |
109.4 centimetres (43.1 in) by 41.0 centimetres (16.1 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [4] | |
| Aizen Myōō, colour on silk 絹本著色愛染明王像 kenpon chakushoku Aizen Myōō zō |
Nanboku-chō period | Okayama | Hōtaku-ji (捧沢寺) (kept at Okayama Prefectural Museum) |
 |
88 centimetres (35 in) by 40 centimetres (16 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [5] | |
| , colour on silk 絹本著色宇喜多能家像 kenpon chakushoku Ukita Yoshie zō |
1524 | Okayama | Okayama Prefectural Museum |  |
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [6] | ||
| Shaka Triad, colour on silk 絹本著色釈迦三尊像 kenpon chakushoku Shakan sanzon zō |
Kamakura period | Nara | Raikyū-ji (kept at Nara National Museum) |
 |
34°41′01″N 135°50′11″E / 34.6837°N 135.8364°E | [7] | ||
| Ten Kings of Hell, colour on silk 絹本著色十王像 kenpon chakushoku jūō zu |
Yuan dynasty | Okayama | (宝福寺) (kept at Okayama Prefectural Museum) |
ten scrolls |           |
98.8 centimetres (38.9 in) by 41.5 centimetres (16.3 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [8] |
| Twelve Deities, colour on silk, attributed to Zōun 絹本著色十二天像〈（伝増吽筆）／〉 kenpon chakushoku jūniten zō (den-Zōun hitsu) |
Kamakura period | Mimasaka | (長福寺) | twelve scrolls |   |
34°55′36″N 134°09′02″E / 34.926655°N 134.150491°E | [9] | |
| Along the River During the Qingming Festival, colour on silk 絹本著色清明上河図〈趙浙筆／萬暦五年十月の年記がある〉 kenpon chakushoku seimei jōga zu |
Ming dynasty | Okayama | Hayashibara Museum of Art | one emakimono |  |
28.7 centimetres (11.3 in) by 576 centimetres (18 ft 11 in) | 34°39′49″N 133°56′00″E / 34.66358372°N 133.93324308°E | [10] |
| Jizō with the Ten Kings of Hell, colour on silk 絹本著色地蔵十王像 kenpon chakushoku Jizō jūō zu |
late Goryeo | Kasaoka | Nikkō-ji (日光寺) | Goryeo Buddhist painting |  |
117.1 centimetres (46.1 in) by 59.2 centimetres (23.3 in) | 34°27′08″N 133°30′41″E / 34.452170°N 133.511310°E | [11] |
| Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō |
Yuan dynasty | Okayama | (宝福寺) (kept at Okayama Prefectural Museum) |
 |
111.0 centimetres (43.7 in) by 58.5 centimetres (23.0 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [12] | |
| Jizō Bosatsu, colour on silk 絹本著色地蔵菩薩像 kenpon chakushoku Jizō Bosatsu zō |
Nanboku-chō period | Okayama | Hōtaku-ji (捧沢寺) (kept at Okayama Prefectural Museum) |
 |
91.6 centimetres (36.1 in) by 36.2 centimetres (14.3 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [13] | |
| Fudō with Three Attendants flanked by the Mandala of the Two Realms, colour on silk 絹本著色中不動三十六童子左右両界曼荼羅図 kenpon chakushoku Fudō sanjūroku dōji sayū ryōkai mandara zu |
Nanboku-chō period | Okayama | Hōkō-ji (宝光寺) (kept at Okayama Prefectural Museum) |
three scrolls |    |
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [14] | |
| Fudō Myōō, colour on silk 絹本著色不動明王像 kenpon chakushoku Fudō Myōō zō |
Kamakura period | Okayama | (長福寺) (kept at Okayama Prefectural Museum) |
 |
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [15] | ||
| Nirvana painting, colour on silk 絹本著色仏涅槃図 kenpon chakushoku Butsu nehan zu |
Kamakura period | Okayama | Anyō-in (安養院) (kept at Okayama Prefectural Museum) |
 |
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [16] | ||
| Nirvana painting, colour on silk 絹本著色仏涅槃図 kenpon chakushoku Butsu nehan zu |
Kamakura period | Kyoto | Henmyō-in (遍明院) (kept at Kyoto National Museum) |
 |
34°59′24″N 135°46′23″E / 34.99°N 135.773°E | [17] | ||
| Descent of Amida with Twenty-Five Bodhisattvas, colour on silk 絹本著色弥陀二十五菩薩来迎図 kenpon chakushoku Mida nijūgo bosatsu raigō zu |
Kamakura period | Okayama | Henmyō-in (遍明院) (kept at Okayama Prefectural Museum) |
 |
34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [18] | ||
| Mandala of the Two Realms, colour on silk 絹本著色弥陀二十五菩薩来迎図 kenpon chakushoku ryōkai mandara zu |
Nanboku-chō period | Mimasaka | (長福寺) |   |
34°55′33″N 134°09′00″E / 34.925877°N 134.150105°E | [19] | ||
| Mount Lu, ink on silk, by Yujian 絹本墨画廬山図〈玉澗筆／自賛がある〉 kenpon bokuga rosan zu (Gyokkan hitsu) |
Southern Song | Okayama | Okayama Prefectural Museum of Art |  |
34°40′04″N 133°55′47″E / 34.66764736°N 133.92979593°E | [20] | ||
| Scenes in and around the Capital, colour on paper with gold ground, six-panel byōbu 紙本金地著色洛中洛外図〈／六曲屏風〉 shihon kinji chakushoku rakuchū rakugai zu (rokkyoku byōbu) |
Edo period | Okayama | Hayashibara Museum of Art | pair of screens |   |
159.1 centimetres (62.6 in) by 362.9 centimetres (142.9 in) | 34°39′49″N 133°56′00″E / 34.66358372°N 133.93324308°E | [21] |
| Mountains clad in rain, light colour on paper, by Uragami Gyokudō 紙本淡彩山雨染衣図〈浦上玉堂筆／〉 shihon tansai sanu seni zu (Uragami Gyokudō hitsu) |
Edo period | Kurashiki | private |  |
[22] | |||
| Flowers and Birds, colour on paper, by Hasegawa Tōhaku, six-panel byōbu 紙本著色花鳥図〈長谷川信春筆／六曲屏風〉 shihon chakushoku kachō zu (rokkyoku byōbu) |
Momoyama period | Okayama | (妙覚寺) (kept at Okayama Prefectural Museum) |
pair of screens |  |
149.5 centimetres (58.9 in) by 360 centimetres (140 in) | 34°40′06″N 133°56′02″E / 34.668209°N 133.933863°E | [23] |
| Illustrated Sutra of Cause and Effect, colour on paper 紙本著色絵過去現在因果経〈残闕／〉 shihon chakushoku e-kako genzai inga-kyō |
Nara period | Kurashiki | Ohara Museum of Art |  |
34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E | [24] | ||
| Morning View of the Uji River, colour on paper, by 紙本著色兎道朝暾図〈青木木米筆／〉 shihon chakushoku Uji chōton zu (Aoki Mokubei hitsu) |
Edo period | Kurashiki | [25] | |||||
| Landscape, ink on paper, by Sesshū 紙本墨画山水図〈雪舟筆／（仿玉澗）〉 shihon bokuga sansui zu (Sesshū hitsu) |
Muromachi period | Okayama | Okayama Prefectural Museum of Art |  |
30.3 centimetres (11.9 in) by 31.5 centimetres (12.4 in) | 34°40′04″N 133°55′47″E / 34.66764736°N 133.92979593°E | [26] | |
| Dragon, colour on paper, by 紙本墨画騰竜図〈青木木米筆／癸未（文政六年）の款記がある〉 shihon chakushoku tōryū zu (Aoki Mokubei hitsu) |
Edo period | Kurashiki | [27] | |||||
| Sorrow of Faith, oil on hemp cloth, by 信仰の悲しみ（関根正二筆 一九一八年／油絵 麻布） shinkō no kanashimi (Sekine Shōji hitsu 1918 abura-e mafu) |
1918 | Kurashiki | Ohara Museum of Art |  |
73.0 centimetres (28.7 in) by 100.0 centimetres (39.4 in) | 34°35′46″N 133°46′14″E / 34.5961746°N 133.77062178°E | [28] | |
| Laozi, ink on paper, by Mokkei 紙本墨画老子像 牧 |
