List of compositions by James MacMillan

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This is a list of compositions by James MacMillan (born 1959), a Scottish composer of contemporary classical music. MacMillan's music is published by Boosey & Hawkes, and his diverse catalogue of music currently numbers over 200 works.[1]

Opera / music theatre[]

Orchestral[]

  • Larghetto for Orchestra (2009, orch. 2017)
    • orchestral transcription of the a cappella choral piece Miserere (2009), made to commemorate the tenth anniversary of Manfred Honeck's tenure as conductor of the Pittsburgh Symphony Orchestra.

Choral[]

  • Missa Brevis (1977), for a cappella S.A.T.B. choir
    • written when the composer was aged 17; first complete performance was given by Cappella Nova under Alan Tavener on 22 November 2007.
  • The Lamb has come for us from the House of David (1979), for S.A.T.B. choir & organ
    • first performed by the Schola Sancti Alberti directed by the composer at St. Peter's, Edinburgh on 9 June 1979.
  • On Love (1984), for solo voice or unison trebles & organ
    • premièred by Barbara Kelly with the composer accompanying at the Chapel of St Albert the Great, Edinburgh on 18 August 1984.
  • St. Anne's Mass (1985), for unison voices & piano or organ with optional S.A.T.B. choir
    • congregational mass, setting movements from the Catholic Mass
  • Cantos Sagrados (1989), for S.A.T.B. choir & organ
  • Cantos Sagrados (1989, orch.1997), for S.A.T.B. choir & orchestra
  • Catherine's Lullabies (1990), for S.A.T.B. choir, brass sextet & percussion
    • first performed by the John Currie Singers in Glasgow on 10 February 1991.
  • Divo Aloysio Sacrum (1991), for S.A.T.B. choir & optional organ
  • So Deep (1992), for S.S.A.A.T.T.B.B. choir with optional oboe and viola solos
    • arrangement of O my luve's like a red, red rose by Robert Burns (who wrote both the words and melody)
  • ...here in hiding... (1993), for four male voices or unaccompanied choir
    • commissioned by the Hilliard Ensemble, who gave the première at the Royal Scottish Academy of Music and Drama, Glasgow on 10 August 1993.
  • Seven Last Words from the Cross (1993), cantata for S.S.A.A.T.T.B.B. choir & string orchestra
    • commissioned by BBC Television; premièred as seven nightly broadcasts during Holy Week 1994, performed by Cappella Nova, Scottish Ensemble under Alan Tavener.
  • Christus Vincit (1994), for soprano solo & a cappella S.S.A.A.T.T.B.B. choir
  • Màiri (1995), for unaccompanied 16-part choir
  • Seinte Mari moder milde (1995), for S.A.T.B. choir & organ
  • A Child's Prayer (1996), for a cappella S.A.T.B. choir with two treble/soprano soloists
  • The Galloway Mass (1996), for cantor, congregation, choir & organ
    • first performed by the congregation of Good Shepherd Cathedral, Ayr on 25 March 1997.
  • The Halie Speerit's Dauncers (1996), for unison children's choir & piano
    • written as a gift for the Corpus Christi Primary School, Glasgow, where it was first performed on 28 April 1997.
  • On the Annunciation of the Blessed Virgin (1996), for S.A.T.B. choir & organ
  • Changed (1997), for S.A.T.B. mixed choir with organ, harp string trio or similar
    • first performed by the Cunninghame Choir and members of the North Ayrshire Youth Band directed by Dorothy Howden at Walker Hall, Kilbirnie, Ayrshire on 12 December 1998.
  • The Gallant Weaver (1997), for a cappella S.A.T.B. choir
  • A New Song (1997), for S.A.T.B. choir & organ
    • written for the choir of St Bride's Church, Glasgow, who gave the first performance directed by Robert Marshall with Peter Christie (organ) on 1 March 1998.
  • The Prophecy (1997), for two-part school choir and instrumental ensemble
    • premièred by children from the Haringey Schools and members of The Philharmonia directed by , John Cooney and the composer at the Queen Elizabeth Hall, Southbank Centre, London on 11 October 1997.
  • Quickening (1998), for counter-tenor, two tenor & baritone soli, children's choir, S.A.T.B. choir & orchestra
    • co-commissioned by the BBC Proms and the Philadelphia Orchestra; premièred by the Hilliard Ensemble, the Westminster Cathedral Boys' Choir, the BBC Symphony Chorus, and the BBC Symphony Orchestra under Sir Andrew Davis at the Royal Albert Hall, London on 5 September 1999.
  • Heyoka Te Deum (1999), for three-part treble voices, flute, tubular bells & piano
    • written for the Brooklyn Youth Chorus, who gave the work's première under the direction of Dianne Berkon in New York on 3 May 2001.
  • Magnificat (1999), for S.A.T.B. choir & organ
    • commissioned by the BBC for the first choral evensong of the Millennium. It was premièred by the choir of Winchester Cathedral under David Hill at Winchester Cathedral on 15 July 2000.
  • Magnificat (1999), for S.A.T.B. choir & orchestra
  • The Company of Heaven (1999), for two-part children's choir & organ, with optional wind band & carnyx
    • commissioned by Partick 2000, a grouping of churches and community organisations in the Partick area of Glasgow, to celebrate the Millennium.
  • Mass (2000), for S.A.T.B. choir & organ
    • commissioned by Westminster Cathedral for the Millennium; premièred by the choir of Westminster Cathedral directed by Martin Baker with Andrew Reid (organ) at Westminster Cathedral, London on 22 June 2000.
  • The Birds of Rhiannon (2001), tone poem for orchestra with optional S.A.T.B. choir
    • commissioned by the BBC Proms; first performed by The Sixteen and the BBC Philharmonic under the composer at the Royal Albert Hall, London on 26 July 2001.
  • Nunc Dimittis (2000), for S.A.T.B. choir & organ
    • commissioned by Winchester Cathedral; premièred by the choir of Winchester Cathedral directed by David Hill with Philip Scriven (organ) in Winchester on 15 July 2000.
  • Dutch Carol (2001), for unison treble voices & piano
    • sets a traditional Dutch Christmas text, in a translation from the Oxford Book of Carols.
  • Nunc Dimittis (2001), for S.A.T.B. choir & orchestra
  • Te Deum (2001), for S.A.T.B. choir & organ
    • written for the choir of the Chapel Royal, HM Tower of London, who gave the work's première directed by Stephen Tilton at the Tower of London on 3 February 2002.
  • Tremunt videntes angeli (2001), for a cappella S.A.T.B. choir
  • O bone Jesu (2002), for a cappella mixed choir
  • To My Successor (2002), for a cappella S.A.T.B. choir
    • setting of a text by George Herbert, written for the enthronement of Dr. Rowan Williams as Archbishop of Canterbury. Premièred by the Choir of Canterbury Cathedral under the direction of David Flood at Canterbury Cathedral, Canterbury on 27 February 2003.
  • Chosen (2003), for S.A.A.T.T.B. choir & organ
  • Give me justice (2003), for a cappella S.A.T.B. choir
  • Give me justice, O God (2004), for unaccompanied voices
  • Gospel Acclamation (2004), for unaccompanied voices
    • chant
  • Laudi alla Vergine Maria (2004), for a cappella S.S.A.A.T.T.B.B. choir
    • premièred by the Netherlands Chamber Choir directed by Stephen Layton at St Janskerk, Gouda on 6 October 2004.
  • The Lord is my life and my help (2004), for unaccompanied unison voices
  • Remember your mercies, Lord (2004), for unaccompanied voices
    • Entrance Antiphon – chant
  • Bless the Lord, my soul (2005), for S.A.T.B. choir
    • responsorial psalm
  • Nemo te condemnavit (2005), for a cappella S.A.T.B. choir
    • commissioned by the Yale Glee Club, who gave the work's première under the direction of Jeffrey Douma at Yale University, New Haven, Connecticut on 18 November 2005.
  • Out of the depths (2005), for S.A.T.B. choir
    • responsorial psalm
  • The Spirit of the Lord fills the whole world (2005), for S.A.T.B. choir
    • Entrance Antiphon
  • The Strathclyde Motets – Factus est repente (2005), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – In splendoribus sanctorum (2005), for S.A.T.B. choir & obbligato trumpet or organ
  • The Strathclyde Motets – Sedebit Dominus Rex (2005), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – Videns Dominus (2005), for a cappella S.A.T.B. choir
  • When he calls to me, I will answer (2005), for unaccompanied choir
    • Entrance antiphon – chant
  • After Virtue (2006), for a cappella S.S.A.A.T.B.B. choir
    • commissioned by the Oslo International Church Music Festival; premièred by the Oslo Soloists Choir directed by Grete Pedersen in Oslo on 18 March 2007.
  • Invocation (2006), for a cappella S.A.T.B. double choir
    • written for the Oriel Singers, who gave the work's first performance directed by Tim Morris in Tewkesbury Abbey on 11 July 2006.
  • Let the sons of Israel say (2006), for S.A.T.B. choir
    • responsorial psalm
  • O Lord, you had just cause (2006), for S.A.T.B. choir
    • Entrance Antiphon – chant
  • The Strathclyde Motets – Dominus dabit benignitatem (2006), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – Mitte manum tuam (2006), for a cappella S.A.T.B. choir
  • Success (2006), for a cappella S.A.T.B. choir
    • brief setting of words by Bessie Stanley; work written as a tribute to Helen Millar on the occasion of her 75th birthday.
  • Sun-Dogs (2006), for a cappella S.A.T.B. choir (with multiple divisi)
  • Tenebrae Responsories (2006), for a cappella S.S.A.A.T.T.B.B. vocal ensemble
    • commissioned by Cappella Nova, who premièred the work under the direction of Alan Tavener at St Andrew's in the Square, Glasgow on 4 April 2007.
  • ...fiat mihi... (2007), for a cappella S.S.A.A.T.T.B.B. choir
    • written for the Bath Camerata, who gave the work's première under Nigel Perrin at Wells Cathedral, Wells on 21 March 2008.
  • Our Father, Doxology, Acclamation and Great Amen (2007), for unison voices & organ
  • St. John Passion (2007), for baritone solo, S.A.T.B. choir & orchestra
    • dedicated to Sir Colin Davis on the occasion of his 80th birthday. Co-commissioned by the London Symphony Orchestra and the Boston Symphony; premièred by the London Symphony Orchestra & Chorus with baritone Christopher Maltman under Sir Colin Davis at the Barbican Centre, London on 17 April 2008.
  • The Strathclyde Motets – The Canticle of Zachariah (2007), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – O Radiant Dawn (2007), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – Data est mihi omnis potestas (2007), for a cappella S.A.T.B. choir
  • O (2008), for three-part treble choir, trumpet & string orchestra or organ
  • And lo, the Angel of the Lord came upon them (2009), for three mixed-voiced choirs a cappella
  • Padre Pio's Prayer (2008), for S.A.T.B. choir & organ
  • The Song of the Lamb (2008), for S.A.T.B. choir & organ
    • commissioned by The House of Hope Presbyterian Church, Minnesota; premièred by the choir of The House of Hope Presbyterian Church directed by Andrew Altenbach with Nancy Lancaster (organ) in St. Paul, Minnesota on 9 March 2008.
  • The Strathclyde Motets – Pascha nostrum imolatus est (2008), for a cappella S.A.T.B. choir
  • The Strathclyde Motets – Os mutorum (2008), for two-part women's choir & medieval harp
  • The Strathclyde Motets – Lux Aeterna (2008), for a cappella S.A.T.B. choir
  • Benedictus Deus (2009), for a cappella S.A.T.B. choir
    • commissioned by Westminster Cathedral; first performed by Westminster Cathedral Choir directed by Martin Baker at Westminster Cathedral, London on 21 May 2009.
  • Bring us, O Lord God (2009), for a cappella S.A.T.B. choir
  • Jubilate Deo (2009), for S.A.T.B. choir & organ
    • premièred by the choir of Wells Cathedral under the direction of Matthew Owens with Jonathan Vaughn (organ) at Wells Cathedral on 17 May 2009.
  • Miserere (2009), for a cappella mixed choir
  • Serenity (2009), for S.A.T.B. choir & organ
  • Summae Trinitati (2009), for S.A.T.B. choir, brass septet, timpani & organ
    • premièred by the Choir of Westminster Cathedral directed by Martin Baker at Westminster Cathedral, London on 21 May 2009.
  • Tota pulchra es (2009), for S.A.T.B. choir & organ
  • Who are these angels? (2009), for male vocal ensemble (T.T.Bar.B.B.) & string quartet
    • setting of an anonymous text (attributed to St. Augustine); premièred by DoelenKwartet and ensemble amarcord in Grote of Sint-Laurenskerk, Rotterdam on 28 April 2009.
  • Ave Maria (2010), for S.A.T.B. choir & organ
  • Lassie, wad ye loe me? (2010), for a cappella mixed voices with multiple divisi
    • setting of an anonymous Scottish text
  • Mass of Blessed John Henry Newman (2010), for cantor, congregation, organ with optional brass & timpani
    • commissioned for Pope Benedict XVI's visit to the UK; first performed in Bellahouston Park, Glasgow on 16 September 2010.
  • Sonnet (2010), for vocal duet (S.S. or S.MS.) a cappella
    • words by Shakespeare
  • The Strathclyde Motets – Qui meditabitur (2010), for a cappella S.S.A.T.T.B.B. choir
  • The Strathclyde Motets – Benedicimus Deum caeli (2010), for a cappella S.S.A.T.T.B. choir
  • Think of how God loves you (2010), for a cappella S.A.T.B. choir
  • Tu es Petrus (2010), for S.A.T.B. choir, brass ensemble, percussion & organ
    • Introit – premièred by the Choir of Westminster Cathedral under the direction of Martin Baker in Westminster Cathedral on 18 September 2010.
  • Credo (2011) for S.A.T.B. choir and orchestra
    • premièred by the BBC Philharmonic, the Manchester Chamber Choir, the Northern Sinfonia Chorus, and the Rushley Singers under the direction of Juanjo Mena on 7 August 2012
  • Cum vidisset Jesus (2012), for a cappella S.S.S.S.A.A.T.T.B.B. choir
    • Antiphon on the Feast of the Seven Dolours of the Blessed Virgin Mary; commissioned by Sacred Music at the University of Notre Dame in honor of the Sisters of the Holy Cross; premièred by the Notre Dame Festival Chorus under the direction of Carmen-Helena Téllez at Leighton Hall, DeBartolo Performing Arts Center, University of Notre Dame on 15 September 2012.
  • Since it was the Day of Preparation... (2015), for S.A.T.B. choir (or soloists), bass soloist and instrumental ensemble (cello, clarinet, French horn, harp and theorbo)
    • A setting of the continuation of St John's Gospel after the end of the often-set Passion narrative, involving Christ's burial and post-Resurrection appearances to His disciples.[2] First performed at Greyfriars Kirk, Edinburgh on 22 August 2012 by Hebrides Ensemble and Synergy Vocals with William Conway (cello) and Brindley Sherratt (bass soloist) as part of the Edinburgh International Festival.
  • Stabat Mater (2015), for chorus and orchestra
  • Ut omnes unum sint (2015), for a cappella S.S.A.A.T.T.B.B. choir and T.T.B. soloists
    • A setting of John 17:21–22, Christ's exhortation for unity amongst his followers. Commissioned by Belfast choir Cappella Caeciliana for its 20th anniversary, and dedicated to its Musical Director Donal McCrisken. The trio solo is written for the choir's founder members The Priests. First performed at St Mary's Cathedral, Edinburgh (Roman Catholic), on 21 November 2015 by Cappella Caeciliana, directed by the composer. Recorded by Cappella Caeciliana and The Priests on the CD UNITY May they all be one.
  • A European Requiem (2015), for countertenor (or alto), baritone, mixed chorus, and orchestra
    • Commissioned by the Oregon Bach Festival, partially supported by an award from the National Endowment for the Arts. First performed at the Hult Center for the Performing Arts in Eugene, Oregon, on 2 July 2016 by the countertenor Christopher Ainslie, the baritone Morgan Smith, the Berwick Chorus of the Oregon Bach Festival, and the Oregon Bach Festival Orchestra conducted by Matthew Halls.
  • Symphony No. 5 (2018), for chorus and orchestra
    • Commissioned by the Genesis Foundation. First performed in Usher Hall, Edinburgh, on 17 August 2019 by The Sixteen, the Genesis Sixteen chamber choir, and Scottish Chamber Orchestra conducted by Harry Christophers.
  • Vidi Aquam (2020), for a cappella 40 part choir
    • Commissioned by Ora Singers as a companion motet for Spem in Alium by Thomas Tallis.
  • Christmas oratorio

Chamber[]

  • The Road to Ardtalla (1983), for ensemble of 6 players
    • 15-minute work, premièred by the Manchester University New Music Ensemble under the direction of the composer in Manchester on 6 November 1987.
  • Three Dawn Rituals (1983), for chamber ensemble of 8 players
    • premièred by the Nomos Ensemble in London on 2 November 1985.
  • Two Visions of Hoy (1986), for oboe & ensemble of 6 players
    • premièred by the Manchester University New Music Ensemble under the direction of the composer in Manchester on 17 June 1986.
  • Two Movements (1987), for wind quintet
    • premièred by the faculty ensemble at the Royal Scottish Academy of Music and Drama in Glasgow on 29 June 2007.
  • Untold (1987, rev.1991), for wind quintet
    • commissioned by Ayr Arts Guild for the Flaxton Ensemble, who premièred the work in Ayr on 13 September 1988.
  • Variation on Johnny Faa' (1988), for soprano, flute, cello & harp
    • a brief setting of a Traditional English text
  • Visions of a November Spring (1988), for string quartet
    • premièred by the in Glasgow on 3 May 1989.
  • The Exorcism of Rio Sumpúl (1989), for ensemble of 13 players
  • ...as others see us... (1990), for ensemble of 9 players
  • Intercession (1991), for three oboes
  • Scots Song (1991), for soprano & ensemble
    • a setting of The Tryst by William Soutar; premièred by the Composers Ensemble in Brighton, Sussex on 10 May 1991.
  • Tuireadh (1991), for clarinet & string quartet
  • They saw the stone had been rolled away (1993), fanfare for brass & percussion
  • Memento (1994), for string quartet
    • written in memory of David Huntley, a friend of the composer's and the representative of Boosey & Hawkes in the United States. The work was premièred at a memorial concert for Huntley by the Kronos Quartet at Merkin Hall, New York on 13 October 1994.
  • Adam's Rib (1994–95), for brass quintet
  • A Different World (1995), for violin and piano
  • Fourteen Little Pictures (1997), for piano trio
    • commissioned by the BBC to mark the 25th anniversary of the collaboration of Peter Frankl, György Pauk and Ralph Kirshbaum, who together gave the world première of the work at the Wigmore Hall, London on 21 May 1997.
  • The Prophecy (1997), for soprano & ensemble
    • setting of the Story of Deirdre, as translated by Kenneth Hurlstone-Jackson in A Celtic Miscellany. Version premièred by Cristina Zavalloni (soprano) and Sentieri Selvaggi at the Teatro alla Scala, Milan on 12 March 2001.
  • Raising Sparks (1997), for mezzo-soprano & ensemble
  • Exsultet (1998), for brass quintet & optional percussion
    • commissioned by the Royal Scottish Academy of Music and Drama or the opening of the new Sir Alexander Gibson Opera School; premièred by members of the RSAMD in Glasgow on 1 December 1998.
  • Gaudeamus in loci pace (1998), for solo organ
  • Why is night different? (1998), for string quartet
  • Cello Sonata No. 1 (1999), for cello & piano
    • commissioned by the Bath and Queensland Biennial Festivals of 1999 and specially written for its dedicatee Raphael Wallfisch, who premièred the work at the Bath Assembly Rooms with John York on 30 May 1999.
  • Cumnock Fair (1999), for piano & string quintet
    • commissioned by the Cumnock Music Club for its Golden Jubilee Concert; premièred by members of the Scottish Chamber Orchestra at Cumnock Academy, Ayrshire on 23 March 1999.
  • Cello Sonata No. 2 (2000), for cello & piano
  • Northern Skies (2000), for cello & piano
    • premièred by Catherine MacMillan, Fay Jennett, Rachel Brolly, Alison Jones (cello) and Myra Chahin (piano) at Hutcheson's Hall, Glasgow on 9 March 2001.
  • A Deep but Dazzling Darkness (2001–02), concerto for violin, large ensemble & tape
  • For Max (2004), for piano quintet
  • For Michael (2004), for piano quintet
  • For Sally (2006), for piano quintet
  • Chant for John (2007), for piano quartet
    • brief work dedicated to the composer's teacher John Casken.
  • Horn Quintet (2007), for horn & string quartet
  • String Quartet No. 3 (2007)
    • written for the Takacs Quartet, who premièred the work at the Queen Elizabeth Hall, London on 21 May 2008.
  • Etwas zurückhaltend (2008), for string quartet
    • re-working of a piece originally composed in 1982, while MacMillan was a student of John Casken at the University of Durham. This newly re-worked version of the same score was premièred by the Edinburgh Quartet at Canongate Kirk, Edinburgh on 31 March 2010.
  • Lament of Mary, Queen of Scots (2008), for soprano, tenor & piano trio
    • written to celebrate the 250th anniversary of the birth Robert Burns; premièred Lorna Anderson (soprano), Jamie MacDougall (tenor) and the Haydn Trio Eisenstadt at the University of Glasgow on 16 January 2009.
  • The Beneficiaries (2009), for soprano, clarinet & piano
  • Processional (2010), for organ, brass ensemble & percussion

Vocal[]

  • Variation on Johnny Faa' (1988), for soprano, flute, cello & harp
    • a brief setting of a Traditional English text
  • Three Scottish Songs (1995) for voice and piano
    • settings of 'Scots Song' (aka 'The Tryst') (1991), 'Ballad' (1994) and 'The Children' (1995), texts by William Soutar. 'Scots Song' was premièred by the Composers Ensemble in Brighton, Sussex on 10 May 1991.
  • The Prophecy (1997), for soprano & ensemble
    • setting of the Story of Deirdre, as translated by Kenneth Hurlstone-Jackson in A Celtic Miscellany. Version premièred by Cristina Zavalloni (soprano) and Sentieri Selvaggi at the Teatro alla Scala, Milan on 12 March 2001.
  • Raising Sparks (1997), for mezzo-soprano & ensemble
  • Lament of Mary, Queen of Scots (2008), for soprano, tenor & piano trio
    • written to celebrate the 250th anniversary of the birth Robert Burns; premièred by Lorna Anderson (soprano), Jamie MacDougall (tenor) and the Haydn Trio Eisenstadt at the University of Glasgow on 16 January 2009.
  • The Beneficiaries (2009), for soprano, clarinet & piano

Piano(s)[]

  • Piano Sonata (1985)
  • A Cecilian Variation for JFK (1991)
    • variation on the overture to Purcell's St Cecilia Ode (1683); written as a tribute to John F Kennedy on the anniversary of his assassination. Premiered on 22 November 1991 at Kennedy Center, Washington DC by David Owen Norris.
  • Barncleupédie (1992)
    • written as a gift to the composer's friends Barbara and Kenneth Kelly. Premiered at the Queen's Hall, Edinburgh by pianist Catherine Edwards on 28 February 1993.
  • Angel (1993)
    • written as a gift to the composer's daughter; first performed by the composer on 31 October 1993 at Stockbridge Parish Church, Edinburgh.
  • Birthday Present (1997)
  • Lumen Christi (1997)
    • premiered on 11 April 1997 at Palazzo Barozzi, Milan by .
  • in angustiis... I (2001)
    • premiered on 16 February 2002 at Glasgow University by pianist Simon Smith.
  • For Ian (2000)
    • written in memory of the composer's friend and Church of Scotland minister Ian Tweedlie. First performed on 8 February 2000 by the composer at St Ninian's Women's Guild, Cumnock.
  • 25th May 1967 and For Neil (2002)
    • two short pieces for solo piano, celebrating the composer's devotion to football, and in particular Celtic Football Club. The first (25th May 1967) is dedicated to former right-back Jim Craig, and the second (For Neil) to former captain and manager Neil Lennon. First performed on 6 May 2003 at Gonville and Caius College, Cambridge by pianist Simon Smith.
  • Walfrid, On His Arrival At The Gates Of Paradise (2008)
    • originally written for a group of folk instruments to celebrate the 2005 unveiling of a statue of the founder of Celtic Football Club, Brother Walfrid, the piano version was published in 2008.

References[]

  1. ^ "James MacMillan". www.boosey.com.
  2. ^ Ivan Moody et al., sleeve notes to Delphian Records CD DCD34168 (2016).
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