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List of marches composed by John Philip Sousa
![John Philip Sousa seated at a desk and looking at "The Invincible Eagle March" sheet music](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d6/John_Philip_Sousa_seated_at_a_desk_and_looking_at_%22The_Invincible_Eagle_March%22_sheet_music_LCCN2015647676_%28cropped%29.jpg/220px-John_Philip_Sousa_seated_at_a_desk_and_looking_at_%22The_Invincible_Eagle_March%22_sheet_music_LCCN2015647676_%28cropped%29.jpg)
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches.[1] He composed 136 marches from 1873 until his death in 1932.[a][2] He derived few of his marches from his other musical compositions such as melodies and operettas. "The Stars and Stripes Forever" is considered Sousa's most famous composition.[3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II.[4] However, not all of Sousa's marches had the same level of public appeal.[2] Some of his early marches are lesser known and rarely performed.[2] He composed marches for several American universities, including the universities of Minnesota,[5] Illinois (now known as University of Illinois Urbana-Champaign),[6] Nebraska,[7] Kansas,[8] Marquette,[9] and the Pennsylvania Military College (now known as Widener University). He served as leader of the Marine Band from 1880 to 1892, and performed at the inaugural balls of President James A. Garfield and Benjamin Harrison.[10]
In 1987, "The Stars and Stripes Forever" was made the national march of the United States, by an act of Congress.[11] The "U.S. Field Artillery" is the official march of the United States Army. After leaving the Marine Band, he formed a civilian band and went on many tours in the subsequent 39 years.[12] He died on March 6, 1932, at the age of 77, leaving his last march "Library of Congress" unfinished.[13]
List of marches[]
Contents |
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1873-80 · 1881-90 · 1891-1900 · 1901-10 · 1911-20 · 1921-30 · 1931-32 |
Title | Year | Notes | Audio | Ref. |
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"Review" | 1873 | "Review" was Sousa's first published march and was dedicated to Colonel William G. Moore.[14] | ||
"Salutation" | 1873 | "Salutation" was composed while Sousa was a musician in the Marine Band; he dedicated it to the new band leader Louis Schneider.[16] | –
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"The Phoenix" | 1875 | This march was dedicated to Milton Nobles. Parts of this march were later used in Sousa's "Manhattan Beach".[18] | –
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"Revival" | 1876 | Sousa composed this march at the request of his fellow composer Simon Hassle. The hymn "In the Sweet By-and-By" was incorporated into the march.[14] | ||
"The Honored Dead" | 1876 | The occasion of this march's composition is unknown, but it was arranged upon the death of President Ulysses S. Grant in 1885.[21] | ||
"Across the Danube" | 1877 | Sousa credits the inspiration for this march to one of the victory of Christendom over the Turks during the Russo-Turkish War.[23] | ||
"Esprit-de-corps" | 1878 | Esprit de corps is a French term meaning "the spirit of the body". It was published one year after Sousa resigned from the Marine Corps.[25] | ||
"On the Tramp" | 1879 | This march was based on the song "Out of Work" by Septimus Winner. The title of the march was a slang expression in the 1880s, meaning "on the lookout for employment".[18] | ||
"Resumption" | 1879 | The title of this march was derived from the resumption of the use of gold and silver coins in the U.S.[14] | ||
"Globe and Eagle" | 1879 | This march takes its title from the emblem of the Marine Corps. It was one of several military-related titles chosen by Sousa while he was an orchestra conductor.[29] | ||
"Our Flirtation" | 1880 | "Our Flirtation" was from a musical comedy produced in 1880. It was dedicated to Henry L. West of The Washington Post.[18] | ||
"Recognition March" | 1880 | Sousa's heirs presented this march to the Library of Congress in 1970. It is considered a revised version of Sousa's "Salutation" march.[32] | ||
"Guide Right" | 1881 | Sousa composed this march for use in parade, dedicating it to R. S. Collum, captain of the Marine Corps.[34] | ||
"President Garfield's Inauguration" | 1881 | This was one of the two marches Sousa dedicated to U.S. presidents. It was composed for the inauguration of James A. Garfield, and was first performed on March 4, 1881.[36] | ||
"In Memoriam" | 1881 | Sousa composed this march and dedicated it to President James A. Garfield, upon his death. The dirge was played by the Marine Band as the president's body was received in Washington, D.C.[21] | ||
"Right Forward" | 1881 | This march is considered the second version of "Guide Right". It was dedicated to R. S. Collum.[39] | ||
"The Wolverine" | 1881 | Sousa composed and dedicated this march to David H. Jerome, Governor of Michigan. It premiered in March 1881.[41] | ||
"Yorktown Centennial" | 1881 | Sousa composed this march to commemorate the hundredth anniversary of the British surrender at Yorktown, one of the last important battles in the Revolutionary War.[43] | ||
"Congress Hall" | 1882 | Sousa composed this march after the Marine Band's first visit to the Congress Hall Inn in Cape May, New Jersey. He dedicated it to the proprietors of the inn, H. J. Crump and J. R. Crump.[45] | ||
"Bonnie Annie Laurie" | 1883 | Sousa composed this march by taking inspiration from an old Scottish ballad "Annie Laurie", which he considered the most beautiful folk song.[47] | ||
"Mother Goose" | 1883 | Sousa composed this march using various nursery tunes like "Our Dear Doctor" and "There Is a Man in Our Town".[49] | ||
"Pet of the Petticoats" | 1883 | The occasion and reason for this march's composition are unknown.[51] | ||
"Right-Left" | 1883 | Sousa composed this march in 1883; it is famous for its trio part, which calls for shouts of "Right! Left!" at regular intervals.[39] | ||
"Transit of Venus" | 1883 | Sousa composed this march for the unveiling of a statue of Joseph Henry, the first Secretary of the Smithsonian Institution, and was premiered in April 1883.[54] | ||
"The White Plume" | 1884 | Sousa composed this march by transforming a previous piece of which he composed with Edward M. Taber. He rearranged the piece and added new sections.[56] | ||
"The Mikado" | 1885 | This march was based on themes from the Gilbert and Sullivan comic opera of the same name.[58] | ||
"Mother Hubbard" | 1885 | This march is considered a version of "Mother Goose" as it is also based on a nursery rhyme theme.[49] | ||
"Sound Off" | 1885 | Sousa composed this march and dedicated it to Major George Porter Houston. The title of the march is a military command.[61] | ||
"Triumph of Time" | 1885 | The occasion and reason for this march's composition are unknown.[63] | ||
"The Gladiator" | 1886 | The inspiration for this march is not confirmed, but it is widely believed that Sousa might have been inspired by a literary account of some particular gladiator. It was initially composed for a music publisher in Pennsylvania, but after they rejected the march, it was sold to Harry Coleman, who sold over a million copies of it.[29] | ||
"The Rifle Regiment" | 1886 | The occasion for the composition of this march is unknown, but it was dedicated to the officers of the 3rd U.S. Infantry.[14] | ||
"The Occidental" | 1887 | The occasion of this march's composition is unknown, but it was published four years after being composed.[67] | ||
"Ben Bolt" | 1888 | Sousa composed this march by incorporating a melody of a song with the same name.[69] | ||
"The Crusader" | 1888 | Sousa composed this march after being "knighted" by Columbia Commandery No. 2, a local division of the Knights Templar of the Masonic York Rite. It is believed that Sousa used fragments of Masonic music in the march.[71] | ||
"National Fencibles" | 1888 | The titular National Fencibles were a Washington, D.C.-based drill team.[49] | ||
"Semper Fidelis" | 1888 | During a conversation with Sousa, President Chester A. Arthur expressed his displeasure for "Hail to the Chief", the personal anthem of the president, and requested that Sousa compose a more appropriate piece.[74] "Semper Fidelis" was composed two years after Arthur's death, which takes its title from the motto of the U.S. Marine Corps, which means "always faithful".[75] | ||
"The Picador" | 1889 | Sousa composed this march in 1889, and was soon sold to publisher Harry Coleman, for $35 (equivalent to $1,000 in 2020). A bullfight was depicted on the front page of its sheet music.[51] | ||
"The Quilting Party March" | 1889 | Sousa composed this march from a famous song named "Aunt Dinah's Quilting Party".[32] | ||
"The Thunderer" | 1889 | Sousa composed this march on the occasion of the 24th triennial Conclave of the Grand Encampment of the Knights Templar, and was dedicated to Columbia Commandery No. 2.[79] | ||
"The Washington Post" | 1889 | Sousa composed this march for the award ceremony of an essay contest organized by The Washington Post. With President Benjamin Harrison in attendance, the march was premiered in June 1889.[81] | ||
"Corcoran Cadets" | 1890 | Sousa composed this march at the request of a California based drill team named "Corcoran Cadets".[45] | ||
"The High School Cadets" | 1890 | Sousa composed this march at the request of the students of the only high school in Washington, D.C. He was requested to compose a march superior to his "National Fencibles". It was published in February 1890.[84] | ||
"The Loyal Legion" | 1890 | Sousa composed this march to commemorate the twenty-fifth anniversary of the founding of the Loyal Legion. It was first played in April 1890.[86] | ||
"Homeward Bound" | 1891/92 | "Homeward Bound" was an unpublished march whose existence was first hinted at in Sousa's autobiography Marching Along. It was not discovered until 1965, 23 years after Sousa's death. It is believed to have been composed in 1891 or 1892.[21] | ||
"The Belle of Chicago" | 1892 | Sousa composed this march to salute the ladies of Chicago, an action for which he was criticized. The march is more popular overseas than in the United States.[69] | ||
"March of the Royal Trumpets" | 1892 | This march was never published in its original form. Egyptian trumpets were used in its composition.[90] | ||
"On Parade" | 1892 | This march was published after being orchestrated into two different Sousa compositions. It was also known as "The Lion Tamer".[92] | ||
"The Triton" | 1892 | Originally composed by a composer named J. Molloy, this march was formed by transforming Molloy's simple arrangement into a march.[54] | ||
"The Beau Ideal" | 1893 | An inscription on the original sheet music indicated that "Beau Ideal" was a newly formed organization called The National League of Musicians of the United States.[69] | ||
"The Liberty Bell" | 1893 | Sousa initially composed this march as an operetta at the request of Francis Wilson, but he later transformed it into a march. The unveiling of a painting of the Liberty Bell in Chicago and his son's march in a Philadelphia parade in the bell's honor inspired Sousa to name the march "The Liberty Bell".[96] | ||
"Manhattan Beach" | 1893 | This march had been derived from an earlier composition, probably "The Phoenix March". It was dedicated to Austin Corbin.[98] | ||
"The Directorate" | 1894 | Sousa composed this march in appreciation of an honor bestowed upon Sousa by the Board of Directors of the 1893 St. Louis Exposition.[25] | ||
"King Cotton" | 1895 | Sousa composed this march for the Cotton States and International Exposition of 1895. It was named the official march of the exposition.[101] | ||
"El Capitan" | 1896 | This march was extracted from Sousa's operetta, El Capitan. It was played at Admiral Dewey's victory parade in New York in 1899.[103] | ||
"The Stars and Stripes Forever" | 1896 | "The Stars and Stripes Forever" is Sousa's most famous composition.[3] He composed the march at sea on Christmas Day in 1896 and committed the notes to paper on his arrival in the United States.[105] It was first performed at Willow Grove Park, just outside Philadelphia, on May 14, 1897, and was immediately greeted with enthusiasm.[106] In 1987, it was made the national march of the United States by an act of Congress.[11] | ||
"The Bride Elect" | 1897 | This march was extracted from an operetta named The Bride Elect. Frank Simon, a cornetist in Sousa's band, said that it was one of Sousa's favorite marches.[103] | ||
"The Charlatan" | 1898 | This march is extracted from Acts II and III of Sousa's same-named operetta.[109] | ||
"Hands Across the Sea" | 1899 | It is believed that Sousa took inspiration for this march from an incident in the Spanish-American War. He did not address it to any particular nation, but to all of America's friends abroad. It was first played at the Philadelphia Academy of Music in April 1899.[111] | ||
"The Man Behind the Gun" | 1900 | Sousa considered this march an echo of the Spanish-American war, and it first appeared in an operetta in 1899.[98] | ||
"Hail to the Spirit of Liberty" | 1900 | Sousa composed "Hail to the Spirit of Liberty" for his band's first overseas tour of Paris. It was first played when Lafayette's monument was unveiled there on July 4.[34] | ||
"The Invincible Eagle" | 1901 | This march was dedicated to the Pan-American Exposition, held in Buffalo in 1901.[115] | ||
"The Pride of Pittsburgh" | 1901 | Sousa composed this march for the dedication of a music hall in Pennsylvania. The title of the march was selected through a contest arranged by a newspaper.[36] | ||
"Imperial Edward" | 1902 | Sousa composed this march for and dedicated to Edward VII. The trio of this march consists of fragments of "God Save the King".[21] | ||
"Jack Tar" | 1903 | This march was originally titled "British Tar", and it contains traces of "The Sailor's Hornpipe", a traditional melody associated with the British Royal Navy. Premiered at London's Albert Hall in 1903, it differs from other Sousa marches in its unusual structure.[115] | ||
"The Diplomat" | 1904 | After being impressed by the diplomatic skills of Secretary of State John Hay, Sousa composed this march and dedicated it to him.[120] | ||
"The Free Lance" | 1906 | This march was extracted from Sousa's operetta of the same name. The trio of the march is based on "On to Victory" from the operetta.[122] | ||
"Powhatan's Daughter" | 1907 | Sousa composed this march for the 1907 Jamestown exposition, and was a salute to Chief Powhatan's daughter Pocahontas.[36] | ||
"The Fairest of the Fair" | 1908 | On being invited with his band to play at the Boston food fair, Sousa composed this march for the fair. It was first played in September 1908.[125] | ||
"The Glory of the Yankee Navy" | 1909 | The march was composed for the musical comedy "The Yankee Girl"; Sousa dedicated it to Blanche Ring, the star of the show.[127] | ||
"The Federal" | 1910 | Sousa composed this march just before embarking on his world tour, honoring the people of Australia and New Zealand. It was originally titled "The Land of the Golden Fleece", but that was changed to "The Federal" at the request of George Reid, the High Commissioner for Australia.[129] | ||
"From Maine to Oregon" | 1913 | Sousa's operetta "All American" had been transformed to compose this march.[122] | ||
"Columbia's Pride" | 1914 | "Columbia's Pride" was based on a Sousa's 1890 song "Nail the flag to the mast". Sousa made some modifications in the song and composed this march for piano, which he apparently never arranged on a band or orchestra.[132] | ||
"The Lambs' March" | 1914 | "The Lambs' March" was composed and dedicated to the Lambs Club of New York. Fragments of this march were later transformed into Sousa's 1882 operetta "The Smugglers".[101] | ||
"The New York Hippodrome" | 1915 | "The New York Hippodrome" was composed in commemoration of his band's tour as his band was featured in extravaganza at the New York Hippodrome.[135] | ||
"March of the Pan Americans" | 1915 | "March of the Pan-Americans" is Sousa's longest march, lasting approximately fifteen minutes. The march incorporated national anthems of various nations.[90] | –
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"The Pathfinder of Panama" | 1915 | "The Pathfinder of Panama" was composed at the request of Walter Anthony, a San Francisco Call's reporter. It was dedicated to Panama Canal and Panama Pacific exposition held in 1915.[18] | ||
"America First" | 1916 | President Woodrow Wilson's speech at the twenty-fifth anniversary convention of the Daughters of the American Revolution in 1915 inspired Sousa to compose "America First". It premiered on February 22, 1916 (George Washington's birthday).[138] | ||
"Boy Scouts of America" | 1916 | Sousa composed "Boy Scouts of America" at the request of Charles D. Hart, President of the Philadelphia scout organization. It was dedicated to the boy scouts of America.[47] | ||
"Liberty Loan" | 1917 | "Liberty Loan" was composed for Fourth Liberty Loan campaign of World War I, at the joint request of Secretary of Treasury William McAdoo and Liberty Loan Director Charles Schweppe.[86] | ||
"The Naval Reserve" | 1917 | "The Naval Reserve" was dedicated to officers of the naval reserve. Other titles for this march were "Boys in the Navy Blue" and "Great Lakes".[142] | ||
"U.S. Field Artillery March" | 1917 | On being requested by Army Lieutenant George Friedlander of the 306th Field Artillery, Sousa composed "U.S. Field Artillery March". It is built around an existing song named The Caisson Song and is the official march of U.S. Army.[144] | ||
"The White Rose" | 1917 | Sousa composed "The White Rose" at the request of Pennsylvania civic committee. It was played at a public concert by combined bands in 1917.[56] | ||
"Wisconsin Forward Forever" | 1917 | The occasion and purpose of "Wisconsin Forward Forever" is unknown, although it is speculated that Sousa composed it to salute Wisconsin's contribution to war efforts.[41] It was originally titled "Solid men to front", but that title was crossed out on the march's music manuscript, with the present title written.[41] | ||
"Anchor and Star" | 1918 | Sousa composed "Anchor and Star" while leading the Navy Battalion Band during World War I. He dedicated it to the U.S. Navy and it was named after the U.S. Navy's emblem.[138] | ||
"Bullets and Bayonets" | 1918 | Composed during World War I, "Bullets and Bayonets" was dedicated to the officers and men of the U.S. infantry.[103] | ||
"The Chantyman's March" | 1918 | Sousa composed "The Chantyman's March" from an article he wrote, entitled "Songs of the sea". It incorporates eight chanteys.[109] | ||
"Flags of Freedom" | 1918 | "Flags of Freedom" was composed at the request of Joseph Gannon, chairman of Fourth liberty loan drive in World War I. Belgium, Italy, France, Great Britain and America were represented in this march.[b][129] | ||
"Sabre and Spurs" | 1918 | "Sabre and Spurs" was dedicated to officers of 311th Cavalry and was also known as "March of the American Cavalry".[16] | ||
"Solid Men to the Front" | 1918 | "Solid Men to the Front" was composed during World War I. The title was initially used in music sheet of "Wisconsin Forward" march, but was later used for this march.[61] | ||
"USAAC" | 1918 | "USAAC" march was composed for members of the United States Army Ambulance Corps. It contained melodies from a musical composition called "Good-Bye Bill".[154] | ||
"The Volunteers" | 1918 | "The Volunteers" was composed at the request of Robert D. Heinl, chief of the Defense Department of Patriotic services. It premiered in March 1918.[156] | ||
"Wedding March" | 1918 | Sousa composed "Wedding March" at the request of Representatives of American Relief Legion during World War I.[56] | ||
"The Victory Chest" | 1918 | "The Victory Chest" was composed in May 1918. The occasion and reason for composition of this march are unknown.[156] | –
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"The Golden Star" | 1919 | "The Golden Star" was composed in memory of Theodore Roosevelt's son, who was killed in France.[160] | ||
"Comrades of the Legion" | 1920 | Sousa composed "Comrades of the Legion" shortly after World War I for the newly formed American Legion. It was titled "Comrades of the Legion", but it was changed to "The American Legion March". However, original title was used in the published version.[132] | ||
"On the Campus" | 1920 | Sousa composed "On the Campus" at the request of the publisher and dedicated it to "collegians, past, present, and future".[18] | ||
"Who's Who In Navy Blue" | 1920 | "Who's Who In Navy Blue" was composed at the request of a student body from the U.S. Naval Academy. T. R. Wirth suggested the title "Ex Scienta Tridens", but Sousa rejected it and named it "Who's Who in Navy Blue".[56] | ||
"Keeping in Step With the Union" | 1921 | The inspiration for "Keeping in Step With the Union" came from 1855 speech by Congressman Rufus Choate. The march is dedicated to First lady Florence Harding.[101] | ||
"The Gallant Seventh" | 1923 | "The Gallant Seventh's" title had been taken from a regiment on New York National Guard. Sousa composed this march at the request of Colonel Wade H. Hayes.[122] | ||
"The Dauntless Battalion" | 1922 | Upon receiving honorary doctorate from the Pennsylvania Military College in Chester, Sousa composed "The Dauntless Battalion" to honor the cadets. It was originally titled "Pennsylvania Military College March", but upon its publication, the title was changed to "The Dauntless Battalion".[120] | ||
"March of the Mitten Men" | 1923 | "March of the Mitten Men" was composed and dedicated to Thomas E. Mitten. For its second edition, the title was changed to "Power and Glory".[90] | ||
"Nobles of the Mystic Shrine" | 1923 | "Nobles of the Mystic Shrine" was composed on request of Sousa's nephew, and was dedicated to the Almas Temple and Imperial Council.[135] | ||
"Ancient and Honorable Artillery Company" | 1924 | Sousa composed "Ancient and Honorable Artillery Company" at the request of the Ancient and Honorable Artillery Company. It was formally presented to the company at Symphony hall in Boston, Massachusetts in September, 1924.[138] | ||
"The Black Horse Troop" | 1924 | Sousa dedicated "The Black Horse Troop" to the mounted troops of a Cleveland National Guard Unit. His admiration of black horses used in Guard Unit is reflected in the title of the march.[69] | ||
"Marquette University March" | 1924 | When Sousa got an honorary doctorate from Marquette University, he composed "Marquette University March" as an expression of appreciation to the university.[58] | ||
"The National Game" | 1925 | "The National Game" was composed on request of Kenesaw Landis, baseball's high commissioner, on occasion of National League's fiftieth anniversary.[142] | ||
"The Gridiron Club" | 1925–26 | Another version of this march composed for piano is also called "Universal Peace", which was discovered among Sousa's papers in 1965. Other titles for "The Gridiron Club" are "The Wildcat" and "The Untitled March".[160] | –
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"The Universal Peace" | 1925–26 | The occasion and reason for "The Universal Peace" composition are unknown. The manuscript of this march was found with Sousa's documents in 1965.[63] | –
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"Old Ironsides" | 1926 | "Old Ironsides" was composed for a rally held in Madison Square Garden, regarding deterioration of historic old Ironsides. The march was never published.[67] | ||
"The Pride Of The Wolverines" | 1926 | Sousa composed "The Pride Of The Wolverines" at the request of Detroit's Mayor John W. Smith. It was later declared official march of Detroit.[32] | –
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"Sesqui-Centennial Exposition March" | 1926 | "Sesqui-Centennial Exposition March" was composed on request of Sesquicentennial Exposition officials, for the one hundred and fiftieth anniversary of American independence.[75] | –
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"The Atlantic City Pageant" | 1927 | Sousa wrote "The Atlantic City Pageant" on suggestion of Atlantic City's mayor Anthony M. Ruffu. It was played to celebrate the second annual engagement of Sousa's band in Atlantic City.[178] | –
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"Magna Carta" | 1927 | Sousa composed "Magna Carta" on request of the International Magna Carta day Association.[98] | –
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"Minnesota March" | 1927 | "Minnesota March" was composed at the request of the University of Minnesota football team. Sousa used Indian themes in this march, and later added field drum and bugle parts.[58] | –
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"Riders for the Flag" | 1927 | "Riders for the Flag" was composed at the request of Colonel Osmun Latrobe, and was dedicated to him.[14] | –
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"Golden Jubilee" | 1928 | Sousa composed "Golden Jubilee" to commemorate his fiftieth year as a conductor. Initially he was hesitant to compose anything for his own gratification, but reasoned that his public might expect something.[127] | –
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"New Mexico" | 1928 | "New Mexico" march was composed at the request of J. F. Zimmerman, President of the University of New Mexico. It was original titled "The Queen of the Plateau".[142] | –
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"Prince Charming" | 1928 | Student band from the Elementary school in Los Angeles inspired Sousa to compose "Prince Charming". It was dedicated to the band's organizer Jennie L. Jones.[32] | –
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"University of Nebraska" | 1928 | Sousa composed this march for the University of Nebraska at its Director's request. He initially considered naming the march "The Corn-huskers", but ended up naming it "University of Nebraska", dedicating it to the faculty and students of the University.[63] | –
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"University of Illinois" | 1929 | Sousa composed this march for University of Illinois, as he considered its band the finest among all colleges. It premiered in July 1929.[63] | –
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"La Flor De Sevilla" | 1929 | "La Flor De Sevilla" was inspired from an old Spanish proverb "Quien no ha visto Sevilla no ha visto maravilla" meaning "He, who has not seen Sevilla has not seen beauty". The march was composed at the request of the directors of the Ibero-American-exposition held at Seville, Spain.[129] | –
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"Daughters of Texas" | 1929 | "Daughters of Texas" was composed upon submission of a petition signed by 1300 students of Texas college. Two different sets of marches were composed, but one march from the set has been lost.[71] | –
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"Foshay Tower Washington Memorial" | 1929 | "Foshay Tower Washington Memorial" was composed from parts of "Daughters of Texas", another of Sousa's marches. It was re-premiered in August 1976, when Sousa's name was added to the hall of fame for Great Americans.[122] | –
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"The Royal Welch Fusiliers" | 1929 | "The Royal Welch Fusiliers" were two marches composed to commemorate the association of U.S. Marines with Battalion of Royal Welch in Britain. These were the only marches written by Sousa for a British Army regiment.[191] The two versions have the same title, and are referred as Number 1 and 2.[39] | ||
1930 | ||||
"George Washington Bicentennial March" | 1930 | Sousa was requested to compose a march to commemorate two hundredth anniversary of George Washington. Sousa participated and arranged "George Washington Bicentennial March" in the final ceremony, conducting combined bands of Navy, Army and Marine Corps.[193] | –
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"Harmonica Wizard" | 1930 | Sousa had composed "Harmonica Wizard" when he was leading the "hoxie's boys" harmonica band. It was first performed in November 1930.[84] | –
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"The Legionnaires" | 1930 | "The Legionnaires" was composed on request of the French government for the 1931 International Colonial and Overseas Exposition in Paris.[96] | –
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"The Salvation Army" | 1930 | "The Salvation Army" was composed on request of Commander Evangeline Booth of the Salvation Army. It premiered in New York on fiftieth anniversary of Salvation Army.[16] | –
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"The Wildcats" | 1930/31 | Parts of "The Wildcats" was composed in early 1926. It was originally composed for Kansas State College, but the college was provided with a completely different march.[41] | –
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"The Aviators" | 1931 | Sousa dedicated "The Aviators" to one of his close friends and Chief of Navy's bureau of Aeronautics, William A. Moffett.[178] | –
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"A Century of Progress" | 1931 | Sousa was requested to compose a march on the hundredth anniversary of Chicago's incorporation as a town in 1933. He composed "A Century of Progress", but died a few months before the anniversary.[103] | –
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"The Northern Pines" | 1931 | Inspired by the band at Interlochen, Sousa composed "The Northern Pines" immediately prior to his second visit at the National Music Camp in Interlochen [67] | –
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"Kansas Wildcats" | 1931 | Sousa was requested to compose a march for Kansas State College. "Kansas Wildcats" was subsequently dedicated to the college.[115] | –
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"The Circumnavigators Club" | 1931 | "The Circumnavigators Club" was composed and played for the Circumnavigators Club in December 1931. This was Sousa's last completed composition.[132] | –
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"Library of Congress" (unfinished) | 1932 | "Library of Congress " was Sousa's last march, which he began composing in 1931. He died leaving the march unfinished. It was later finished by Stephen Bulla.[132] | –
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Music sheet of march "Across the Danube"
Music sheet of march "Transit of Venus"
Music sheet of march "El Capitan"
Music sheet of march "The Stars and Stripes Forever"
Music sheet of march "The Bride Elect"
Music sheet of march "Hands Across the Sea"
Music sheet of march "The Diplomat"
Music sheet of march "Imperial Edward"
Music sheet of march "Boy Scouts of America"
Music sheet of march "Anchor & Star"
Music sheet of march "U.S. Artillery March"
Sousa's portrait as leader of the marine band
Notes and references[]
Notes[]
Sources[]
- ^ "John Philip Sousa | Biography, Marches, & Semper Fidelis | Britannica". Encyclopedia Britannica. 2 March 2021. Archived from the original on 21 October 2018. Retrieved 2 March 2021.
- ^ a b c d Bierley 1984, p. 37.
- ^ a b "John Philip Sousa A Capitol Fourth PBS". PBS. Archived from the original on 11 June 2021. Retrieved 11 June 2021.
- ^ "John Philip Sousa". United States Marine Band. Archived from the original on 2 March 2021. Retrieved 16 June 2021.
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Work cited[]
- Bierley, Paul E (1984). The Works of John Philip Sousa. Columbus, Ohio: Integrity Press. ISBN 978-0-918048-04-2. LCCN 84080665. OL 2876313M. Retrieved 23 June 2021.
- Sousa marches
- John Philip Sousa
- Compositions by John Philip Sousa