List of paintings by John Constable
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This is an incomplete list of the paintings of John Constable ( 11 June 1776 – 31 March 1837), an artist of the Romanticism, famous for his rural scenes.[1]
Timeline[]
- 1776–1809 Early Years
- 1809–1816 Early Maturity
- 1817–1828 Established Londoner
- 1829-1837 Late Years
Paintings by Constable[]
This list includes paintings attributed to Constable.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate. The circa date may also be put.
| Image | Title | Year | Location |
|---|---|---|---|
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Salisbury Cathedral from the Meadows | 1831 | Tate |
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Salisbury Cathedral from the Bishop's Grounds | 1823 | Victoria and Albert Museum |
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Dedham Lock and Mill | 1820 | Victoria and Albert Museum |
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Weymouth Bay: Bowleaze Cove and Jordon Hill | 1816 | National Gallery |
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The Cornfield | 1826 | National Gallery |
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The Hay Wain | 1821 | National Gallery |
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Cottage at East Bergholt | 1833 | Lady Lever Art Gallery |
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Boat-building near Flatford Mill | 1815 | Victoria and Albert Museum |
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Cenotaph to the Memory of Sir Joshua Reynolds | 1836 | National Gallery |
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The Chain Pier, Brighton | 1827 | Tate |
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Flatford Mill | 1816
1811 |
Tate |
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Dedham Vale | 1802 | Victoria and Albert Museum |
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Hadleigh Castle | 1829 | Tate |
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Die Valley Farm | 1835 | Tate |
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The Lock | 1824 | private collection |
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Wivenhoe Park | 1816 | National Gallery of Art |
| The Watermill | Nationalmuseum | ||
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The Vale of Dedham | 1828 | National Galleries of Scotland |
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The Grove, or the Admiral's House in Hampstead | 1821 | Berlin State Museums |
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The Old Mill | 1820 | Walters Art Museum |
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Landscape | 18th century | MuMa Museum of modern art André Malraux |
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Helmingham Dell. Vallon dans le parc de Helmingham | 1800s | Department of Paintings of the Louvre |
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Vue de Salisbury | 1800s | Department of Paintings of the Louvre |
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The White Horse | 1819 | The Frick Collection |
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Salisbury Cathedral from the Bishop's Garden | 1800s | Metropolitan Museum of Art |
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Salisbury Cathedral from the Bishop's Garden | 1826 | The Frick Collection |
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Salisbury Cathedral from the Bishop's Garden | 1821 | São Paulo Museum of Art |
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Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) | 1818 | Metropolitan Museum of Art |
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Stoke-by-Nayland | 1810 | Metropolitan Museum of Art |
| Hampstead Heath with Bathers | 18th century | Metropolitan Museum of Art | |
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Netley Abbey | 1800s | Herbert F. Johnson Museum of Art |
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Stonehenge at Sunset | 1836 | Yale Center for British Art |
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The White Horse | 1800s | National Gallery of Art |
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Salisbury Cathedral from Lower Marsh Close | 1820 | National Gallery of ArtAndrew W. Mellon collection |
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Cloud Study: Stormy Sunset | 1800s | National Gallery of Art |
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A View on Hampstead Heath with Harrow in the Distance | 1822 | Fine Arts Museums of San Francisco |
| Arundel Mill | Fine Arts Museums of San Francisco | ||
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Hampstead, Stormy Sky | 1814 | Art Institute of Chicago |
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Stoke-by-Nayland | 1836 | Art Institute of Chicago |
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Landscape with Cottages | 18th century | Art Institute of Chicago |
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Study of a Windmill | 18th millennium | Statens Museum for Kunst |
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The Quarters behind Alresford Hall | 1816 | National Gallery of Victoria |
| West End Fields, Hampstead, noon | National Gallery of Victoria | ||
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Clouds | 1822 | National Gallery of Victoria |
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Study of A boat passing a lock | 1800s | National Gallery of Victoria |
| Keswick Lake | National Gallery of Victoria | ||
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The Mill Stream | 18th millennium | Statens Museum for Kunst |
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Landscape with goatherd and goats (after Claude) | 1823 | Art Gallery of New South Wales |
| A Heath | Museum of Fine Arts | ||
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A Hilltop (His Native Village) | 1809 | Museum of Fine Arts |
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Weymouth Bay from the Downs above Osmington Mills | 1816 | Museum of Fine Arts |
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Portrait of a Woman | Museum of Fine Arts | |
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Stour Valley and Dedham Church | 1814 | Museum of Fine Arts |
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||
| Coast Scene, Brighton | Philadelphia Museum of Art | ||
| Dell at Helmingham Park | Philadelphia Museum of Art | ||
| Dell at Helmingham Park | Philadelphia Museum of Art | ||
| Gandish Cottage, Suffolk | Philadelphia Museum of Art | ||
| Hampstead Heath | 1821 | Philadelphia Museum of Art | |
| Hilly Landscape | Philadelphia Museum of Art | ||
| Landscape (possibly the Stour valley) | Philadelphia Museum of Art | ||
| Landscape with a Lock | Philadelphia Museum of Art | ||
| Landscape with a River | Philadelphia Museum of Art | ||
| Landscape with Brushwood | Philadelphia Museum of Art | ||
| Marine | Philadelphia Museum of Art | ||
| Mill | Philadelphia Museum of Art | ||
| Near Bergholt Common | Philadelphia Museum of Art | ||
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Osmington Bay | Philadelphia Museum of Art | |
| Portrait of a Girl | Philadelphia Museum of Art | ||
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Portrait of Master Crosby | 1808 | Philadelphia Museum of Art |
| Rising Moon | Philadelphia Museum of Art | ||
| Road to the Spaniards, Hampstead | 1822 | Philadelphia Museum of Art | |
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Sketch for A Boat Passing a Lock | 1800s | Philadelphia Museum of Art |
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||
| The Stour | 1810 | Philadelphia Museum of Art | |
| The Stour | Philadelphia Museum of Art | ||
| Two Donkeys | 1816 | Philadelphia Museum of Art | |
| View toward the Rectory, East Bergholt | 1810 | Philadelphia Museum of Art | |
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Golding Constable's Flower Garden | 1815 | Ipswich Museum |
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Golding Constable's Vegetable Garden | 1815 | Ipswich Museum |
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Windmills in landscape. | 18th century | National Museum in Warsaw |
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Rushes by a pool | 1821 | Yale Center for British Art |
_-_Google_Art_Project.jpg) |
A View from Hampstead Heath (?) | 1825 | Yale Center for British Art |
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Horse and Cart | Yale Center for British Art | |
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A Cloud Study, Sunset | 1821 | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Cloud Study | Yale Center for British Art | |
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Cloud Study with Tree | 1821 | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Extensive Landscape with Grey Cloud | 1821 | Yale Center for British Art |
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Fen Lane, East Bergholt | 1811 | Yale Center for British Art |
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Captain Richard Gubbin | 1800s | Yale Center for British Art |
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Hampstead Heath, with a Bonfire | 1822 | Yale Center for British Art |
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Sir Richard Steele's Cottage, Hampstead | 1800s | Yale Center for British Art |
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Somerset House Terrace from Waterloo Bridge | 1819 | Yale Center for British Art |
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East Bergholt Church | 1809 | Yale Center for British Art |
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Barge below Flatford Lock | 1810 | Yale Center for British Art |
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Flatford Lock | 1800s | Yale Center for British Art |
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Osmington Village | 1800s | Yale Center for British Art |
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Golding Constable's House, East Bergholt: the Artist's birthplace | 1809 | Yale Center for British Art |
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West Lodge, East Bergholt | 1800s | Yale Center for British Art |
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Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”) | 18th century | Yale Center for British Art |
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Flatford Mill | 1800s | Yale Center for British Art |
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Hadleigh Castle | 1800s | Yale Center for British Art |
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Hampstead Heath Looking Towards Harrow | 1821 | Yale Center for British Art |
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Dedham Lock | 18th century | Yale Center for British Art |
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Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night | 1829 | Yale Center for British Art |
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Ploughing Scene in Suffolk | 1800s | Yale Center for British Art |
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Dedham Lock | 18th century | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Malvern Hall, Warwickshire | 1800s | Yale Center for British Art |
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Dedham Vale | 1802 | Yale Center for British Art |
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Mary Freer | 1809 | Yale Center for British Art |
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Coastal Scene with Cliff | 1814 | Yale Center for British Art |
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Lane near Dedham | 1802 | Yale Center for British Art |
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Parham Mill, Gillingham | 1826 | Yale Center for British Art |
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Bardon Hill, Coleorton Hall | 1823 | Yale Center for British Art |
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Hove Beach | 1800s | Yale Center for British Art |
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Study of a Cloudy Sky | 1825 | Yale Center for British Art |
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A Shepherd in a Landscape looking across Dedham Vale towards Langham | 1811 | Yale Center for British Art |
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Study of an Ash Tree | 1800s | Yale Center for British Art |
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Undergrowth | 1821 | Yale Center for British Art |
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Harnham Gate, Salisbury | 1800s | Yale Center for British Art |
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Sketch for "The Haywain" | 1820 | Yale Center for British Art |
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A View at Hampstead with Stormy Weather | 1830 | Yale Center for British Art |
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Harwich: The Low Lighthouse and Beacon Hill | 1820 | Yale Center for British Art |
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East Bergholt | 1813 | Yale Center for British Art |
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Stormy Sea, Brighton | 1828 | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Cloud Study | 1822 | Yale Center for British Art |
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Cloud Study, Early Morning, Looking East from Hampstead | 1821 | Yale Center for British Art |
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An Autumnal Landscape at East Bergholt | 1800s | Yale Center for British Art |
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Cloud Study | 1821 | Yale Center for British Art |
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Hampstead Heath | 18th century | Yale Center for British Art |
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Hampstead Heath looking towards Harrow | 1800s | Yale Center for British Art |
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View Towards the Rectory, East Bergholt | 1813 | Yale Center for British Art |
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Cloud Study | 1822 | Yale Center for British Art |
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Stratford Mill | 18th century | Yale Center for British Art |
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Landscape with Windmills near Haarlem, after Jacob van Ruisdael | 1830 | Dulwich Picture Gallery |
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On the River Stour | 1800s | The Phillips Collection |
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English Landscape | The Phillips Collection | |
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Salisbury Cathedral and Leadenhall from the River Avon | 1820 | National Gallery |
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Stratford Mill | 1820 | National Gallery |
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Weymouth Bay with Approaching Storm | 1818 | Department of Paintings of the Louvre |
| Landscape, Mill and Water | Auckland Art Gallery | ||
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East Bergholt - Lock on Stour | Indianapolis Museum of Art | |
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The Cornfield | Indianapolis Museum of Art | |
| Harnham Bridge, Salisbury | Indianapolis Museum of Art | ||
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Barge on the Canal | Indianapolis Museum of Art | |
| Laura Moubray, née Hobson (born 1788) | 1808 | National Galleries of Scotland | |
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On the Stour (Reverse: Study of Cows) | 1830 | National Galleries of Scotland |
| The Artist's Daughter | Museum of Fine Arts, Houston | ||
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The Glebe Farm | 1830 | TateNational Gallery |
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Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank | 1825 | TateNational Gallery |
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Stoke-by-Nayland | 1800s | TateNational Gallery |
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Salisbury Cathedral from the Meadows | 1829 | TateNational Gallery |
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View at Epsom | 1809 | TateNational Gallery |
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The Mill Stream. Verso: Night Scene with Bridge | 1810 | TateNational Gallery |
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Harwich Lighthouse | 1820 | TateNational Gallery |
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Hampstead Heath, with the House Called ‘The Salt Box’ | 18th century | TateNational Gallery |
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Gillingham Bridge, Dorset | 1823 | TateNational Gallery |
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East Bergholt House | 1809 | TateNational Gallery |
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The Glebe Farm | 1830 | TateNational Gallery |
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Flatford Mill (‘Scene on a Navigable River’) | 1800s | TateNational Gallery |
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Hampstead Heath with a Rainbow | 1836 | TateNational Gallery |
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The Grove, Hampstead | 1800s | TateNational Gallery |
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The Church Porch, East Bergholt | 1810 | TateNational Gallery |
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Mrs James Andrew | 1818 | TateNational Gallery |
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Chain Pier, Brighton | 1800s | TateNational Gallery |
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The Revd Dr James Andrew | 1818 | TateNational Gallery |
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Malvern Hall, Warwickshire | 1809 | TateNational Gallery |
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Maria Bicknell, Mrs John Constable | 1816 | TateNational Gallery |
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Trunk and Lower Branches of a Tree | TateNational Gallery | |
| A Bank on Hampstead Heath | 1800s | TateNational Gallery | |
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Dedham from Langham | 1813 | TateNational Gallery |
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A Windmill near Brighton | 1824 | TateNational Gallery |
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Trees at Hampstead | 1829 | TateNational Gallery |
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Dedham Lock and Mill | 1817 | TateNational Gallery |
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Yarmouth Jetty | 1824 | TateNational Gallery |
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The Valley Farm | 1835 | TateNational Gallery |
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The Bridges Family | 1804 | TateNational Gallery |
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Sketch for ‘Hadleigh Castle’ | 1800s | TateNational Gallery |
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Branch Hill Pond, Hampstead Heath, with a Cart and Carters | 1825 | TateNational Gallery |
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Susannah Lloyd | 1806 | Tate |
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The Opening of Waterloo Bridge (‘Whitehall Stairs, June 18th, 1817’) | 1832 | Tate |
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Study of a Girl in a Cloak and Bonnet | 1810 | Tate |
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Brightwell Church and Village | 1815 | Tate |
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Fen Lane, East Bergholt | 1817 | Tate |
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A Cornfield | 1817 | Tate |
| View in the Stour Valley looking towards Langham Church from Dedham | 1805 | Tate | |
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The Glebe Farm | 1830 | Tate |
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Maria Constable with Two of her Children. Verso: Copy after Teniers | 1820 | Tate |
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Golding Constable | 1815 | Tate |
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Ann Constable | 18th century | Tate |
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The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers | 1814 | Museum of Fine Arts, Budapest |
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The Dell at Helmingham Park | 1830 | The Nelson-Atkins Museum of Art |
| Écluse sur la rivière Stour | 1812 | Department of Paintings of the Louvre | |
| Vue de Hampstead Heath ; Effet d'orage | 1823 | Department of Paintings of the Louvre | |
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View of Dedham Vale from East Bergholt | 1815 | Bavarian State Painting Collections |
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Kalkbrennerei (Umkreis) | 18th century | Bavarian State Painting Collections |
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Waldlandschaft (Umkreis) | 1820 | Bavarian State Painting Collections |
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Landschaft mit Fernblick und Gewitterhimmel (Hampstead Heath mit Branch Hill Pond) (Umkreis) | Bavarian State Painting Collections | |
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Willy Lott's Cottage | 1820 | private collection |
| The Washing Line | Carnegie Museum of Art | ||
| Yarmouth Jetty | 1822 | National Gallery of Art | |
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Waterloo Bridge | 1820 | Cincinnati Art Museum |
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A Road across Hampstead Heath | 1822 | Yale University Art Gallery |
| Das Haus des Admirals in Hampstead, genannt "The Grove" | Berlin State Museums | ||
| Higham Village am Flusse Stour | Berlin State Museums | ||
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Mrs Mary Fisher | 1816 | Fitzwilliam Museum |
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Archdeacon John Fisher | Fitzwilliam Museum | |
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Salisbury | 1829 | Fitzwilliam Museum |
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Sky study, sunset | Fitzwilliam Museum | |
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East Bergholt | 1808 | Fitzwilliam Museum |
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Sky study with mauve clouds | Fitzwilliam Museum | |
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Hove beach | Fitzwilliam Museum | |
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Parham's Mill, Gillingham, Dorset | 1824 | Fitzwilliam Museum |
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Hampstead Heath | 1820 | Fitzwilliam Museum |
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At Hampstead, looking towards Harrow | Fitzwilliam Museum | |
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Sky study with a shaft of sunlight | 1822 | Fitzwilliam Museum |
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Shoreham Bay, near Brighton (1824) | 1824 | Fitzwilliam Museum |
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Embarkation of George IV from Whitehall: the Opening of Waterloo Bridge, 1817 | 1817 | National Trust |
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Academic Study of a Male Nude in the same Pose as a Figure in Michelangelo’s ‘Last Judgement’ in the Sistine Chapel, Rome | 1800s | National Trust |
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Lamarsh House, Lamarsh, Essex | 18th century | National Trust |
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Cumulus Clouds over a Landscape | 1822 | National Trust |
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Lady Louisa Tollemache, Countess of Dysart (1745-1840) (after John Hoppner) | 1800s | National Trust |
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Anna Maria Lewis, Countess of Dysart (1745-1804) as Miranda (after Reynolds) | 1823 | National Trust |
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Field Flowers and Berries in a Brown Pot | 1814 | National Trust |
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Harnham Ridge, near Salisbury | 18th Century | National Trust |
| Dedham Lock and Mill | 1820 | Currier Museum of Art | |
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Trees on Hampstead Heath | 1821 | National Museum of Art, Architecture and Design |
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A View on the Banks of the River Stour | Museum of Fine Arts, Houston | |
| Hampstead Heath | 18th century | National Gallery of Canada | |
| Salisbury Cathedral from the Bishop's Grounds | 1820 | National Gallery of Canada | |
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Branch Hill Pond, Hampstead | 1828 | Cleveland Museum of Art |
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Hampstead Heath, Looking Toward Harrow | 1821 | Cleveland Museum of Art |
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Dedham from Langham | 1820 | private collection |
| The River Stour, Suffolk | |||
| View of Edinburgh, Scotland | |||
| Beach near Cromer | |||
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Portrait of Mrs. Edwards | 1818 | Rhode Island School of Design Museum |
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Coast Scene Near Brighton | 1824 | Detroit Institute of Arts |
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The Glebe Farm | 1827 | Detroit Institute of Arts |
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Weymouth Bay | 1824 | |
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Paysage, esquisse | 1818 | Collection of paintings of the Palais des Beaux-Arts de Lille |
| Harnham Ridge from Archdeacon Fisher's House, Salisbury | 1829 | National Gallery of Ireland | |
| Portrait of a Child with a Dog | National Gallery of Ireland | ||
| Arundel Mill and Castle | 1837 | Toledo Museum of Art | |
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Study for “The Leaping Horse” (View on the...) | Saint Louis Art Museum | |
| Sophia Lloyd and Child | 18th Century | Worcester Art Museum | |
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Portrait Of James Lloyd | 1806 | Birmingham Museums Trust |
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Harwich Lighthouse | 1800s | Birmingham Museums Trust |
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Study of Clouds - Evening, August 31st, 1822. | 1822 | Birmingham Museums Trust |
References[]
- ^ "John Constable (1776 - 1837) | National Gallery, London". www.nationalgallery.org.uk. Retrieved 2021-01-18.
Categories:
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- Paintings by John Constable