M.I.U. Album

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M.I.U. Album
MIUCover.jpg
Studio album by
The Beach Boys
ReleasedOctober 2, 1978
Recorded
  • October 1976
  • November 1977–June 1978
Studio
GenreRock, pop rock
Length32:19
LabelBrother/Reprise
ProducerAl Jardine, Ron Altbach
The Beach Boys chronology
The Beach Boys Love You
(1977) 		M.I.U. Album
(1978) 		L.A. (Light Album)
(1979)
Singles from M.I.U. Album
  1. "Peggy Sue" / "Hey Little Tomboy"
    Released: August 28, 1978
  2. "Come Go with Me"
    Released: November 2, 1981

M.I.U. Album is the 22nd studio album by American rock band the Beach Boys. Released on October 2, 1978, it marked their final recording for Brother/Reprise. Recorded during one of the most acrimonious periods in the band's history, only Mike Love, Al Jardine, and Brian Wilson appear consistently throughout the album, with Carl and Dennis Wilson's contributions confined to a handful of tracks. Produced by Jardine and Beach Boys touring member Ron Altbach under the nominal aegis of executive producer Brian Wilson, the album's title stems from Maharishi International University in Fairfield, Iowa, where the majority of the album was recorded.

Reception[]

Professional ratings
Review scores
SourceRating
AllMusic2/5 stars[1]
Blender2/5 stars[2]
Christgau's Record GuideC[3]
Encyclopedia of Popular Music1/5 stars[4]
MusicHoundwoof![5]
The Rolling Stone Album Guide1/5 stars[6]

Although M.I.U. Album peaked at No. 151 in the US (paralleling the performance of the band's 1970 Brother/Reprise debut, Sunflower) and became their first since 1964 to miss the UK chart completely, the Jardine-led cover of The Del-Vikings' "Come Go with Me" would become a US No. 18 hit in late 1981, when it was released by Brother/Caribou/CBS as a single from the Ten Years of Harmony compilation.[citation needed]

Music critic Nick Kent called the album "dreadful". He said that its "pitiful content" was ignored by critics.[7] Upon its initial release, Rolling Stone stated, "M.I.U. Album seems contrived and artificial right from the start. The tracks strive to recapture the dreamy, adolescent innocence of the Beach Boys' earliest hits, and fail not so much because the concepts are dated but because the group can't infuse the new material with the same sense of grandeur that made the old songs such archetypal triumphs. [...] Throughout, the lackluster playing and singing has a melancholy edge, almost as if the Beach Boys are fully aware that they've outgrown this kind of teen fantasy, but can't think of anyplace else to go."[8]

Paired with L.A. (Light Album), M.I.U. Album was reissued on CD in 2002. Upon the album's re-release, The A.V. Club stated, "M.I.U. is competent enough, but it's also the sound of a group buying into its own mythology, a retrograde salute to the pinstripes and sunshine image it had abandoned years before."[9] AllMusic issued a more negative review, stating, "The mainstream late-'70s production techniques are predictable and frequently cloying. M.I.U. Album also included several of the worst Beach Boys songs ever to make it to vinyl. [...] Compared with what had come before, M.I.U. Album was a pathetic attempt at music making; compared with what was to come however, this was a highlight."[1]

When asked about M.I.U. Album in the British press, Dennis Wilson said that he "[doesn't] believe in that album" and that it was "an embarrassment to my life. It should self-destruct... I hope that the karma will fuck up Mike Love's meditation forever."[10] Reflecting on the album in 1992, Mike Love noted, "It was too democratic. Everybody coming into it with their song, which is okay. It's like if you have an album and have a hit song on it, and it's very commercially viable. Doesn't it make sense to have another song that would also be commercially viable? And a third and a fourth."[11][better source needed] In 1995, Brian said that he could not remember making the album, claiming that he had gone through a "mental blank-out" during this period.[12]

Track listing[]

Track details per 2000 CD liner notes.[13]

Side one
No.TitleWriter(s)Lead vocalsLength
1."She's Got Rhythm"Brian Wilson, Mike Love, Ron AltbachB. Wilson2:27
2."Come Go With Me"C.E. QuickAl Jardine2:06
3."Hey Little Tomboy"B. WilsonLove, C. Wilson, B. Wilson2:25
4."Kona Coast"Al Jardine, LoveLove and Jardine2:33
5."Peggy Sue"Buddy Holly, Jerry Allison, Norman PettyJardine2:15
6."Wontcha Come Out Tonight"B. Wilson, LoveB. Wilson and Love2:30
Side two
No.TitleWriter(s)Lead VocalsLength
1."Sweet Sunday Kinda Love"B. Wilson, LoveC. Wilson2:42
2."Belles of Paris"B. Wilson, Love, AltbachLove2:27
3."Pitter Patter"B. Wilson, Love, JardineLove and Jardine3:14
4."My Diane"B. WilsonDennis Wilson2:37
5."Match Point of Our Love"B. Wilson, LoveB. Wilson3:29
6."Winds of Change"Altbach, Ed TulejaJardine and Love3:14
Total length:32:19

Personnel[]

Per 2000 CD liner notes.[13]

The Beach Boys
  • Al Jardine – vocals, guitar, bass guitar, vocal arrangements
  • Mike Love – vocals
  • Carl Wilson – vocals, guitar[14]
  • Brian Wilson – vocals, piano, electric piano, vocal and horn arrangements
  • Dennis Wilson – vocals; drums on "My Diane", "Hey Little Tomboy", "Come Go With Me" and "Peggy Sue"[15]
Additional musicians
  • Ron Altbach – piano, electric piano, organ, percussion, synthesizer, horns
  • Gary Griffin – piano, electric piano, organ, synthesizer, string arrangements
  • Ed Carter – guitar, bass guitar
  • Billy Hinsche – guitar
  • Mike Kowalski – drums, percussion
  • Chris Midaugh – steel pedal guitar
  • Michael Andreas – saxophone, horn arrangements
  • Charles Lloyd – saxophone
  • Lance Buller – trumpet
  • John Foss – trumpet
  • Rod Novak – saxophone
  • Charlie McCarthy – saxophone
  • Bob Williams – saxophone
  • Roberleigh Barnhardt – string arrangements
Recording engineering personnel & assistants
  • Al Jardine – producer
  • Ron Altbach – producer
  • Brian Wilson – executive producer
  • Diane Rovell – music coordinator
  • John Hanlon – recording engineer
  • Earle Mankey – recording engineer
  • Stephen Moffitt – recording engineer
  • Jeff Peters – recording engineer, final mixdown producer
  • Bob Rose – recording engineer
Artwork
  • Dean O. Torrence – album design, graphics
  • The Beach Boys – album design, graphics
  • Warren Bolster/Surfer Magazine – front cover photography
  • Guy Webster – back cover photography

References[]

  1. ^ Jump up to: a b Bush, John. "M.I.U. Album". AllMusic.
  2. ^ Wolk, Douglas (October 2004). "The Beach Boys M.I.U. Album/L.A. (Light Album) ". Blender. Archived from the original on June 30, 2006. Retrieved June 2, 2017.
  3. ^ Christgau, Robert (1981). "Consumer Guide '70s: B". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved February 21, 2019.
  4. ^ Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4th ed.). London: Oxford University Press. p. 479. ISBN 978-0-19-531373-4.
  5. ^ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 84. ISBN 1-57859-061-2.CS1 maint: extra text: authors list (link)
  6. ^ Brackett, Nathan; with Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide (4th ed.). New York, NY: Fireside/Simon & Schuster. p. 46. ISBN 0-7432-0169-8.
  7. ^ Gaines, Steven S. (1995-08-21). Heroes and villains: the true story of the Beach Boys. Basic Books. p. 305. ISBN 978-0-306-80647-6.
  8. ^ Carson, Tom (November 16, 1978). "M.I.U. Album". Rolling Stone.
  9. ^ Phipps, Keith (Mar 29, 2002). "The Beach Boys: M.I.U. Album/L.A. (Light Album)". The A.V. Club.
  10. ^ Adam, Webb (December 14, 2003). "A Profile of Dennis Wilson – The Lonely One". The Guardian.
  11. ^ http://troun.tripod.com/mikelove.html
  12. ^ Benci, Jacopo (January 1995). "Brian Wilson interview". Record Collector. UK (185).
  13. ^ Jump up to: a b Tamarkin, Jeff (2000). M.I.U./L.A. Light Album (booklet). The Beach Boys. California: Capitol Records.
  14. ^ http://smileysmile.net/board/index.php/topic,26597.msg650378.html#msg650378
  15. ^ http://smileysmile.net/board/index.php/topic,21772.25.html

External links[]

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