Mao Zedong's cult of personality

From Wikipedia, the free encyclopedia
Portrait of Mao Zedong displayed at Tiananmen

Mao Zedong's cult of personality was a prominent part of Chairman Mao's rule over the People's Republic of China from his rise in 1949 until his death in 1976. Mass media, propaganda and a series of other techniques were used by the state to elevate Mao Zedong's status to that of an infallible heroic leader, who could stand up against The West, and guide China to become a beacon of Communism.

During the period of Cultural Revolution, Mao's personality cult soared to an unprecedented height. Mao's face was firmly established on the front page of People's Daily, where a column of his quotes was also printed every day. Mao's Selected Works were later printed in even greater circulation; the number of his portraits (1.2 billion) was more than the inhabitants in China. And soon Chairman Mao badges began to appear; in total, about 4.8 billion were manufactured.[1] Every Chinese citizen was presented with the Little Red Book - a selection of quotes from Mao. It was prescribed to be carried everywhere and displayed at all public events, and citizens were expected to quote the contents of the book daily.[2]

After the Cultural Revolution, Deng Xiaoping and others launched the "Boluan Fanzheng" program which invalidated the Cultural Revolution and abandoned (and forbade) the use of a personality cult.[3][4][5] However, since Xi Jinping succeeded as the General Secretary of the Chinese Communist Party in 2012, the cult of personality has been promoted again in China.[6][7]

History[]

Origin and development[]

See also: Yan'an Rectification Movement and Anti-Rightist Campaign
The statue of Mao Zedong in Shenyang.

The personality cult of Mao Zedong can be traced back to the 1930s, to his involvement in Jiangxi on the Long March (1934–36), and especially during the Yan'an period in the early 1940s. In 1943, during the Yan'an Rectification Movement, newspapers began to appear with a portrait of Mao in the editorial, and soon the "ideas of Mao Zedong" became the official program of the Chinese Communist Party (CCP).[8][9]

After the victory of the Communists in the Civil War, posters, portraits, and later statues of Mao began to appear in city squares, in offices and even in citizens' apartments. In 1957, Mao launched the Anti-Rightist Campaign, which was regarded as a continuation of the Yan'an Rectification Movement and further consolidated the rule of the Communist Party and Mao in mainland China.[10][11] However, the Great Leap Forward caused tens of millions of deaths during the Great Chinese Famine, forcing Mao to take a semi-retired role in 1962.[12][13] The reputation of Liu Shaoqi, the 2nd President of China, grew so high that challenged the status of Mao.[13][14] As response, Mao launched the Socialist Education Movement in 1963.

The cult of Mao was brought to its peak by Lin Biao in the mid-1960s. In 1964, Quotations from Chairman Mao Tse-tung, commonly known as the Little Red Book, was published for the first time, which later became one of the most famous symbols of the Cultural Revolution.

Cultural revolution[]

See also: Red August
A kindergarten classroom in Shanghai displaying portraits of then-Chairman Hua Guofeng and former Chairman Mao Zedong (1978)

Mao's cult was significantly elevated during the Cultural Revolution, despite the major failures of his Great Leap Forward campaign only years prior. The established Cultural Revolution Committee preferred not to take harsh measures against critics of the regime at first. And so Mao decided to turn to the grassroots of the revolution and "true socialism" where he reaffirmed the foundation of his cause - "in addition to left-wing radicals - Chen Boda, Jiang Qing and Lin Biao, Mao Zedong's ally in this enterprise was to be primarily Chinese youth".[15]

Mao once again proved his “fighting efficiency” after swimming across the Yangtze River in July 1966, in an annual swim that commemorates his first historic swim across in 1956. Following this upon his return to Beijing he made a powerful attack on the liberal wing of the party, mainly on Liu Shaoqi. A little later, the Central Committee approved Mao's Sixteen Points on the Cultural Revolution,[16] an early expression of the political views and objectives of the cultural revolution. It began with attacks on the leadership of Beijing University lecturer Nie Yuanzi. Following this, students of secondary schools, in an effort to confront conservative and often corrupt teachers and professors. This political initiative was strategically cultivated by Mao, who skillfully fanned the “leftists” in organizing themselves in “hungweibin” detachments - “Red Guards”. The left-controlled press subsequently launched a campaign against the liberal intelligentsia. Unable to withstand persecution, some of its representatives as well as party leaders committed suicide.

On 5 August, Mao Zedong published his own dazibao (big-character poster), a short but pivotal document titled “Bombard the Headquarters”, which called out leading figures who were leading the bourgeoisie whom were trying to suppress the rapid movement of the great proletarian cultural revolution.[17]

With the logistical support of the People's Army provided by Lin Biao, the Red Guard movement became a nationwide phenomenon. This movement persecuted leading workers and professors throughout the country, subjected them to all kinds of humiliation, and often beat them. Following this, at a million-strong rally in August 1966, Mao expressed full support and approval for the actions of the Red Guards, giving them further validation and permission to continue their actions. Soon after, more and more brutal atrocities by the Red Guard took place. For example, among other representatives of the intelligentsia, famous Chinese writer Lao She was brutally tortured and committed suicide.

Throughout all areas of life, classes and regions of the country, the presence of the Red Guard was felt. Not only famous personalities, but also ordinary citizens were robbed, beaten, tortured and their belongings destroyed, often for the most insignificant of actions. The Red Guard destroyed countless works of art, burned millions of books, thousands of monasteries, temples, and libraries. Soon, in addition to the Red Guard, detachments of revolution working youth - Zhaofans (rebels) formed. Both movements divided into warring factions, sometimes waging a bloody struggle between themselves.

When tension reached a peak between these two factions the life in many cities froze, and so regional leaders and the PLA decided to oppose the riots. Classes between the military and the Red Guard, as well as internal clashes between revolutionary youth put China at the risk of civil war. Realizing the instability Mao decided to end the revolutionary terror by sending millions of Red Guard, Zhaofans and party workers to villages spread around the country. This marked the final stages of the revolution. China was figuratively and in some parts literally, lying in ruins.

The 10th CCP Congress, which took place in Beijing from 1 to 24 April 1969, approved the first results of the "Cultural Revolution". In this report, one of the closest associates of Mao Zedong, Marshal Lin Biao, ensured praise is focused on the "great helmsman", whose ideas were called "the highest stage in the development of Marxism–Leninism". This new CCP charter officially consolidation of "the ideas of Mao Zedong" as the ideological basis of the CCP. The program part of the charter included an unprecedented provision that Lin Biao is "the continuation of the work of Comrade Mao Zedong”. The entire leadership of the party, government and army was concentrated in the hands of the Chairman of the CCP, his deputy and the Standing Committee of the Politburo of the Central Committee.[18]

During the Cultural Revolution, Mao's personality cult manifested itself in the ubiquitous wearing of badges depicting Chairman Mao, and people carrying around a Little Red Book with the writings of Mao, which would be studied and quoted from at every opportunity. There was even a "loyalty dance" (忠字舞) which people would perform in order to demonstrate their loyalty to the great leader.

In propaganda writings, such as PLA's legendary communist soldier Lei Feng's Diary, loud slogans and fiery speeches significantly elevated the cult of Mao. Crowds of young people drove themselves into hysteria, shouting toasts to the "red sun of our hearts" - "the wisest chairman Mao." Mao Zedong became a figure on which almost everything was focused in China. During the years of the cultural revolution, a real psychosis reigned in the country: the Red Guards beat those who dared to appear without the image of Mao Zedong; passengers of buses and trains had to repeat excerpts from the Little Red Book. Classic and modern works were destroyed such that Chinese citizens could only read the Little Red Book, which was published in tens of millions of copies.

The following quotes epitomize this Red Guard's thoughts surrounding Chairman Mao, in their manifesto they wrote:

"We are the red guards of Chairman Mao, we make the country writhe in convulsions. We tear and destroy calendars, precious vases, records from the USA and England, amulets, ancient drawings and elevate above all this the portrait of Chairman Mao."

Ye Jianying
Ye Jianying

Chairman of the NPC Standing Committee Ye Jianying in 1979 described the time of Mao Zedong's reign as a "feudal fascist dictatorship". A different assessment was later given.

"Comrade Mao Zedong is a great Marxist, a great proletarian revolutionary, strategist and theorist. If we consider his life and work as a whole, his merits before the Chinese revolution to a large extent prevail over misses, despite the serious mistakes made by him in the "cultural revolution". His merits occupy the main place, and mistakes take a secondary place."

— CCP leaders, 1981

Characteristics[]

Propaganda[]

Mao Zedong with the Red Guards during the Cultural Revolution (1966)

During the Chinese Cultural Revolution artists were condemned as counter revolutionaries, and their work was destroyed. Instead this was replaced with government made art that supported Maoism,[19] and redirected efforts towards agriculture, industry and national defense, as well as concerns such as hygiene and family planning.[20] Under the command of Lin Biao, the People's Liberation Army's efforts were increasing employed to bolster the personality cult surrounding Mao, eventually creating Mao's god-like image.[21] In addition to this revolutionary songs such as Mao Zedong is our sun or Hymn to Chairman Mao were sung by schoolchildren, soldiers, prisoners and office workers. These tunes were also played from loudspeakers installed on street corners, railway stations, dormitories, canteens and all major institutions.[22]

Artwork[]

Images of Mao's face appeared everywhere, from portraits in schools and government buildings, to street signs and wall murals, even small shrines within private homes were not unusual.[23][22] Guided by Maoist thought, the contents of the propaganda were militant, with messages of proletarian ideology, communist morale and spirit, and revolutionary heroism. Simplistic in design and coloring,[24] red was heavily featured and symbolized everything revolutionary, good and moral.[25] Depictions of Mao often featured him as a benevolent father, bringing the Confucian mechanisms of obedience into play.[25] Mao was frequently portrayed either leading or directing the masses, or looming over them like a demigod. His image was considered more important than the occasion for which a particular work of propaganda art was designed: in a number of cases, identical posters dedicated to Mao were published in different years bearing different slogans.[25]

The Great Four titles[]

Emphasizing his ability to steer China's future, Mao was referred to as "the great leader Chairman Mao" (伟大领袖毛主席) in public and he was entitled "the great leader, the great supreme commander, the great teacher and the great helmsman" (伟大的领袖、伟大的统帅、伟大的导师、伟大的舵手) during the Cultural Revolution. This could also be influenced by the role Mao played in guiding the Red Army on the Long March to escape the Chinese Nationalist Party. The accounts by Mao and his followers during this time painted him as innovative, inspirational and strategically brilliant, as assessment at odds with the views of several historians.[23]

Little Red Book[]

Main article: Quotations from Chairman Mao Tse-tung
The Little Red Book

Officially titled 'Quotations from Chairman Mao Tse-tung', it was central symbol of the Chinese Cultural Revolution. The book was used to promote the popularity of Chairman Mao, and his brand of communism called Maoism'. Wrapped in a distinctive red vinyl cover, it became more commonly known as the 'Little Red Book' . This book contained a series of political and cultural statements from Mao Zedong's speeches and writings, which campaigned the slogan from the Karl Marx's Communist Manifesto, "Workers of the world, unite!".

Printed since 1964 until around Mao's death in 1976, over a billion copies were distributed throughout China.[26] During the period of China's Cultural Revolution it became almost mandatory for all citizens to carry a copy, so that they could easily refer to it for guidance and become inspired. Failure to produce a copy when requested would often result in a punishment from the Red Guard, which varied from verbal harassment and beatings, to a prison sentence.[23] The final copy listed 267 quotations spanning over 25 topics such as war, peace, unity & discipline.[27] The simplification of Mao's writings also finally gave access to the thoughts and ideas of communists to peasants and lower-class citizens, this helped to further solidify support for his cult of personality.

Notable Quotes from the Little Red Book[]

"Every Communist must grasp the truth: Political power grows out of the barrel of a gun."

This phrase was first used during an emergency meeting of the CCP on 7 August 1927, at the beginning of the Chinese Civil War.[28]

"All reactionaries are paper tigers. In appearance, the reactionaries are terrifying, but in reality they are not so powerful."

A "Paper Tiger" refers to something or someone that claims or appears to be powerful and/or threatening, but actually has no real power. It was popularized by Mao Zedong, often using it against political opponents such as the U.S. Government.

"A revolution is not a dinner party, or writing an essay, or painting a picture, or doing embroidery... A revolution is an insurrection, an act of violence by which one class overthrows another."

This quote from Mao Zedong emphasizes the struggle and difficulty of the communist revolution and the means by which he is willing to achieve it, suggesting that violence will be an unavoidable component of the revolution.

Loyalty dance[]

Children at school performing folkloric dances, Kashgar, Xinjiang (1986)

During the Cultural Revolution, all forms of self expression were limited. The only type of dancing that was permitted was what was known as the 'Loyalty Dance' (忠字舞; zhōngzì wǔ). This simple dance did not involve much more than stretching one's arms from the heart to Mao's portrait, with movements originating from a folk dance popular in Xinjiang. It was frequently accompanied by revolutionary songs including "Beloved Chairman Mao", "Golden Hill of Beijing" or "Sailing the Seas Depends on the Helmsman". Some lyrics included the quote "No matter how close our parents are to us, they are not as close as our relationship with Mao", which was used to inspire a spirit of collective worship.[29] It was not until the mid-eighties could Chinese people dance without fear of being reported to the authorities.[30] Until then, the loyalty dance (忠字舞; zhōngzì wǔ) was an everyday fixture of life in the late 1960s enforced to display one's lifelong devotion to Mao Zedong and exercise total discipline.[31] Every Chinese citizen regardless of a status or age had to perform the dance,[32] but by the 70's it was fleeting, and as the cultural revolution came to an end it rapidly waned.

Mango worship[]

In August 1968 Mao presented members of a 30,000-strong propaganda team, who had been sent to pacify a Red Guard insurrection at Qinghua University, with four dozen mangos as a sign of appreciation. Mao had given his security chief Wang Dongxing the fruits for delivery to leaders of the propaganda team.[33] Mao had been given the mangos from a delegation from Pakistan, headed by foreign minister Mian Arshad Hussain, and sent them to a range of student groups in the capital. "The factories and universities that received the mangoes were overfilled with joy at this Great, Greatest, Happiest of Events." Part of the Mao cult was about preserving and showing the mangos: some were placed in glass, others were put in a jar of formaldehyde. In one case, water in a tank in which one of the mangos was being kept was given to factory workers, so they could "literally [be] filled with the spirit of Mao."[34]

After his death[]

Legacy[]

Mao and Robert F. Williams

Elements of his cult of personality continue to exist. He is still the “galleon figure” of Chinese communism, he is still honored, Mao's monuments are still standing in the cities, and his image adorns Chinese banknotes, badges and stickers. Moreover - some of Mao's monuments were erected after his death. However, the current cult of Mao among ordinary citizens, especially young people, should rather be attributed to the manifestations of modern pop culture, and not to a conscious worship of this person's thinking and deeds. In fact, Mao Zedong has become a commercial brand in modern China. The chairman of the Standing Committee of the National People's Congress, Ye Jianying, in 1979 described Mao Zedong's reign as a “feudal-fascist dictatorship”.[35] Later another assessment was given.

Comrade Mao Zedong is a great Marxist, a great proletarian revolutionary, strategist and theorist. If we consider his life and work as a whole, his merits before the Chinese revolution to a large extent prevail over misses, despite the serious mistakes made by him in the "cultural revolution". His merits occupy the main, and mistakes - a secondary place.

- CCP Leaders, 1981

Shining Path poster in Peru

Mao left his successors a country in a deep, comprehensive crisis. After the Great Leap Forward and the Cultural Revolution, China's economy stagnated, intellectual and cultural life was crushed by left-wing radicals, political culture was completely absent[36][37] due to excessive public politicization and ideological chaos. The crippled fate of tens of millions of people throughout China who have suffered from senseless and brutal campaigns should be considered a particularly serious legacy of the Mao regime. Estimates of the number of victims of the Maoist regime vary greatly.[38] According to various sources, only half a million died during the cultural revolution[39] up to 20 million people. Another 100 million were affected one way or another in its course. The number of victims of the "Great Leap Forward" was even greater, but since the majority of them were in the rural population, even the approximate number characterizing the scale of the disaster is unknown.[40]

On the other hand, one cannot fail to admit that Mao, having received an underdeveloped agricultural country, mired in corruption, anarchy and general devastation, in a short time made it a fairly powerful, independent state with atomic weapons. During his reign, the percentage of illiteracy decreased from 80% to 7%,[41] life expectancy increased by 2 times,[42] population has more than doubled,[43] industrial production - more than 10 times.[44] He managed to unite China, and also included Inner Mongolia, Tibet and East Turkestan. The ideology of Maoism has also had a great influence on the development of leftists, including terrorist movements in many countries of the world — the Khmer Rouge in Cambodia, the Shining Path in Peru, the revolutionary movement in Nepal, and the communist movements in the US and Europe.[45] Meanwhile, China itself, after the death of Mao, in its economy has moved far from the ideas of Mao Zedong, preserving the communist ideology. The reforms initiated by Deng Xiaoping in 1979 and continued by his followers de facto made the Chinese economy capitalistic, with corresponding consequences for domestic and foreign policy.[46]

In China itself, the persona of Mao is evaluated extremely ambiguously. On the one hand, part of the population sees him as a hero of the Civil War, a strong ruler, a charismatic personality.[47] Some older Chinese people are nostalgic for their confidence in the future, equality and the absence of corruption, which, in their opinion, existed in the era of Mao.[48] On the other hand, many people cannot forgive Mao for the cruelty and mistakes of his massive campaigns, especially the cultural revolution. Today in China, it is allowed to speak openly about the role of Mao in the modern history of the country, discussions about the negative aspects of his rule are allowed,[49] however, too harsh criticism is not welcomed and suppressed. In the PRC, the official formula for evaluating his activity remains the opinion given by Mao himself as a characteristic of Stalin's activity (as a response to the revelations in Khrushchev's secret report): 70 percent of victories and 30 percent of mistakes.[50][51] In this way, the CCP is seeking recognition of its power in a situation where the bourgeois economy in the PRC is combined with communist ideology.[46]

Mao has been depicted on postage stamps in China, Albania,[52] and East Germany.[53] The collage “Marilyn in the image of Mao"[54] or “Marilyn/Mao” (created by the American photographer Philippe Halsman in 1952) turned into an artistic image used by many famous artists such as Salvador Dalí, Chinese artists Yu Juhan, and Hua Jimin.[55]

Chairman Mao badge[]

Trading markets of Chairman Mao badges were common during the Cultural Revolution, particularly during the chuanlian movement in which Red Guards travelled for free around the country to “exchange revolutionary experiences“. Maoist memorabilia began reemerging in the early 1990s, as teenagers who were too young to remember the horrors of the Cultural Revolution began to snap up Mao badges for their kitsch appeal.[56] Moreover, in the 1990s, the markets were targeting Westerners with commodification. Cultural Revolution badges are rampant in markets frequented by Chinese and Westerners, and new replicas of badges are sold in luxury hotels and tourist sites only minutes from Mao's mausoleum. "Mao badge museums" can be toured at modest prices, and, recently, and American catalogue advertised Mao badges for $12 a badge.[57]

Chairman Mao badge made of porcelain, showing a young Mao at Yan'an, Shaanxi.

Badges were most common from 1967 to 1969, when wearing them was considered a sign of loyalty to the Great Helmsman. There were many such badges. Icons with a portrait of Mao became a symbol of his cult of personality. An estimated 2 billion badges have been manufactured during the years of the cultural revolution. In 1969, Mao said that the country needed aluminum to produce aircraft, and they began to make less icons.[58]

See also[]

References[]

  1. ^ Barmé, Geremie. (1996). Shades of Mao : the posthumous cult of the great leader. Armonk, NY: M.E. Sharpe. ISBN 0-585-26901-7. OCLC 45729144.
  2. ^ Chang, Jung, 1952- (2007). Mao : the unknown story. Halliday, Jon. London: Vintage. ISBN 978-0-09-950737-6. OCLC 71346736.CS1 maint: multiple names: authors list (link)
  3. ^ Teon, Aris (1 March 2018). "Deng Xiaoping On Personality Cult And One-Man Rule – 1980 Interview". The Greater China Journal. Retrieved 29 July 2020.
  4. ^ Huang, Zheping. "Xi Jinping could now rule China for life—just what Deng Xiaoping tried to prevent". Quartz. Retrieved 29 July 2020.
  5. ^ "第八章: 十一届三中全会开辟社会主义事业发展新时期". cpc.people.com.cn. Retrieved 29 July 2020.
  6. ^ Luqiu, Luwei Rose (1 December 2016). "The Reappearance of the Cult of Personality in China". East Asia. 33 (4): 289–307. doi:10.1007/s12140-016-9262-x. ISSN 1874-6284. S2CID 152260841.
  7. ^ "Xi personality cult brings back memories of 1960s China". South China Morning Post. 7 August 2018. Retrieved 29 July 2020.
  8. ^ Selden, Mark (1995). "Yan'an Communism Reconsidered". Modern China. 21 (1): 8–44. doi:10.1177/009770049502100102. ISSN 0097-7004. JSTOR 189281. S2CID 145316369.
  9. ^ Judd, Ellen R. (1985). "Prelude to the "Yan' an Talks": Problems in Transforming a Literary Intelligentsia". Modern China. 11 (3): 377–408. doi:10.1177/009770048501100304. ISSN 0097-7004. JSTOR 188808. S2CID 144585942.
  10. ^ King, Gilbert. "The Silence that Preceded China's Great Leap into Famine". Smithsonian. Archived from the original on 14 October 2019. Retrieved 28 November 2019.
  11. ^ Mu, Guangren. "反右运动的六个断面". Yanhuang Chunqiu. Retrieved 18 July 2020.
  12. ^ MacFarquhar, Roderick (1999). The Origins of the Cultural Revolution: Volume III, the Coming of the Cataclysm 1961--1966. Columbia University Press. ISBN 978-0-231-11083-9.
  13. ^ Jump up to: a b "Three Chinese Leaders: Mao Zedong, Zhou Enlai, and Deng Xiaoping | Asia for Educators | Columbia University". afe.easia.columbia.edu. Retrieved 22 June 2020.
  14. ^ Gao, Hua. "从《七律·有所思》看毛泽东发动文革的运思". Chinese University of Hong Kong. Retrieved 29 July 2020.
  15. ^ Хомич, Л. Н. (29 May 2009). "Работа редактора над переизданием произведений классиков литературы, в частности устранение искажений авторского текста (на примере произведений В. С. Короткевича)". Технологія і техніка друкарства. 0 (1-2(23-24)): 142–145. doi:10.20535/2077-7264.1-2(23-24).2009.58499. ISSN 2414-9977.
  16. ^ "Mao Zedong: '16 Points on the Cultural Revolution' (1966)". Chinese Revolution. 5 June 2013. Retrieved 2 February 2020.
  17. ^ "К 60-ЛЕТИЮ ЖУРНАЛА "НОВАЯ И НОВЕЙШАЯ ИСТОРИЯ", "Новая и новейшая история"". Новая и новейшая история (3): 169–188. 2018. doi:10.7868/s0130386418030113. ISSN 0130-3864.
  18. ^ "Завьялова Н.А. Агональность в культуре Китая: от древности до наших дней". Человек и культура. 3 (3): 16–23. March 2018. doi:10.25136/2409-8744.2018.3.26374. ISSN 2409-8744.
  19. ^ "BBC Arts - BBC Arts - Seeing red: The propaganda art of China's Cultural Revolution". BBC. Retrieved 6 January 2020.
  20. ^ Arbuckle, Alex (July 2016). "Cultural Revolution propaganda posters encouraged patriotism and hygiene". Mashable. Retrieved 6 January 2020.
  21. ^ "Mao Zedong - Personality Cult". www.globalsecurity.org. Retrieved 6 January 2020.
  22. ^ Jump up to: a b "Book extract: how Mao built up his cult of personality". South China Morning Post. 13 October 2019. Retrieved 6 January 2020.
  23. ^ Jump up to: a b c "The cult of Mao". Chinese Revolution. 23 May 2013. Retrieved 6 January 2020.
  24. ^ "Cultural Revolution Campaigns (1966-1976)". chineseposters.net. Retrieved 6 January 2020.
  25. ^ Jump up to: a b c "The Mao Cult". chineseposters.net. Retrieved 6 January 2020.
  26. ^ "Little Red Book | Encyclopedia.com". www.encyclopedia.com. Retrieved 6 January 2020.
  27. ^ "What is the Little Red Book?". 26 November 2015. Retrieved 6 January 2020.
  28. ^ "Quotes - Political power grows out of the barrel of a gun". www.shmoop.com. Retrieved 2 February 2020.
  29. ^ Nguyen-Okwu, Leslie (12 December 2016). "Hitler Had a Salute, Mao Had a Dance". OZY. Retrieved 3 February 2020.
  30. ^ Xiaolong, Qiu; Ying, Yan (1 April 2005). "Death of a Red Heroine; A Loyal Character Dancer; When Red is Black". Modern Language Studies. 35 (1): 75. doi:10.2307/30039811. ISSN 0047-7729. JSTOR 30039811.
  31. ^ Nguyen-Okwu, Leslie (12 December 2016). "Hitler Had a Salute, Mao Had a Dance". OZY. Retrieved 5 January 2020.
  32. ^ "The Mao Cult II". chineseposters.net. Retrieved 5 January 2020.
  33. ^ Leese, Daniel, Mao Cult, Cambridge University Press, p. 220, doi:10.1017/cbo9780511984754.008, ISBN 978-0-511-98475-4
  34. ^ "Chairman Mao's Mangoes". chineseposters.net. Retrieved 9 June 2020.
  35. ^ Захарьев, Ярослав Олегович (31 March 2018). "КНР и Норвегия: архитектура отношений в начале ХХI века". Journal of International Economic Affairs. 8 (1): 73–80. doi:10.18334/eo.8.1.38602. ISSN 2587-8921.
  36. ^ Lu, Xing, 1956- (2004). Rhetoric of the Chinese Cultural Revolution : the impact on Chinese thought, culture, and communication. Columbia, S.C.: University of South Carolina Press. ISBN 1-57003-543-1. OCLC 54374711.CS1 maint: multiple names: authors list (link)
  37. ^ Andreas, Joel (10 March 2009). Rise of the Red Engineers: The Cultural Revolution and the Origins of China's New Class. Stanford University Press. ISBN 978-0-8047-6077-5.
  38. ^ "Twentieth Century Atlas - Death Tolls". necrometrics.com. Retrieved 5 January 2020.
  39. ^ Meisner, Maurice (April 1999). Mao's China and After: A History of the People's Republic, Third Edition. Simon and Schuster. ISBN 978-0-684-85635-3.
  40. ^ "Мао Цзэдун", Википедия (in Russian), 30 December 2019, retrieved 5 January 2020
  41. ^ Gamberg, Ruth (1977). Red and expert: education in the People's Republic of China. Schocken Books. ISBN 9780805205312.
  42. ^ Kane, Penny (1987). The second billion: population and family planning in China. Penguin Books. ISBN 978-0-14-008657-7.
  43. ^ "China Statistical Yearbook 2011". www.stats.gov.cn. Retrieved 5 January 2020.
  44. ^ "Image 349 of China : a country study". Library of Congress, Washington, D.C. 20540 USA. Retrieved 5 January 2020.
  45. ^ "Маоизм и организации маоистов в мире. Справка". РИА Новости (in Russian). 28 May 2010. Retrieved 5 January 2020.
  46. ^ Jump up to: a b Зотов, Георгий (23 October 2013). "Дракон с серпом и молотом. Почему в Китае коммунисты до сих пор у власти". aif.ru. Retrieved 5 January 2020.
  47. ^ Галенович, Юрий (29 March 2019). Великий Мао. "Гений и злодейство" (in Russian). Litres. ISBN 978-5-457-09493-2.
  48. ^ Головнин, Василий. "Блоги / Василий Головнин: Судьба хунвэйбина". Эхо Москвы (in Russian). Retrieved 5 January 2020.
  49. ^ Mao Zedong: China's Peasant Emperor (4/4), retrieved 5 January 2020
  50. ^ Kristof, Nicholas D.; Times, Special To the New York (7 February 1989). "Legacy of Mao Called 'Great Disaster'". The New York Times. ISSN 0362-4331. Retrieved 5 January 2020.
  51. ^ "China moves on from Mao". 8 September 2006. Retrieved 5 January 2020.
  52. ^ Only Tradition (26 September 2013), Mao Ce Dun. 75 vjetori i lindjes, 1893-1968, pulla 25 qindarka dhe 1,75 lek. Albanian stamps for the 75th anniversary of the birthday of Mao Zedong. Timbres albanais pour le 75ème anniversaire de Mao Tsé Toung, 1968., retrieved 5 January 2020
  53. ^ "Марки ГДР 1951 год". stamppost.ru. Retrieved 5 January 2020.
  54. ^ "Philippe Halsman. Marilyn as Mao. 1967 | MoMA".
  55. ^ Writer, DAVID BEARD Staff. "GOODBYE DALI: U.S. CUSTOMS OFFERS SURREAL DEAL ON PORTRAIT". Sun-Sentinel.com. Retrieved 5 January 2020.
  56. ^ Moore, Malcolm (7 October 2014). "China's latest bubble: Chairman Mao memorabilia". Daily Telegraph. ISSN 0307-1235. Retrieved 6 January 2020.
  57. ^ Schrift, Melissa; Pilkey, Keith (1 September 1996). "Revolution Remembered: Chairman Mao Badges and Chinese Nationalist Ideolgy". The Journal of Popular Culture. 30 (2): 169–197. doi:10.1111/j.0022-3840.1996.00169.x. ISSN 1540-5931.
  58. ^ "Фото: 10 символов "культурной революции" в Китае". BBC News Русская служба (in Russian). Retrieved 19 January 2020.
Retrieved from ""