Maree Clarke

From Wikipedia, the free encyclopedia

Maree Clarke is a Mutti Mutti, Yorta Yorta, BoonWurrung/Wemba Wemba woman living in Melbourne, known for her work as a curator and artist. Clarke is a multidisciplinary artist renowned for her work in reviving South-eastern Aboriginal Australian art practices.

Career[]

Maree Clarke, a Mutti Mutti, Yorta Yorta, BoonWurrung/Wemba Wemba woman, grew up in and around Mildura in North Western Victoria.[1]

She began working as an educator in her home town in 1978, which provided her with a solid base from which to develop her career in promoting and supporting South-East Aboriginal histories, culture and knowledge.[2] Along with her brother and sister, Clarke established Kiah Krafts, an Aboriginal arts enterprise, in Mildura.[3]

She has lived in Melbourne since 1988.[3]

The City of Port Phillip became the first Victorian local government to establish a centre dedicated to actively promoting Aboriginal arts and culture, creating the first Koori Arts Unit in St Kilda. Clark was the first Koori Arts Officer from 1994 to 1998, and instrumental in its success.[2] In 1996, Clarke curated, with Kimba Thompson and Len Tregonning, the We Iri We Homeborn Aboriginal and Torres Strait Islander Arts Festival.[citation needed] Her collaborations with these two artists as well as Sonja Hodge can be seen in public artworks around the city of Melbourne.[3]

Artistic career[]

Clarke works across a range of mediums including photography, sculpture, painting and jewellery.[4][3]

Research and revival of cultural practices which have been lost as a result of colonisation form an important part of Clarke's art practice. Clarke goes to museums to research and work with objects in their collections.[5] Her work has seen her become a pivotal figure in the reclamation of cultural and artistic practices of South Eastern Australian Aboriginal peoples.[6][2] Her work has included eel traps, kopis, possum skin cloak-making, and kangaroo tooth necklaces (Thung-ung Coorang). She is committed to preserving inter-generational memories of cultural practices.[3]

Recognition[]

Made from Memory (Nan’s house) (2017) was purchased by the National Gallery of Australia in 2017 in recognition of the 50th Anniversary of the 1967 Referendum.[7]

In 2021 Clarke was the first living Aboriginal artist to be featured in a solo exhibition in the National Gallery of Victoria in Melbourne.[3]

Works[]

Solo exhibitions[]

Group exhibitions[]

Collections[]

Clarke's work is included in the following galleries and collections:

References[]

  1. ^ "Maree Clarke Bio". Vivien Anderson Gallery. 2021. Archived from the original on 8 March 2020. Retrieved 8 March 2020.
  2. ^ Jump up to: a b c "Fran Edmonds with Maree Clarke". Centre for Indigenous Story. Retrieved 8 March 2020.
  3. ^ Jump up to: a b c d e f Clark, Maddee (13 July 2021). "Artist Maree Clarke's extraordinary practice celebrated in first solo show by a living Victorian Aboriginal artist at the NGV". ABC News. Australian Broadcasting Corporation. Retrieved 15 July 2021.
  4. ^ "Maree Clarke, Thung-ung Coorang (Kangaroo teeth necklace) 2013". Monash University Museum of Art. Retrieved 8 March 2020.
  5. ^ "Linear Artists: Maree Clarke". Museum of Applied Arts and Sciences. Retrieved 8 March 2020.
  6. ^ Jump up to: a b c "Maree Clarke: Bunjilaka". museumsvictoria.com.au. Retrieved 8 March 2020.
  7. ^ Jump up to: a b Clarke, Maree. "Made from Memory (Nan's house)". Item held by National Gallery of Australia. Retrieved 10 March 2020.
  8. ^ "Maree Clarke". Vivien Anderson Gallery. Retrieved 9 March 2020.
  9. ^ "Maree Clarke | Artists | NGV". www.ngv.vic.gov.au. Retrieved 10 March 2020.
Retrieved from ""