Marianne Schmidl

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Marianne Schmidl (born August 3, 1890 in Berchtesgaden; died April 1942 in the Izbica Ghetto) was first woman to graduate with a doctorate in Ethnology from the University of Vienna.[1] An Austrian ethnologist, teacher, librarian and art collector, Schmidl was plundered and murdered in the Holocaust by the Nazis because of her Jewish origins.

Family and education[]

Marianne Schmidl's mother, Maria Elisabeth Luise Friedmann (1858–1934), lived in Munich, and worked for the writer Paul Heyse. Schmidl's great-grandfather was the painter Friedrich von Olivier, a close friend of Julius Schnorr von Carolsfeld, and her great-grand-uncles were the brothers Heinrich Olivier and Ferdinand Olivier, who were also artistically active. Her father, Josef Bernhard Schmidl (1852-1916), of Jewish origin, was a court lawyer from Vienna and a social democrat.[2] Shortly before the marriage on July 23, 1889, which was vehemently rejected by the Friedmann family, he converted to Protestantism. The Jewish background of her father would prove fateful for Schmidl when the Nazis came to power.

Marianne was the oldest of two sisters in Berchtesgaden, where the family-owned a holiday home. However, she grew up in Vienna and received the best possible education for girls at the time. From 1905 to 1909 she attended the progressive “Black Forest School” of the pedagogue and salonière Eugenie Schwarzwald.

From 1910 Schmidl studied mathematics and theoretical physics at the University of Vienna.[3] In the winter semester of 1913/14, however, she switched to ethnology as a major, anthropology and prehistoric archeology as a minor.[4] Shortly before that she had joined the Association for Austrian Folklore and had worked out a folklore topic for the first time with “Flax growing and flax processing in Umhausen”. Michael Haberlandt and Rudolf Pöch were among her teachers. In 1916 she was the first woman to receive her doctorate.[5][6]

Working life[]

Marianne Schmidl first worked at the Berlin Museum of Ethnology. From autumn 1917 she worked under Theodor Koch-Grünberg at the Linden Museum in Stuttgart as an “assistant for African questions”. After a stint at the Grand Ducal Museum for Art and Applied Arts in Weimar, Marianne Schmidl was unable to find an adequate job for a long time. Michael Haberlandt later asked whether “the two characteristics female and Jewish were an obstacle to filling a position within ethnology”. From March 1921 she worked at the Austrian National Library, with a permanent civil servant position from 1924, as a lecturer for anthropology, science, mathematics and medicine. In addition, she continued her scientific research in the field of African cultural history, specializing in particular in basket weaving. From 1926 she worked on a research project on African handicrafts at the Museum für Völkerkunde in Vienna, which was financed by the Saxon Research Institute for Ethnology in Leipzig. In the course of this, she researched ethnographic museums in Switzerland, France, England, Belgium, Germany and Italy and published numerous scholarly works.[7][8]

Nazi persecution and deportation[]

After Austria's Anschluss or "annexation" to the Nazi German Reich in 1938, Marianne Schmidl was declared Jewish because her father was Jewish, even though she considered herself to be Christian.[9] She was forced out of her job, and thrown into poverty by the special taxes Nazis inflicted on Jews in order to take their property.[10] Schmidl was forced to sell her family's artworks but was unable to flee. In April 1942 she was deported to the Izbica ghetto in Poland and from there presumably to the Belzec or Sobibor concentration camps.[11]

Her last sign of life was in May 1942. The circumstances and the exact date of her death are unknown and it took until 1950 until she was pronounced dead.

Marianne Schmidl's art collection and its restitution[]

An der Isar, a drawing by Friedrich Olivier 1844, restituted by the Lenbachhaus in Munich.

Marianne Schmidl is remembered today not only as Austria's first Ph.D. in ethnology,[12] but also because - in the course of the principles for the restitution of looted art formulated at the 1998 Washington Conference - she was the original owner of many drawings by the brothers Olivier and Julius Schnorr von Carolsfeld could be made out.

After her mother's death in 1934, she inherited the entire family collection of drawings by the Olivier brothers and von Schnorr von Carolsfeld. After the "Anschluss" of Austria in 1938, Schmidl was forced to submit a property declaration on September 30, 1938 for her art collection on which the Nazi imposed special taxes. The special taxes for Jews, the repayment of the funding for their research, the reduced salary, all of this left Maria Schmidl with no choice but to sell the collection of drawings.[13]

Her non-Jewish brother-in-law, Karl Wolf, brought the lot to the Viennese dealer Christian Nebehay, who in turn passed them on to the Leipzig action house C. G. Boerner.

On April 28, 1939, 19 sheets belonging to Schmidl were auctioned anonymously as “Collection W” (today identified as “Collection Wolf”).

The Albertina in Vienna restituted 8 sheets by Friedrich Olivier to the family's heirs in 2013.

In 2014, two more drawings by Olivier from the Kupferstichkabinett in Berlin in 2015 two sheets from the Kupferstichkabinett in Dresden were restituted.[14]

In 2016 'A Branch with Shriveled Leaves' which had been sold under duress by Schmidl in Austria in 1939, was restituted by the National Gallery of Art.[15]

In 2019 a drawing by Friedrich and another by Ferdinand Olivier were restituted from the Lenbachhaus in Munich.[16]

Publications (selection)[]

  • 1913 Flachs-Bau und Flachs-Bereitung in Umhausen. In: Zeitschrift für Österreichische Volkskunde. Band 19, 1913, S. 122–125.
  • 1915 Zahl und Zählen in Afrika. In: Mitteilungen der Anthropologischen Gesellschaft in Wien, Band 45, 1915, S. 166–209. This work (her dissertation) was fundamental to a new approach, which considered mathematics as a universal science, independent of culture and society. She stated that there are rather completely different types and expressions of counting and calculating.
  • 1928 Altägyptische Techniken an afrikanischen Spiralwulstkörben. In: Festschrift für Wilhelm Schmidt, (SVD), S. 645–654.
  • 1935 Die Grundlagen der Nilotenkultur. In: Mitteilungen der Anthropologischen Gesellschaft in Wien. Band 65, 1935, S. 86–125. (The last essay she published)
  • 2005 (Posthum) Afrikanische Spiralwulstkörbe. In: Katja Geisenhainer: Maria Schmidl (1890-1942), Leipzig 2005, S. 265–339.

Literature[]

  • F. Hillbrand-Grill: "Schmidl (Theresie) Marianne". In: Österreichisches Biographisches Lexikon 1815–1950 (ÖBL). Vol. 10, Austrian Academy of Sciences, Vienna 1994, ISBN 3-7001-2186-5, p. 325.
  • Susanne Blumesberger: Verlorenes Wissen. Ein gewaltsam abgebrochener Lebenslauf am Beispiel von Marianne Schmidl. In: Helmut W. Lang (Hrsg.): Mirabilia artium librorum recreant te tuosque ebriant. Phoibos, Wien 2001, ISBN 3-901232-27-3, S. 9–19.
  • Doris Byer: Marianne Schmidl. In: Brigitta Keintzel, Ilse Korotin (Hrsg.): Wissenschafterinnen in und aus Österreich. Leben – Werk – Wirken. Böhlau, Wien/Köln/Weimar 2002, ISBN 3-205-99467-1, S. 655–658.
  • Katja Geisenhainer: Marianne Schmidl (1890–1942). In: Zeitschrift für Ethnologie. Band 127, 2002, S. 269–300.
  • Katja Geisenhainer: Marianne Schmidl (1890–1942). Das unvollendete Leben und Werk einer Ethnologin. Universitätsverlag, Leipzig 2005, ISBN 3-86583-087-0 (enthält auch Schmidls unvollendet gebliebene Arbeit über afrikanische Spiralwulstkörbe).
  • Ilse Korotin: „[...] vorbehaltlich eines jederzeit zulässigen Widerrufes genehmigt“. Ausgrenzung und Verfolgung jüdischer Wissenschafterinnen und Bibliothekarinnen. In: Österreichische Bibliothekarinnen auf der Flucht. Verfolgt, verdrängt, vergessen? Praesens, Wien 2007, ISBN 978-3-7069-0408-7, S. 103–126.

See also[]

References and notes[]

  1. ^ Staatliche Museen zu Berlin. "Restitution of two works from the Kupferstichkabinett". www.smb.museum. Retrieved 2021-04-20. Dr. Marianne Schmidl was born in 1890 in Berchtesgarden and grew up in Vienna. After becoming the first woman to graduate with a doctorate in Ethnology from the University of Vienna, she worked initially in various ethnology museums, including the Museum für Völkerkunde in Berlin. In 1921 she became a librarian at the Austrian Nationalbibliothek, where she worked until 1938. On 1st October of that year, she was forced into early retirement because her father was of Jewish origin. Deprived of almost all means of financial support by this and other forms of persecution, and by the special levies imposed on Jews by the Nazi regime, she was obliged to sell the artworks which had been in her family for generations. In April 1942 she was deported to the ghetto of Izbica, in the Krasnystaw district of the province of Lublin, Poland
  2. ^ "National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs". web.archive.org. 2021-04-20. Archived from the original on 2021-04-20. Retrieved 2021-04-20. Marianne Schmidl was the daughter of Josef Schmidl (1852–1916) and Maria Schmidl née Friedmann (1858–1934). A Viennese lawyer, Josef was born Jewish but converted to Christianity in 1889; Maria was Christian. Maria was the granddaughter of the artist Friedrich Olivier and Franziska Heller; Franziska's sister was married to the artist Julius Schnorr von Carolsfeld. Thus Marianne Schmidl was Olivier's great-granddaughter, and the great-grandniece of Julius Schnorr von Carolsfeld.
  3. ^ "National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs". www.nga.gov. Archived from the original on 2021-04-20. Retrieved 2021-04-20. In 1910, despite the prejudices against women being admitted to university, Marianne enrolled to study physics and mathematics. In 1913 she switched courses to anthropology and ethnology and developed what was to become a lifelong fascination with Africa. Her research was based on the extensive collections of German and Austrian ethnological museums and culminated in the 1915 publication of her doctoral thesis "Numbers and Counting in Africa," making her the first woman to receive a doctorate in ethnology from the University of Vienna.
  4. ^ "Wer war Marianne Schmidl?". www.lenbachhaus.de (in German). Retrieved 2021-03-23.
  5. ^ Geisenhainer, Katja. "Marianne Schmidl (1890-1942)". nomadit.co.uk. Retrieved 2021-03-23.
  6. ^ "Stein der Erinnerungfür Marianne Schmidl" (PDF).
  7. ^ "Schmidl, Marianne | Lexikon der österreichischen Provenienzforschung". www.lexikon-provenienzforschung.org. Archived from the original on 2021-04-20. Retrieved 2021-03-23. b 1910 stud. sie an der Univ. Wien Mathematik und Physik, u. a. bei F. Exner (s. d.) sowie Wilhelm Wirtinger, ab 1913 Ethnographie, Anthropol., Urgeschichte sowie Volkskde., v. a. bei R. Pöch, M. Hoernes und M. Haberlandt (alle s. d.); 1916 Dr. phil. Noch während ihrer Stud.Zeitein Jahr Volontärin am Österr. Mus. für Volkskde., arbeitete sie 1916/17 an der Afrikan. Abt. des Mus. für Länder- und Völkerkde, in Berlin, 1917–20 als Ass. am Lindenmus. in Stuttgart, nach der durch eine Personalreduktion bedingten Entlassung am Mus. für Kunst und Kunstgewerbe in Weimar. 1921 trat sie als Hospitantin in den Dienst der Österr. Nationalbibl., wurde in den Beamtenstand übernommen und 1938 zum Staatsbibliothekar 1. Kl. ernannt, noch im selben Jahr aber, schon lange schwer zuckerkrank, pensioniert. Im April 1942 wurde sie in das Lager Izbica (Polen) deportiert, von wo aus sie einen Monat später letzte Nachricht gab. Aus der von Pöch aufgebauten Anthropolog.-ethnograph. Schule hervorgegangen, wurde sie als erste Frau Österr. in ihrer Disziplin prom. und erwarb sich, seit 1914 Mitgl. der Anthropolog. Ges. in Wien, die Wertschätzung ihres Lehrers, der ihr einen Tl. seines wiss. Nachlasses anvertraute. Publizist. widmete sie sich schon in ihrer Stud.Zeit der Volks-, später yornehml. der Völkerkde. und betreute dieses Fach neben anderen wiss. Sparten als Referentin an der Österr. Nationalbibl. 1929 beschloß sie gem. mit Walter Hirschberg und Robert Routil die Begründung eines Afrika-Archivs, ein Gedanke, der im Folgejahr mit der Wr. Arbeitsgemeinschaft für Afrikan. Kulturgeschichte Verwirklichung fand, in deren Rahmen als Erg. zu der in Wien herrschenden Kulturkreislehre die Erarbeitung von Stammesgeschichten erfolgen sollte.
  8. ^ Dokumentation, Österreichisches Biographisches Lexikon und biographische (2003). "Schmidl (Schmiedl), (Theresie) Marianne". ISBN 978-3-7001-3213-4 (in German). Retrieved 2021-04-20.
  9. ^ "U.S. National Gallery returns art to heir of Holocaust victim". Haaretz.com. Retrieved 2021-03-23.
  10. ^ National Gallery of Art. "National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs". www.nga.gov. Retrieved 2021-04-20. With the German annexation of Austria in March 1938, public employees were required to submit proof of their Aryan descent. On June 25, 1938, Marianne was informed that at the conclusion of her medical leave she would no longer be allowed to work at the library because of her Jewish heritage. On September 30, 1938, Marianne Schmidl submitted the required registration of her assets—Vermögensanmeldung—on which she listed the value of her "metal, jewelry, luxury items, art and collections." In October she submitted the estimated value of her half of the house she shared with her brother-in-law, Dr. Karl Wolf, husband of her deceased sister Franziska (1891–1925), for which she would be taxed. Throughout 1938 and 1939 Schmidl fought through official channels the various Jewish taxes and her loss of work.
  11. ^ "U.S. National Gallery returns art to heir of Holocaust victim". Haaretz.com. Retrieved 2021-03-23.
  12. ^ Geisenhainer, Katja. "Marianne Schmidl (1890-1942)". nomadit.co.uk. Retrieved 2021-04-20. The paper offers an introduction to the life and work of one of the earliest professional female anthropologists in Germany and Austria, M Schmidl, and her attempts to find her place among scientists as a woman with Jewish ancestors and without a permanent position in an ethnological institution.
  13. ^ "Wer war Marianne Schmidl?". www.lenbachhaus.de (in German). Retrieved 2021-03-23.
  14. ^ Berlin, Staatliche Museen zu. "Restitution of two works from the Kupferstichkabinett". www.smb.museum. Retrieved 2021-03-23.
  15. ^ "National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs". www.nga.gov. Archived from the original on 2019-08-15. Retrieved 2021-03-23.
  16. ^ "Lenbachhaus - Restitution zweier Zeichnungen". www.lenbachhaus.de (in German). Retrieved 2021-03-23.

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