Meat Beat Manifesto

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Meat Beat Manifesto
Meat Beat Manifesto live in 2008
Meat Beat Manifesto live in 2008
Background information
OriginSwindon,[1] Wiltshire, England
Genres
Years active1987–present
LabelsMute,[3] Wax Trax!, Nothing, Brainwashed, Thirsty Ear,[4] Planet Mu, Tino Corp.
Websitewww.meatbeatmanifesto.com
MembersJack Dangers
Lynn Farmer
Mark Pistel
Benjamin Stokes
Past membersMarcus Adams
Colin James
Craig Morrison
Mike Powell
Jonny Stephens
Jon Wilson
Simon Collins

Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy.[5] Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.[2]

History[]

Early years[]

Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what would have been the debut MBM album were claimed to have been destroyed in a studio fire before it could be released (detailed in a publicity statement). The former founder of Sweat Box Records (Rob Deacon) said that the fire never happened. Jack Dangers confirmed the story of the fire in a 2010 interview.[1] The pair then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act[6] because Sweat Box Records sold the rights to the LP to Wax Trax Records for release in the United States.[5] In response, they released 99%, which was more techno-influenced, in May 1990. In August they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be début album.

The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes and sets designed by artist Craig Morrison[7] and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990.[8] In 1991, they performed at The Limelight in Manhattan.[9][10] Despite his contributions being nonmusical in nature, Adams was credited as a full band member and appeared in many of the band's record sleeves and promo photos until the release of Satyricon in 1992. Adams also appeared in several of MBM's early videos, such as "Strapdown" and "Psyche-Out".

1992's Satyricon continued to show Meat Beat adopting a more mainstream electronic sound, crediting influences of such newly popular dance bands as Orbital, The Shamen, and The Orb, all of whom had either remixed or been remixed by MBM. The album produced the hits "Mindstream" and "Circles". "Original Control (Version 2)", renamed "I Am Electro" in later compilations, is the best-known track from the album, featuring samples of recordings from the 1939 World's Fair exhibit Elektro The Robot, and was the opening song in MBM's 2005–2006 tour.

Nothing Records years, 1994–1998[]

In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails.[11] Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.

In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995–1998, former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998–1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member.

During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels.

RUOK?, 2000–2004[]

In 2000, Dangers released a 12" MBM EP of four new songs called which demonstrated a shift in Dangers' output towards simpler song structure and less sonically-dense layering. This evolution in form was full realized two years later, in 2002, with the release of Meat Beat Manifesto's seventh full-length album, RUOK?. This album prominently featured Dangers' newly acquired EMS Synthi 100, as well as guest contributions from turntablist Z-Trip and The Orb's Alex Paterson. In 2003 MBM released a remix album for Storm The Studio, followed by ...In Dub, a remix album of RUOK?.

At the Center, 2005–2007[]

At the Center was released on 29 May 2005. A part of independent label Thirsty Ear's , the album is a collaboration between Jack Dangers and jazz musicians Peter Gordon (flute), Dave King (drums), and Craig Taborn (keyboards).[12] While Dangers had, in the past, flirted with jazz instrumentation and sampling on a handful of Meat Beat Manifesto tracks, At the Center was a marked variation of the expected MBM sound and was more of a one-off experiment than a whole new direction for the band. The album has been well received by many critics, with one reviewer calling it "one of the best albums of the year in any genre."[13] An EP of outtakes, live tracks and a remix titled Off-Centre was released shortly after.[14]

From 2005 through 2006, MBM launched a worldwide tour, their first since 1999, making use of video sampling technology that allowed the band to trigger video clips in real-time, on two large screens positioned stage front, while the band performed either side-stage or behind the screens, out of the audience's view; instead, live video footage of the band performing was displayed onscreen alongside the pre-assembled clips. Many of the video clips used were the sources of samples previously used in various MBM tracks, such as footage of Elektro the Robot and clips from films such as Head and Dark Star.[15] Dangers and crew performed a wide variety of hits and fan favorites from the entire back catalog, though relatively little of the new jazz fusion material from At the Center was played.

In 2006, Meat Beat Manifesto's "Suicide" was released on the Underworld: Evolution soundtrack and is the only MBM track to date to prominently feature a guitar.

In May 2007 Dangers released a double CD titled Archive Things 1982-88 / Purged. The first disc contained many early Meat Beat Manifesto experimentations, including demos of what would later become seminal MBM tracks such as "I Got the Fear". The second disc was an instrumental version of the Perennial Divide album, Purge.[16]

Autoimmune and Answers Come in Dreams, 2008–2010[]

MBM's ninth studio album, Autoimmune, was released on 7 April 2008 in Europe via Planet Mu Records and on 8 April 2008 in the US and Canada via Metropolis Records.,[17] with each territory's issue featuring a different track listing. The album featured the first vocals by Dangers himself since 1998's Actual Sounds + Voices, as well as collaborations with DJ Z-Trip, MC Azeem, and Kenneth James Gibson.[18] The album has been described as a return to an older, harder MBM sound and as a dubstep album, though Dangers has stated that he prefers not to fall into any specific genre or category with his work.[5] The lead single, "Guns And Lovers" was released as a digital single via iTunes on 18 March 2008, while the track "Lonely Soldier" was released as a single via bleep.com. Meat Beat Manifesto once more toured to support the new album with the same stage setup as the 2005–2006 tour.

Meat Beat Manifesto released Answers Come in Dreams in late 2010, once more via Metropolis Records in the US and via Hydrogen Dukebox in the UK. Answers Come in Dreams continued to reference dubstep as had its predecessor Autoimmune, but overall was a darker, denser album, at times descending into beatless ambient noise passages reminiscent of the experimental second disc of 1996's Subliminal Sandwich.[19][20]

Impossible Star and Opaque Couché, 2011-present[]

After the release of Answers Come in Dreams, Meat Beat Manifesto entered a period of limited activity lasting several years. Between 2011 and 2016, a small handful of EPs were released, and MBM only performed live sporadically. They appeared at the Cold Waves V festival in Chicago in 2016, the first live Meat Beat Manifesto show in five years.[21] The following September they performed at Cold Waves LA.

In January 2018 Meat Beat Manifesto released their eleventh studio album Impossible Star on the label Flexidisc.[22] First single "We Are Surrounded" was premiered online by Igloo Magazine on 24 October 2017.[23] The album has been called a "proverbial return to form" after the dalliances with dubstep on Autoimmune and Answers Come in Dreams.[24] MBM also contributed an original track to the Cold Waves VII benefit compilation later that year, and a limited U.S. tour took place in the fall.

Opaque Couché, Meat Beat Manifesto's twelfth album, was released on 10 May 2019 via Flexidisc. The track "Pin Drop" was released as a video single on YouTube on 6 March, with "No Design" following on 1 April. Considered a companion album to Impossible Star, Opaque Couché was named after "the world's ugliest color".[25]

MBM debuted a brand new song and video and contributed a pre-recorded performance set to the Cold Waves 2020 "Lost Weekend"; the entire festival was streamed on Twitch due to the ongoing coronavirus pandemic in the United States. The new song also appeared on the corresponding Cold Waves 2020 compilation. [26]

Discography[]

Main article: Meat Beat Manifesto discography

Meat Beat Manifesto have released a number of albums and singles, and participated in remixes and compilation albums.

Studio albums[]

Remix albums[]

Compilation albums[]

  • 1997 Original Fire
  • 2007 Archive Things 1982-88

Selected remixes[]

References[]

  1. ^ Jump up to: a b "Jack Dangers Of Meat Beat Manifesto Interviewed". The Quietus. 21 October 2010. Retrieved 26 May 2021.
  2. ^ Jump up to: a b Bush, John. "allmusic Meat Beat Manifesto Biography". Allmusic Guide. Retrieved 14 October 2009.
  3. ^ "Meat Beat Manifesto Poster". Web.archive.org. Archived from the original on 27 October 2009. Retrieved 27 August 2014.
  4. ^ "Thirsty Ear Recordings". Thirstyear.com. Archived from the original on 5 September 2015. Retrieved 27 August 2014.
  5. ^ Jump up to: a b c Zipf, Jen (6 February 2009). "Meat Beat Manifesto interview". Prefix Magazine. Retrieved 7 April 2009.
  6. ^ Reed, S. Alexander (2013). Assimilate: A Critical History of Industrial Music. New York: Oxford University Press. p. 265. ISBN 9780199832583. OCLC 1147729910 – via the Internet Archive.
  7. ^ "An Amazing Drug Like Quietus". 2010. Archived from the original on 5 January 2011. Retrieved 21 December 2010.
  8. ^ Reed 2013, p. 256.
  9. ^ "Meat Beat Manifesto — New York — Limelight — 02 July 1991". Songkick. 2 July 1991. Retrieved 27 August 2014.
  10. ^ Watrous, Peter (4 July 1991). "Pop in Review - New York Times". Nytimes.com. Retrieved 27 August 2014.
  11. ^ Reed 2013, p. 273.
  12. ^ "Meat Beat Manifesto Biography". Artist Direct. Retrieved 2 May 2009.
  13. ^ "Jack Dangers: The Mind of Meat Beat Manifesto". Allaboutjazz.com. Retrieved 27 August 2014.
  14. ^ "Meat Beat Manifesto :: Off-Centre (Thirsty Ear, CD)". Igloo Magazine. 11 May 2005. Retrieved 7 February 2010.[permanent dead link]
  15. ^ Thill, Scott (7 April 2008). "Autoimmune review/Jack Dangers interview". Wired. Retrieved 2 May 2009.
  16. ^ "MBM News". Brainwashed. 21 May 2007. Retrieved 2 May 2009.
  17. ^ "Meat Beat Manifesto returns with 'Autoimmune' on Metropolis Records". Side-Line. 11 April 2008.
  18. ^ Autoimmune album credits, discogs.com, Retrieved 16 July 2015
  19. ^ Gabriele, Timothy (28 October 2010). "Meat Beat Manifesto: Answers Come in Dreams". Pop Matters. Retrieved 19 September 2020.
  20. ^ Cook, Jason (29 November 2010). "Meat Beat Manifesto. Answers Come In Dreams". The Quietus. Retrieved 22 June 2012.
  21. ^ "1st MBM Show in Five Years". meatbeatmanifesto.com. 29 March 2016. Retrieved 19 September 2020.
  22. ^ Van Isacker, Bernard (18 December 2017). "Meat Beat Manifesto announces brand new studio album after a 7-year hiatus". . Retrieved 19 September 2020.
  23. ^ "Meat Beat Manifesto :: Ready to release Impossible Star 1/19/2018 (Flexidisc) & "We Are Surrounded" track premiere!". . 24 October 2017. Retrieved 19 September 2020.
  24. ^ Collins, Sean (31 January 2018). "Meat Beat Manifesto Impossible Star review". Pitchfork. Retrieved 19 September 2020.
  25. ^ "New MBM Album, 'Opaque Couché', Out May 10th". meatbeatmanifesto.com. 6 March 2019. Retrieved 19 September 2020.
  26. ^ "Cold Waves 2020". coldwaves.net. Retrieved 19 September 2020.

External links[]

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