Michael Adamson

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Michael Adamson
Born
Michael Falconer Adamson

(1971-06-30)June 30, 1971
Toronto, Ontario
NationalityCanadian
EducationRyerson University, Canada

Emily Carr University of Art and Design, Canada

Kunsthochschule Kassel, Germany
Known forpainting, sculpture
Spouse(s)Nicole Katsuras

Michael Adamson (born June 30, 1971)[1] is a Canadian painter, known for a style that blends landscape with abstraction.

Biography[]

Michael Adamson attributes some of his success to his studying at the Kunsthochschule Kassel, Germany in his third year at the Emily Carr University of Art and Design in Vancouver. At the school in Germany, there was a fascination among the painting students with Gerhard Richter, Adamson included.[1] His breakthrough as a painter in Canada came in 1998 when he started to produce paintings in which he used grids to mirror the weft and weave of the canvas.[2] His painterly signature is composed of discs of bright pigment applied to brilliantly hued canvas.[2]At first influenced by modernist painters, such as Hans Hofmann and Gerhard Richter, he became in time an abstract painter using ideas of landscape with horizon lines and configurations that could be read as water and skies.[3] His work was described in the Globe and Mail as "paintings that hover so tantalizingly between abstraction and landscape that you end up unwilling to settle for any single reading."[4]

At the end of the 1990s, he began to show his work in vacant properties around Toronto.[4][5] These “pop-ups” were artist-run centres which presented shows of new artists.[5] From 1998 until 2008, painting became for him an “open country” to which he applied many approaches to composition and application. The Open Country series (2008) included 150 canvases completed over a five-month period, using different approaches to composition and application with each painting.[6]

Adamson's exhibitions include shows at Beaverbrook Art Gallery, Fredericton, New Brunswick (Goop, Guck, And Globs: The Materiality Of Paint, 2012);[7] the Gardiner Museum, Toronto (12 Trees, 2015);[8] Thompson’s Galleries in London (2016);[9] and Couture Galleri in Stockholm (2016).[10] In 2020, his show Abstraction in the Extended Field took place at the Art Gallery of Northumberland in Cobourg, Ontario.[11]

Public collections[]

References[]

  1. ^ Jump up to: a b Murray 2008, p. 22.
  2. ^ Jump up to: a b Murray 2008, p. 24-25.
  3. ^ Dault, Gary Michael. "Thundering across the spectrum". www.theglobeandmail.com. Globe and Mail, December 1, 2001. Retrieved July 15, 2020.
  4. ^ Jump up to: a b Dault, Gary Michael (December 26, 2000). "Visual arts: Three to watch". Globe & Mail. p. R3.
  5. ^ Jump up to: a b Kelley, Deirdre. "Michael Adamson is the king of pop-ups". www.theglobeandmail.com. Globe and Mail, March 12, 2013. Retrieved July 10, 2020.
  6. ^ Murray 2008, p. 9.
  7. ^ "Goop, Guck, And Globs: The Materiality Of Paint". Beaverbrook Art Gallery. 2012. Retrieved July 10, 2020.
  8. ^ "12 Trees 2015". Gardiner Museum. 2015. Retrieved July 10, 2020.
  9. ^ Adamson, Michael. "Michael Adamson". Thompson's Gallery, UK. Retrieved July 10, 2020.
  10. ^ Adamson, Michael. "Exhibition". Couture Gallery, Stockholm. Retrieved July 10, 2020.
  11. ^ "Michael Adamson: Abstraction in the Extended Field". Art Gallery of Northumberland. Retrieved July 10, 2020.
  12. ^ Adamson, Michael. "Christmas in Gokarn, 2009". tms.artgalleryofhamilton.com. Art Gallery of Hamilton. Retrieved July 13, 2020.
  13. ^ Adamson, Michael. "Homage to Riopelle, 2001". collections.artgalleryofnovascotia.ca. Art Gallery of Nova Scotia, Halifax. Retrieved July 13, 2020.
  14. ^ Jump up to: a b c Gooden 2020, p. 193.
  15. ^ Adamson, Michael. "For the Kids Room, 2006". mcintoshgallery.pastperfectonline.com. McIntosh Gallery, London. Retrieved July 13, 2020.
  16. ^ Adamson, Michael. "A Mystic Along, 2008". rmg.minisisinc.com. Robert McLaughlin Collection, Oshawa. Retrieved July 13, 2020.

Bibliography[]

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