P. van Heerdt tot Eversberg-Quarles van Ufford

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P. van Heerdt tot Eversberg-Quarles van Ufford
Photo of P. van Heerdt tot Eversberg-Quarles van Ufford.jpg
Born1862 (1862)
Ketandan, Dutch East Indies
Died1939 (aged 76–77)
The Hague, The Netherlands
NationalityDutch
EducationRoyal Academy of Art, The Hague
Spouse(s)
Victor van Heerdt tot Eversberg
​
​
(m. 1884)​
Oil painting by "Ph. van Heerdt tot Eversberg-Quarles van Ufford" now in the collection of Amsterdam's Tropenmuseum. It shows the harbor of Sabang, in Sumatra.

Countess Anne Philippine Madeleine van Heerdt tot Eversberg-Quarles van Ufford (5 December 1862, in Ketandan – December 1939, in The Hague) was a Dutch feminist, artist, and peace activist. She was involved, among other things, as a board member of the Dutch Association for Women's Suffrage and as acting president of the World Union of Women for International Peace.

Personal life[]

Philippine was the daughter of Hendrik Quarles van Ufford and Anne Madeleine Scheltema. She was born on the family's indigo plantation in the village of Ketandan, in what is now Indonesia but was then the Dutch East Indies. When Philippine was six years old, her father died. Anne Madeleine then moved back to Europe with her four children, of whom Philippine was the eldest. The family stayed briefly in the Netherlands, then moved to Switzerland, where Philippine obtained a “multilingual education” and a certificate of primary education.[1]

In 1879, the family returned to the Netherlands, where Philippine studied at the Royal Academy of Art, The Hague.[1] According to the Netherlands Institute for Art History, her art teachers included Fridolin Becker (1830-1895) and Margaretha Roosenboom (1843-1896).[2]

Philippine's brothers introduced her to Count ( [nl]) Victor van Heerdt tot Eversberg, whom she married in 1884.[3] That same year, the couple moved to Suriname to manage a coffee plantation. A year later their only son was born. When it was clear that they could not make the coffee plantation profitable, her husband accepted a position as adjutant to the Governor-General of the Dutch East Indies in Batavia.[3] In 1901, the family returned from Batavia to The Hague, where Philippine again started painting and became a member of the Pulchri Studio.[1]

Women's suffrage[]

In the Netherlands, together with her mother-in-law Emilie van Heerdt tot Eversberg-van Lansberge, Philippine became involved in the women's movement. Emilie had been involved in the Nationale Tentoonstelling van Vrouwenarbeid 1898 (National Exhibition of Women's Labor 1898.) This exhibition promoting the importance of women's labor was organized by feminists to honor the 1898 inauguration of Netherlands Queen Wilhelmina.[3] Several works painted by Philippine were included in the exhibition,[3] which attracted more than 90,000 visitors.[4]

Philippine herself became an engaged member of the Nederlandsche Bond voor Vrouwenkiesrecht [nl] (Dutch Association for Women's Suffrage), which was founded in 1907. She was president of the Bloemendaal department and was on the board of the social education committee. She also regularly wrote articles for  [nl], the magazine of the association. For example, in 1910 De Ploeger published a piece by her entitled "Wat wij vrouwen door het kiesrecht hopen te bereiken” (“What we hope to achieve by women's suffrage”), in which she argues that women's suffrage will positively influence society in many ways. She also emphasized, like many members of the Association, the importance of educating girls and women as responsible voters. In "Eene eeretaak. Open brief aan alle Nederlandse meisjes en vrouwen” (“A glorious task. Open letter to all Dutch girls and women”) (1910) she wrote about the “duties” that come with the “right” to vote. Philippine managed the literature list compiled by the Association to inform and educate women into thoughtful voters.

Encouraged by the success of their 1898 exhibition of women's labor, Dutch feminists organized a second exhibition to show women's progress during a century since the origin of the Dutch monarchy in 1813. The feminist exhibition De Vrouw 1813-1913 (The Woman 1813-1913) attracted more than 300,000 visitors.[4] Its visual arts display included artworks by Philippine.[5]

Peace movement[]

After the women's suffrage was acquired (1919), Philippine became all the more concerned with the importance of education. She always emphasized that it is important to make women at home in the themes that they will have to deal with as voters. World peace was for Philippine, like many first-wave feminists, a central theme. Philippine also emphasized that women had to be well-educated in order to be able to fulfill their role as educator of the next, hopefully peace-loving, generation. In this capacity, Philippine was involved, among others, in the Vereeniging voor Volkerenbond en Vrede (Society for the League of Nations and Peace.) For example, in 1919 she published “Volkerenbond, vooruitgang en opvoeding” (“League of Nations, progress and education”) in which her interests in women's suffrage and world peace come together. Philippine, who spoke fluent French, also became honorary vice president of the  [fr] (World Union of Women for International Peace). After Clara Guthrie d’Arcis died in 1937, Philippine became acting president.[1]

She died in The Hague in 1939 at the age of 76.[1]

References[]

  1. ^ Jump up to: a b c d e Mevis, Annette (9 December 2017). "Quarles van Ufford, Anne Philippine Madeleine (1862-1939)". Huygens Digitaal Vrouwenlexicon van Nederland. Retrieved 3 February 2019. Vanwege haar vloeiende Frans werd Phil van Heerdt presidente van de Commissie voor Moeders en Opvoedsters, die was aangesloten bij de in 1915 opgerichte Union Mondiale de la Femme pour la Concorde Internationale – tot op hoge leeftijd bleef ze hierin actief. In 1937, toen ze 75 jaar was, werd ze waarnemend presidente van de Union. (Because of her fluent French, Phil van Heerdt became president of the Committee for Mothers and Educators, who was affiliated with the Union Mondiale de la Femme pour la Concorde Internationale, founded in 1915, and remained active in this area until old age. In 1937, when she was 75, she became Acting President of the Union.)
  2. ^ "Philippine Anne Madeleine Quarles van Ufford". RKD-Nederlands Instituut voor Kunstgeschiedenis. 20 February 2017. Retrieved 5 February 2019.
  3. ^ Jump up to: a b c d Drieënhuizen, Caroline Alida (2012). Koloniale collecties, Nederlands aanzien: De Europese elite van Nederlands-Indië belicht door haar verzamelingen, 1811-1957 (PDF) (PhD) (in Dutch). University of Amsterdam. Phil, who until her sixth year had lived in Central Java in the remote indigo company Ketandan, then spent several years in the Netherlands, and then spent five years in Switzerland, was open to adventure and had agreed with the plan for her husband to make a new start in Suriname to speed up his career.
  4. ^ Jump up to: a b Verpoorten, Ellen (22 October 2015). "Exhibition De Vrouw 1813 - 1913". Atria. Retrieved 3 February 2019. The first major exhibition of the women's movement, the National Exhibition of Women's Work, was held in the Houtrusthallen in The Hague in 1898 and attracted more than 90,000 visitors.
  5. ^ Mevis, Annette (2004). "Phil van Heerdt tot Eversberg-Quarles van Ufford" (in Dutch). Atria. hdl:11653/bio2004. In 1901 keerden zij terug naar Nederland, naar Den Haag. Haar man werd daar vrij snel ernstig ziek en overleed in 1907. Phil ging schilderen, werd lid van Pulchri Studio en ging in Bloemendaal wonen. Zij exposeerde schilderijen op de tentoonstelling De Vrouw 1813-1913’. (In 1901 they returned to the Netherlands, to The Hague. Her husband became seriously ill there quite quickly and died in 1907. Phil started painting, became a member of Pulchri Studio and went to live in Bloemendaal.She exhibited paintings at the exhibition 'De Vrouw 1813-1913'.) Cite journal requires |journal= (help)

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