R. G. Harper Pennington

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R. G. Harper Pennington
James McNeill Whistler, Harper Pennington, 1880-1882, NGA 11311 (cropped).jpg
Harper Pennington, by James McNeill Whistler
Born
Robert Goodloe Harper Pennington

(1854-10-09)October 9, 1854
Baltimore, Maryland, U.S.
DiedMarch 15, 1920(1920-03-15) (aged 65)
Catonsville, Maryland, U.S.
EducationÉcole des Beaux-Arts
OccupationPainter
Spouse(s)
Caroline DeWolf Theobald
​
​
(m. 1888; div. 1913)​
Children5
Parent(s)William Clapham Pennington
Emily Louisa Harper
RelativesRobert Goodloe Harper (great-grandfather)

Robert Goodloe Harper Pennington (October 9, 1854 – March 15, 1920) was an American artist and writer known for his portraits of New York and Newport socialites.

Early life[]

Pennington was born on October 9, 1854 in Baltimore, Maryland and was named after his great-grandfather, the former U.S. Senator Robert Goodloe Harper.[1] He was a son of William Clapham Pennington (1829–1913) and Emily Louisa (née Harper) Pennington (1835–1908).[2] His brother was Dr. Clapham Pennington.[3]

His paternal grandparents were Baltimore lawyer Josias Pennington (a close friend of John Pendleton Kennedy)[1] and Sophia Cook (née Clapham) Pennington.[4] His cousin, Josias Pennington, was a prominent architect with Baldwin & Pennington. His maternal grandparents were Charlotte Hutchinson (née Cheffelle) Harper and Charles Carroll Harper, the eldest son and heir of Robert Goodloe Harper and Catherine (née Carroll) Harper (a daughter of Charles Carroll of Carrollton).[5] Catherine's sister Mary was the wife of Richard Caton (namesake of Catonsville, Maryland).[a]

Career[]

Pennington's Portrait of Robert Gould Shaw II as "Little Billee" from the novel Trilby, a painting said to be owned by Harry Lehr and hung in his bedroom.[7]
Pennington's Beach Scene, between 1875–1900.

Pennington studied art under Jean-Léon Gérôme at the École des Beaux-Arts. In 1880, while in Munich, he was advised to join a group of American painters led by Frank Duveneck in Florence, known as the "Duveneck boys", which included John White Alexander, Otto Henry Bacher, Robert Frederick Blum, Charles Abel Corwin, , Julius Rolshoven and .[3] While in Venice, he met James Abbott McNeill Whistler, who he was a great admirer of and two became close friends.[8][9] Whistler drew Pennington's portrait in chalk and pastel.[3]

Pennington small portraits, in oil and pastel, show Whistler's influence and are sometimes mistaken for his work.[10] Whistler invited Pennington to return with him to London in 1880, but Pennington decided to travel and paint around Italy.[3] While in Venice, he made a portrait of Robert Browning for Katherine de Kay Bronson, a prominent American expatriate.[3]

After returning to London, Pennington took one of four studios at Carlyle Studios, alongside Theodore Roussel and George Percy Jacomb-Hood. In 1884, he made a full-length portrait of Oscar Wilde as a wedding gift for Wilde and his wife, Constance, which hung in Wilde's London home.[11] He also created fifteen engravings from drawings for Wilde's 1889 essay, London Models.[12] Pennington was a frequent visitor to Tite Street to see Whistler (whom he drew in 1885 while Whistler gave his Ten O'clock Lecture). In 1886 or 1887, Whistler drew Pennington's portrait for a second time.[3] While in London, Pennington was a member of the Beefsteak Club, a private dining club in Leicester Square, and was "exceedingly popular in both London and Paris".[8]

Pennington made several paintings for King Edward VII (then the Prince of Wales), "who was so well pleased with the artist's skill that he presented him with his photograph bearing his autograph."[8] In 1885, he made portraits of Patsy Cornwallis-West and the Misses Edith Clarke and Nellie Farren Calhoun while in London.[13] In 1899, Pennington wrote a letter to The New York Times, which was published in response to Layton Crippen's criticism of Henry Kirke Brown's sculpture of Washington in Union Square, where Pennington wrote:[14]

"Art is unlike trade. A masterpiece cannot be short measure; it is too personal. In conclusion, I would like to remind Mr. Crippen that some (very many, too,) of the greatest living sculptors are Americans. Indeed, no foreigners can give us points on art matters any longer. Of course, the 'good Americans,' whose eyes are always fixed on Paris, (where he is said to go when he dies,) cannot yet perceive what has grown up under his feet in architecture, sculpture, and painting, and, after all, in the making haste to become rich nobody cares."[14]

In 1908, he returned to Europe by traveling aboard the French liner La Provence to Paris.[8]

Personal life[]

On October 31, 1888, Pennington was married to Caroline DeWolf Theobald (1869–1962), a daughter of Dr. Samuel Theobald, a leading physician of Baltimore (and grandson of surgeon Nathan Ryno Smith).[15] Before their divorce in 1913,[16] they were the parents of four daughters and one son:[17]

  • Charlotte Emily Pennington (b. 1889)[17]
  • Marjory Innocence Pennington (1891–1992),[17] who married Edward Norris Kimball, Sr. (grandparents of Christopher Kimball)
  • Caroline DeWolf Pennington (b. 1895)[17]
  • Dorothea Harper Pennington (b. 1896), who married Robert W. Nelson.[18][19]
  • William Pennington (b. 1900)[17]

After two years of ill health, Pennington died from pneumonia at the Dr. Richard F. Gundry Sanitarium in Cantonsville on March 15, 1920.[20] He was buried at Green Mount Cemetery in Baltimore.[21]

References[]

Notes
  1. ^ Their daughters were Marianne Caton (wife of Robert Patterson (brother of Elizabeth Patterson Bonaparte) and, after his death, British statesman Richard Wellesley, 1st Marquess Wellesley); Elizabeth Caton (wife of Sir George Strafford, 8th Baron Strafford); Louisa Caton (wife of Col. Sir Felton Bathurst-Hervey, 1st Baronet and, after his death, Francis D'Arcy-Osborne, later the 7th Duke of Leeds); and Emily Caton (wife of John McTavish).[6]
Sources
  1. ^ Jump up to: a b "Harper-Pennington Papers, 1701-1899, MS. 431". www.mdhs.org. Maryland Historical Society. Retrieved 22 June 2020.
  2. ^ Atlantic Reporter. West Publishing Company. 1915. p. 403. Retrieved 22 June 2020.
  3. ^ Jump up to: a b c d e f "Whistler Etchings: Robert Goodloe Harper Pennington, 1854 or 1855-1920". etchings.arts.gla.ac.uk. Whistler Etchings Project, School of Culture and Creative Arts, University of Glasgow. Retrieved 22 June 2020.
  4. ^ Blizzard, Dennis F.; Hollowak, Thomas L. (2001). A Chronicle of War of 1812 Soldiers, Seamen, and Marines. Genealogical Publishing Com. p. 81. ISBN 978-0-8063-5105-6. Retrieved 22 June 2020.
  5. ^ "HARPER PENNINGTON". New-York Tribune. 16 March 1920. p. 10. Retrieved 22 June 2020.
  6. ^ Wake, Jehanne (2010). Sisters of Fortune. A Touchstone Book published by Simom & Schuster.
  7. ^ Adams, Michael Henry (December 6, 2017). "Queers in the Mirror: A Brief History of Old-Fashioned Gay Marriage in New York, Part One". HuffPost. Retrieved 22 June 2020.
  8. ^ Jump up to: a b c d "HARPER PENNINGTON ABROAD.; Visits London for First Time Since He Painted the King's Portrait". The New York Times. 18 July 1908. Retrieved 22 June 2020.
  9. ^ Pennington, Harper (1905). James A. McNeil Whistler. The International Quarterly. Retrieved 22 June 2020.
  10. ^ "Harper Pennington American, c. 1853/1855 - 1920". www.nga.gov. National Gallery of Art. Retrieved 22 June 2020.
  11. ^ Wolf, Jessica (April 5, 2017). "UCLA's rarely seen Oscar Wilde portrait leaves library hallway for exhibition in London". UCLA. Retrieved 22 June 2020.
  12. ^ Wilde, Oscar; Guy, Josephine M. (2000). The Complete Works of Oscar Wilde: Volume IV: Criticism: Historical Criticism, Intentions, The Soul of Man. OUP Oxford. ISBN 978-0-19-811961-6. Retrieved 22 June 2020.
  13. ^ "Topics of Interest Abroad". The New York Times. 4 February 1885. Retrieved 22 June 2020.
  14. ^ Jump up to: a b Pennington, Harper (11 May 1899). ""Unsightly New York Statues."". The New York Times. Retrieved 22 June 2020.
  15. ^ Baltimore, Colonial Dames of America Chapter I. (1910). Ancestral Records and Portraits: A Compilation from the Archives of Chapter I, the Colonial Dames of America. Grafton Press. p. 627. Retrieved 22 June 2020.
  16. ^ Times, Special to The New York (11 July 1913). "DIVORCE FOR ARTIST'S WIFE.; Mrs. R.G. Harper Pennington Obtains a Decree at Baltimore". The New York Times. Retrieved 22 June 2020.
  17. ^ Jump up to: a b c d e The Allen Memorial: Descendants of Samuel Allen of Windsor, Conn., 1640-1907. Second series. Higginson Book Company. 1907. p. 263. Retrieved 22 June 2020.
  18. ^ "MISS PORTER WEDS CAPT. H.E.B. PARDEE; Daughter of Mr. and Mrs. H.H. Porter, War Worker in France, Married in Hewlett, L.I. MISS PENNINGTON A BRIDE Artist's Daughter Wed to Robert W. Nelson--Nuptials of Miss Rosalie Going and Lieut. K.B. Jones. Nelson-Pennington. Bride of Lieut. Kenneth B. Jones". The New York Times. 16 April 1918. Retrieved 22 June 2020.
  19. ^ Arthur, Catherine Rogers; Kelly, Cindy (2004). Homewood House. JHU Press. p. 144. ISBN 978-0-8018-7987-6. Retrieved 22 June 2020.
  20. ^ "HARPER PENNINGTON, NOTED ARTIST, DEAD". The Washington Times. 16 March 1920. p. 12. Retrieved 22 June 2020.
  21. ^ "HARPER PENNINGTON DEAD -- Portrait Painter, Pneumonia Victim, Was Widely Known". The Baltimore Sun. 16 March 1920. p. 22. Retrieved 22 June 2020.

External links[]

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