Reverend A. W. Nix

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Reverend A. W. Nix (1880 – 1949) was an American preacher who recorded 54 sermons and gospel songs in the late 1920s and early 1930s. He is best remembered for his commercially successful sermon, "Black Diamond Express to Hell." Nix's recordings were reintroduced when he was credited as a major influence on Thomas A. Dorsey, the "father of gospel music." However, the minutes of the 1921 National Baptist Convention confirm that Nix's brother, William Nix, Jr., was actually the influence on Dorsey.[1] Accordingly, nearly all of A.W.'s sermons have been reissued on Document Records and compilation albums.

Biography[]

A.W. Nix was born in Harmony Hill, Texas in Rusk County in 1880, moving later to Longview, Texas in Gregg County. In 1906, Andrew was licensed as a minister, beginning at Shiloh Baptist Church in Topeka, Kansas. He has been described as a plainspoken speaker, but one who demonstrated his knowledge of formal study by incorporating historical figures into his sermons, most notably "The Matchless King."[2] In the 1920s, Nix signed with Vocalion Records, as record companies discovered the market in the black community for recordings by preachers. In Nix's recording period, which was between 1927 and 1931, he completed 54 (three unissued) sermons that, for the most part, featured him as the lead vocalist. The only other preacher to best Nix's numbers during this time was Reverend J. M. Gates of Atlanta, Georgia, who recorded over 200 sermons.[3]

Nix's recording techniques and sermon focal points closely resembled Gates' approach. In 1927, Gates recorded two sermons, "Hell Bound Express Train" and "Death's Black Train Is Coming", which are thought to influence Reverend Nix's best-known work, "Black Diamond Express to Hell". Six total recordings under the same title were recorded by Nix as a continuation of the previous, and, like Gates, he begins to include congregation members who have their own speaking roles.[4][5] "Black Diamond Express to Hell" chronicles various stops made by a train with "sin the engineer, pleasure the headlight, and the Devil the conductor".[6] In a more extensive description, writer Martha Simmons explains how "Nix names various stops that a train takes on its way to hell. Stops include Liars Avenue, Drunkardville, and Gambling Tower. Before each stop, Nix intones and thunders the phrase, 'Next station!'. At each stop, he gives the characteristics of the types of people likely to board the Black Diamond Express – gossipers, liars, gamblers, and more".[4]

With the success of "Black Diamond Express to Hell", the Reverend established the precedent for the recorded sermon series, a method which became successful for several other preachers of the era.[7] By 1940, Nix had disappeared from public attention and he died in 1949. Several compilation albums feature his sermons, with "Black Diamond Express to Hell" being found on The Gospel Book, Gospel: Negro Spirituals, Rough Trade Shops, and Goodbye, Babylon, among others. In the mid-1990s, Document Records released an album which focuses solely on the Reverend's work called Rev. A. W. Nix: Complete Recorded Works in Chronological Order (1927–1928).[8]

The Reverend's homiletic preaching, expressive articulation, and soulful singing has continued to influence others of the practice. Thomas A. Dorsey credited Nix's brother, William, with singing "I Do, Don't You?" spurring his religious conversion at the National Baptist Convention in Chicago, in 1921. As Dorsey recalled: "my heart was inspired to become a great singer and worker in the Kingdom of the Lord -- and impress people just as the great singer [Nix] did that Sunday morning".[7]

References[]

  1. ^ Proceedings of the Annual Session of the National Baptist Convention: Held with the Baptist Churches. National Baptist Convention of the United States. 1921. p. 211.
  2. ^ Lynsky, Dorian (16 February 2007). "Readers recommend: Songs about heaven and hell". guardian.com. Retrieved February 8, 2016.
  3. ^ Spottswood, Dick (2003). "Goodbye, Babylon (CD booklet)". Dust-to-Digital. {{cite web}}: Missing or empty |url= (help)
  4. ^ a b Simmons, Martha (2010). Preaching with Sacred Fire: An Anthology of African American Sermons, 1750 to the Present. W. W. Norton and Company. pp. 440–441. ISBN 9780393058314. rev aw nix.
  5. ^ Dodge, Timothy (2013). The School of Arizona Dranes: Gospel Music Pioneer. Lexington Books. p. 75. ISBN 9780739167137.
  6. ^ Young, Alan (1997). Woke Me Up This Morning: Black Gospel Singers and the Gospel Life. Press of Mississippi. p. 192. ISBN 9781604737325.
  7. ^ a b Walton, Johnathan (2009). Watch This!: The Ethics and Aesthetics of Black Televangelism. NYY Press. pp. 34–36. ISBN 9780814794173.
  8. ^ McNeil, M. K. (2006). Encyclopedia of American Gospel Music. Informa. p. 19. ISBN 9781135377076.
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