Rosine Mbakam

From Wikipedia, the free encyclopedia
Photo of Rosine Mbaka

Rosine Mbakam (born in 1980).[1] is a Cameroonian director based in Belgium. She has directed many short films and full-length feature films, of which the most well-known are documentaries.[2] Les deux visages d'une femme Bamiléké/The Two Faces of a Bamiléké Woman (2016) and Chez Jolie Coiffure (2018) won a number of international prizes.[3] Her recent films, including Les prières de Delphine/Delphine��s Prayers (2021), have been very successful and have received much attention from US news sources, including The New York Times, The New Yorker, LA Times, Variety, and NPR.[4]

Biography[]

Rosine Mbakam was born in Cameroon in 1980.[4] She grew up in a traditional Bamiléké family. She spent her childhood in Yaoundé, the capital city of Cameroon.[5][6]

Rosine Mbakam made her debut in cinema in 2001 and gained an education in thorough audiovisual media in Cameroon between 2000 and 2004 at the center of COE (Centro orientamento Educativo), an Italian nongovernmental organization (NGO) based in Yaoundé.[7][8] She then joined the private Cameroonian television channel Spectrum Télévision (STV) where she worked as a photojournalist and directed programs from 2003 to 2007[7][9]10. In 2007, when she was 27, she left Cameroon for Belgium and enrolled in Institut Supérieur des Arts (INSAS) in Brussels, where she continued her studies in film and audiovisual production.[6] She graduated from INSAS in 2012[10]

Career[]

Rosine Mbakam directed her first films in 2009 while she was still a student. This includes a few short films: Un cadeau released in 2010 and Les Portes du Passé released in 2011.[11] With Mikro Popvitch in 2011, she co-directed the film Mavambu, which is a portrait of the Congolese artist, Freddy Tsimba, and was produced by Africalia.[12] After obtaining her degree in 2012, she directed and edited films and documentaries for the society of Africalia production at the same time as directing her own.[7] In 2014, she co-founded the production company.[6] As an extension of her own filmmaking career, Mbakam serves as an instructor to students at The Royal Academy of Fine Arts (KASK).[8]

The Two Faces of a Bamiléké Woman[]

In 2016, Rosine Mbakam directed her first feature film, a creative documentary titled Les deux visages d'une femme Bamiléké (The Two Faces of a Bamiléké Woman). The 76-minute film is a personal documentary in which the director focuses on her return to her native country with her French husband and their son, seven years after she left.[13] The film is built by a series of conversations mainly between Mbakam and her mother on varied subjects connected to family, gender, and also politics.[4] The International Film Festival Rotterdam (IFFR) and Panafrican Film and Television Festival of Ouagadougou (FESPACO) are among the sixty-plus film festivals at which this movie has been screened[8]

Chez Jolie Coiffure[]

In 2018, she directed Chez Jolie Coiffure. This 71-minute documentary concerns the immigration, daily life, and difficulties experienced by African immigrants in Europe.[4] The film takes place in a hair salon in the neighborhood of Matonge in Brussels and focuses on the stories of the owner, a Cameroonian immigrant woman seeking residency along with her friends.[14]

Delphine’s Prayers[]

In 2021, Rosine Mbakam directed a third documentary called Les prières de Delphine (Delphine’s Prayers). This film is a portrayal of Delphine, a young Cameroonian woman who has been caught in sex work in Cameroon. She was abandoned by her father after the death of her mother, and by age 13, she was raped and pregnant with a daughter. Sex work becomes her ticket to Belgium after she makes a man who is 3 times her age her husband.[15][16]

Personal life[]

In 2014, she visited her home in Cameroon for the first time in seven years after leaving for Belgium and marrying her husband. They now have two sons.[16]

Awards and Honors[]

  • 2017 : Sélections Regards du Présent & Place au doc - FIFF Namur (Belgium)
  • 2017 : États généraux du film documentaire - (France) - Journée Scam
  • 2017 : Mention spéciale - Documentaire international - Écrans noirs - Yaoundé (Cameroon)
  • 2017 : Meilleur Film, Do Pao International Documentary Film Festival
  • 2017 : Delhi International Film Festival
  • 2017 : The Prize of the Flemish Unesco Commission
  • 2017 : Special Menstion, (Sénégal)
  • 2017 : Panorama belge Festival Filmer à tout prix Bruxelles (Belgique)
  • 2017 : African Diaspora International Film Festival
  • 2018 : DOK.FEST Internationales Dokumentarfilmfestival München - Munich (Allemagne) - Sélection
  • 2018 : New York African Film Festival (New York)
  • 2018 : Meilleur Documentaire, London Feminist Film Festival (Royaume Uni)
  • 2018 : International Film Festival Rotterdam
  • 2019 : Discovery Award, Society of Media Authors and Creators (SCAM)
  • 2019 : West African Film Festival
  • 2019 : The Spirit of the Festival Prize at Light Film Festival
  • 2019 : Nominated for the FESPACO and the Emerging International Filmmaker Award in London for her film Chez Jolie Coiffure.
  • 2021 : Cinéma du réel Young Jury Award 2021 for Delphine' Prayer[8]

Filmography[]

  • 2010 : Un cadeau
  • 2012 : Tu seras mon allié/You Will Be My Ally (short film)
  • 2012: Mavambu (a short portrait)
  • 2013 : Les portes du passé[7]
  • 2016 : Les Deux Visages d'une femme bamiléké/The Two Faces of a Bamiléké Woman (documentary)
  • 2018 : Chez Jolie Coiffure (documentary)
  • 2021 : Les prières de Delphine (documentary)

Press[]

"Rosine Mbakam’s stark, straightforward but subtly potent documentary doesn’t leave Sabine’s tiny workplace once in the lm’s 70-minute runtime, viewing her much-traveled, much-punished life through the prism of its four close walls, and the vibrant but vulnerable community that lls the space.“Chez Jolie Coiffure” is one of a pair of complementary but individually self-contained documentaries by Mbakam to examine West African female identity and displacement, both simultaneously released Stateside by Icarus Films. The other, “The Two Faces of a Bamileke Woman,” is more autobiographical, movingly following the lmmaker — herself a Cameroonian expat in Belgium — as she returns to her homeland, observing her mother’s place and routine in a society to which Mbakam feels both a child and a stranger. “Chez Jolie Coiffure” is the inverse lm, with Mbakam remaining a largely silent behind-the-camera witness to a fellow migrant’s disorientation, in this case trying to carve out her own space on foreign turf. "

– ‘Chez Jolie Coiffure’: Film Review in VARIETY

"Amplifying their valuable accounts, which are inherently tied to her own, Mbakam responsibly serves as protector of this collective bond and shared history. Like all great documentarians, Mbakam synthesizes objectivity and idiosyncrasy during the process of extracting meaning from what occurs in front of her or the conversations she engages in. The camera acts as a direct extension of her eyes. She’d seen these women before but not through the revelatory lens of cinema, and what she discovered about them and herself is maybe more truthful than what reality alone can discern."

– "African expat filmmaker Rosine Mbakam reveals the strength of women through cinema" in LOS ANGELES TIMES

"With a view that is at once intimate and distant, Mbakam shows the duality of diasporic identity; she is never totally at home, and never totally without it.In both of her short lms, Mbakam demonstrates a mastery of perspective, a rare ability to include the camera in community. Her lms do not give voice to her subjects — rather, she shares with women the chance to speak for themselves."

– "Two Films From Rosine Mbakam Explore West African Women’s Identity" in NEW YORK TIMES

"She delves deep into family history and intimate experience and opens it out into a wide web of societal connections and political implications. “The Two Faces of a Bamiléké Woman,” together with her second feature, “Chez Jolie Coiffure'' (2018), which are both opening at the Anthology Film Archives today, for a weeklong run, reveal Mbakam to be one of the foremost filmmakers of creative nonfiction working right now. Mbakam’s compositional sense—her cinematic thought in action—is revealed throughout the rest of the lm, and informs all of her work."

– Rosine Mbakam’s Intimate Documentaries of Cameroon and the Diaspora in THE NEW YORKER

References[]

  1. ^ "Les Deux Visages d'une femme Bamiléké - Tënk". www.tenk.fr (in French). Retrieved 2021-04-14.
  2. ^ "The Films Of Rosine Mbakam". The New Yorker. Retrieved 2021-04-14.
  3. ^ Bugbee, Teo (2019-10-15). "Review: Two Films From Rosine Mbakam Explore West African Women's Identity". The New York Times. ISSN 0362-4331. Retrieved 2021-04-14.
  4. ^ Jump up to: a b c d "Meet The Filmmaker Reinventing How African Women Are Portrayed In Movies". NPR.org. Retrieved 2021-04-14.
  5. ^ "Rosine Mbakam | IFFR". iffr.com. Retrieved 2021-04-15.
  6. ^ Jump up to: a b c DELVOSALLE, PHILIPPE. "" Chez jolie coiffure " : interview de Rosine Mbakam | Nord/Sud". www.pointculture.be. Retrieved 2021-04-15.
  7. ^ Jump up to: a b c d "Mbakam, Rosine | African Film Festival, Inc". Retrieved 2021-04-15.
  8. ^ Jump up to: a b c d "Les Prières de Delphine". Cinéma du réel. Retrieved 2021-04-15.
  9. ^ "film-documentaire.fr - Portail du film documentaire". www.film-documentaire.fr. Retrieved 2021-04-15.
  10. ^ "Rosine MBAKAM". notreCinema.com. Retrieved 2021-04-15.
  11. ^ "Director | WordPress". lesdeuxvisagesdunefemmebamileke.com. Retrieved 2021-04-15.
  12. ^ "Chez Jolie Coiffure". DCTV. Retrieved 2021-04-15.
  13. ^ Garritano, Carmela (March 2020). "Rosine Mbakam, director. The Two Faces of a Bamiléké Woman. 2016. 76 min. French and Bamiléké, with English subtitles. Cameroon and France. Icarus Films. $348". African Studies Review. 63 (1): E40–E42. doi:10.1017/asr.2019.56. ISSN 0002-0206. S2CID 204364128.
  14. ^ "Chez Jolie Coiffure + Q&A". Open City Documentary Festival. Retrieved 2021-04-15.
  15. ^ "film-documentaire.fr - Portail du film documentaire". www.film-documentaire.fr. Retrieved 2021-04-15.
  16. ^ Jump up to: a b "Whatever Happened To ... The Filmmaker Focusing On A New Face For African Women?". NPR.org. Retrieved 2021-04-15.

External Links[]

Here are some ways that one can watch Delphine's Prayers:

  1. https://www.cinemadureel.org/film/les-prieres-de-delphine/?lang=en
  2. https://www.moma.org/calendar/events/6967
  3. http://icarusfilms.com/if-delph.

One can watch Chez Jolie Coiffure for free:

  1. http://docuseek2.com/cart/product/2005
  2. https://www.amazon.com/Jolie-Coiffure-Rosine-Mfetgo-Mbakam/dp/B08DJW4HQY.

A way to watch The Two Faces of a Bamileke Woman is on http://docuseek2.com/if-bamil.

Retrieved from ""