Self-parody

John Tenniel's 1864 illustration for "The Lay of St. Odille" in The Ingoldsby Legends has been called "a very mild and good-natured parody" of his own painting of St. Cecilia (below). In both, the saint rises above the other figures and produces "a spiritual glow". The arc of cherubs replaces the arch with cherubs in St. Cecilia, and the dirt bank replaces a marble pedestal. Also, the fat man at right is taken from a trumpeter in another illustration by Tenniel, for John Milton's "L'Allegro".^[1]

Tenniel's fresco on John Dryden's "Song for Saint Cecilia's Day", c. 1849

A self-parody is a parody of oneself or one's own work. As an artist accomplishes it by imitating his or her own characteristics, a self-parody is potentially difficult to distinguish from especially characteristic productions. Self-parody may be used to parody someone else's characteristics, or lacking, by overemphasizing and/or exaggerate one's own. Overemphasis can be made for the prevailing attitude in their life's work, social group, lifestyle and subculture. Including lines and points made by others or by the recipient of the self-parody directing it to a parody of someone else which that other person is likely to remember and can't de-emphasize without frustration.

Sometimes critics use the word figuratively to indicate that the artist's style and preoccupations appear as strongly (and perhaps as ineptly) in some work as they would in a parody. Such works may result from habit, self-indulgence, or an effort to please an audience by providing something familiar. An example from Paul Johnson writing about Ernest Hemingway:

Some [of Hemingway's later writing] was published nonetheless, and was seen to be inferior, even a parody of his earlier work. There were one or two exceptions, notably The Old Man and the Sea, though there was an element of self-parody in that too.^[2]

Examples of self-parody[]

The following are deliberate self-parodies or are at least sometimes considered to be so.

Literature[]

• In One Thousand and One Nights, the fictional storyteller Sheherezade sometimes tells folk tales with similar themes and story lines that can be seen as parodies of each other. For example, "Wardan the Butcher's Adventure With the Lady and the Bear" parallels "The King's Daughter and the Ape", "Harun al-Rashid and the Two Slave-Girls" has a similar relationship to "Harun al-Rashid and the Three Slave-Girls" - and "The Angel of Death With the Proud King and the Devout Man" has two possible parodies: "The Angel of Death and the Rich King" and "The Angel of Death and the King of the Children of Israel".^[3] This observation needs to be tempered by our knowledge of the nature of folk tales, and the way this collection "grew" rather than being deliberately compiled.
• Chaucer's "Tale of Sir Topas" in The Canterbury Tales shows "Geoffrey Chaucer" as a timid writer of doggerel. It has been argued that the tale parodies, among other romances, Chaucer's own Troilus and Criseyde.^[4]
• "Nephelidia",^[5] a poem by A. C. Swinburne.
• "Municipal", a poem by Rudyard Kipling.^[6]
• "L'Art" and "To Hulme (T. E.) and Fitzgerald (A Certain)",^[7] poems by Ezra Pound.^[8]
• "Afternoon of a Cow", a short story by William Faulkner.^[9]
• Edgar Allan Poe often discussed his own work, sometimes in the form of parody, as in "How to Write a Blackwood Article" and the short story that follows it, "A Predicament".
• Pale Fire is a novel by Vladimir Nabokov in the form of a long, pedantic, self-centered commentary on a much shorter poem. It may parody his commentary on his translation of Pushkin's Eugene Onegin, in which the commentary was highly detailed and much longer than the poem. Both the poet and the commentator have been called self-parodies.^[10]
• The short story "First Law" by Isaac Asimov is said to be a 'spoof' by Asimov himself in The Complete Robot.

Film and television[]

• Gekisou Sentai Carranger is the twentieth production of Toei's long-running Super Sentai metaseries and media franchise, and was written as parody of its own franchise.
• Enchanted is a Disney movie which is both a homage and self-parody to previous animated Disney films featuring princesses.^[11]
• Arnold Schwarzenegger as Jack Slater in the film Last Action Hero. Slater uses many of Schwarzenegger's action star characterizations including saying one-liners.^[12][13][14]
• Bruce Campbell portrays himself as a B-movie actor who is called to fight a spirit who turns out to be real in My Name is Bruce.^[15]
• Chris Kattan portrays himself as an actor who reinvents his career in Bollywood Hero.^[16]
• James Van Der Beek portrays himself as the title character's friend in the sitcom Don't Trust the B---- in Apartment 23.^[17]
• Maria Bamford portrays herself in the Netflix sitcom Lady Dynamite.^[18]
• Mike Tyson voices and spoofs himself as a former boxer who becomes a detective in the adult cartoon Mike Tyson Mysteries.^[19]
• Neil Patrick Harris in the Harold & Kumar series, where he plays "an extreme version of himself who enjoys drugs, female hookers and alcohol etc."^[17][20]
• Richard Dawson as Damon Killian in the film The Running Man. Dawson parodies his Family Feud persona as the film's game show host.^[21]
• Rob Schneider portrays himself in the self-produced sitcom Real Rob, which also stars his real-life wife and child.^[22]
• Samuel L. Jackson as Agent Neville Flynn in Snakes on a Plane.^[23][24]
• Matt LeBlanc plays a satirical version of himself in Episodes.^[25]

Video games[]

• In Nintendo's Luigi's Mansion games, the character Professor E. Gadd presents Luigi with a communication device designed as a parody of a Nintendo portable console, as such the "Game Boy Horror" in the original title, the "Duel Scream" in Luigi's Mansion: Dark Moon, and the "Virtual Boo" in Luigi's Mansion 3.^[26]

See also[]

• Poe's law
• Cameo appearance
• In-joke
• Mockumentary
• Reality television
• Self-insertion
• Typecasting (acting)

References[]

External links[]

• "Nephelidia" from Representative Poetry Online
• "Municipal" by Rudyard Kipling