Sextette

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Sextette
Sextette 1978.jpg
Theatrical release poster
Directed byKen Hughes
Screenplay byHerbert Baker
Story byCharlotte Francis
Based onSextette
by Mae West
Produced by
  • Daniel Briggs
  • Robert J. Sullivan
  • Harry Weiss
Starring
CinematographyJames Crabe
Edited byArgyle Nelson Jr.
Music byArtie Butler
Distributed byCrown International Pictures
Release date
  • March 2, 1978 (1978-03-02)[1]
Running time
91 minutes
CountryUnited States
LanguageEnglish
Budget$4 million[2] or $8 million[3][4]
Box office$50,000[4]

Sextette is a 1978 American musical comedy film released by Crown International Pictures. The film stars Mae West (in her final performance),[5] alongside an ensemble cast including Timothy Dalton, Dom DeLuise, Tony Curtis, Ringo Starr, Keith Moon, George Hamilton, Alice Cooper and Walter Pidgeon.[5]

Directed by Ken Hughes and produced by Daniel Briggs, Robert Sullivan and Harry Weiss[5] for the production company Briggs and Sullivan, the screenplay was dramatized for the screen, by Herbert Baker, from West's final stage performance play of the same title, later renamed Sextet, which West herself had written (based on a story idea by Charlotte Francis) and originally performed in 1961.[6] Costumes were designed by Edith Head.

Filmed at Paramount Studios, Sextette was West's final film, as well as that of Pidgeon and Moon. Featured were cameos by Rona Barrett, Regis Philbin and George Raft, all of whom appeared as themselves. The film was a major box office bomb, grossing just $50,000 against an estimated budget of $4–8 million.

Plot[]

American movie star and sex symbol Marlo Manners (Mae West) is in London, England, where she has just married for the sixth time. She and her new husband Sir Michael Barrington (Timothy Dalton) then depart for a honeymoon suite at a posh and exclusive hotel that has been reserved for them by her manager Dan Turner (Dom DeLuise).

The hotel is also the location of an international conference, where leaders have come together to resolve tensions and problems that threaten the survival of the world. As the chairman, Mr. Chambers (Walter Pidgeon) is trying to call the meeting to order, the delegates are crowding to the windows in an effort to catch a glimpse of Marlo when she arrives.

As they enter the lobby, Marlo, now Lady Barrington, and her husband, a knight, are swarmed by admirers and reporters. When asked "Do you get a lot of proposals from your male fans?" she quips "Yeah, and what they propose is nobody's business."

Once inside their suite, the couple are unable to go to bed and have sex because of constant interruptions due to the demands of her career, such as interviews, dress fittings and photo sessions, as well as the various men, including some former husbands, diplomat Alexei Andreyev Karansky (Tony Curtis), director Laslo Karolny (Ringo Starr), gangster Vance Norton (George Hamilton), and an entire athletic team from the U.S., all of whom want to have sex with her.

Meanwhile, Turner desperately searches for an audiotape containing his client's memoirs in order to destroy it. Marlo has recorded extensive details about her affairs and scandals, with a lot of dirt about her husbands and lovers. Ex-husband Alexei, who is the Russian delegate at the conference, threatens to derail the intense negotiations unless he can have another sexual encounter with her. Marlo is expected to work "undercover" to ensure world peace.

Cast[]

Play[]

The film was based on a play by Mae West which in 1954 she was talking about having written.[7] The play debuted in 1961.[8] Alan Marshall and Jack La Rue played her leading men.[9] Marshall died during the run of the show after suffering a heart attack on stage during a performance of the play.[10]

Development[]

In 1969 James Aubrey of MGM commissioned Leonard Spigelglass to write a script. In August 1969 West was appearing in Myra Breckinridge. She said she wanted Christopher Plummer to play one of her husbands in Sextette'.[11]

However filming did not proceed. Funds were eventually raised by Danile Briggs whose mother was an heiress for Stauffer Chemicals.[12]

In March 1976, it was reported the film would be made for $4.8 million with West receiving $1 million.[13]

In July 1976 it was reported that the film would be made for $1,500,000 with West getting $250,000 and 20% of the profits. Irving Rapper would direct and Universal had first right of refusal as distributor.[14][15]

West said Herb Baker's job as screenwriter was "putting in camera shots. I can do that myself but it's too lay. He's not writing' my lines though. No one can do that."[14] AJ Palmerio said he wrote the script which got the film financed but he is not credited on the movie.[16]

West was reportedly looking for a leading man along the lines of Cary Grant who had been in She Done Him Wrong. Filming was to start in August.[17] 150 unknowns auditioned on one day.[18] Over a thousand men ended up auditioning.[19] In August Timothy Dalton was cast after West saw him in Wuthering Heights; 18 smaller parts would go to the men who auditioned.[20]

"I do the role I always do," said West. "I do Mae West... You see me. I don't take care of myself don't drink or smoke. I've kept my looks."[19]

"The script is very funny," said Dalton. "It really is a celebration of Mae West."[2]

Rapper ended up being fired. Two weeks before filming began Ken Hughes was hired.[21]

Filming[]

Filming started December 1976. Sextette became the source of several urban legends. One such persistent rumor is that Mae West, who was 84, could not remember any of her lines and had to wear a concealed earpiece under her wig to have her lines fed to her. Tony Curtis later commented that West could not hear well, and thus required the earpiece. Creatively rewriting the story for dramatic effect, in an episode of the program The Dame Edna Experience, he said that because of the frequency of her earpiece she accidentally picked up police radio frequencies, and at one point mistakenly stated "There's a 608!"[22]

In reality, West wore an earpiece so director Ken Hughes could feed her lines. Hughes had rewritten most of the dialogue because he and West both felt the script was weak. As a result, West had no time to study the script to memorize her lines. Hughes repeatedly debunked the urban legend that West's earpiece picked up police signals and that West repeated them.[23]

Director Ken Hughes did later state that with hearing loss, West was unable to take direction, which caused problems in filming. Hughes recalls one incident involving a scene of West in an elevator which took an entire day to film. After the scene was finished, Hughes wrapped production for the day. West was not within hearing range to hear Hughes's call to wrap and remained in the closed elevator for half an hour before being let out.[24]

Timothy Dalton had mixed feelings about the film,[25] but complimented West. "I admired her nerve, and enjoyed working with her - I was even interviewed by Rona Barrett in the picture! It was a real stretch for me, and, frankly, after making love to a woman in her mid-80s, I knew I could handle any assignment!"[26]

George Raft, who played himself in Sextette, had been the star of West's first film, Night After Night, in 1932. The two movie legends ended up passing away just two days apart in November 1980.[27]

Release[]

West gives a speech after the Cinerama Dome opening, with Paul Novak, Alice Cooper, Harry E. Weiss and (kneeling in front of her) Dom DeLuise

Soon after filming ended, the film's producers had difficulty in finding a major studio to distribute the film. As a result, producers scheduled several highly publicized sneak previews in order to garner support. The first sneak preview was held on the Paramount Pictures lot and the second was held at the Fox Bruin Theater. At the Bruin Theater, West received a standing ovation after the film's end.[28]

After failing to find a distributor, the producers decided to release the film themselves. Sextette premiered at the Cinerama Dome in March 1978.[29] West was moved when she was greeted by thousands of young fans who showed up at the openings, there and in San Francisco. Arthur Knight wrote in The Hollywood Reporter about "a kind of odd gallantry in the octogenarian Mae's loyalty to her public".[28][30][31]

Reception[]

Critical response[]

Upon its premiere, most critics panned the film. Variety dubbed it "a cruel, unnecessary and mostly unfunny musical comedy."[32] The New York Times' critic Vincent Canby called Sextette "embarrassing", and said, in reference to West, that "Granny should have her mouth washed out with soap, along with her teeth."[33][28]

The Los Angeles Times said it "will be cherished by her fans."[34]

Filmink said the film "is absurd but almost compulsive in its randomness."[35]

Film critic Rex Reed (who starred with West in the film Myra Breckinridge) also gave the film a negative review,[29] calling the film "a total, unbearable bomb, more like a training film for retired French whores than anything else."[36] On Rotten Tomatoes, the film holds an approval rating of 25% based on 12 reviews, with an average rating of 4.8/10.[37]

Box office[]

Sextette earned $31,000 in its first week, largely due to West's appearance at the premiere. The film earned about an additional $20,000 in the United States before being pulled from theaters.[38] Against its budget of $4 million to $8 million, it was a box-office bomb.[4]

Hughes later wrote "May God bless Mae West. She was one of the great artists of the cinema. I am proud to have met her and to have worked with her. May she never be forgotten."[21]

Home media[]

Sextette was released on VHS by Media Home Entertainment in 1982. In April 2011, Scorpion Entertainment released the film on Region 1 DVD in the United States.

In July 2011, Sextette was released as part of Mill Creek Entertainment's Dangerous Babes, a budget-priced, three-DVD set that includes 11 other Crown Pictures films.

References[]

  1. ^ Opened March 2 at Cinerama Dome as per Eells-Musgrove biography of West p. 304
  2. ^ a b "Timothy Dalton: Mae West's Latest Leading". The Washington Post, 25 Jan 1977: B8.
  3. ^ "Sextette (1978)". catalog.afi.com. Retrieved June 21, 2018.
  4. ^ a b c Gabbi Shaw (February 27, 2017). "The biggest box office flop from the year you were born". Insider. Retrieved June 20, 2018.
  5. ^ a b c "Sextette". TCM Movie Database. Retrieved April 21, 2016.
  6. ^ "Sextet"stage program, by The Kenley Players, Ohio, August, 1961
  7. ^ Looking at Hollywood: Hank Williams' Tragic Story to Be Filmed with Star Cast Hopper, Hedda. Chicago Daily Tribune ; 24 June 1954: b4.
  8. ^ Mae West Opening Tuesday Chicago Daily Tribune ; 02 July 1961: d8.
  9. ^ Mae West Still a Show Stopper Willis, Thomas. Chicago Daily Tribune ; 08 July 1961: n11.
  10. ^ ALAN MARSHAL, ACTOR, 52, DEAD: Stage and Film Performer Appeared in 'Wagon Train' New York Times; 10 July 1961: 21.
  11. ^ When the Producer Came Up to See Mae About 'Myra': Producer Came Up to See Mae Thomas, Kevin. Los Angeles Times 31 Aug 1969: j1.
  12. ^ Mae West Keeps Up Hoopla By ALJEAN HARMETZ New York Times; 14 May 1977: 11.
  13. ^ Tempo/People: Tower Ticker Gold, Aaron. Chicago Tribune 04 Mar 1976: b2.
  14. ^ a b Mae West to Star Opposite Six Leading Men: Mae West Is Coming Back, Fellas By TOM BURKE. New York Times; 25 July 1976: 45.
  15. ^ Ted Shawn's 'Polonaise' Is Set at Jacob's Pillow New York Times; 05 July 1976: 6.
  16. ^ CORRESPONDENCE: How the West Film Was Won Palmerio, A J. Los Angeles Times 20 Feb 1977: s2.
  17. ^ MOVIE CALL SHEET: A Purely Coincidental 'Tycoon' Lee, Grant. Los Angeles Times (1923-1995); 16 June 1976: g11.
  18. ^ 'Come Up and See Me Sometime': And 150 Unknowns Take Up Mae West's Movie Role Bid Harvey, Steve. Los Angeles Times (1923-1995); 01 July 1976: 3.
  19. ^ a b MOVIE CALL SHEET: Mae West at Goldwyn Corral Lee, Grant. Los Angeles Times 3 July 1976: b6.
  20. ^ FILM CLIPS: Zaentz to Look at Indians Today Kilday, Gregg. Los Angeles Times (1923-1995); 04 Aug 1976: e5.
  21. ^ a b MOVIES; Acting Had Nothing to Do With It; How was it to direct Mae West in her final film? Don't ask.: Home Edition Hughes, Ken. Los Angeles Times; 23 Feb 1997: CAL, 28:1.
  22. ^ Excerpt from The Dame Edna Experience on YouTube, September 16, 1989
  23. ^ Watts, Jill (2010). Mae West: An Icon in Black and White. Oxford University Press. p. 310. ISBN 978-0-195-16112-0.
  24. ^ Tuska, Jon (1992). The Complete Films of Mae West. Citadel Press. p. 187. ISBN 0-806-51359-4.
  25. ^ Will Harris (9 May 2014). "Timothy Dalton on Penny Dreadful, serenading Mae West, and being James Bond". The AV Club. Retrieved 25 April 2019.
  26. ^ Glenn Fuller. "Introducing Timothy Dalton". Prevue Magazine. 1987
  27. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
  28. ^ a b c Watts, Jill (2003). Mae West: An Icon in Black and White. Oxford University Press. p. 311. ISBN 0-195-16112-2.
  29. ^ a b Louvish, Simon (2006). Mae West: It Ain't No Sin. Macmillan. p. 416. ISBN 0-312-34878-9.
  30. ^ Eells-Musgrove biography of West p. 304-306
  31. ^ Maurice Leonard biography of West p. 399-401
  32. ^ Sextette Review Variety, 1 January 1978
  33. ^ Canby, Vincent (8 June 1979). "Screen: Mae West, 87, Does an Encore; Trying for 6th Marriage". The New York Times. Retrieved 17 June 2020.
  34. ^ MOVIE REVIEW: More Maehem in 'Sextette' 'SEXTETTE' Thomas, Kevin. Los Angeles Times 2 Mar 1978: f1.
  35. ^ Vagg, Stephen (14 November 2020). "Ken Hughes Forgotten Auteur". Filmink.
  36. ^ Reed, Rex (13 June 1979). "Mae is a bad joke, Wayne is a hero". New York Daily News.
  37. ^ "Sextette (1978)". Rotten Tomatoes. Retrieved March 24, 2021.
  38. ^ Tuska, Jon (1992). The Complete Films of Mae West. Citadel Press. p. 186. ISBN 0-806-51359-4.

External links[]

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