Suite for Cello and Piano (Saint-Saëns)

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The Suite for Cello and Piano, Op. 16, was written by Camille Saint-Saëns in 1866. This work is considered the launching point of the composer's career.

Structure[]

The piece is written in the form of a suite with five movements:

  1. Prélude: Moderato assai
  2. Sérénade: Andantino
  3. Scherzo: Allegro grazioso
  4. Romance: Adagio
  5. Finale: Allegro con brio

The end of the finale contains a recapitulation of the prelude, typical of a serenade. In fact, the work bears a close resemblance to Antonín Dvořák's String Serenade[original research?].

Orchestrated version[]

Saint-Saëns' interest in this piece was revived in 1919. Cellist , for whom the Second Cello Concerto was written, encouraged Saint-Saëns to orchestrate this suite of five pieces. However, the composer felt that the Scherzo and Finale were too pianistic to be orchestrated, and eventually came to a decision to replace the two movements with a Gavotte and a Tarantelle, respectively.[citation needed] The Gavotte, originally written in G minor, was transposed into D minor upon orchestration. The Romance already existed in orchestrated form because the composer once took the movement from the original suite and transcribed it for horn, for , though he modified it once again with different orchestration for the suite.[1] The orchestrated version was published by J. Hamelle in 1920.

Recordings[]

Cello and Piano

Cello and Orchestra

See also[]

References[]

  1. ^ Saint-Saëns, Camille, The Complete Shorter Works for Cello and Piano ed. Isserlis. An introduction by Sabina Teller Ratner, 2.

External links[]

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