Suture (band)

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Suture
OriginWashington, D.C., United States
GenresPunk rock, indie rock
Years active1991–1992
LabelsDecomposition, Dischord
Associated actsBikini Kill, Chalk Circle, Beefeater
Past membersKathleen Hanna
Sharon Cheslow
Dug E. Bird

Suture was an American punk rock and indie rock trio based in Washington, D.C. affiliated with early riot grrrl.[1][2] Suture consisted of Kathleen Hanna (electric bass guitar, drums, vocals), Sharon Cheslow (electric guitar, electric bass guitar, vocals), and Dug E. Bird aka Doug Birdzell (electric guitar, drums).[3][4]

History[]

Suture formed in summer 1991 while Hanna was in Washington, D.C. with her band Bikini Kill, and Kathi Wilcox was on vacation in Europe.[3][5][6] Hanna was previously in Viva Knievel in Olympia, Washington.[4][7] Cheslow had been in D.C. bands Chalk Circle and Bloody Mannequin Orchestra, while Birdzell had been in D.C. bands Beefeater and Fidelity Jones.[5][6][8] Cheslow had moved to San Francisco in 1990 where she'd met Hanna during Bikini Kill's spring 1991 tour with Nation of Ulysses, and while Cheslow and Hanna were both living in D.C. during summer 1991 they collaborated with Birdzell.[6][4][9] Jennifer Ballard and Molly Neuman of Bratmobile also played briefly in Suture.[5] The group rehearsed at the Embassy House in Washington, D.C. where Nation of Ulysses lived.[3][5]

Hanna, Cheslow, and Birdzell performed as Suture on "Girl Night" at the International Pop Underground Convention in Olympia in August 1991.[9][10][11][12] While there, they released the compilation cassette A Wonderful Treat, which included two other Bikini Kill side projects (Spray Painted Love and Wondertwins) and Bratmobile as a duo of Neuman and Allison Wolfe. Cheslow later said, "That summer felt like an amazing confluence of people, ideas, energy, support and enthusiasm."[10]

Evelyn McDonnell and Elisabeth Vincentelli, writing for the New York Times in 2019, considered Suture's "Pretty Is" from their first and only single essential listening of the riot grrrl era, describing it as a "slow dose of melancholia".[1] The song was released on Suture's 1992 7" EP on Dischord Records and Cheslow's label Decomposition.[13] The EP was recorded at WGNS studios in Arlington, Virginia.[5] "Pretty Is" had previously been released on A Wonderful Treat.

Discography[]

EPs[]

Compilations[]

  • A Wonderful Treat (1991) compilation cassette: including Suture songs "Good Girl," "Falling," "Secret Language," "Pretty Is"

References[]

  1. ^ a b McDonnell, Evelyn; Vincentelli, Elisabeth (May 6, 2019). "Riot Grrrl United Feminism and Punk. Here's an Essential Listening Guide". New York Times.
  2. ^ "Suture: Decomposition/Dischord". Deneuve. 2. 1992.
  3. ^ a b c Andersen, Mark; Jenkins, Mark (2001). Dance of Days: Two Decades of Punk in the Nation's Capitol. New York, NY: Akashic Books. p. 316. ISBN 9781933354996.
  4. ^ a b c Monem, Nadine, ed. (2007). Riot Grrrl: Revolution Girl Style Now!. Black Dog Publishing. ISBN 978-1906155018.
  5. ^ a b c d e Bass, Scott (2019). "Dug E. Bird interview". Perfect Sound Forever.
  6. ^ a b c Marcus, Sara (2010). Girls To The Front: The True Story of the Riot Grrrl Revolution. HarperPerennial. pp. 71–80. ISBN 978-0-06-180636-0.
  7. ^ Marcus, Sara (2010). Girls To The Front: The True Story of the Riot Grrrl Revolution. HarperPerennial. pp. 38–45. ISBN 978-0-06-180636-0.
  8. ^ Nguyen, Mimi Thi (July–November 2012). "Making Waves: Other Punk Feminisms". Women & Performance: a journal of feminist theory. Routledge. 22 (2–3): 355–359. Retrieved 23 October 2021.
  9. ^ a b Meltzer, Marisa (February 15, 2010). Girl Power: The Nineties Revolution in Music. Macmillan. ISBN 9781429933285.
  10. ^ a b Barton, Laura (March 3, 2009). "Grrrl power". The Guardian.
  11. ^ Hopper, Jessica (June 13, 2011). "Riot Grrrl get noticed". The Guardian.
  12. ^ "WATCH: Riot Grrrl Retrospectives - 'Girl Night' at the 1991 International Pop Underground Convention". Museum of Pop Culture. May 28, 2020.
  13. ^ Gibbon, Layla (August 2008). "Sharon Cheslow interview". Chimps/MRR.
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