Syndics of the Drapers' Guild

show This article may be expanded with text translated from the corresponding article in Dutch. (July 2020) Click [show] for important translation instructions. View a machine-translated version of the Dutch article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 980 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary Content in this edit is translated from the existing Dutch Wikipedia article at [[:nl:De staalmeesters]]; see its history for attribution. You should also add the template {{Translated|nl|De staalmeesters}} to the talk page. For more guidance, see Wikipedia:Translation.

The Sampling Officials
Dutch: De Staalmeesters
Artist	Rembrandt
Year	1662
Medium	Oil on canvas
Movement	Baroque painting, Dutch Golden Age painting
Dimensions	191.5 cm × 279 cm (75.4 in × 110 in)
Location	Rijksmuseum, Amsterdam

The Sampling Officials (Dutch: De Staalmeesters), also called Syndics of the Drapers’ Guild (Dutch: De waardijns van het Amsterdamse lakenbereidersgilde), is a 1662 oil painting by Rembrandt. It is currently owned by the Rijksmuseum in Amsterdam.^[1] It has been described as his "last great collective portrait".^[2]

The men (with the exception of Bel who is an attendant as indicated by his calotte) are drapers who were elected to assess the quality of cloth that weavers offered for sale to members of their guild. Their one-year terms in office began on Good Friday and they were expected to conduct their inspections thrice weekly. The Dutch word staal means 'sample' and refers to the samples of cloth that were assessed. The inspectors used pliers to press the seals of their city (front) and guild (reverse) into penny-sized slugs of lead that were specially affixed to record the results of the inspection.^[3] There were four grades of quality, the highest was indicated by pressing four seals and the lowest by pressing only one.

The men, who are appraising a length of Persian-style fabric against exemplars from a swatch book, are (from left to right):

• Jacob van Loon (1595–1674)
• Volckert Jansz (1605 or 1610–1681)
• Willem van Doeyenburg (ca. 1616–1687)
• Frans Hendricksz Bel (1629–1701)
• Aernout van der Mye (ca.1625–1681)
• Jochem de Neve (1629–1681)

The guild commissioned this portrait and it hung in their guildhall, the Staalhof (nl), until 1771.

The painting is used on the packaging of Dutch Masters cigars. The painting is also seen on the wall in H. G. Wells' house in the opening sequence of The Time Machine. The painting has a prominent part in Jeffrey Archer's 2019 book "Nothing Ventured".

References[]

External links[]

Wikimedia Commons has media related to The Sampling Officials.

• The Sampling Officials at the Rijksmuseum Amsterdam
• Jacob van Loon biography (in Dutch)
• Volckert Jansz biography (in Dutch)
• Willem van Doeyenburg biography (in Dutch)
• Frans Hendricksz Bel biography (in Dutch)
• Aernout van der Mye biography (in Dutch)
• Jochem de Neve biography (in Dutch)
• Wolfgang Kosack "A second Rembrandt"