The Doors (album)
The Doors | ||||
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Studio album by the Doors | ||||
Released | January 4, 1967 | |||
Recorded | August 19–24, 1966 | |||
Studio | Sunset Sound Recorders, Hollywood, California | |||
Genre | ||||
Length | 44:48 | |||
Label | Elektra | |||
Producer | Paul A. Rothchild | |||
The Doors chronology | ||||
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Singles from The Doors | ||||
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The Doors is the eponymous debut studio album of the American rock band the Doors. Recorded in 1966 at Sunset Sound Recorders, Hollywood, California, it was produced by Paul A. Rothchild and released on January 4, 1967. Since its release, the record has been often regarded as one of the greatest debut albums of all time, by both critics and publishers. It features the long version of the breakthrough single "Light My Fire" and the lengthy song "The End" with its Oedipal spoken word section.[5][6]
Following their formation and later-dismissal from the owners of Whisky a Go Go, the Doors started recording their debut album under the maintenance of Elektra Records in August, 1966. The recording of The Doors established the band's large extensive number of musical influences, such as jazz, classical, blues, pop, R&B and rock music.[7] Its overall presentation has been viewed as an essential part of the psychedelic rock evolution, while it have also been acknowledged as a source of inspiration to other works. Paul McCartney of the Beatles has claimed that following the album's release, he wanted his band to capitalize the Doors musical style as one of the "alter egos" of the group, for their upcoming album Sgt. Pepper's Lonely Hearts Club Band.[nb 1]
The Doors and "Light My Fire" have been inducted into the Grammy Hall of Fame. In 2015 the Library of Congress selected The Doors for inclusion in the National Recording Registry based on its cultural, artistic or historical significance.[10]
Background[]
The Doors' final lineup was formed in mid-1965 after keyboardist Ray Manzarek's two brothers Rick and Jim Manczarek left Rick & the Ravens, whose members included besides Manzarek, jazz-influenced drummer John Densmore and then-novice vocalist Jim Morrison. The group was integrated when guitarist Robby Krieger agreed to join.[11] Though he had previous experience playing folk and flamenco, Krieger had only been playing the electric guitar for a few months when he was invited to become a member of the band, soon renamed the Doors.[12] They were initially signed to Columbia Records under a six-month contract, but they asked for an early release after the record company failed to secure a producer for the album and placed them on a drop list.[13]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/2/2d/Whisky_a_Go-Go.jpg/220px-Whisky_a_Go-Go.jpg)
Following their release from the label, the Doors played residencies in mid-1966 at two historic Sunset Strip club venues, the London Fog and Whisky a Go Go.[15] They were spotted at the Whisky a Go Go by Elektra Records president Jac Holzman, who was present at the suggestion of Love singer Arthur Lee.[16] After he saw two sets, Holzman called producer Paul A. Rothchild to see the group.[17] On August 10, after attending several appearances of the band, Holzman and Rothchild ultimately signed them to Elektra Records.[18]
The Doors continued performing at the Whisky a Go Go until on August 21, when they were fired due to their performance of "The End" on which lead singer Jim Morrison added an retelling section of the Greek myth of Oedipus.[16] Morrison had missed the first of two sets that night, as he had stayed at the Tropicana Hotel, tripping on LSD.[19]
Recording[]
The Doors was recorded by producer Paul A. Rothchild and audio engineer Bruce Botnick at Sunset Sound Studios in Hollywood, California in less than one month between August 14–29 1966.[20] A four-track tape machine was used for recording, using mostly three tracks: bass and drums on one, guitar and organ on another, and Morrison's vocals on the third. The fourth track was used for overdubbing (mostly Morrison's harmony vocals and bass).[17][21][22] The albums's instrumentation includes keyboards, electric guitar, bass (on some tracks),[23] drums,[24] and marxophone (on "Alabama Song").[25] Rothchild had forbidden Krieger to use the wah-wah pedal on the record to avoid dating it.[17]
... on some of the songs we brought in an actual bass player, one of the Los Angeles cats, Larry Knechtel, who played the same bass line that I played on "Light My Fire." He doubled my bass line.
–Ray Manzarek explaining the bass-overdubs.[22]
According to Botnick, "What you hear on the first album is what they did live. It wasn't just playing the song–it transcended that."[26] However, session musician Larry Knechtel and Krieger, overdubbed bass on several tracks in order to give some "punch" to the sound of Manzarek's keyboard bass.[27][28][29][30][31][nb 2] For both "The End" and "Light My Fire", two takes were edited together to achieve the final recording.[27][22] The album was mixed and finally completed in October of 1966.[32] "Indian Summer" was recorded during the sessions and it was considered to be sequenced as the final track, but was eventually replaced with "The End".[6][33]
Composition[]
The Doors features many of the group's most famous compositions, including "Light My Fire", "Break On Through (To the Other Side)", and "The End". In 1969, Morrison stated:
Every time I hear ["The End"], it means something else to me. It started out as a simple good-bye song ... Probably just to a girl, but I see how it could be a goodbye to a kind of childhood. I really don't know. I think it's sufficiently complex and universal in its imagery that it could be almost anything you want it to be.[34]
Interviewed by Lizze James, he pointed out the meaning of the verse "My only friend, the end":
Sometimes the pain is too much to examine, or even tolerate ... That doesn't make it evil, though – or necessarily dangerous. But people fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah – I guess it is a friend.[35]
"Break On Through (To the Other Side)" was released as the group's first single but it was relatively unsuccessful, peaking at No. 104 in Cash Box and No. 126 in Billboard. Elektra Records edited the line "she gets high", knowing a drug reference would discourage airplay (many releases have the original portions of both "Break On Through" and "The End" edited).[26] The song is in 4/4 time and quite fast-paced, starting with Densmore's bossa nova drum groove in which a clave pattern is played as a rim click underneath a driving ride cymbal pattern. Densmore appreciated the new bossa nova craze coming from Brazil, so he decided to use it in the song.[36] Robby Krieger has stated that he took the idea for the guitar riff from Paul Butterfield's version of the song "Shake Your Moneymaker" (originally by blues guitarist Elmore James).[36] Later, a disjointed quirky organ solo is played quite similar to the introduction of Ray Charles' "What'd I Say".[37]
The Doors' breakout hit "Light My Fire" was mainly composed by Krieger. Although the album version was just over seven minutes long, it was widely requested for radio play,[38] so a single version was edited to under three minutes with nearly all the instrumental break removed for airplay on AM radio.[39] While recalling the track's story, Krieger has claimed that it was Morrison who encouraged the others to write songs when they realized they did not have enough original material.[40]
Additionally, Morrison wrote "Take It as It Comes" which came from one of his observations on Maharishi Mahesh Yogi's meditation classes. Morrison wasn't studying these series of classes contrary to the other group members, but was later convinced by them to attend.[41] According to Ray Manzarek, the organ solo heard throughout the song was inspired by Johann Sebastian Bach.[42] Manzarek has also stated that the lyrics to "Twentieth Century Fox" refer to his wife Dorothy Fujikawa.[43]
The Doors also contains two cover songs: "Alabama Song" and "Back Door Man". "Alabama Song" was written and composed by Bertolt Brecht and Kurt Weill in 1927, for their opera Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny).[44] The melody is changed and the verse beginning "Show me the way to the next little dollar" is omitted. On the album version, Morrison altered the second verse from "Show us the way to the next pretty boy" to "Show me the way to the next little girl", but on the 1967 Live at the Matrix recording, he sings the original "next pretty boy".[45] The Chicago blues "Back Door Man" was written by Willie Dixon and originally recorded by Howlin' Wolf.[46][47]
Releases[]
The Doors was released on January 4, 1967, by Elektra Records.[48] Jac Holzman initially intended to release the record in November 1966, but following a negotiation with the other members of the band, he decided to postpone the release to the next year, as he felt the period was appropriate time for album sales.[32] For the album's cover, Joel Brodsky was hired to provide a photo of the group, which later received a Grammy nomination.[49] Holzman also suggested an association with Billboard magazine for the album's advertisement by promoting the record with hoarding, a novel concept which was made popular later on. It was propelled under the stationery "Break On Through With An Electrifying Album".[50] The Doors were the first rock band to use this advertising medium.[51]
The Doors made a steady climb up the Billboard 200, ultimately becoming a huge success in the US once the edited single version of "Light My Fire" scaled the charts to become No. 1, with the album peaking at No. 2 on the chart in September 1967 (stuck behind the Beatles' Sgt. Pepper's Lonely Hearts Club Band) and going on to achieve multi-platinum status.[52] In Europe the band would have to wait slightly longer for similar recognition, with "Light My Fire" originally stalling at No. 49 in the UK singles chart and the album failing to chart at all; however, in 1991, buoyed by the high-profile Oliver Stone film The Doors, a reissue of "Light My Fire" reached No. 7 in the singles chart, and the album reached No. 43.[53]
The mono LP was withdrawn not long after its original release and remained unavailable until 2009, when it was reissued as a limited edition 180 gram audiophile LP by Rhino Records. The 40th anniversary mix of the debut album presents a stereo version of "Light My Fire" in speed-corrected form for the first time. Previously, only the original 45 RPM singles ("Light My Fire" and "Break On Through") were produced at the correct speed.[54]
Reissues[]
The album was reissued several times since the 1980s. In 1981, Mobile Fidelity Sound Lab released a half speed mastered version of the album on vinyl, cut by Stan Ricker with the Ortofon Cutting System.[55] In 1988, it was digitally remastered by Bruce Botnick and Paul A. Rothchild at Digital Magnetics using the original master tapes.[56] In 1992 DCC Compact Classics reissued the album on 24kt gold CD and 180g vinyl; the gold CD was remastered by Steve Hoffman while the vinyl was cut by Kevin Gray and Hoffman at Future Disc.[57][58] It was remastered again in 1999 for The Complete Studio Recordings box set, this edition was remastered by Bernie Grundman and Bruce Botnick at Bernie Grundman Mastering using 96khz/24bit technology; it was also released as a standalone CD release.[59] In 2006 the album was released in multichannel DVD-Audio as part of the Perception box set.[60] The next year, a 40th anniversary edition was released featuring the 2006 stereo remix done by Bruce Botnick and three bonus tracks, which was mastered by Bruce Botnick at Uniteye.[61] In 2009, the original mono mix was released on 180g vinyl, this version was cut by Bernie Grundman.[62]
On September 14, 2011, it was released on hybrid stereo-multichannel Super Audio CD by Warner Japan in their Warner Premium Sound series.[63] Analogue Productions reissued the album on hybrid SACD and double 45 RPM vinyl, both editions were mastered by Doug Sax and Sangwook Nam at The Mastering Lab; the CD layer of the Super Audio CD contains the original stereo mix while the SACD layer contains Bruce Botnick's 2006 5.1 surround mix.[64][65] In 2017, a deluxe edition was released in commemoration of the album's 50th anniversary, it includes the original stereo and mono mixes, as well as a compilation of songs recorded live at The Matrix in San Francisco on March 7, 1967. This edition was remastered by Bruce Botnick from "recently discovered original master tapes".[66]
Reception and legacy[]
Retrospective reviews | |
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Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Great Rock Discography | 9/10[69] |
MusicHound Rock | 4/5[70] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
The Village Voice | B–[74] |
In a contemporary review for Crawdaddy! magazine, founder and critic Paul Williams hailed The Doors as "an album of magnitude" while likening the band to Brian Wilson and the Rolling Stones as creators of "modern music", with which "contemporary 'jazz' and 'classical' composers must try to measure up". Williams added: "The birth of the group is in this album, and it's as good as anything in rock. The awesome fact about the Doors is that they will improve."[75] Record Mirror was similarly positive to the record: "[The Doors] for Elektra is wild, rough and although it's subtle in places, the overall sound is torrid. They're blues-based and get quite an effective sound."[76]
Robert Christgau was less enthusiastic in his column for Esquire, recommending the album but with reservations; he approved of Manzarek's organ playing and Morrison's "flexible though sometimes faint" singing while highlighting the presence of a "great hard rock original" in "Break on Through" and clever songs such as "Twentieth Century Fox", but was critical of more "esoteric" material such as the "long, obscure dirge" "The End".[77] He also found Morrison's lyrics often self-indulgent, particularly lines like "our love becomes a funeral pyre", which he said spoiled "Light My Fire", and "the nebulousness that passes for depth among so many lovers of rock poetry" on "The End".[78]
The Doors has since been frequently ranked by critics as one of the greatest albums of all time; according to Acclaimed Music, it is the 36th most ranked record on all-time lists.[79] In 2003, Parke Puterbaugh of Rolling Stone called the record "the L.A. foursome's most successful marriage of rock poetics with classically tempered hard rock – a stoned, immaculate classic."[71] Sean Egan of BBC Music opines, "The eponymous debut of the Doors took popular music into areas previously thought impossible: the incitement to expand one's consciousness of opener 'Break on Through' was just the beginning of its incendiary agenda."[80] AllMusic critic Richie Unterberger, lauded The Doors as a "tremendous debut album, and indeed one of the best first-time outings in rock history ..." He concluded in his review that it was "nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered."[67]
In 2000, the album was voted number 46 in Colin Larkin's All Time Top 1000 Albums.[81] The Doors was ranked No. 42 on Rolling Stone's list of "The 500 Greatest Albums of All Time".[82] When the list was revised in 2020, the album was included at No. 86.[83] Q magazine ranked the album at No. 75 on its list of the "100 Greatest Albums Ever" and No. 226 in NME magazine's "500 Greatest Albums of All Time".[84] In 2007, Rolling Stone included it on their list of The 40 Essential Albums of 1967.[85] More recently, Ultimate Classic Rock cited it as the fourth-top psychedelic rock album of all time.[7]
Track listing[]
Original album[]
All tracks are written by the Doors (Jim Morrison, Ray Manzarek, Robby Krieger and John Densmore), except where noted. Details are taken from the 1967 U.S. Elektra release; other releases may show different information.[24]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Break On Through (To the Other Side)" | 2:25 | |
2. | "Soul Kitchen" | 3:30 | |
3. | "The Crystal Ship" | 2:30 | |
4. | "Twentieth Century Fox" | 2:30 | |
5. | "Alabama Song (Whisky Bar)" | 3:15 | |
6. | "Light My Fire" | 6:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Back Door Man" | 3:30 | |
2. | "I Looked at You" | 2:18 | |
3. | "End of the Night" | 2:49 | |
4. | "Take It as It Comes" | 2:13 | |
5. | "The End" | 11:35 |
Reissues[]
No. | Title | Length |
---|---|---|
12. | "Moonlight Drive" (August '66 version 1) | 2:43 |
13. | "Moonlight Drive" (August '66 version 2) | 2:31 |
14. | "Indian Summer" (8/19/66 vocal) | 2:37 |
No. | Title | Length |
---|---|---|
1. | "Break On Through (To the Other Side)" | 2:29 |
2. | "Soul Kitchen" | 3:35 |
3. | "The Crystal Ship" | 2:34 |
4. | "Twentieth Century Fox" | 2:33 |
5. | "Alabama Song (Whisky Bar)" | 3:21 |
6. | "Light My Fire" | 7:01 |
7. | "Back Door Man" | 3:35 |
8. | "I Looked at You" | 2:24 |
9. | "End of the Night" | 2:54 |
10. | "Take It as It Comes" | 2:18 |
11. | "The End" | 11:46 |
No. | Title | Length |
---|---|---|
1. | "Break On Through (To the Other Side)" | 3:35 |
2. | "Soul Kitchen" | 4:05 |
3. | "The Crystal Ship" | 3:07 |
4. | "Twentieth Century Fox" | 2:54 |
5. | "Alabama Song (Whisky Bar)" | 4:03 |
6. | "Light My Fire" | 8:52 |
7. | "Back Door Man" | 5:44 |
8. | "The End" | 14:14 |
Personnel[]
The Doors[24]
- Jim Morrison – vocals
- Ray Manzarek – organ, piano, keyboard bass; backing vocals[86] and marxophone on "Alabama Song (Whisky Bar)"[25]
- Robby Krieger – guitar; bass on "Back Door Man",[31] backing vocals on "Alabama Song (Whisky Bar)"[86]
- John Densmore – drums, percussion, backing vocals on "Alabama Song (Whisky Bar)"[86]
Additional musicians
- Larry Knechtel – bass on "Soul Kitchen",[nb 3] "Twentieth Century Fox"[88] and "Light My Fire"[28]
Production[24]
- Paul A. Rothchild – producer; backing vocals on "Alabama Song (Whisky Bar)"[nb 4]
- Bruce Botnick – engineer
Charts[]
Album
Chart (1967) | Peak |
---|---|
Canada Top Albums/CDs (RPM)[89] | 15 |
US Billboard 200[90] | 2 |
Chart (2021) | Peak |
Portuguese Albums (AFP)[91] | 4 |
Singles
Year | Single (A-side / B-side) | Chart | Position |
---|---|---|---|
1967 | "Break On Through (To the Other Side)" / "End of the Night" | Billboard Hot 100 | 126[nb 5] |
1967 | "Light My Fire" / "The Crystal Ship" | Hot 100 | 1[93] |
Certifications[]
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[94] | Platinum | 60,000^ |
Austria (IFPI Austria)[95] | Platinum | 50,000* |
Canada (Music Canada)[96] | 4× Platinum | 400,000^ |
France (SNEP)[97] | 3× Platinum | 900,000* |
Germany (BVMI)[98] | Platinum | 500,000^ |
Italy (FIMI)[99] sales since 2009 |
Platinum | 50,000![]() |
Spain (PROMUSICAE)[100] | Gold | 50,000^ |
Sweden (GLF)[101] | Gold | 50,000^ |
Switzerland (IFPI Switzerland)[102] | Platinum | 50,000^ |
United Kingdom (BPI)[103] | 2× Platinum | 600,000^ |
United States (RIAA)[104] | 4× Platinum | 4,000,000^ |
* Sales figures based on certification alone. |
Notes[]
- ^ Paul McCartney didn't referred specifically to the eponymous-debut album,[8] but only The Doors was officially released during the period of Sgt. Pepper's Lonely Hearts Club Band's making.[9]
- ^ Despite their contributions, both Robby Krieger and Larry Knechtel were not credited in the album's liner notes, as bass players.[24]
- ^ According to Doors' engineer Bruce Botnick, the song's bass guitar was provided by session musician Larry Knechtel,[87] but guitarist Robby Krieger argued that he played the bass guitar.[31]
- ^ Bruce Botnick stated on the documentary Classic Albums: The Doors, while hearing the song's final verse: "It's possible that Paul Rothchild would singing in there too."[86]
- ^ Although some sources incorrectly state this record peaked at 106, the actual chart published in Billboard verifies the position was 126.[92]
References[]
- ^ Smith, Thomas (May 22, 2018). "The Doors' Jim Morrison: 10 Profound, Bizarre and Brilliant Quotes". NME. Retrieved May 16, 2021.
The Doors' debut album is undeniably one of the greatest psych-rock records of all time, ...
- ^ Davis 2005, p. 114.
- ^ Gallucci, Michael (October 23, 2015). "Doors Albums Ranked Worst to Best". Ultimate Classic Rock. Retrieved April 27, 2021.
- ^ Buskin, Richard. "Classic Tracks: The Doors 'Strange Days'". Sound On Sound. Retrieved June 5, 2021.
Engineer and producer Bruce Botnick recorded some of the greatest artifacts of West Coast psychedelia, among them the first five albums by the Doors.
- ^ "The Doors: The Doors". BBC Four. September 26, 2009. Retrieved May 13, 2021.
- ^ a b "The Doors' Debut Album: Things You Didn't Know". Rolling Stone. Retrieved April 26, 2021.
- ^ a b Gallucci, Michael (February 23, 2021). "Top 25 Psychedelic Rock Albums". Ultimate Classic Rock. Retrieved March 28, 2021.
- ^ Greene 2016, p. 19.
- ^ Masley, Ed (May 30, 2017). "Sgt. Pepper and Beyond: A Look Back at 20 Great Albums Released in 1967". Azcentral. Retrieved May 13, 2021.
- ^ "New Entries to National Recording Registry". Library of Congress. March 4, 2016. Archived from the original on April 30, 2021. Retrieved April 30, 2021.
- ^ Fong-Torres & The Doors 2006, p. 37.
- ^ Kielty, Martin (January 27, 2019). "Robby Krieger Recalls Move to Electric Guitar". Ultimate Classic Rock. Retrieved May 7, 2021.
- ^ Fong-Torres & The Doors 2006, p. 53.
- ^ Goldstein, Patrick (September 1977). "Nite City: The Dark Side of L.A." Creem. Archived from the original on March 18, 2021. Retrieved March 18, 2021.
- ^ Weidman 2011, pp. 120–121.
- ^ a b Cherry 2013, p. 13.
- ^ a b c Jackson, Blair (July 3, 1981). "BAM Interview with Paul Rothchild". Waiting for the Sun Archives.
- ^ Fong-Torres & The Doors 2006, p. 58.
- ^ Taysom, Joe. "How Jim Morrison Got the Doors Fired From Whisky a Go Go". Far Out Magazine. Retrieved February 14, 2021.
- ^ Ursula Dawn Goldsmith 2019, p. 92.
- ^ Fong-Torres & The Doors 2006, p. 68.
- ^ a b c Kubernik, Harvey. "Ray Manzarek on the Doors' 6 Studio Albums: The 'Lost' Interviews". Best Classic Bands. Retrieved March 13, 2021.
- ^ Classic Albums 2008, 26:33.
- ^ a b c d e The Doors (Album notes). The Doors. New York City: Elektra Records. 1967. Back cover. ELK-4007.CS1 maint: others in cite AV media (notes) (link)
- ^ a b Classic Albums Extras 2008, 0:00–0:40.
- ^ a b Weidman 2011, p. 141.
- ^ a b Fong-Torres & The Doors 2006, p. 71.
- ^ a b Davis 2005, p. 139.
- ^ Sullivan, Steve (2013). Encyclopedia of Great Popular Song Recordings. 2. Scarecrow Press. pp. 484–5. ISBN 978-0-8108-8296-6. Archived from the original on December 21, 2016. Retrieved December 20, 2014.
- ^ Hartman, Kent (2012). The Wrecking Crew: The Inside Story of Rock and Roll's Best-Kept Secret. Macmillan. p. 2. ISBN 978-0-312-61974-9. Archived from the original on December 21, 2016. Retrieved December 20, 2014.
- ^ a b c Mr. Mojo Risin': The Story of L.A. Woman Q&A and Performance. Event occurs at 12:50–13:33. Archived from the original on December 11, 2021. Retrieved August 19, 2020 – via YouTube.
- ^ a b "Jac Holzman Talks The Doors – The Doors". Thedoors.com. July 31, 2012. Retrieved April 15, 2021.
- ^ Weidman 2011, p. 201.
- ^ Hopkins, Jerry (2007). Wenner, Jann; Levy, Joe (eds.). The Rolling Stone Interviews (Jim Morrison). New York City: Back Bay Books. p. 496. ISBN 978-0-31600-526-5. Archived from the original on February 22, 2017.
- ^ James, Lizze (1981). "Jim Morrison: Ten Years Gone". Creem Magazine. Detroit. Retrieved November 8, 2012.
- ^ a b The Story of "Break on Through" by The Doors. Archived from the original on September 19, 2016. Retrieved March 11, 2021 – via YouTube.
- ^ Classic Albums The Doors Archived January 12, 2017, at the Wayback Machine
- ^ "Rock Stations Giving Albums the Air Play". Billboard. July 22, 1967. p. 34 – via Google books.
- ^ "Light My Fire". Guitar World. Archived from the original on February 12, 2012. Retrieved March 31, 2010.
- ^ Paul, Alan. "The Doors' Robby Krieger Sheds Light – Album by Album". Guitar World. Retrieved March 18, 2021.
- ^ Densmore 1990, p. 102.
- ^ Manzarek 1998, p. 78.
- ^ Manzarek 1998, p. 5.
- ^ Gaar 2015, p. 26.
- ^ "The Doors: Live at the Matrix 1967". Thedoors.com. Archived from the original on September 6, 2015. Retrieved September 2, 2020.
- ^ Dixon & Snowden 1989, p. 143.
- ^ Manzarek 1998, p. 174.
- ^ "The Doors – Album Details". Thedoors.com. Archived from the original on September 7, 2015. Retrieved July 20, 2020.
- ^ Schudel, Matt (March 26, 2007). "Joel Brodsky 67; shot iconic album covers". Los Angeles Times. Retrieved November 13, 2021.
- ^ Davis 2004, p. 113.
- ^ "11 Amazing Rock Billboards From the Sunset Strip". Rolling Stone. October 24, 2013. Retrieved April 15, 2021.
- ^ Gaar 2015, p. 37.
- ^ Roberts, David (May 2005). British Hit Singles and Albums 18 Ed. Gullane Children's Books. ISBN 978-1-904994-00-8.
- ^ Botnick, Bruce (May 2006). The Doors 40th Anniversary (CD reissue liner notes).
- ^ The Doors (Media notes and runouts). The Doors. Mobile Fidelity Sound Lab (MFSL 1-051). 1981.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Booklet). The Doors. Elektra (74007-2). 1988.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Booklet). The Doors. DCC Compact Classics (GZS 1023). 1992.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Media notes and runouts). The Doors. DCC Compact Classics (LPZ-2046). 1992.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Booklet). The Doors. Elektra (62434-2A). 1999.CS1 maint: others in cite AV media (notes) (link)
- ^ Puterbaugh, Parke (December 3, 2006). "The Doors DVD-As". Sound & Vision. Archived from the original on December 22, 2014. Retrieved December 20, 2014.
- ^ The Doors (Booklet). The Doors. Elektra (R2 101184). 2007.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Media notes and runouts). The Doors. Elektra (8122-79788-8). 2009.CS1 maint: others in cite AV media (notes) (link)
- ^ Warner Premium Sound 14 September releases Archived August 13, 2011, at the Wayback Machine (in Japanese). Retrieved November 3, 2011.
- ^ The Doors (Booklet). The Doors. Analogue Productions (CAPP 74007 SA). 2013.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Media notes). The Doors. Analogue Productions (APP 74007-45). 2011.CS1 maint: others in cite AV media (notes) (link)
- ^ The Doors (Booklet). The Doors. Elektra (R2-558716). 2017.CS1 maint: others in cite AV media (notes) (link)
- ^ a b Unterberger, Richie. "The Doors – Review". AllMusic. Archived from the original on December 22, 2014. Retrieved December 20, 2014.
- ^ Larkin, Colin (2011). Encyclopedia of Popular Music (5th ed.). Omnibus Press. p. 2006. ISBN 978-0-85712-595-8.
- ^ Strong, Martin C. (2004). "The Doors". The Great Rock Discography (7th ed.). Canongate U.S. ISBN 1841956155.
- ^ Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 358. ISBN 1-57859-061-2.
- ^ a b Puterbaugh, Parke (April 8, 2003). "The Doors by the Doors". Rolling Stone. New York City. Archived from the original on August 7, 2011. Retrieved April 23, 2016.CS1 maint: unfit URL (link)
- ^ "The Doors: Album Guide". rollingstone.com. Archived from the original on January 6, 2013. Retrieved August 31, 2015.
- ^ Cinquemani, Sal (April 18, 2007). "The Doors: The Doors | Album Review". Slant Magazine. Archived from the original on August 11, 2012. Retrieved December 20, 2014.
- ^ Christgau, Robert (December 20, 1976). "Christgau's Consumer Guide to 1967". The Village Voice. New York. p. 69. Retrieved June 22, 2013.
- ^ Williams, Paul (May 5, 1967). "The Doors Review – Crawdaddy!". Archived from the original on September 10, 2015. Retrieved August 31, 2015 – via thedoors.com.
- ^ "The Doors – Review". Record Mirror. 1967 – via Instagram.
- ^ Christgau, Robert (June 1967). "Columns". Esquire. Archived from the original on April 28, 2016. Retrieved April 23, 2016.
- ^ Christgau, Robert (December 1967). "Rock Lyrics Are Poetry (Maybe)". Cheetah. Archived from the original on April 12, 2016. Retrieved April 23, 2016.
- ^ "The Doors ranked 36th greatest album". Acclaimed Music. Retrieved July 19, 2021.
- ^ BBC Music review Archived March 21, 2016, at the Wayback Machine
- ^ Colin Larkin (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 56. ISBN 0-7535-0493-6.
- ^ "500 Greatest Albums of All Time: The Doors – The Doors". Rolling Stone. Archived from the original on July 16, 2019. Retrieved December 24, 2019.
- ^ "The 500 Greatest Albums of All Time". Rolling Stone. September 22, 2020. Retrieved September 24, 2020.
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- ^ "The 40 Essential Albums of 1967". Rolling Stone. 2007. Archived from the original on July 8, 2007. Retrieved December 20, 2014.
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- ^ Classic Albums 2008, 26:28.
- ^ Lawrence W. (October 10, 1966). Phonograph Recording Contract 3308 (Report). American Federation of Musicians. p. 1.
Titles of Tunes: 20th Century Fox, Employee's Name: Knechtel
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- ^ "Discos de oro y platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on July 6, 2011. Retrieved September 16, 2012.
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- ^ Solo Exitos 1959–2002 Ano A Ano: Certificados 1991–1995. Solo Exitos 1959–2002 Ano A Ano. 2005. ISBN 8480486392.
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Sources[]
- Cherry, Jim (March 25, 2013). The Doors Examined. Bennion/Kearny. ISBN 978-1909125124.
- Davis, Stephen (2004). Jim Morrison: LIfe, Death, Legend. Penguin Books. ISBN 1-59240-064-7.
- Densmore, John (1990). Riders on the Storm: My Life with Jim Morrison and the Doors. Delacorte Press. ISBN 978-0-385-30033-9.
- Dixon, Willie; Snowden, Don (1989). I Am the Blues. Boston, Massachusetts: Da Capo Press. ISBN 0-306-80415-8.
- The Doors (2008). Classic Albums: The Doors (DVD). Eagle Rock Entertainment.
- The Doors (2008). Classic Albums: The Doors Extras (DVD). Eagle Rock Entertainment.
- Fong-Torres, Ben; Doors, The (2006). The Doors. Hyperion. ISBN 1-4013-0303-X.
- G. Gaar, Gillian (2015). The Doors: The Illustrated History. Voyageur Press. ISBN 978-1627887052.
- Greene, Doyle (2016). Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era. Jefferson, New York City: McFarland. ISBN 978-1-4766-6214-5.
- Manzarek, Ray (1998). Light My Fire: My Life With the Doors. New York: Putnam. ISBN 978-0-399-14399-1.
- Ursula Dawn Goldsmith, Melissa (2019). Listen to Classic Rock! Exploring a Musical Genre. ABC-CLIO. ISBN 978-1440865787.
- Wall, Mick (October 30, 2014). Love Becomes a Funeral Pyre. UK: Hachette. ISBN 978-1409151258.
- Weidman, Rich (October 1, 2011). The Doors FAQ: All That's Left to Know About the Kings of Acid Rock. Rowman & Littlefield. ISBN 978-1-61713-017-5.
External links[]
- The Doors albums
- 1967 debut albums
- Grammy Hall of Fame Award recipients
- Albums produced by Paul A. Rothchild
- Elektra Records albums
- Albums with cover art by Joel Brodsky
- United States National Recording Registry recordings
- Albums recorded at Sunset Sound Recorders
- United States National Recording Registry albums