The Last Black Man in San Francisco

The Last Black Man in San Francisco
Theatrical release poster
Directed by	Joe Talbot
Screenplay by	Joe Talbot Rob Richert
Story by	Jimmie Fails Joe Talbot
Produced by	Khaliah Neal Joe Talbot Dede Gardner Jeremy Kleiner Christina Oh
Starring	Jimmie Fails Jonathan Majors Tichina Arnold Rob Morgan Mike Epps Finn Wittrock Danny Glover
Cinematography	Adam Newport-Berra
Edited by	David Marks
Music by	Emile Mosseri
Production companies	Plan B Entertainment Longshot Features
Distributed by	A24
Release dates	January 26, 2019 (2019-01-26) (Sundance) June 7, 2019 (2019-06-07) (United States)
Running time	120 minutes[1]
Country	United States
Language	English
Budget	$2 million[2]
Box office	$4.6 million[3]

The Last Black Man in San Francisco is a 2019 American drama film. Its plot centers on the efforts of a young black man to reclaim his childhood home, a now-expensive Victorian house in a gentrified neighborhood of San Francisco.^[4]

The film is the feature debut of director and producer Joe Talbot. Talbot wrote the screenplay with Rob Richert and the story with Jimmie Fails, on whose life the film is partly based.^[4] The movie stars Fails, Jonathan Majors, Tichina Arnold, Rob Morgan, Mike Epps, Finn Wittrock, and Danny Glover.

The Last Black Man in San Francisco had its world premiere at the Sundance Film Festival on January 26, 2019. It won awards for Best Directing and a Special Jury Prize for Creative Collaboration.^[5] A24 released the film on June 7, 2019 in the United States.

Plot[]

Jimmie Fails is a young man living in Bayview-Hunters Point, San Francisco. He spends his time wandering around town with his best friend Mont Allen, with whom he lives, along with Mont's grandfather. Jimmie waits for the bus with Mont every day, during which they see various states of change in the city and protesters trying to stop it. The two then skateboard to a Victorian house in the city's Fillmore District in which Jimmie grew up. Jimmie says it was built by his grandfather in 1946, opting to build on an empty lot rather than buy one of the houses made available due to the wartime internment of Japanese Americans. The home is currently occupied by an older white couple, and Jimmie often laments to Mont about how the couple doesn't take care of the house, while doing his best to maintain it himself. One day, Jimmie and Mont visit the house only to find the woman crying on her husband's shoulder and movers taking the couple's things. They learn from a mover that the woman's mother died and that she and her sister are now fighting over the house.

Jimmie and Mont visit a realtor to inquire about the home. The realtor is not aware of the current situation, but is very familiar with the house. He tells them it "sounds like an estate thing" in which case the home might stay empty for years while the sisters fight over it. They use this opportunity to visit the now-vacant house, finally free to explore the house in its entirety. Deciding to take up residence in the house, the pair visits Jimmie's aunt Wanda, who gives them the furniture that she and the family had when living there. Jimmie and Mont ride back to the home with the help of Wanda's husband, Ricky. They unpack the items, displaying them throughout the house.

One night, Mont invites Kofi, a childhood friend of Jimmie's and his, to the house, and the three enjoy a night of relaxation. However, the next day, Kofi says hurtful things to Jimmie about his father in order to appear dominant after being called "effeminate" by his friends. Jimmie and Mont later learn from Kofi's friends that Kofi has been killed by a man with whom he had a scuffle. Upon returning to the house, the pair finds that their possessions have been thrown out and left on the sidewalk. They also discover a sign posted by Clayton Newsom, the realtor they'd visited earlier. Feeling betrayed, Jimmie retaliates by placing all of the furniture back inside. He also visits another realtor in an unsuccessful attempt to purchase the home. Mont, however, goes back to Newsom, who reveals that the house wasn't built by Jimmie's grandfather; Newsom has the deed proving that it was actually built in the 1850s.

Mont writes a play about the aftermath of Kofi's death, and Jimmie advertises that it will be performed in the "witch hat" of the house. On the day of the performance, Jimmie's estranged father shows. During the performance, Mont shows various social media posts about Kofi's death, all of which prove, he proclaims, that these people never really knew Kofi. He asks various people in the crowd to recount their opinions of Kofi, including Jimmie, who says that even though the last things Kofi said to him were quite mean, his experience with Kofi in a group home was friendly, saying that "people aren't one thing". Mont then confronts Jimmie with the truth that Jimmie's grandfather did not build the house. This angers Jimmie, who storms out, followed by the rest of the play's audience.

Jimmie reunites with Mont at the dock, admitting that he'd known all along that his grandfather hadn't built the house. He watches TV with Mont and Grandpa Allen before going to bed. Mont wakes up and finds Jimmie gone, with a note saying he "didn't know how to say goodbye" and thanking Mont for being his best friend. Mont is left alone, and while he continues various activities that the two always shared, they no longer bring him the same joy when done alone. He stands alone on the dock, staring into the distance. Jimmie is far away, rowing in the water outside the Golden Gate Bridge.

Cast[]

Production[]

Talbot and Fails grew up together in San Francisco and first discussed the possibility of making the movie as teenagers.^[6] However, they found it difficult to make the film in the City due to the lack of a film scene within the region^[7] and neither of them had any proper film training nor knew anybody within the industry.^[8] Talbot got some initial advice on how to start from a cold email to Barry Jenkins, who shot Medicine for Melancholy (2008) in San Francisco, before he left to shoot Moonlight (2016).^[8]

In May 2015, the two shot a preview trailer to raise funds for the making of the film and launched a successful Kickstarter campaign that ultimately surpassed their goal of $50,000 by more than $25,000.^[9] Within a month, 1,500 contributors backed the campaign totaling a little over $75,000.^[10] The campaign garnered film industry interest as well as national press, and through viral success cemented Fails, who was the face of the #lastblackman fundraising campaign, as a local San Francisco figure.^[9]

When Fails and Talbot's short film, American Paradise, made it to 2017 Sundance Film Festival, they met Christina Oh of Plan B Entertainment, who later made introductions for Talbot and producer, Khaliah Neal, to the rest of the company at a shooting for Ad Astra (2019).^[11] Jeremy Kleiner, of Plan B, helped pick up the film for production.^[11] Principal photography began in April 2018.^[12]

In May 2018, it was officially announced that Jonathan Majors, Danny Glover, Tichina Arnold, Rob Morgan, Mike Epps, Finn Wittrock, and Thora Birch had joined the cast of the film, with Khaliah Neal producing the film alongside Plan B Entertainment and A24 distributing.^[13][14]

The creative team had wanted to cast someone from San Francisco in the role of Kofi, the childhood friend who struggles to be vulnerable with his peers.^[15] They met Jamal Trulove at an after-school program in San Francisco while casting for child extras.^[15] Trulove was previously falsely charged with murdering his friend in 2007. He was granted a retrial in 2015 and was subsequently acquitted. The San Francisco Board of Supervisors later approved a $13.1 million settlement to him for being framed of murder by the police.^[16] Given his background and personal resonance for the role, Trulove was cast on the spot that day.^[15]

Constant demolitions and alterations of San Francisco sites complicated the film production. Talbot is cognizant of the geographical inaccuracies of the film, likening it to Bullitt (1968) which was also filmed in San Francisco.^[17]

The film was heavily influenced by the 2001 film Ghost World, also about two outsider friends who don't fit in to their cities and wander throughout, which Talbot was introduced to at age 15.^[18] As an homage to that film, Talbot asked actress Thora Birch to appear in a cameo, and notes the connection between her character of Enid and that of Jimmie: "“I always felt her character and Jimmy are similar in a lot of ways, and she got that immediately,” Talbot said. “She and I would joke like, at the end of Ghost World when she gets on the bus, it’s like she never got off the bus and wound up in San Francisco working a tech job she hates.”^[19] Talbot also discussed the connection further: "Thora is one of the great actresses of her generation and her work, in part, inspired me to want to make films. Her performance in Ghost World made me feel seen as a teenager when I was a bit lost,” Talbot explained. “At the end of that film, Thora rides a bus off into the sunset. In our film, we meet her character on a bus in the heart of San Francisco—almost as if she kept riding it all these years, and somehow wound up in the Bay Area working a tech job she loathed. Her exchange that follows with Jimmie, however brief, has been written about and quoted more than any other part of the film.”^[20]

Release[]

The film had its world premiere at the Sundance Film Festival on January 26, 2019.^[21] It released in the United States on June 7, 2019,^[22] having previously been scheduled to be released on June 14.^[23]

Reception[]

Critical response[]

On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 92% based on 207 reviews, with an average rating of 8.3/10. The site's critical consensus reads, "An affecting story powerfully told, The Last Black Man in San Francisco immediately establishes director Joe Talbot as a filmmaker to watch."^[24] On Metacritic, the film has a weighted average score of 83 out of 100, based on 39 critics, indicating "universal acclaim".^[25]

In her New York Times review, Manohla Dargis made the film a NYT Critics Pick and called it "ravishing, haunting and exultant."^[26] The Los Angeles Times's Justin Chang called the film "a gorgeous, moving ode to a city in flux."^[27] The Hollywood Reporter's Todd McCarthy said it was "by far the best narrative film I saw [at Sundance]. . . . Every scene is fresh and unpredictable, visual poetry and realism are exquisitely woven together."^[28] Rolling Stone called it "the best movie of the year" as of June 2019,^[29] and Deadline Hollywood's awards columnist Pete Hammond said that it was "the one movie I have seen that should have Oscar written all over it" as of July.^[30]

The New Yorker's Richard Brody said that the film was disappointing and lacked "grit or texture of real experience."^[31]

Accolades[]

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Year-end lists[]

The Last Black Man in San Francisco appeared on many critics' lists of the best films of 2019, including:

See also[]

• List of black films of the 2010s

References[]

Further reading[]

External links[]

• The Last Black Man in San Francisco at IMDb
• The Last Black Man in San Francisco at A24