The Psychopath
The Psychopath | |
---|---|
Directed by | Freddie Francis |
Written by | Robert Bloch |
Produced by | Max Rosenberg Milton Subotsky |
Starring | Patrick Wymark |
Cinematography | John Wilcox |
Edited by | Oswald Hafenrichter |
Music by | Elisabeth Lutyens |
Color process | Technicolor |
Production company | |
Distributed by | Paramount British Pictures |
Release date |
|
Running time | 82 minutes |
Country | United Kingdom |
Language | English |
The Psychopath is a 1966 British horror film directed by Freddie Francis and written by Robert Bloch in Techniscope. It stars Patrick Wymark and Margaret Johnston and was an Amicus production.[1]
Plot[]
Police inspector Holloway (Patrick Wymark) investigates a string of murders where the victims have dolls attached to their bodies. The trail soon leads to a disabled German woman named Mrs. Von Sturm (Margaret Johnston), who knows a set of dark secrets that may hold the key to the murders.
Cast[]
- Patrick Wymark as Inspector Holloway
- Margaret Johnston as Mrs. Von Sturm
- John Standing as Mark Von Sturm
- Alexander Knox as Frank Saville
- Judy Huxtable as Louise Saville
- Don Borisenko as Donald Loftis
- Thorley Walters as Martin Roth
- Robert Crewdson as Victor Ledoux
- Colin Gordon as Dr. Glyn
- Tim Barrett as Morgan
- John Harvey as Reinhardt Klermer
- Harold Lang as Briggs
Production[]
The film was originally known as Schizo. Shooting started September 1965.[2]
The Psychopath was an attempt to capitalize on the success of Hammer Films' recent series of psychological thrillers, including Taste of Fear.[3]
Robert Bloch recalls in his autobiography being taken with his wife to the country in England by Ronald Kirkbride, and "the next morning a limo took us to Shepperton Studios, where we lunched after watching Freddy Francis helm a scene for The Psychopath. The scene that morning was one I had indicated as taking place at the bottom of a staircase leading to the upper floor of a house. But everything they actually shot now took place at the top of a staircase which descended to the cellar. What I wrote up they put down. And when I took director Francis aside and questioned him about the change he pointed out that building a set with a stairway was expensive. Shooting from a high angle into the redressed recess beneath a soundstage trapdoor saved money. In other words, I was right back on The Couch with The Night Walker. A low-budget film always operates on the same principle, that is to say, no principle whatsoever except saving a buck, even if it means losing the potential of the picture".[4]
Reception[]
The film was very popular in Europe, particularly Italy.[3]
Michael Weldon writes of the film as "a good shocker".[5]
References[]
- ^ "The Psychopath (1966) - Freddie Francis | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- ^ Ed. Allan Bryce, Amicus: The Studio That Dripped Blood, Stray Cat Publishing, 2000 p 40-42
- ^ a b Nathaniel Thompson, "The Psychopath", Turner Classic Movies accessed 23 February 2014
- ^ Bloch, Robert (1993). Once Around the Bloch: An Unauthorized Autobiography. New York City: Tor Books. p. 328. ISBN 978-0312853730.
- ^ The Psychotronic Encyclopedia of Film. London: Plexus, 1989, p. 569
External links[]
- The Psychopath at IMDb
- The Psychopath at TCMDB
- The Psychopath at AllMovie
- The Psychopath at the American Film Institute Catalog
- The Psychopath by TCM Underground
- 1966 films
- English-language films
- British crime films
- British films
- 1960s crime films
- Films directed by Freddie Francis
- Amicus Productions films
- Films about psychopaths
- British serial killer films
- Films scored by Elisabeth Lutyens
- Films with screenplays by Robert Bloch
- 1960s horror film stubs
- 1960s crime film stubs