Thus Another Day

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Thus Another Day
Thus Another Day Poster.jpg
Two-color release poster
Directed byKeisuke Kinoshita
Written byKeisuke Kinoshita
Produced by
Cinematography
Edited by
Music by
Distributed byShochiku
Release date
  • September 27, 1959 (1959-09-27)[1]
Running time
74 minutes
CountryJapan
LanguageJapanese

Thus Another Day (今日もまたかくてありなん, Kyô mo mata kakute ari nan) is a 1959 color Japanese film directed by Keisuke Kinoshita.

Plot[]

Facing financial difficulties, young couple Shôichi and Yasuko Satô rent their suburban home to his boss over the summer. While Shôichi rooms with a friend, Yasuko and their son Kazuo stay with her family in a troubled resort community, where visiting yakuza and their underlings threaten and injure her brothers, a cab driver and an aspiring singer. She befriends a depressed war veteran whose estranged wife is pressured by the yakuza to become their moll after a sudden tragedy, leading to a climactic confrontation. The couple returns to their home, where Yasuko copes with her renewed desperation at life's futility.

Production[]

The role of Shusuke Takemura, the veteran befriended by Yasuko, was played by Kabuki actor , whose four-year-old son Kankurô (later Kanzaburō Nakamura XVIII) played Kazuo, sharing screen credit with the popular stars who played his parents, Teiji Takahashi—who died in an automobile accident shortly after the film's release[2]—and Yoshiko Kuga.

The senior Nakamura received the only solo screen credit among the cast members. His wife Tomoe was played by Murasaki Fujima, a star of Japanese dance who appeared in many postwar films, and the yakuza who menace her were played by familiar performers Rentarō Mikuni and Kōji Mitsui. One-time Shochiku leading man Shūji Sano has a cameo as an executive whose vacationing wife is entertained off-screen by Shôichi. Takahiro Tamura, who had a large role in the director's the year before, is barely onscreen as Yasuko's older brother Tetsuo.

Kinoshita capitalized on the singing career of [3] in casting him as Yasuko's younger brother Gorô, whose proud decision not to aspire to a higher class or calling seems influenced by his kinship with the fatalistic Takemura. Gorô's romantic interest, Noriko, is played by , making her film debut after being discovered by Kinoshita's brother , who wrote the film's score; Fuji would appear in one more Kinoshita film before joining Toho, who changed her name to and cast her in several comedy, science-fiction, and youth-oriented films until her retirement to start a family in the late 1960s.[4]

One of Kinoshita's shortest features, Thus Another Day has multiple plot threads that some modern critics believe overcomplicate the storyline.[5][6] The film's brisk pace includes many cinematic ellipses that either withhold information for later revelation—such as the identity of the driver who transports the yakuza to their vacation home—or permit viewers to imagine sequences that aren’t explicitly shown, such as the fate of Shusuke and Tomoe's daughter; his confrontation with the yakuza who have cuckolded him; and the two visits of Shôichi to the executive's wife.

Kinoshita filmed much of Thus Another Day on location in both Tokyo and the resort area of Karuizawa, which features prominently in the boating and waterfront talent show scenes.[7]

Themes[]

While the theme of postwar desperation in the Japanese family ethos is familiar in films by directors like Yasujirō Ozu (who also favored plot ellipses),[6] Kinoshita's movies were generally more hopeful in tone than Thus Another Day.[8] The depiction of Shusuke's PTSD is paralleled with Yasuko's depression over her struggle to survive in a consumerist society with a husband driven to succeed within the salaryman culture. Kinoshita's linkage of the two characters, combined with the threats and physical injury endured by the film's two extended family units, suggests a postwar Japanese middle class facing an uncertain and troubled future.[8]

The poem from which the movie's English title derives could be interpreted as a blithe directive to live a carefree life, but as recited by Shusuke Takemura it instead underscores the film's theme of life's futility:

Yesterday was just another day,
Thus another day today.
Why should I feel uneasy?
Why worry about tomorrow?

Cast[]

Availability[]

Though the film has not been released on disc in the United States, it was one of the inaugural films available in Spring 2019 for streaming on The Criterion Channel.[9]

References[]

  1. ^ "今日もまたかくてありなん". www.jmdb.ne.jp (in Japanese).
  2. ^ "Teiji Takahashi". Internet Movie Database. IMDb.com. Retrieved 6 May 2019.
  3. ^ Woodbury, Eugene (26 July 2018). "Kazuya Kosaka". Eugene's Blog. Wordpress. Retrieved 6 May 2019.
  4. ^ Modern Movie, August 1962, pp. 122-125.
  5. ^ Murray, Stephen O. (14 April 2016). "Overstuffed 1959 Kinoshita Movie: "Thus Another Day"". Japanese Culture Reflections Blog. Wordpress. Retrieved 2 May 2019.
  6. ^ Jump up to: a b Matthews, Charles (29 May 2018). "Thus Another Day (Keisuke Kinoshita, 1959)". Misfortune of Imaginary Beings. Blogspot. Retrieved 2 May 2019.
  7. ^ Parker, Clark (22 March 2015). "Thus Another Day in 1959 Tokyo". The Tokyo Files. Wordpress. Retrieved 2 May 2019.
  8. ^ Jump up to: a b Scanlon, Hayley (16 December 2018). "Thus Another Day (今日もまたかくてありなん, Keisuke Kinoshita, 1959)". Windows On Worlds. Windows On Worlds. Retrieved 2 May 2019.
  9. ^ "Thus Another Day". The Criterion Channel. The Criterion Channel. Retrieved 2 May 2019.

External links[]

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