Ukrainian Dorian scale
In music, the Romanian Minor scale or Ukrainian Dorian scale or altered Dorian scale[1] is a musical scale or the fourth mode of the harmonic minor scale. It is "similar to the dorian mode, but with a tritone and variable sixth and seventh degrees".[2] It is related to both the Freygish and Misheberak scales and is used in Jewish music, "predominant in klezmer bulgarish and doina (doyne)."[1] "When the Ukrainian Dorian scale functions in the synagogue, it is a mode known as the Mi sheberach (May He Who Blessed) or Av horachamon (Compassionate Father). Arab and Greek scholars give other names to the scale: Nikriz (نكريز) and Aulos, respectively."[3]
"The pitches of the Mi Shebeyrekh [cantorial] mode correspond roughly to a Dorian mode with a raised fourth (for example, D, E, F, G♯, A, B, C); alternately, it could be described as a variant of the Lydian mode, deriving instead from the harmonic minor scale, rather than from the major scale. Beregovski calls this pitch collection 'Ukrainian Dorian'."[4]
The Ukrainian Dorian scale is used particularly extensively within Julian Cochran's music including the Romanian Dances and Mazurkas.[5] It has also been used by George Gershwin.[2] Another example is the Bert Kaempfert tune "".[6]
Also called the Ukrainian minor scale, it is a combined type of musical scale.[citation needed] It figures prominently in Eastern European music, particularly Klezmer music, and melodies based on this scale have an exotic, romantic flavor for listeners accustomed to more typical Western scales.
A Ukrainian minor scale in the key of C would proceed as follows: C D E♭ F♯ G A B♭.
A Ukrainian minor scale in the key of B would proceed as follows: B C♯ D E♯ F♯ G♯ A.
Its step pattern is w - h - + - h - w - h - w, where w indicates a whole step, h indicates a half step, and + indicates an augmented second, which looks like a minor third on a keyboard but is notationally distinct.
Chords that may be derived from the scale based on B are Bm, C#7, D, E#dim7, F#m, G#m7b5 and Aaug. This scale is obtainable from the harmonic minor scale by starting from the fourth of that scale. Said another way, the B Ukrainian minor scale is the fourth mode of the F# harmonic minor scale.
Use in Jewish and Roman music[]
In Jewish and Roman music[7] the altered Dorian scale may be called the Misheberak scale. It may also be called Av horachamin (Compassionate Father),[8] Mi Shebeyrekh, and Misheberach. This scale was used extensively by Erik Satie, especially noticeable in his Gnossienne No 3.
Film Songs[]
Language:Tamil[]
Song | Movie | Composer | Singer |
---|---|---|---|
Chidhambara Naadha | Thiruneelakantar | Papanasam Sivan | M. K. Thyagaraja Bhagavathar |
Kozhi Oru Koottile | Kuzhandaiyum Deivamum | M. S. Viswanathan | M. S. Rajeswari |
Adi Ennadi Ulagam | Aval Oru Thodar Kathai | L. R. Eswari | |
Kalaimagal Kai Porule | Vasantha Maligai | K. V. Mahadevan | P. Susheela |
Aandavanin Thottathile | Arangetram | V. Kumar | |
Manam Poley Maangalyam | Pudhupatti Ponnuthayi | Illayaraja | K.S. Chitra |
Kannai Thirantha | Veera | Arunmozhi | |
Mazhai Mazhai | Ullam Ketkumae | Harris Jayaraj | P. Unnikrishnan, Harini |
Ayayayoo Aananthamey | Kumki | D. Imman | Haricharan |
See also[]
- Minor gypsy scale
- Hungarian minor scale
- Phrygian dominant scale
- Double harmonic scale
- Melodic minor scale
- Mixolydian mode#Moloch scale
- Hemavati, the Indian Carnatic music corresponding to Ukrainian Dorian scale.
External links[]
Sources[]
- ^ Jump up to: a b Idelsohn (1929). Jewish Music in Its Historical Development and Beregovski (Russian- and Yiddish-language articles) cited in Slobin, Mark (2002). American Klezmer, p.123,n.56. ISBN 978-0-520-22718-7.
- ^ Jump up to: a b Pollack, Howard (2006). George Gershwin: His Life and Work p.46. ISBN 978-0-520-24864-9.
- ^ Gottlieb, Jack (2004). Funny, it doesn't sound Jewish, p.221, n.65. ISBN 978-0-8444-1130-9.
- ^ Slobin (2002), p.23, n.6 and [17]. [sic]: On p.101 Slobin incorrectly describes raising the scale degree of the minor scale, though correctly lists G-A-B♭-C♯-D-E-F-G.
- ^ Melisa Burkitt (2011). Julian Cochran: Fünf Mazurken für Klavier, Calaméo.
- ^ Gottlieb (2004), p.135-36.
- ^ Play acoustic. Hunter, Dave, 1962- (1st ed.). San Francisco, CA: Backbeat. 2005. ISBN 9780879308537. OCLC 518214260.CS1 maint: others (link)
- ^ Gottlieb, Jack (2004). Funny, it doesn't sound Jewish, p.65. ISBN 978-0-8444-1130-9.
Further reading[]
- Hewitt, Michael. Musical Scales of the World. The Note Tree. 2013. ISBN 978-0957547001.
- Heptatonic scales
- Hemitonic scales
- Tritonic scales
- Musical scales with augmented seconds