hideThis article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages)
The topic of this article may not meet Wikipedia's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: – ···scholar·JSTOR(July 2011) (Learn how and when to remove this template message)
This biography of a living personneeds additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources: – ···scholar·JSTOR(September 2011) (Learn how and when to remove this template message)
(Learn how and when to remove this template message)
Veronika Moos-Brochhagen (born April 3, 1961) is a German textile artist. She was born in Bensberg, Germany and lives and works in Cologne, Germany and Audinghen, France.[1] Moos-Brochhagen studied art at the Academy of Art in Mainz, Germany (class Prof. E. Knoche-Wendel), philosophy and German, also at the University of Mainz, Germany. In 2007, she did her dissertation/PhD ("Transparenz der Verhüllung - die Unschärfe der Wahrheit. Eine Studie zur Sinnlichkeit von textilem Material in der Kunst am Beispiel alter und neuer Hungertücher“) at the University of Cologne, Germany. Moos-Brochhagen works with or without textile materials. Often she uses a special kind of Shibori-technique. In each case her works are "textile" (The word textile is from Latin texere which means "to weave", "to braid", "to construct" or "to connect").
This section of a biography of a living persondoes not include any references or sources. Please help by adding reliable sources. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. Find sources: – ···scholar·JSTOR(October 2011) (Learn how and when to remove this template message)
2008 "Papier und Textil", Walkmühle, Wiesbaden, Germany
2008 "Shibori, teintures à réserves", Galerie: La Soie Disante, Paris, France
2008 "Shibori, hier et ajourd´hui (Shibori, yesterday and today)", Mairie du 5 Arrondissement (City Hall), Paris, France
2009 “Textil als Material & Metapher, 6 Positionen”, International Exhibition (Curator, Conception), Bergisch Gladbach, Germany
2009 ”GEDOK FormART 2009, Klaus Oschmann Preis”; Hannover, Germany
2009/2010 “Le tissu dans tous ses sens", 2nd Biennale of Contemporary Art 2009/2nde biennale de créations textiles contemporaines, Musée des Tissus de Lyon, France
2010 "Skulpturale Arbeiten in Textil und Metall", Museum Edenkoben, Edenkoben, Germany
GEDOK KÖLN e. V., Hannelore Fischer (Hrg.): „GesichtZeigen“ - Positionen zeitgenössischer Künstlerinnen zum Portrait, Käthe-Kollwitz-Museum, Cologne, Germany 2011
Moos-Brochhagen, Veronika: Das 7. Internationale Shibori-Symposium in Frankreich/ 7th International Shibori Symposium in France, Textilforum 1/2009, S. 14 -15
Knoche-Wendel, Elfriede: „Papier/Textil 1987 – 2008“. Dokumentation der Examens- und Diplomarbeiten der letzten 21 Jahre, Klasse Knoche-Wendel. Mainz, Germany, 2008
Moos-Brochhagen, Veronika: Das 6. Internationale Shibori-Symposium in Tokio/ 6th International Shibori Symposium, Tokyo. Textilforum 3/2005, S. 32-33”
Moos-Brochhagen, Veronika, Holland, Lin: „Collaboration“, Liverpool Hope University, ISBN1-898749-20-5, Cologne, Germany/ Liverpool, England 2003
Moos-Brochhagen, Veronika: “4. Internationales Shibori-Symposium in Europa/4th International Shibori Symposium in Europe”, Textilforum 1/2003 March, S. 8/9
Pohl, Walfried, Moos-Brochhagen, Veronika,"Textile Materialkunst von Veronika Moos-Brochhagen", in: Textilkunst, Bd. 27 (1999), S. 176 - 179 : Ill.
Moos-Brochhagen, Veronika: “Textilkunst: Ein- und Aussichten” in 25 Jahre Galerie Smend, 25 Jahre Textile Kunst. Verlag der Galerie Smend, Cologne, Germany 1998, S. 130-31
Privat-Savigny, Maria-Anne: „Le tissu dans tous ses sens“. Musée des Tissus de Lyon, Couleurs Contemporaines Bernard Chauveau (éditeur) Paris, France 2009, S. 22, 23, 31. ISBN2-915837-53-8
Ingrid Scheller (Hrg.): Klaus Oschmann Preis. Gedok FormArt. Hannover 2009, S. 46-47
Takeda, Kozo: „Arimatsu Shibori“. with essay on Contemporary Shibori by Yoshiko Iwamoto Wada. Graphic-sha, Japan 2008, S. 149. ISBN978-4-7661-1873-5
Cousin, Françoise / Chaudun, Nicolas: „Chemins de couleurs“. Musée du quai Branly, Paris, France 2008
Tama Art University Museum, Tokyo (Hrg.): Shibori Textile Catalysts, Contemporary Fiber Art., 2005, S. 23
Antje Soleau: “Belonging and Beyond”, Veronika Moos-Brochhagen zu ihrer Mantelinstallation, Textilkunst international, Heft 4, Dez. 2005, S. 174-176
Freusberg/Göbel/Toyka-Fuong (Hrsg): “Frau vor Ort”, Cologne/Bonn 2002, ISBN3-00-010069-5
Dt. Werkbund Nordrhein-Westfalen (Hrsg): “Aus Hecken werden Häuser - Bauwerke als Baumwerke” Weltweites Projekt der EXPO 2000, Dokumentation, ISBN3-932070-32-1, S. 21 und 26
Grünke, Friderike: “Zeitgenössische Textilkunst im Wirkungsbereich Deutschland, Österreich, Schweiz” Verlag Brüder Hollinek, Wien 1993, ISBN3-85119-263-X, S. 86
Zeitgenössisches dt. Kunsthandwerk. Hrsg. Museum für Kunsthandwerk u. d. Landeshauptstadt Hannover und Kestner Museum, Prestel Verlag, München 1990, S. 342-343