Viśa Īrasangä

Painting of an Indian deity on the obverse of a painted panel, most likely depicting Shiva.

Painting of a Persian deity on the reverse of a painted panel, probably depicting the legendary hero Rustam.

Paintings by the Khotanese artist Viśa Īrasangä (Yuchi Yiseng) or his father Yuchi Bazhina

Viśa Īrasangä^[1] (Khotanese language, in traditional Chinese: 尉遲乙僧; simplified Chinese: 尉迟乙僧; pinyin: Yùchí Yǐsēng; Wade–Giles: Yü⁴-chʻih² I³-sêng¹) was a Khotanese painter during the Tang dynasty. He was also a Khotanese nobleman, but sometimes he is considered to be a Tocharian originated from the north of Afghanistan. His father Yuchi Bazhina (尉遲跋質那) was well known by his paintings during the Sui dynasty, he was known by the Chinese people as "Yuchi the Elder" (大尉遲). Thereby Īrasangä was known as "Yuchi the Younger" (小尉遲). His painting skills were often compared with Yan Liben, even the famous painter Wu Daozi was under his influence.

Īrasangä was very good at creating Buddhist and foreign exotic portraits. He came to the Chinese court in the mid 7th century. He brought a new painting style of Iranian origin and had profound influence in Chinese Buddhist art. He was credited with having helped bring the Western technique of using a line of unvarying thickness to outline figures—the "iron-wire" line—to the Buddhist temples in many Chinese cities.^[2]

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