Villa Manin

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. (October 2014) (Learn how and when to remove this template message)

Main façade of the Villa Manin

Villa Manin at Passariano is a Venetian villa located in Passariano of Codroipo, province of Udine, northern Italy.

It was the residence of the last Doge of Venice, Ludovico Manin. Napoleon Bonaparte and Josephine de Beauharnais lived there for about two months in 1797. Here were conducted many interviews for the signing of the treaty between France and Austria known as the Treaty of Campoformio (17 October 1797).

The villa Manin was restored in the 1960s. It hosts a museum and since 2004 to 2008 was a contemporary art center and hosted major international exhibitions.

The backyard

The exedra

The exedra

The chapel

Frescoes

Museum of the carriages, in the stables

The garden

The building[]

It is a monumental architectural complex built in the sixteenth century at the behest of the noble Friulian Antonio Manin who, at the loss of the dominion of the seas, focused on the resources offered by the mainland, setting up a farm and putting a manor house at his center.

The Manin family, documented in Florence since 1000, had arrived in Friuli (Aquileia and Cividale) as a result of the struggles between the Guelphs and Ghibellines and held that role and the politics in mainland of Venice which will be fully developed in the sixteenth century, a time when Antonio Manin came into possession of the gastaldato of Sedegliano and settled in Passariano.

The first factory of the villa is dated between 1650 and 1660.

In the following years, the grandchildren Ludovico Manin I and Francesco IV took up the project, perhaps aided by the architect Giuseppe Benone. The original appearance of the seventeenth-century villa was radically different from the current one, due to the transformations and enlargements in eighteenth century by Ludovico II and Ludovico III (called Alvise), made first by the Venetian architect Domenico Rossi (who in 1707 designed the square plaza and, after 1718, perhaps realizes the current monumental exedra), and then by Giovanni Ziborghi, who between 1730 and 1740 did raise the barchesse (barn wings). The raising of the noble central core, built with the consulting of Giorgio Massari, was realized after 1745. The large garden (over 17 acres) in the back appears to be due to the will of the "master of the house" Ziborghi.

The nephew, Ludovico Manin, later transformed it into an organic complex that, in addition to agricultural functions, also reflects a desire for social representation.

Substantial interventions of nineteenth century, especially by Giannantonio Selva, modified the original garden, giving us today a place complicated by the alterations and replacements of the same tree species.

• 

  Plan of the complex

• 

  View of a statue in the garden

Chapel of Sant'Andrea[]

To the villa complex also belongs the chapel of Sant'Andrea (St. Andrew), built in the early eighteenth century (1708) by Domenico Rossi and located outside the square plaza adjoining the barchessa and to the east gate. The building is square with rounded corners (almost an octagon). The façade, with gable and two pairs of columns at sides is adorned on the edge of the pediment with statues and marble groups by Pietro Baratta. Inside, in the sacristy, there are two marble altars by Giuseppe Bernardi-Torretti, and in the hall two other marble altars with altarpiece worked in relief by the same Torretti.

Decoration[]

As well as a fine piece of architecture, the villa is also important for the eighteenth-century artworks. The villa is decorated with frescoes by Ludovico Dorigny, Jacopo Amigoni and , paintings by Francesco Fontebasso and sculptures by Torretti.

In a room to the east, in 1708, the Parisian Ludovico Dorigny frescoed on the ceiling, within the central round, the Triumph of Spring and the four smaller ovals surrounding the allegories of Love, Glory, Wealth, Abundantia. His painting, in cool and dazzling colors preferring elegant figures on a background of clear skies and adopting reckless solutions (cherubs and nymphs on clouds going beyond the frame), is on the whole academic and conventional. On the walls, in monochrome on golden background, are painted some scenes with Apollo and Mars, Venus and Bacchus, the Judgement of Paris, and Pan and Syrinx between various allegorical figures. The paintings show the chiaroscuro of French taste, and inspired the young Tiepolo, called to work at the Archbishopric of Udine in 1726–1730.

Recent history[]

In 1962, the villa Manin became property of the Ente Ville Venete (now Istituto Regionale Ville Venete - Venetian Villas Regional Institute) by ministerial decree of public interest, which authorized the expropriation at the symbolic price of 140 million Lire: a price of bankruptcy liquidation considering the state of abandonment in which stood the residence of the last Doge Ludovico Manin.

The Venetian Villas Authority began the restoration of the villa at a cost of about 200 million Lire. The question was the destination of Villa once restored, with a usable area of 1,800 square meters and a 19-hectare garden. In this climate of uncertainty, the project by Aldo Rizzi (art historian and director of the Civic Museums of Udine) to take the ancient noble residence a prestigious venue for major art exhibitions met the favor of the Municipality of Udine. This idea found the favor of the Autonomous Region of Friuli-Venezia Giulia, which in 1969 bought the villa from the Ente Ville Venete. Rizzi, curator of the villa since 1972 to 1993, organized in 1971 the memorable inaugural exhibition of Tiepolo (325,000 visitors) and created, after the earthquake of 1976, the School of Restoration, which saved many masterpieces of art.

The villa was in 2004 - 2008 a contemporary art center. It hosted major international exhibitions, such as the anthology of Giuseppe Zigaina (until 30 August 2009), the great Impressionist exhibition "From Courbet to Monet. The spread of Realism and Impressionism in Central and Eastern Europe" (26 September 2009 - 7 March 2010), the exhibition "Munch and the spirit of the north. Scandinavia in the late nineteenth century" (September 2010 - March 2011).

Villa Manin was also home to three famous episodes of the international TV show Jeux Sans Frontières: one in 1972 and two in 1993. It hosted the King of Pain Sting tour on 25 July 1993. On 24 July 2008, it hosted the American rock band of R.E.M. On June 28, 2010, Motörhead and on 17 August 2010 the British band Iron Maiden. On August 13, 2012 it hosted a concert of the Foo Fighters and on September 26, 2012 it hosted a concert of Radiohead. On June 18, 2013 it hosted a concert of the Kiss, and the July 11, 2013 a concert of Rammstein.

Collections and exhibitions[]

Villa Manin also contains a museum area of considerable interest for the tourist. The permanent exhibitions are a collection of antique carriages in the stables and an extensive armory, with pieces from the of Udine; many of its 350 rooms have been furnished with antique furniture and paintings from the Museum of Udine, including the so-called "Chamber of Napoleon", where the famous emperor slept, who here signed the Treaty of Campoformio in 1797.

The villa has hosted important exhibitions of ancient art with prestigious names such as the one cited above of Tiepolo, the Lombards, Sebastiano Ricci, and others, to the abstract art of Kandinsky in 2003. Exhibitions of antiques, concerts and conventions are also noteworthy.

Since 2004 to 2008 Villa Manin Centre for Contemporary Art has been characterized by an annual program that alternated thematic exhibitions with artists from all over the world, collaborations with leading international museums, sculpture projects in the garden, exhibitions dedicated to artists of the local area (Spazio FVG) and various side events. The artistic direction was entrusted to Francesco Bonami. Some exhibitions: Love Hate From Magritte to Cattelan (2004), The Theatre of the Arts - Masterpieces from the collection of the Ludwig Museum, Luna park fantastic art - Sculpture in the Park (2005), Infinite Painting - Contemporary Painting and Global Realism (2006), Hiroshi Sugimoto (2007), God & Goods (2008).

Sources[]

• Candido Grassi, La Villa Manin di Passariano, Del Bianco, Udine 1961
• Aldo Rizzi, La Villa Manin di Passariano, Del Bianco, Udine 1971
• Aldo Rizzi, Mostra del Tiepolo, Electa, Milano 1971
• Aldo Rizzi, La Villa dell'ultimo Doge, Ghedina, Cortina 1976
• Aldo Rizzi, Capolavori d'arte in Friuli, Electa, Milano 1976
• Aldo Rizzi, La villa Manin di Passariano e le grandi Ville venete, Tassotti, 1986
• Amedeo Giacomini, Il Giardiniere di Villa Manin, Santi Quaranta, 2002
• Francesca Venuto, La Villa di Passariano, dimora e destino dei nobili Manin, Associazione fra le Pro Loco del Friuli-Venezia Giulia, Codroipo, 2001

External links[]

Wikimedia Commons has media related to Villa Manin (Codroipo).

• Villa Manin - Official site

Coordinates: 45°56′55″N 13°00′39″E / 45.9486°N 13.0108°E / 45.9486; 13.0108