Wanted: Dead or Alive (Kool G Rap & DJ Polo album)

Wanted: Dead or Alive
Studio album by Kool G Rap & DJ Polo
Released	August 14, 1990
Recorded	1989–1990
Genre	Hip hop, hardcore hip-hop, Mafioso rap, Horrorcore
Length	58:37
Label	Cold Chillin'/Warner Bros. Records 26165
Producer	Eric B., Large Professor, Kool G Rap, DJ Polo, Marley Marl, Anton, Biz Markie, Cool V
Kool G Rap & DJ Polo chronology
Road to the Riches (1989) Wanted: Dead or Alive (1990) Live and Let Die (1992)
Singles from Wanted: Dead or Alive
"Streets of New York" Released: July 19, 1990 "Erase Racism" Released: November 14, 1990 "Bad to the Bone" Released: April 3, 1991

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Chicago Tribune	[2]
Christgau's Consumer Guide	[3]
Encyclopedia of Popular Music	[4]
The Rolling Stone Album Guide	[5]
The Source	4/5[6]

Wanted: Dead or Alive is the second album by the hip hop duo Kool G Rap & DJ Polo. The album was released a year after the duo's debut, Road to the Riches, and received greater acclaim from most music critics. The singles "Streets of New York" and "Erase Racism" received notable airplay on Yo! MTV Raps and the former is credited by Nas as being influential on his song "N.Y. State of Mind" from his critically acclaimed album Illmatic.

Lyrically, the album shows a greater variety of themes, from the battle rap braggadocio that dominated Road to the Riches, to topics of crime, poverty, racism ("Erase Racism"), and raunchy sex rap ("Talk Like Sex"). Perhaps most significantly, there is greater emphasis on vivid descriptions of crime and urban squalor ("Streets of New York") and references to organized crime, gang violence, contract killing, and Mafia films (the title track, "Money in the Bank", "Death Wish"), which helped cement Kool G Rap's reputation as the founder of mafioso rap.

Background & recording[]

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Kool G Rap & DJ Polo appeared on the New York hip hop scene in 1986, releasing "It's a Demo" (produced by Marley Marl) and becoming recognized members of the Juice Crew. More singles followed until G Rap's appearance on "The Symphony", a Juice Crew posse cut that also featured Big Daddy Kane. After this, the Queens bred duo went into the studio with Marley Marl to cut their first full length, Road to the Riches. Although the title track laid the foundation for much of New York's gangsta rap for the next decade, the album was mostly composed of battle rap based material, in line with other rappers like Rakim and Big Daddy Kane.

For their next album's production the duo jettisoned Marley Marl, in a move similar to other Juice Crew members. Marley's lone contribution, "Rikers Island", was a single from 1987, and it seems to have been tacked on to the album at the last minute, as G Rap had no idea it was on there until years later when interviewed about it. Instead Eric B. was brought in to "handle" production. Known more as a money man than a real DJ or producer, Eric Barrier was responsible for putting on Rakim and getting him his record deal. Barrier had enlisted a young Large Professor to ghost produce parts of Let the Rhythm Hit 'Em after the record's original producer, Paul C, was murdered. Noting his talents, Barrier gave Large Professor a similar task for G Rap's second album, to produce the beats and let Barrier take the credit. Large Professor would later address this on Main Source's "Snake Eyes", off the legendary Breaking Atoms. Large Professor's involvement was much larger than on Let the Rhythm Hit 'Em, and the only tracks not noted as being produced by him are the aforementioned "Rikers Island", "Erase Racism" (which was produced by Biz Markie & Cool V) and "The Polo Club".

It should also be noted that DJ Polo, like Eric B., was neither an on record DJ and did no scratching on any Kool G Rap album. Road to the Riches turntables were handled mostly by Marley Marl, with some help from Dr. Butcher. For Wanted: Dead or Alive, Dr. Butcher would become G Rap's exclusive DJ and handle all cuts and scratches for the record.

Track listing[]

(*) denotes co-producer

Charts[]

Rikers Island (single)[]

"Rikers Island"
Single by Kool G Rap & DJ Polo
from the album Wanted: Dead or Alive
A-side	"Rikers Island"
B-side	"Rhyme Time"
Released	1987 1991 (re-release)
Recorded	1987
Genre	East coast hip hop, golden age hip hop, hardcore hip hop
Length	5:33
Label	Cold Chillin'/Warner Bros.
Songwriter(s)	Marlon Williams, Nathaniel Wilson
Producer(s)	Marley Marl
Kool G Rap & DJ Polo singles chronology
"It's a Demo" (1986) "Rikers Island" (1987) "Poison" (1988)

"Rikers Island" is the second single from American hip hop duo Kool G Rap & DJ Polo, originally released as a non-album single with "Rhyme Time" as a B-side in 1987 and later re-released as the fourth single from the 1990 album Wanted: Dead or Alive. It was later also featured on the compilation albums Killer Kuts (1994) and The Best of Cold Chillin' (2000).^{[citation needed]}

Background[]

Produced by Marley Marl, "Rikers Island" is a hardcore hip hop song that warns of the dangers of living a life of crime and ending up in the Rikers Island jail where violence is a daily occurrence and even the toughest street criminals can be broken down.^[8][9]

Samples[]

"Rikers Island" was later sampled on^[10]

• "40 Island" by Noreaga featuring Kool G Rap and Mussolini

Track listing[]

A-side

1. "Rikers Island" (5:37)

B-side

1. "Rhyme Time" (6:29)

Videos (added to 2007 Traffic Entertainment reissue)[]

1. Streets of New York
2. Erase Racism

References[]

External links[]

• "Rikers Island" at Discogs
• Lyrics of this song at MetroLyrics