William Anastasi

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William Anastasi (b. Philadelphia, Pennsylvania, 1933) is an American visual artist working in a wide range of media including drawing, painting, sculpture, photographic works, and text.[1] He has lived and worked in New York City since the early 1960s and is known as "one of the most underrated conceptual artists of his generation".[2]

His first solo exhibition took place in 1964 at the Betty Parsons gallery following a chance meeting with Philip Guston who recommended his work to Parsons.[3] Following this he had a number of exhibition at the Dwan Gallery from 1965-1970. In his early career, Anastasi was largely influenced by Marcel Duchamp,[4] whose work he first saw at the Philadelphia Museum of Art during his teens.[5]

His work is predominantly abstract and conceptual. Early works such as Relief (1961) and Issue (1966) incorporate the use of industrial and construction materials.[6] His works are held by the Metropolitan Museum of Art, the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum, the Walker Art Center, the National Gallery of Art, and the Art Institute of Chicago. In 2010 Anastasi was awarded the Foundation for Contemporary Arts John Cage Award, an unrestricted grant awarded biennially.

Currently exhibited works include "Nine Polaroid Photographs of a Mirror", currently at the Metropolitan Museum of Art.[7][needs update] In 2007, he took part in the artistic performance "Blind Date" at the White Box Gallery in New York. In the performance, he and fellow artist Lucio Pozzi both drew dozens of artistic pieces blindfolded in an 8 hour long artistic duel.[8]

In his early career, Anastasi was largely influenced by Marcel Duchamp, who inspired his shows at the Dwan Gallery from 1965-1970.[9]

Anastasi was a close friend of composer John Cage who he first met in 1965 when Cage heard that Anastasi was preparing an exhibition titled 'Sound Objects' and was interested in learning more. In 1977 Cage and Anastasi began playing chess daily[10] Anastasi wrote the memoir The Cage Dialogues about their friendship.[11]

References[]

  1. ^ "TWO SHOWS THAT SHED LIGHT ON 'ROLYWHOLYOVER' SUPPLEMENTS TO JOHN CAGE'S EXHIBITION". Philadelphia Inquirer. June 9, 1995. pp. 36 FW. Retrieved 29 May 2012.
  2. ^ Jannson, Peder (2001). "William Anastasi: Copenhagen Contemporary Art Center". Sculpture. 20 (6): 73–74.
  3. ^ https://www.artforum.com/news/lawrence-weiner-1942-2021-87382
  4. ^ Boulbès, Carole (2013). "William Anastasi". Art Press (397): 28.
  5. ^ Video on YouTube
  6. ^ Phong Bui, "In Conversation: William Anastasi with Pong Bui" the Brooklyn Rail, July–August 2007.http://brooklynrail.org/2007/07/art/william-anastasi-with-phong-bui
  7. ^ William Anastasi. "Nine Polaroid Photographs of a Mirror". The Metropolitan Museum of Art. Retrieved 2016-08-25.
  8. ^ Boucher, Brian (March 2007). "William Anastasi and Lucio Pozzi at White Box". Art in America. 95 (3): 182.
  9. ^ Boulbès, Carole (2013). "William Anastasi". Art Press (397): 28.
  10. ^ https://brooklynrail.org/2007/07/art/william-anastasi-with-phong-bui
  11. ^ https://slought.org/media/files/the_cage_dialogues.pdf

External links[]


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