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Winnie-the-Pooh

From Wikipedia, the free encyclopedia
This article is about the original character. For other uses, see Winnie-the-Pooh (disambiguation).
"Pooh Bear" and "Pooh" redirect here. For the musician, see Poo Bear. For other uses, see Pooh (disambiguation).

Winnie-the-Pooh
Pooh Shepard1928.jpg
Pooh in an illustration by E. H. Shepard
First appearance
First gameWinnie the Pooh in the Hundred Acre Wood (1986)
Created byA. A. Milne
E. H. Shepard
Based onWinnie the bear
Voiced by
  • Faz Fazakas (1960)
  • Sterling Holloway (1966–1977)
  • Yevgeny Leonov (1969–1972)
  • Hal Smith (1981–1986)
  • Jim Cummings (1988–present)
In-universe information
NicknamePooh Bear
Pooh
SpeciesBear
GenderMale
HomeHundred Acre Wood

Winnie-the-Pooh, also called Pooh Bear and Pooh, is a fictional anthropomorphic teddy bear created by English author A. A. Milne and English illustrator E. H. Shepard.

The first collection of stories about the character was the book Winnie-the-Pooh (1926), and this was followed by The House at Pooh Corner (1928). Milne also included a poem about the bear in the children's verse book When We Were Very Young (1924) and many more in Now We Are Six (1927). All four volumes were illustrated by E. H. Shepard.

The Pooh stories have been translated into many languages, including Alexander Lenard's Latin translation, Winnie ille Pu, which was first published in 1958, and, in 1960, became the only Latin book ever to have been featured on The New York Times Best Seller list.[1]

In 1961, Walt Disney Productions licensed certain film and other rights of Milne's Winnie-the-Pooh stories from the estate of A. A. Milne and the licensing agent Stephen Slesinger, Inc., and adapted the Pooh stories, using the unhyphenated name "Winnie the Pooh", into a series of features that would eventually become one of its most successful franchises.

In popular film adaptations, Pooh has been voiced by actors Sterling Holloway, Hal Smith, and Jim Cummings in English, and Yevgeny Leonov in Russian.

History

Origin

Original Winnie-the-Pooh stuffed toys. Clockwise from bottom left: Tigger, Kanga, Edward Bear ("Winnie-the-Pooh"), Eeyore, and Piglet. Roo was lost long ago.

A. A. Milne named the character Winnie-the-Pooh after a teddy bear owned by his son, Christopher Robin Milne, on whom the character Christopher Robin was based. The rest of Christopher Milne's toys – Piglet, Eeyore, Kanga, Roo, and Tigger – were incorporated into Milne's stories.[2][3] Two more characters, Owl and Rabbit, were created by Milne's imagination, while Gopher was added to the Disney version. Christopher Robin's toy bear is on display at the Main Branch of the New York Public Library in New York City.[4]

Harry Colebourn and Winnie, 1914

Christopher Milne had named his toy bear after Winnie, a Canadian black bear he often saw at London Zoo, and Pooh, a swan they had encountered while on holiday. The bear cub was purchased from a hunter for C$20 by Canadian Lieutenant Harry Colebourn in White River, Ontario, while en route to England during the First World War.[5] He named the bear Winnie after his adopted hometown in Winnipeg, Manitoba. Winnie was surreptitiously brought to England with her owner, and gained unofficial recognition as The Fort Garry Horse regimental mascot. Colebourn left Winnie at the London Zoo while he and his unit were in France; after the war she was officially donated to the zoo, as she had become a much-loved attraction there.[6] Pooh the swan appears as a character in its own right in When We Were Very Young.

Statue in Winnipeg of Harry Colebourn and Winnie

In the first chapter of Winnie-the-Pooh, Milne offers this explanation of why Winnie-the-Pooh is often called simply "Pooh":

But his arms were so stiff ... they stayed up straight in the air for more than a week, and whenever a fly came and settled on his nose he had to blow it off. And I think – but I am not sure – that that is why he is always called Pooh.

American writer William Safire surmised that the Milnes' invention of the name "Winnie the Pooh" may have also been influenced by the haughty character Pooh-Bah in Gilbert and Sullivan's The Mikado (1885).[7]

Ashdown Forest: the setting for the stories

The Winnie-the-Pooh stories are set in Ashdown Forest, East Sussex, England. The forest is an area of tranquil open heathland on the highest sandy ridges of the High Weald Area of Outstanding Natural Beauty situated 30 miles (50 km) south-east of London. In 1925 Milne, a Londoner, bought a country home a mile to the north of the forest at Cotchford Farm, near Hartfield. According to Christopher Milne, while his father continued to live in London "...the four of us – he, his wife, his son and his son's nanny – would pile into a large blue, chauffeur-driven Fiat and travel down every Saturday morning and back again every Monday afternoon. And we would spend a whole glorious month there in the spring and two months in the summer."[8] From the front lawn the family had a view across a meadow to a line of alders that fringed the River Medway, beyond which the ground rose through more trees until finally "above them, in the faraway distance, crowning the view, was a bare hilltop. In the centre of this hilltop was a clump of pines." Most of his father's visits to the forest at that time were, he noted, family expeditions on foot "to make yet another attempt to count the pine trees on Gill's Lap or to search for the marsh gentian." Christopher added that, inspired by Ashdown Forest, his father had made it "the setting for two of his books, finishing the second little over three years after his arrival".[9]

Many locations in the stories can be associated with real places in and around the forest. As Christopher Milne wrote in his autobiography: "Pooh’s forest and Ashdown Forest are identical." For example, the fictional "Hundred Acre Wood" was in reality Five Hundred Acre Wood; Galleon's Leap was inspired by the prominent hilltop of Gill's Lap, while a clump of trees just north of Gill's Lap became Christopher Robin's The Enchanted Place, because no-one had ever been able to count whether there were 63 or 64 trees in the circle.[10]

The landscapes depicted in E. H. Shepard's illustrations for the Winnie-the-Pooh books were directly inspired by the distinctive landscape of Ashdown Forest, with its high, open heathlands of heather, gorse, bracken and silver birch, punctuated by hilltop clumps of pine trees. Many of Shepard's illustrations can be matched to actual views, allowing for a degree of artistic licence. Shepard's sketches of pine trees and other forest scenes are held at the Victoria and Albert Museum in London.[11]

The game of Poohsticks was originally played by Christopher Milne on the wooden footbridge,[12] across the Millbrook,[13] Posingford Wood, close to Cotchford Farm. It is now a tourist attraction, and it has become traditional to play the game there using sticks gathered in the nearby woodland.[12][14] When the footbridge had to be replaced in 1999, the architect used as a main source drawings by Shepard in the books, which differ a little from the original structure.

First publication

Winnie-the-Pooh's debut in the 24 December 1925 London Evening News

Christopher Robin's teddy bear made his character début, under the name Edward, in A. A. Milne's poem, "Teddy Bear", in the edition of 13 February 1924 of Punch (E. H. Shepard had also included a similar bear in a cartoon published in Punch the previous week[15]), and the same poem was published in Milne's book of children's verse When We Were Very Young (6 November 1924).[16] Winnie-the-Pooh first appeared by name on 24 December 1925, in a Christmas story commissioned and published by the London newspaper Evening News. It was illustrated by J. H. Dowd.[17]

The first collection of Pooh stories appeared in the book Winnie-the-Pooh. The Evening News Christmas story reappeared as the first chapter of the book. At the beginning, it explained that Pooh was in fact Christopher Robin's Edward Bear, who had been renamed by the boy. He was renamed after an American black bear at London Zoo called Winnie who got her name from the fact that her owner had come from Winnipeg, Canada. The book was published in October 1926 by the publisher of Milne's earlier children's work, Methuen, in England, E. P. Dutton in the United States, and McClelland & Stewart in Canada.[18]

Character

In the Milne books, Pooh is naive and slow-witted, but he is also friendly, thoughtful and steadfast. Although he and his friends agree that he is "a bear of very little brain," Pooh is occasionally acknowledged to have a clever idea, usually driven by common sense. These include riding in Christopher Robin's umbrella to rescue Piglet from a flood, discovering "the North Pole" by picking it up to help fish Roo out of the river, inventing the game of Poohsticks, and getting Eeyore out of the river by dropping a large rock on one side of him to wash him towards the bank.

Pooh is also a talented poet and the stories are frequently punctuated by his poems and "hums". Although he is humble about his slow-wittedness, he is comfortable with his creative gifts. When Owl's house blows down in a windstorm, trapping Pooh, Piglet and Owl inside, Pooh encourages Piglet (the only one small enough to do so) to escape and rescue them all by promising that "a respectful Pooh song" will be written about Piglet's feat. Later, Pooh muses about the creative process as he composes the song.

Pooh is very fond of food, particularly "hunny", but also condensed milk and other items. When he visits friends, his desire to be offered a snack is in conflict with the impoliteness of asking too directly. Though intent on giving Eeyore a pot of honey for his birthday, Pooh could not resist eating it on his way to deliver the present and so instead gives Eeyore "a useful pot to put things in". When he and Piglet are lost in the forest during Rabbit's attempt to "unbounce" Tigger, Pooh finds his way home by following the "call" of the honeypots from his house. Pooh makes it a habit to have "a little something" around 11:00 in the morning. As the clock in his house "stopped at five minutes to eleven some weeks ago," any time can be Pooh's snack time.

Pooh is very social. After Christopher Robin, his closest friend is Piglet, and he most often chooses to spend his time with one or both of them. But he also habitually visits the other animals, often looking for a snack or an audience for his poetry as much as for companionship. His kind-heartedness means he goes out of his way to be friendly to Eeyore, visiting him and bringing him a birthday present and building him a house, despite receiving mostly disdain from Eeyore in return.

Sequels

An authorised sequel Return to the Hundred Acre Wood was published on 5 October 2009. The author, David Benedictus, has developed, but not changed, Milne's characterisations. The illustrations, by Mark Burgess, are in the style of Shepard.[19]

Another authorised sequel, Winnie-the-Pooh: The Best Bear in All the World, was published by Egmont in 2016. The sequel consists of four short stories by four leading children's authors, Kate Saunders, Brian Sibley, Paul Bright, and Jeanne Willis. Illustrations are by Mark Burgess.[20] The Best Bear in All The World sees the introduction of a new character, Penguin, which was inspired by a long-lost photograph of Milne and his son Christopher with a toy penguin.[21] A further special story, Winnie-the-Pooh Meets the Queen, was published in 2016 to mark the 90th anniversary of Milne's creation and the 90th birthday of Elizabeth II. It sees Winnie the Pooh meet the Queen at Buckingham Palace.[22]

Stephen Slesinger

On 6 January 1930, Stephen Slesinger purchased US and Canadian merchandising, television, recording, and other trade rights to the Winnie-the-Pooh works from Milne for a $1,000 advance and 66% of Slesinger's income, creating the modern licensing industry. By November 1931, Pooh was a $50 million-a-year business.[23] Slesinger marketed Pooh and his friends for more than 30 years, creating the first Pooh doll, record, board game, puzzle, US radio broadcast (on NBC), animation, and motion picture.[24]

Red shirt Pooh

The first time Pooh and his friends appeared in colour was 1932, when he was drawn by Slesinger in his now-familiar red shirt and featured on an RCA Victor picture record. Parker Brothers introduced A. A. Milne's Winnie-the-Pooh Game in 1933, again with Pooh in his red shirt. In the 1940s, Agnes Brush created the first plush dolls with Pooh in his a shirt. Shepard had drawn Pooh with a shirt as early as the first book Winnie-the-Pooh, which was subsequently coloured red in later coloured editions.[citation needed]

Disney ownership era (1966–present)

Main articles: Winnie the Pooh (franchise) and Winnie the Pooh (Disney character)

After Slesinger's death in 1953, his wife, Shirley Slesinger Lasswell, continued developing the character herself. In 1961, she licensed rights to Walt Disney Productions in exchange for royalties in the first of two agreements between Stephen Slesinger, Inc., and Disney.[25] The same year, A. A. Milne's widow, Daphne Milne, also licensed certain rights, including motion picture rights, to Disney.

Since 1966, Disney has released numerous animated productions starring its version of Winnie the Pooh and related characters, starting with the theatrical featurette Winnie the Pooh and the Honey Tree. This was followed by Winnie the Pooh and the Blustery Day (1968), and Winnie the Pooh and Tigger Too (1974). These three featurettes were combined into a feature-length movie, The Many Adventures of Winnie the Pooh, in 1977. A fourth featurette, Winnie the Pooh and a Day for Eeyore, was released in 1983.

A new series of Winnie the Pooh theatrical feature-length films launched in the 2000s, with The Tigger Movie (2000), Piglet's Big Movie (2003), Pooh's Heffalump Movie (2005), and Winnie the Pooh (2011).

Disney has also produced television series based on the franchise, including Welcome to Pooh Corner (Disney Channel, 1983–1986), The New Adventures of Winnie the Pooh (ABC, 1988–1991), The Book of Pooh (Playhouse Disney, 2001–2003), and My Friends Tigger & Pooh (Playhouse Disney, 2007–2010).

Merchandising revenue dispute

Pooh videos, soft toys, and other merchandise generate substantial annual revenues for Disney. The size of Pooh stuffed toys ranges from Beanie and miniature to human-sized. In addition to the stylised Disney Pooh, Disney markets Classic Pooh merchandise which more closely resembles E. H. Shepard's illustrations.

In 1991, Stephen Slesinger, Inc., filed a lawsuit against Disney which alleged that Disney had breached their 1983 agreement by again failing to accurately report revenue from Winnie the Pooh sales. Under this agreement, Disney was to retain approximately 98% of gross worldwide revenues while the remaining 2% was to be paid to Slesinger. In addition, the suit alleged that Disney had failed to pay required royalties on all commercial exploitation of the product name.[26] Though the Disney corporation was sanctioned by a judge for destroying forty boxes of evidentiary documents,[27] the suit was later terminated by another judge when it was discovered that Slesinger's investigator had rummaged through Disney's garbage to retrieve the discarded evidence.[28] Slesinger appealed the termination and, on 26 September 2007, a three-judge panel upheld the lawsuit dismissal.[29]

After the Copyright Term Extension Act of 1998, Clare Milne, Christopher Robin Milne's daughter, attempted to terminate any future US copyrights for Stephen Slesinger, Inc.[30] After a series of legal hearings, Judge Florence-Marie Cooper of the US District Court in California found in favour of Stephen Slesinger, Inc., as did the United States Court of Appeals for the Ninth Circuit. On 26 June 2006, the US Supreme Court refused to hear the case, sustaining the ruling and ensuring the defeat of the suit.[31]

On 19 February 2007, Disney lost a court case in Los Angeles which ruled their "misguided claims" to dispute the licensing agreements with Slesinger, Inc., were unjustified,[32] but a federal ruling of 28 September 2009, again from Judge Florence-Marie Cooper, determined that the Slesinger family had granted all trademarks and copyrights to Disney, although Disney must pay royalties for all future use of the characters. Both parties have expressed satisfaction with the outcome.[33][34]

Disney adaptation

Disney developed a Winnie the Pooh media franchise, starting with the 1966 theatrical featurette Winnie the Pooh and the Honey Tree.

Other adaptations

Theatre

  • 1931. Winnie-the-Pooh at the Guild Theater, Sue Hastings Marionettes[35]
  • 1957. Winnie-the-Pooh, a play in three acts, dramatized by Kristin Sergel, Dramatic Publishing Company
  • 1964. Winnie-the-Pooh, a musical comedy in two acts, lyrics by A. A. Milne and Kristin Sergel, music by Allan Jay Friedman, book by Kristin Sergel, Dramatic Publishing Company
  • 1977. A Winnie-the-Pooh Christmas Tail, in which Winnie-the-Pooh and his friends help Eeyore have a very Merry Christmas (or a very happy birthday), with the book, music, and lyrics by James W. Rogers, Dramatic Publishing Company[36]
  • 1986. Bother! The Brain of Pooh, Peter Dennis
  • 1992. Winnie-the-Pooh, small cast musical version, dramatized by le Clanché du Rand, music by Allan Jay Friedman, lyrics by A. A. Milne and Kristin Sergel, additional lyrics by le Clanché du Rand, Dramatic Publishing Company
  • 2021. Winnie the Pooh: The New Musical Adaptation.[37]

Audio

RCA Victor record from 1932 decorated with Stephen Slesinger, Inc.'s Winnie-the-Pooh

Selected Pooh stories read by Maurice Evans released on vinyl LP:

  • 1956. Winnie-the-Pooh (consisting of three tracks: "Introducing Winnie-the-Pooh and Christopher Robin"; "Pooh Goes Visiting and Gets into a Tight Place"; and "Pooh and Piglet Go Hunting and Nearly Catch a Woozle")
  • More Winnie-the-Pooh (consisting of three tracks: "Eeyore Loses a Tail"; "Piglet Meets a Heffalump"; "Eeyore Has a Birthday")

In 1951, RCA Records released four stories of Winnie-the-Pooh, narrated by Jimmy Stewart and featuring the voices of Cecil Roy as Pooh, Madeleine Pierce as Piglet, Betty Jane Tyler as Kanga, Merrill Joels as Eeyore, Arnold Stang as Rabbit, Frank Milano as Owl, and Sandy Fussell as Christopher Robin.[38]

In 1960, HMV recorded a dramatised version with songs (music by Harold Fraser-Simson) of two episodes from The House at Pooh Corner (Chapters 2 and 8), starring Ian Carmichael as Pooh, Denise Bryer as Christopher Robin (who also narrated), Hugh Lloyd as Tigger, Penny Morrell as Piglet, and Terry Norris as Eeyore. This was released on a 45 rpm EP.[39]

In the 1970s and 1980s, Carol Channing recorded Winnie the Pooh, The House at Pooh Corner and The Winnie the Pooh Songbook, with music by Don Heckman. These were released on vinyl LP and audio cassette by Caedmon Records.

Unabridged recordings read by Peter Dennis of the four Pooh books:

  • When We Were Very Young
  • Winnie-the-Pooh
  • Now We Are Six
  • The House at Pooh Corner

In 1979, a double audio cassette set of Winnie the Pooh was produced featuring British actor Lionel Jeffries reading all of the characters in the stories. This was followed in 1981 by an audio cassette set of stories from The House at Pooh Corner also read by Lionel Jeffries.[40]

In the 1990s, the stories were dramatised for audio by David Benedictus, with music composed, directed and played by John Gould. They were performed by a cast that included Stephen Fry as Winnie-the-Pooh, Jane Horrocks as Piglet, Geoffrey Palmer as Eeyore, Judi Dench as Kanga, Finty Williams as Roo, Robert Daws as Rabbit, Michael Williams as Owl, Steven Webb as Christopher Robin and Sandi Toksvig as Tigger.[41]

Radio

  • The BBC has included readings of Winnie-the-Pooh stories in its programmes for children since very soon after their first publication. One of the earliest of such readings, by "Uncle Peter" (C. E. Hodges), was an item in the programme For the Children, broadcast by stations 2LO and 5XX on 23 March 1926.
  • Pooh made his US radio debut on 10 November 1932, when he was broadcast to 40,000 schools by The American School of the Air, the educational division of the Columbia Broadcasting System.[42]

Film

2017: Goodbye Christopher Robin, a British drama film exploring the creation of Winnie-the-Pooh with Domhnall Gleeson playing A.A. Milne.

Soviet adaptation

A postage stamp showing Piglet and Winnie-the-Pooh as they appear in the Soviet adaptation

In the Soviet Union, three Winnie-the-Pooh, (transcribed in Russian as Винни-Пух, Vinni Pukh) stories were made into a celebrated trilogy[43] of short films by Soyuzmultfilm (directed by Fyodor Khitruk) from 1969 to 1972, after being granted permission by Disney to make their own adaptation in a gesture of Cold War détente.[citation needed]

  • 1969. Winnie-the-Pooh (Винни-Пух) – based on chapter 1
  • 1971. Winnie-the-Pooh Pays a Visit (Винни-Пух идёт в гости) – based on chapter 2
  • 1972. Winnie the Pooh and the Blustery Day (Винни-Пух и день забот) – based on chapters 4 and 6.

The films used Boris Zakhoder's translation of the book. Pooh was voiced by Yevgeny Leonov. Unlike in the Disney adaptations, the animators did not base their depictions of the characters on Shepard's illustrations, instead creating a different look. The Soviet adaptations made extensive use of Milne's original text and often bring out aspects of Milne's characters' personalities not used in the Disney adaptations.

Television

Winnie-the-Pooh and his friends debuted on NBC Television in 1958–1960.
  • 1960: Shirley Temple's Storybook on NBC: Winnie-the-Pooh– a version for marionettes, designed, made, and operated by Bil and Cora Baird. Pooh was voiced by Franz Fazakas.
  • During the 1970s, the BBC children's television show Jackanory serialised the two books, which were read by Willie Rushton.[44]

Cultural legacy

A plaque on Winnie-the-Pooh Street (ulica Kubusia Puchatka) in Warsaw

One of the best known characters in British children's literature, a 2011 poll saw Winnie the Pooh voted onto the list of top 100 "icons of England".[45] Forbes magazine ranked Pooh the most valuable fictional character in 2002, with merchandising products alone generating more than $5.9 billion that year.[46] In 2005, Pooh generated $6 billion, a figure surpassed by only Mickey Mouse.[47] In 2006, Pooh received a star on the Hollywood Walk of Fame, marking the 80th birthday of Milne's creation.[47] The bear is such a popular character in Poland that a Warsaw street is named for him (Ulica Kubusia Puchatka). There is also a street named after him in Budapest, Hungary (Micimackó utca).[48]

Winnie the Pooh has inspired multiple texts to explain complex philosophical ideas. Benjamin Hoff uses Milne's characters in The Tao of Pooh and The Te of Piglet to explain Taoism. Similarly, Frederick Crews wrote essays about the Pooh books in abstruse academic jargon in The Pooh Perplex and Postmodern Pooh to satirise a range of philosophical approaches.[49] Pooh and the Philosophers by John T. Williams uses Winnie the Pooh as a backdrop to illustrate the works of philosophers, including Descartes, Kant, Plato and Nietzsche.[50] "Epic Pooh" is a 1978 essay by Michael Moorcock that compares much fantasy writing to A. A. Milne's, as work intended to comfort, not challenge.

In music, Kenny Loggins wrote the song "House at Pooh Corner", which was originally recorded by the Nitty Gritty Dirt Band.[51] Loggins later rewrote the song as "Return to Pooh Corner", featuring on the album of the same name in 1991. In Italy, a pop band took their name from Winnie, and were titled Pooh. In Estonia, there is a punk/metal band called Winny Puhh.

In the "sport" of Poohsticks, competitors drop sticks into a stream from a bridge and then wait to see whose stick will cross the finish line first. Though it began as a game played by Pooh and his friends in the book The House at Pooh Corner and later in the films, it has crossed over into the real world: a World Championship Poohsticks race takes place in Oxfordshire each year. Ashdown Forest in England where the Pooh stories are set is a popular tourist attraction, and includes the wooden Pooh Bridge where Pooh and Piglet invented Poohsticks.[52] The Oxford University Winnie the Pooh Society was founded by undergraduates in 1982.

From December 2017 to April 2018, the Victoria and Albert Museum hosted the exhibition Winnie-the-Pooh: Exploring a Classic.[53] On exhibit were teddy bears that had not been on display for some 40 years because they were so fragile.[54][55]

The Japanese figure skater and two-time Olympic champion Yuzuru Hanyu regards Pooh as his lucky charm.[56] He is usually seen with a stuffed Winnie-the-Pooh during his figure skating competitions. Because of this, Hanyu's fans will throw stuffed Winnie-the-Poohs onto the ice after his performance. After one of Hanyu's performances at the 2018 Winter Olympics in Pyeongchang, one spectator remarked that "the ice turned yellow" because of all the Poohs thrown onto the ice.[57]

Censorship in China

Meme comparing Eeyore and Winnie the Pooh to Japanese Prime Minister Shinzo Abe and Xi Jinping, respectively.

In the People's Republic of China, images of Pooh were censored from social media websites in mid-2017, when Internet memes comparing Chinese Paramount Leader and General Secretary of the Communist Party Xi Jinping to (Disney's version of) Pooh became popular.[58] The 2018 film Christopher Robin was also denied a Chinese release.

When Xi visited the Philippines, protestors posted images of Pooh on social media.[59] Other politicians have been compared to Winnie-the-Pooh characters alongside Xi, including Barack Obama as Tigger, Carrie Lam, Rodrigo Duterte, and Peng Liyuan as Piglet,[60] and Fernando Chui and Shinzo Abe as Eeyore.[61]

Pooh's Chinese name (Chinese: 小熊维尼; lit. 'little bear Winnie') has been censored from video games such as World of Warcraft, PlayerUnknown's Battlegrounds, Arena of Valor,[62] and Devotion.[63] Images of Pooh in Kingdom Hearts III were also blurred out on the gaming site A9VG.[64]

Despite the ban, two Pooh-themed rides appear in Disneyland Shanghai.[65]

In October 2019, Pooh was featured in the South Park episode "Band in China" because of his alleged resemblance with Xi. In the episode, Pooh is brutally killed by Randy Marsh. South Park was banned in China as a result of the episode.[66]

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