World's Congress of Representative Women

The World's Congress of Representative Women was a week-long convention for the voicing of women's concerns, held within the World's Columbian Exposition (Chicago World's Fair) in May 1893. At 81 meetings, organized by women from each of the United States, 150,000 people came to the World's Congress Auxiliary Building and listened to speeches given by almost 500 women from 27 countries.^[1]

Bertha Honore Palmer

The World's Congress of Representative Women was arranged, sponsored and promoted by the women's branch of the World's Congress Auxiliary, under the guidance of President Bertha Honoré Palmer, the wife of prominent Chicagoan Potter Palmer. The men of the Auxiliary formed seventeen departments and held more than 100 congresses with a variety of political, social and technical agendas;^[2] the women's branch held just one congress. Of all the congresses at the World's Columbian Exposition, the World's Congress of Representative Women was the most highly attended.^[3]

The Woman's Building[]

Sophia Hayden

Bertha Honoré Palmer served as the president of the 117-woman strong Board of Lady Managers, the organization which dealt with women's business at the World's Columbian Exposition.^[1] The Board built The Woman's Building, designed by 21-year-old Sophia Hayden, as the showplace for women's art. The building itself was decorated by women artists, featuring architectural ornament sculpted by Enid Yandell and Alice Rideout, both 19, and a large painting by Mary Cassatt, Modern Woman, one of two extensive murals in the Woman's Building,^[1] the other one, Primitive Woman being by Mary MacMonnies.^[4] Interior art was curated by Candace Wheeler and Sara Hallowell.^[1] The Board also built a Children's Building, a child-care center required to support fair-goers and convention-goers who brought children. As well, the Board built a women's dormitory near the fairgrounds, to house women traveling alone or with small children.^[1]

Notable people attending the Congress[]

Legacy[]

Women at the World's Congress achieved the goals they sought. They had come from each state in the Union to staff and run offices, gather and spend resources, pay their workers, sign contracts; all without going into debt as had many of the men's subcommittees.^[3]

After the Exposition, the World's Congress Auxiliary Building where the various congresses had convened, was given to the Art Institute of Chicago.^[16] The Woman's Building was torn down, and the mural by Mary Cassatt was misplaced and lost. Bertha Palmer was appointed United States Commissioner at the Paris Exposition of 1900 by President William McKinley, the only woman so distinguished by any government.^[17]

See also[]

• Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW)
• Feminism
• History of feminism
• First-wave feminism
• List of suffragists and suffragettes
• Queen Isabella Association

References[]

Notes

Bibliography

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• Anthony, Susan B.; Harper, Ida Husted, editors. History of Woman Suffrage, Volume IV (1883–1900), published 1902, at Internet Archive
• Blackwell, Alice Stone. Lucy Stone: Pioneer of Woman's Rights. Charlottesville and London: University Press of Virginia, 2001. ISBN 0-8139-1990-8
• Kerr, Andrea Moore. Lucy Stone: Speaking Out for Equality. New Jersey: Rutgers University Press, 1995. ISBN 0-8135-1860-1
• Smith, Karen Manners, author; Cott, Nancy F., editor. New Paths to Power, 1890–1920. Chapter 7 of No Small Courage, Oxford University Press, 2000, pp. 353–357. ISBN 0-19-513946-1
• *Willard, Frances Elizabeth (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Moulton. p. 669.

External links[]

• The Congress of Women, digital transcript at University of Pennsylvania
• The World's Congress of Representative Women, digital transcript at Google Book Search
• The Women's Building at the 1893 Exposition. Photographs and commentary about the architecture, statuary and murals
• Postcard of Woman's Building, 1893
• New York Times article, May 7, 1893