Dudou

From Wikipedia, the free encyclopedia
Dudou
The Childrens Museum of Indianapolis - Embroidered infant undergarment.jpg
A child's doudou from the early 20th century, missing its strings
Chinese name
Chinese肚兜
Literal meaningbelly wrap
Doudu
Chinese兜肚
Literal meaning[thing that] wraps the belly
Doudou
Chinese兜兜
Literal meaning"wrappy"
"little wrap"
Vietnamese name
Vietnameseyếm
Japanese name
Kanji腹掛け
A Vietnamese woman wearing her yem as a blouse

A dudou (Chinese: 肚兜, 兜肚, or 兜兜; also known by other names) is a traditional Chinese form of the bodice, originally worn as an undershirt with medicinal properties. With the opening of China, it is sometimes encountered in Western and modern Chinese fashion as a sleeveless shirt and backless halter-top blouse.

Name[]

In Ancient Chinese, 兜 referred to a kind of helmet or hood.[1] By the time of the development of the dudou, it had taken on extended senses of encasing or enwrapping something as in a hood, scarf, or loose parcel.[2][n 1] Dùdōu may thus be understood as Chinese for "belly wrap" or "cover",[3][4] referring to its early use to flatten the breasts and, within traditional Chinese medicine, to preserve stomach qi. Using the same characters, it is also known as a doudu[2][5][6] or doudou.[7][n 2] The latter form is diminutive and is particularly used for the dudous worn by Chinese children.[9]

Its various Chinese names are typically left untranslated in English.[10] In Chinese sources, the dudou is sometimes mistranslated as a "bellyband",[10][11] which more commonly refers to a variety of other devices including a horse's harness[12] and a compression garment used by expectant mothers.[13] The oddity arises from the similarity of the dudou's purpose (though not construction or appearance) with the Japanese haramaki. In the 19th century, it was translated or glossed as a Chinese "stomacher" or "corset".[8] The dudou is also sometimes translated or glossed as an "apron"[10][14][15][16] or "bib"[6] owing to its similar appearance.

History[]

The dudou's original development is sometimes credited to Yang Yuhuan, the curvy consort of Emperor Xuanzong of the Tang still remembered as one of China's Four Beauties,[17] at that time, dudou was called hezi (诃子), but the importance of the stomach as the origin of the body's blood and qi in traditional Chinese medicine[18] has meant that variations of the undershirt are found as early as the Qin's tunic-like (t 褻衣, s 亵衣).[19] The dudou proper was popularized under the Ming dynasty beginning in the mid-1300s[14] around the time of the Black Death.[16][n 3] Versions of it were worn by female babies in medieval China until age three.[9] The medicinal aspect of the dudou was underscored by its common incorporation of small pockets to hold snatches of ginger, musk, or other herbs intended to boost the stomach's qi.[5] Its red form is also held to ward off evil spirits in Chinese folk religions.[3]

The dudou inspired similar fashions elsewhere in East Asia, including the Vietnamese yem and the Japanese haragake. Within China, it has remained a traditional item of Chinese clothing,[21] particularly in traditional wedding attire.[22] Generally, however, the dudou fell out of favor towards the end of the Qing as part of the drive to modernize the country, displaced by European-style corsets and bras.[23] After a decade of public debate, the use of dudous for flattening breasts was formally outlawed, beginning in Guangdong in 1927.[24] This change in fashion has sometimes been linked to the rise in breast cancer occurring around the same time.[16] Dudous first became an object of Western fashion in the year 2000, when variations of the Chinese design appeared in the spring collections of Versace,[25][n 4] Versus,[26] and Miu Miu.[27] It has since become a mainstay of some Chinese-influenced fashion designers.[28] This development inspired some Chinese women, including Zhang Ziyi,[17] to begin wearing the dudou as an article of outerwear,[21][15][29] although many older Chinese remain (sometimes sternly) disapproving of this development.[3][30]

Design[]

The typical design of a dudou consists of a single rectangular, rhomboidal, diamond-shaped piece of fabric which covers the breasts and belly, tied to the neck and waist with attached strings.[21] It is thus a form of halter top. Richer women use silk yarn or brocade while the poor make do with cotton.[23]

Popular colors are red, pink, and green and they are often embroidered with flowers, butterflies, or Mandarin ducks.[21] Formerly popular designs included bats (homophonous with "happiness" in Chinese), peaches ("longevity"), guavas (whose many seeds caused it to represent fertility), and virtuous expressions.[23]

Under the Ming and Qing, dudous were solely items of underwear and were used to flatten women's breasts,[21] similar to a gentle corset.[17] Wealthier families used bronze, silver, or gold chains instead of silk thread.[23] The first dudous were simple rectangles, but by the Qing they had been turned to form a diamond shape, exposing more of the shoulders.[23]

Some variants have a collar which is lowered around the head. Western-influenced dudous may be made of other fabrics, including leather or transparent cloth.[21]

See also[]

Notes[]

  1. ^ In modern Chinese, it is most often encountered as yīdōu (衣兜), a word for pockets in clothing.
  2. ^ In the 19th century, dudou and doudu were also irregularly transliterated as tu-teu and teu-tu.[2][8]
  3. ^ The modern form of the dudou appears in Chinese movies anachronistically throughout all of Chinese history, as in Feng Xiaogang's 2006 Tang-era Banquet.[20]
  4. ^ Vogue described the dudou-influenced pieces as "mischievous handkerchief blouses".[25]

References[]

  1. ^ Baxter, William Hubbard III; et al. (2014), Baxter–Sagart Old Chinese Reconstruction, Ver. 1.1 (PDF), Ann Arbor: University of Michigan, p. 23.
  2. ^ Jump up to: a b c Williams, S. Wells (1889), "兜", A Syllabic Dictionary of the Chinese Language, Arranged According to the Wu-Fang Yuen Yin, with the Pronunciation of the Characters as Heard in Peking, Canton, Amoy, and Shanghai, Shanghai: American Presbyterian Mission Press.
  3. ^ Jump up to: a b c Zhao Jianhua (28 February 2013), The Chinese Fashion Industry: An Ethnographic Approach, London: Bloomsbury Academic, p. 1, ISBN 9781847889355.
  4. ^ Pitts-Taylor, Victoria (2008), "Breasts", Cultural Encyclopedia of the Body, Vol. I, Westport: Greenwood Publishing, p. 46, ISBN 9780313341458.
  5. ^ Jump up to: a b "The Ancient Art of Women's Underwear", China Daily, 4 March 2011.
  6. ^ Jump up to: a b Lewandowski, Elizabeth J., "doudu", The Complete Costume Dictionary, p. 91.
  7. ^ Gao Wanlong; et al. (2012), A Handbook of Chinese Cultural Terms, Trafford Publishing, p. 51, ISBN 9781466920057.
  8. ^ Jump up to: a b Williams, S. Wells (1889), "'肚", A Syllabic Dictionary of the Chinese Language, Arranged According to the Wu-Fang Yuen Yin, with the Pronunciation of the Characters as Heard in Peking, Canton, Amoy, and Shanghai, Shanghai: American Presbyterian Mission Press.
  9. ^ Jump up to: a b Snodgrass, Mary Ellen (2014), "Children's Clothing, Girls", World Clothing and Fashion, Vol. I, M.E. Sharpe, ISBN 9781317451679.
  10. ^ Jump up to: a b c Liu, Eric T.; et al. (2014), Translating Chinese Culture, Abingdon: Routledge, p. 68, ISBN 9781317932482.
  11. ^ "Dudou", Cultural China, Shanghai: Shanghai Xinhong Cultural Development.
  12. ^ "ˈbelly-band, n.", Oxford English Dictionary, Oxford: Oxford University Press, 1887.
  13. ^ Whitmore, Elizabeth (2010), "Health: Belly Bands", How Stuff Works.
  14. ^ Jump up to: a b Snodgrass, Mary Ellen (2014), "Brassieres", World Clothing and Fashion, Vol. I, M.E. Sharpe, ISBN 9781317451679.
  15. ^ Jump up to: a b Farrer, James; et al. (2015), Shanghai Nightscapes, Chicago: University of Chicago Press, p. 198.
  16. ^ Jump up to: a b c Harding, Fred (2006), Breast Cancer, Aylesbury: Tekline Publishing, p. 284, ISBN 9780955422102.
  17. ^ Jump up to: a b c "History of Dudou", Chinese Fashion.
  18. ^ Maciocia, Giovanni, The Foundations of Chinese Medicine, 3d ed., Edinburgh: Elsevier, p. 194.
  19. ^ "Secrets of Women's Underwear in Ancient China", China Culture, Ministry of Culture, 2003.
  20. ^ Chen Yachen (2012), "The Chinese Hamlet's Two Women and Shakespeare's Chinese Sisters: Qing Nü and Wan'er in The Banquet", Women in Chinese Martial Arts Films of the New Millennium, Plymouth: Lexington Books, p. 120, ISBN 9780739139103.
  21. ^ Jump up to: a b c d e f Xu Xiaomin (20 June 2000), "Do You Dare to Wear a Dudou?", Shanghai Star.
  22. ^ Bao Jiemin (1994), Marriage among Ethnic Chinese in Bangkok, Berkeley: University of California Press, p. 155.
  23. ^ Jump up to: a b c d e Lu Chang (30 October 2003), "Keeping Abreast of Change", Shanghai Star.
  24. ^ French, Paul; et al. (2010), Fat China, London: Anthem Press, ISBN 9780857289780.
  25. ^ Jump up to: a b "Spring 2000 Ready-to-Wear: Versace", Vogue, 2000.
  26. ^ "Spring 2000 Ready-to-Wear: Versus Versace", Vogue, 2000.
  27. ^ "Spring 2000 Ready-to-Wear: Miu Miu", Vogue, 2000.
  28. ^ Eceiza, Laura (2009), "Blanc de Chine", Atlas of Fashion Designers, Beverly: Rockport Publishers, pp. 107–111, ISBN 9781616736057.
  29. ^ Farrer, James (2002), Opening Up: Youth Sex Culture and Market Reform in Shanghai, Chicago: University of Chicago Press, p. 311.
  30. ^ Qiu Xiaolong (2009), The Mao Case, New York: Minotaur Books, p. 2, ISBN 9780312538743.

External links[]

Retrieved from ""