Enochian magic

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A 3D reconstruction of the "Holy Table" as used by John Dee in Enochian magic

Enochian magic is a system of ceremonial magic based on the evocation and commanding of various spirits. It is based on the 16th-century writings of John Dee and Edward Kelley, who claimed that their information, including the revealed Enochian language, was delivered to them directly by various angels. Dee's journals contained the Enochian script, and the tables of correspondences that accompany it. Dee and Kelley believed their visions gave them access to secrets contained within the Book of Enoch.

History[]

Origins and manuscript sources[]

The Enochian system of magic is primarily the work of two men: John Dee and Edward Kelley. The raw material for the Enochian magical system was dictated through a series of Angelic communications which lasted from 1582-1589. Dee wrote they received these instructions from angels. While Kelley conducted the psychic operation known as scrying, Dee kept meticulous written records. Kelley looked into a crystal shewstone and described aloud what he saw.[citation needed]

This account of the angelic communications is taken at face value by most Enochian occultists.[citation needed] However, some of them[who?] have pointed out remarkable similarities to earlier grimoires, such as the Heptameron which was known to Dee.[1] Such magical texts as the Book of Soyga (of which Dee owned a copy[citation needed]) and others including the magical works of Agrippa and Reuchlin probably also had an influence on Dee and Kelley.[citation needed]

Additional contributions to the study of Enochiann magic were made by Thomas Rudd (1583?–1656), Elias Ashmole (1617–1692), Samuel Liddell MacGregor Mathers (1854–1918), William Wynn Westcott (1848–1925), Aleister Crowley (1875–1947), and Israel Regardie (1907–1985).[2]

Liber Logaeth – The Sixth and Sacred Book of the Mysteries[]

The Liber Logaeth (Book of the Speech of God)(aka The Book of Enoch aka Liber Mysteriorum, Sextus et Sanctus -The Sixth (and Sacred/Holy) Book of the Mysteries)(1583); is preserved in the British Museum mostly within Sloane ms 3189 (but parts of Sloane ms 3188 and the Cotton Appendix I also contain the beginning and end of the book, with some copying of material in Sloane ms 3188 appearing in Sloane ms 3189). The correct spelling is Loagaeth, but it has been so frequently printed as Logaeth that this spelling is in common use.

Written up by Edward Kelley, it is composed of 73 folios (18 from Sloane 3188, 54 from Sloane 3189, and 1 (text only) from Cotton Appendix I). The book contains 96 exceedingly complex magical grids of letters (94 of which are 49×49 grids of letters, one of which is a table composed of 49 rows of text, and one of which is a table of 40 rows of text and 9 rows of 49 letters). The final folio from Cotton Appendix I was 21 words consisting of 112 letters, which according to the text, was apparently able to be somehow reduced to 105 letters and arranged into five 3x7 tables, three on the front and two on the back (cf. Cotton Appendix I).

It is from Liber Logaeth that Dee and Kelley derived the 48 Calls or Keys (see below), and in which are concealed the keys to the Mystical Heptarchy, a related magical work by Dee. Dee himself left little information on his Sixth Holy Book apart from saying that it contained 'The Mysterie of our Creation, The Age of many years, and the conclusion of the World' and that the first page in the book signified Chaos. Note that the title The Book of Enoch attributed to the text of Liber Logaeth is not to be confused with the aprocryphal Biblical The Book of Enoch. (There are three versions of the latter; a facsimile reprint of the Ethiopian version is in Laurence 1883. Nor should it be confused with Crowley's rescension Liber Chanokh (The Book of Enoch) although all these texts are related.[3]

The Five Books of Mystery[]

Another manuscript, Sloan ms. 3188[4] is an account of the 'actions' or workings undertaken in the Liber Logaeth, titled the Mysteriorum Libri Quinque (Five Books of Mystery (or Mystical Exercises). The Mysteriorum Libri Quinque is the diary for 22 December 1581 – 23 May 1583. It includes the first five Books of the Mysteries (and Appendix), ending where Casaubon's A True and Faithful Relation begins. It describes the furniture of the temple; the Seal of God (Sigillum Dei Aemeth); the Tables of Light; the Great Circle and corresponding Collected Table of 49 Good Angels; the Mystic Heptarchy and the Tables of Creation; the Angelic Alphabet (Dee's copies) and the beginning of Loagaeth (i.e., the first few folios of MS. Sloane 3189). There are two transcripts of this manuscript available today: Joseph Peterson[5] and C. L. Whitby.[6]

Other Enochian manuscripts[]

Yet another central manuscript is Sloane 3191[7] which comprises: 48 Angelic Keys; The Book of Earthly Science, Aid and Victory; On the Mystic Heptarchy; and Invocations of the Good Angels.

Two further manuscripts from Dee and Kelley's workings are important to Enochian magic:

  1. MS. Cotton Appendix XLVI Part I[8] is the diary for 28 May 1583 – 15 August 1584 inclusive: The Sixth (and Sacred) Parallel Book of the Mysteries (not to be confused with "The Sixth and Sacred Book of the Mysteries", which is part of Liber Logaeth - see above) and "The Seventh Book of the Mysteries" (Kraków), beginning where A True and Faithful Relation begins. It includes the arrival of Prince Adalbert Laski, the journey to Kraków and the dictation of the 48 Calls or Keys (including descriptions of the 91 Parts of the Earth), as well as the Vision of the Four Watchtowers and also the Great Table.
  2. MS. Cotton Appendix XLVI Part II[8] is the diary for 15 August 1584 – 23 May 1587 (and 20 March – 7 September 1607) inclusive: The Book of Praha, The Royal Stephanic Mysteries, The Puccian Action, The Book of Resurrection, The Third Action of Trebon and the remaining Spirit Actions at Mortlake in 1607, ending where A True and Faithful Relation ends. (It may be seen that Casaubon's A True and Faithful Relation is equivalent to the MS Cotton Appendix in toto, i.e. Dee and Kelley's diaries from 28 May 1585-23 Sept 1607).

Meric Casaubon's 1659 edition of part of these diaries (Cotton Appendix MS. XLVI), entitled A True & Faithful Relation of What Passed for Many Yeers between John Dee and Some Spirits contains notorious transcription errors which in some cases were transmitted through many subsequent republications of the Dee/Kelly material; Casaubon's edition was intended to discredit Dee and Kelly by accusing them of dealing with the Christian Devil. An expanded facsimile edition of Casaubon was published by Magickal Childe in 1992.[9]

Dee and Kelley's surviving manuscripts later came into the possession of Elias Ashmole, who preserved them, and made fair copies of some, along with annotations.

Rediscovery by the Hermetic Order of the Golden Dawn[]

Dee and Kelly never referred to their magic as "Enochian" but rather called it "Angelic". However, in modern occultism it is commonly known as Enochian. It is not quite clear how much of Enochian magic was put to use by Dee and Kelley. Indeed, whether Dee and Kelly ever practiced Enochian is still up for debate. The angels allegedly told them not to work Enochian magic, and there are no diary records of works being done except for one healing talisman that they were instructed by the angels to make. Dee and Kelley's journals are essentially notebooks which record the elements of the system, rather than records of workings they performed using the system.

Some writers[who?] assert that Thomas Rudd was the centre of a group of angel magicians who may have used Dee and Kelly's material. The Angelical material of Dee and Kelley also had a considerable influence on the magic of Rosicrucianism. However, little else became of Dee's work until late in the nineteenth century, when it was incorporated by a mysterious brother-hood of adepts in England.

The rediscovery of Dee and Kelley's material by Samuel Liddell MacGregor Mathers of the Hermetic Order of the Golden Dawn in the 1880s led to Mathers developing the material into a comprehensive system of ceremonial magic. They invoked the Enochian deities whose names were written on the tablets. They also traveled in what they called their Body of Light (commonly known as the "astral body" in western occultism) into these subtle regions and recorded their psychic experiences. The two major branches of the system were then grafted on to the Adeptus Minor curriculum of the Golden Dawn.

Enochian as an operative system is difficult to reconstruct based upon original manuscripts, but contemporary occult organizations have attempted to make it usable. The Golden Dawn was the first, but their knowledge was based upon only one of Dee's diaries and their planetary, elemental, or zodiacal attributions have no foundation in the original sources.

According to Chris Zalewski's 1994 book, the Golden Dawn also invented the game of Enochian chess, in which aspects of the Enochian Tablets were used for divination. They used four chessboards without symbols on them, just sets of colored squares, and each board is associated with one of the four elements of magic.[10]

Florence Farr founded the Sphere Group which also experimented with Enochian magic.[11]

Criticism[]

Paul Foster Case (1884–1954), an occultist who began his magical career with the Alpha et Omega, was critical of the Enochian system. According to Case, the system of Dee and Kelley was incomplete, lacked sufficient protection methods, and was in fact just the basis of an older, more complete Qabalistic system.[12] Case believed he had witnessed the physical breakdown of a number of practitioners of Enochian magic, due to the lack of protective methods.[13] In a letter to occultist Dion Fortune, Case wrote:

I have personal knowledge of more than twenty-five instances where the performance of [Enochian] magical operations based upon the Order's [i.e. Alpha et Omega's] formulae led to serious disintegrations of mind and body... Perhaps the most conspicuous example of the use of these formulas is A.C. [Aleister Crowley] himself, but there are plenty of others I have personally witnessed, whose personal shipwrecks have been just as complete even though their smaller tonnage, so to say, makes the loss seem less deplorable...[12]

When Case founded his own magical order, the Builders of the Adytum (B.O.T.A.), he removed the Enochian system and substituted elemental tablets based on Qabalistic formulae communicated to him by Master R.[14]

The system[]

The two pillars of modern Enochian magic, as outlined in Liber Chanokh, are the elemental watchtowers (including the "Tablet of Union") and the calls of the 30 aethyrs. The aethyrs are the "heavens" of the system.[citation needed] According to Aleister Crowley, the magician starts with the 30th aethyr and works up to the first, exploring only so far as his level of initiation will permit.[15]

The calls or keys of the 30 aethyrs[]

The essence of the Enochian system depends on the utilisation of eighteen calls or keys in the Enochian language (a series of rhetorical exhortations which function as evocations), and a Nineteenth key known as the Call or Key of the 30 Aethyrs. The calls are used to enter the various aethyrs, in visionary states. The aethyrs are conceived of as forming a map of the entire universe in the form of concentric rings which expand outward from the innermost to the outermost aethyr.

The Enochian "map" of the universe is depicted by Dee as a square (made up of the 4 Elemental Tablets/Watchtowers incorporating the Tablet of Union (Spirit)), surrounded by 30 concentric circles (the 30 aethyrs or airs). The 30 aethyrs are numbered from 30 (TEX, the lowest and consequently the closest to the Watchtowers) to 1 (LIL, the highest, representing the Supreme Attainment). Magicians working the Enochian system record their impressions and visions within each of the successive Enochian aethyrs.

Each of the 30 aethyrs is populated by "governors" (3 for each aethyr, except TEX which has four, thus a total of 91 governors). Each of the governors has a sigil which can be traced onto the Great Tablet of Earth.

In practical Enochian workings, the Nineteenth Call/Key of the 30 aethyrs is the only call necessary for working with the aethyrs. It is only necessary to vary appropriately the name of the aethyr itself near the beginning of the call. Once the Call is recited, the names of the Governors are vibrated one at a time and a record of the visions is kept.

Great table of earth: elemental watchtowers and their subdivisions[]

The angels of the four quarters are symbolized by the Elemental "Watchtowers" — four large magickal word-square Tables (collectively called the "Great Table of the Earth"). Most of the well-known Enochian angels are drawn from the Watchtowers of the Great Table.

Each of the four Watchtowers (representing the Elements of Earth, Air, Fire and Water), is collectively "governed" by a hierarchy of spiritual entities which runs (as explained in Crowley's Liber Chanokh) as the Three Holy Names, the Great Elemental King, the Six Seniors (aka Elders) (these make a total of 24 Elders as seen in the Revelation of St. John), the Two Divine Names of the Calvary Cross, the Kerubim, and the Sixteen Lesser Angels. Each Watchtower is further divided into four sub-quadrants (sometimes referred to as 'sub-angles') where we find the names of various Archangels and Angels who govern the quarters of the world. In this way, the entire universe, visible and invisible, is depicted as teeming with living intelligences. Each of the Elemental tablets is also divided into four sections by a figure known as the Great Central Cross. The Great Central cross consists of the two central vertical columns of the Elemental Tablet (the Linea Patris and Linea Filii) and the central horizontal line (known as the Linea Spiritus Sancti).

In addition to the four Elemental Watchtowers, a twenty-square cell known as the Tablet of Union (aka The Black Cross, representing Spirit) completes the representation of the five traditional elemental attributes used in magic - Earth, Air, Water, Fire and Spirit. The Tablet of Union is derived from within the Great Central Cross of the Great Table.

The squares of the Elemental Watchtowers and those of the Tablet of Union are not simply squares, but in fact truncated pyramids, or pyramids with flat tops - thus, pyramids which have four sides and top, for a total of five 'sides'. Again, these represent the traditional five magical elements (Earth, Air, Water, Fire and Spirit) though in varying combinations. There are 20 Pyramids in the Tablet of Union and 156 in each of the four Elemental Tablets. Each pyramid houses an 'angel' with a one-letter name. The angel's attributes (that is, its powers and its nature) are 'read off' according to its position within the Tablet and proportions of the different Elements (whether Earth, Air, Fire, Water or Spirit) represented on its sides. When two Pyramids are combined they form an 'angel' with a two-letter name whose attributes are somewhat more complex. This gives rise to ever-more complex 'angels' depending on the number of pyramids under examination. The attribution of various Elements to the various pyramids is best depicted on a labelled and coloured version of the various Tablets.

Enochian temple furniture[]

Temple "furniture" required for the performance of Enochian magick includes:

  1. The Holy Table, a table with a top engraved with a Hexagram, a surrounding border of Enochian letters, and in the middle a Twelvefold table (cell) engraved with individual Enochian letters. According to Duquette and Hyatt, the Holy Table "does not directly concern Elemental or Aethyrical workings. Angels found on the Holy Table are not called forth in these operations."[16]
  2. The Seven Planetary Talismans. The names on these talismans (which are engraved on tin and placed on the surface of the Holy Table) are those of the Goetia. According to Duquette and Hyatt, "this indicates (or at least implies) Dee's familiarity with the Lemegeton and his attempt, at least early in his workings, to incorporate it in the Enochian system."[17] As with the Holy Table, Spirits found on these talismans are not called forth in these operations.
  3. The Sigillum dei Aemeth, Holy Sevenfold Table, or 'Seal of God's Truth.' The symbol derives from Liber Juratus (aka The Sworn Book of Honorius or Grimoire of Honorius, of which Dee owned a copy). Five versions of this complex diagram are made from bee's wax, and engraved with the various lineal figures, letters and numbers. The four smaller ones are placed under the feet of the Holy Table. The fifth and larger one (about nine inches in diameter), is covered with a red cloth, placed on the Holy Table, and is used to support the "Shew-Stone" or "Speculum" (crystal or other device used for scrying). Scrying is an essential element of the magical system. Dee and Kelly's technique was to gaze into a concave obsidian mirror. Crowley habitually held a large topaz mounted upon a wooden cross to his forehead. Other methods include gazing into crystals, ink, fire or even a blank TV screen.[15] "Aemeth" or "Emeth" is Hebrew for "truth"; the same word was written on the forehead of a Golem in Jewish folklore by magicians who legendarily animated these beings. For detailed information on the history and use of the Sigillum dei Aemeth, consult Campbell 2009.
  4. A magician's ring engraved with the god-name Pele.
  5. The rod "el" painted in three sections, the ends being black and the middle red.

Today[]

Compared to other theories of magic, Enochian magic is often considered strikingly complex and difficult to grasp in its entirety. One of the difficulties is that many of the source documents are missing, and those that exist are sometimes fragmentary, due to the history of dispersal of Dee's library and manuscripts. Parts of the surviving manuscripts written by Dee have been lost. Paul Foster Case in fact postulated that Dee and Kelley's system was partial from the start, an incomplete system derived from an earlier and complete Qabalistic system.[18] This has allowed numerous interpretations to arise, some of which have solidified into schools of thought with individual bodies of interpretative literature.

Another reason for the system's difficulty is the many and various ways in which the system can be interpreted, and the complex possibilities of the mathematical permutations of various combinations of the letters, tables, and diagrams fundamental to the system. Some employ all the varieties in the original manuscripts with advice of modern practitioners on interpreting this mythology which both represented and tried to produce experience of the biblical temple mythology.

A third difficulty is the use of the Enochian language for the invocations. Magicians see the correct pronunciation of the Enochian letters, words, and calls to be integral to magical success in utilizing the Enochian system - the letters must be memorized and their pronunciations learned. Fortunately, there have been several compilations of Enochian words made to form Enochian dictionaries which can act as a handy reference. A scholarly study is Laycock 2001. Also useful is Vinci 1992. Authentic pronunciations according to the Hermetic Order of the Golden Dawn usage are given by Israel Regardie in a set of Golden Dawn instructional CD's. Regardie's Enochian dictionary is also reprinted in Crowley, Duquette, and Hyatt, Enochian World of Aleister Crowley.[19]

Enochian magic forms the backbone of both the Crowley and Golden Dawn systems of magic. Latest theories include that John Dee knew of the Slavonic Book of the Secrets of Enoch, as well as the Ethiopic Book of Enoch. Many individual magicians or very small groups prefer Enochian magic to other forms as the ceremonial scale required is smaller than that needed for Masonic-style ritual work. On the other hand, elaborate equipment is required to perform Enochian magic properly, including correct copies of the various Tablets and diagrams and other apparatuses (see "Enochian Temple Furniture" above).

From 1974 until his death, Texas composer Jerry Hunt (1943-1993) used the "great table" of Dee and Kelley's Enochian system to compose his highly idiosyncratic, experimental, and multi-media music. Hunt's music, scores, and even the language he used to describe his methods are shrouded in complex esotericism.[20] Hunt's musical application of Enochian magic can be heard in his works "Ground: Five Mechanical Convention Streams," "Birome (ZONE): cube," and "Cantegral Segment 18," among others.[citation needed]

Since Dee is known to have been a spy for Elizabeth I's court, there are interpretations of his Angelic manuscripts as cryptographic documents - most likely polyalphabetic ciphers - designed to disguise political messages (see Langford 1978).

Other uses[]

Since horror writer H. P. Lovecraft, in his short work "The History of the Necronomicon" (written 1927, published after Lovecraft's death, in 1938), made John Dee the translator of one of the versions of his mythical book of forbidden lore The Necronomicon (an example of Lovecraft's use of the technique of "pseudo-authenticity"), much has been written connecting Dee and Enochian magic with The Necronomicon. The fanciful connection between Dee and The Necronomicon was suggested by Lovecraft's friend Frank Belknap Long.[21]

See also[]

Notes[]

  1. ^ Campbell (2009), p. [page needed].
  2. ^ Crowley, DuQuette & Hyatt (1991), p. 19.
  3. ^ Skinner & Rankine (2010), p. [page needed].
  4. ^ Dee (1985).
  5. ^ Peterson (2008).
  6. ^ Whitby (1991).
  7. ^ Dee (1585).
  8. ^ Jump up to: a b Dee (1656).
  9. ^ Casaubon (1992).
  10. ^ Zalewski (1994), p. [page needed].
  11. ^ Kuntz (1996), p. [page needed].
  12. ^ Jump up to: a b Clark (2013), p. 63.
  13. ^ Clark (2013), pp. 55, 63.
  14. ^ Clark (2013), p. 89.
  15. ^ Jump up to: a b Crowley, DuQuette & Hyatt (1991), p. 29.
  16. ^ Crowley, DuQuette & Hyatt (1991), p. 31.
  17. ^ Crowley, DuQuette & Hyatt (1991), p. 32.
  18. ^ Clark (2013), pp. 62–63.
  19. ^ Crowley, DuQuette & Hyatt (1991), pp. 123–140.
  20. ^ Hunt (1993).
  21. ^ Long (1996), p. [page needed].

References[]

  • Campbell, Colin D. (2009), The Magic Seal of John Dee: The Sigillum Dei Aemeth, Teitan Press, ISBN 978-0933429185.
  • Casaubon, Meric (1992), A True and Faithful Relation of What Passed for Many Years Between John Dee and Some Spirits, New York: Magickal Childe Publishing.
  • Clark, P. (2013), Paul Foster Case: His Life and Works, Covina, CA: Fraternity of the Hidden Light, ISBN 978-0971046948.
  • Crowley, Aleister; DuQuette, Lon Milo; Hyatt, Christopher S. (1991), Enochian World of Aleister Crowley: Enochian Sex Magick, Scottsdale, AZ: New Falcon Publications.
  • Hunt, Jerry (1993), "Gesture Modulation of Templates", JerryHunt.org, retrieved 2021-08-11.
  • Kuntz, Darcy (1996), The Enochian Experiments of the Golden Dawn: The Enochian Alphabet Clairvoyantly Examined, Edmonds, WA: Holmes Publishing Group.
  • Langford, David (1978), "Deciphering John Dee's Manuscript", in Hay, George (ed.), The Necronomicon: The Book of Dead Names, Jersey: Neville Spearman, pp. 81–102.
  • Laurence, Richard (tr.) (1883), The Book of Enoch the Prophet, London: Kegan Paul, Trench & Co.
  • Laycock, Donald C. (2001) [1978], The Complete Enochian Dictionary: A Dictionary of the Angelic Language as revealed to Dr John Dee and Edward Kelley, Weiser Books
  • Long, Frank Belknap (1996), "John Dee's Necronomicon: A Fragment", in Price, Robert M. (ed.), The Necronomicon: Selected Stories and Essays Concerning the Blasphemous Tome of the Mad Arab, Oakland, CA: Chaosium, Inc., ISBN 978-1568820705.
  • Peterson, Joseph (2008), John Dee's Five Books of Mystery: Original Sourcebook of Enochian Magic, Red Wheel, ISBN 978-1108051651.
  • Skinner, Stephen; Rankine, David (2010), Practical Angel Magic of Dr. John Dee's Enochian Tables: Tabularum Bonorum Angelorum Invocationes, Sourceworks of Ceremonial Magic, Llewellyn Publications, ISBN 978-0738723518.
  • Vinci, Leon (1992) [1976], Gmicalzoma: An Enochian Dictionary, London: Neptune Press.
  • Whitby, C. L. (1991), John Dee's Actions with Spirits: 22 December 1581 to 23 May 1583, New York: Garland.
  • Zalewski, C. L. (1994), Enochian Chess of the Golden Dawn: A Four Handed Chess Game, St Paul, MN: Llewellyn.

Manuscripts[]

Further reading[]

  • Asprem, Egil (2012), Arguing with Angels: Enochian Magic and Modern Occulture, tate University of New York Press, ISBN 978-1438441900.
  • Burns, Teresa; Moore, J. Alan (March 2010), "John Dee and Edward Kelley's Great Table (or, What's This Grid For, Anyway?)", Journal of the Western Mystery Tradition, 2 (18).
  • de Salvo, John (2010a), The Lost Art of Enochian Magic: Angels, Invocations, and the Secrets Revealed to Dr. John Dee, Destiny Books, ISBN 978-1594773440.
  • de Salvo, John (2010b), Decoding the Enochian Secrets: God's Most Holy Book to Mankind as Received by Dr. John Dee from Angelic Messengers, Destiny Books, ISBN 978-1594773648.
  • DuQuette, Lon Milo (2019), Enochian Vision Magick: An Introduction and Practical Guide to the Magick of Dr John Dee and Edward Kelly (2nd ed.), Weiser Books, ISBN 978-1578636846.
  • Harkness, Deborah (2006), John Dee's Conversations with Angels: Cabala, Alchemy, and the End of Nature, London: Cambridge University Press, ISBN 978-0521027489.
  • James, Geoffrey (2009), The Enochian Evocation of Dr. John Dee, Newburyport, MA: Weiser Books, ISBN 978-1578634538.
  • Tyson, Donald (2002), Enochian Magic for Beginners: The Original System of Angel Magic, St Paul, MN: Llewellyn Publications, ISBN 978-1567187472.
  • W.I.T., Frater (2006), Enochian Initiation: A Thelemite's Magical Journey into the Ultimate Transcendence, Denver, CO: Outskirts Press, ISBN 978-1598003727.

External links[]

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