George Morrison (artist)

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This article is about landscape painter. For Australian painter, see George Pitt Morison.
George Morrison
Shoulder-high portrait of a man in his seventies, with gray hair, wearing glasses a striped shirt and a vest made of patchwork suitings
Born1919
Chippewa City, Cook County, Minnesota
Died2000 (aged 80–81)
Red Rock, near Grand Marais, Minnesota
NationalityGrand Portage Band Minnesota Chippewa Tribe
OccupationAbstract Expressionist Painter and Sculptor
Spouse(s)
ChildrenBriand Mesaba

George Morrison (1919 – April 17, 2000) was an Ojibwe landscape painter and sculptor from Minnesota. His Ojibwe name was Wah Wah Teh Go Nay Ga Bo (Standing In the Northern Lights).[1]

Morrison is associated with the individualist modern art movement of artists who wished to be known apart from contemporary movements or their backgrounds.[2] He is well known for wood collage sculptures and for the landscape paintings he preferred.[citation needed]

Early life and education[]

Morrison was a member of the Grand Portage Band of the Minnesota Chippewa Tribe. He was born in 1919 in Chippewa City, Cook County, Minnesota, near the Grand Portage Indian Reservation.[3]

Morrison was one of 12 children in a poor household. His father worked as a trapper and used his fluent knowledge of the Ojibwe language to interpret court proceedings. Morrison briefly attended a Native American boarding school in Hayward, Wisconsin.[4] Due to poor health, Morrison returned to Minnesota and was for a time a Native American sanatorium in Onigum, Minnesota and the Gillette State Hospital for Crippled Children in St. Paul.[3]

He attended Grand Marais High School, graduating in 1938, and then the Minnesota School of Art, now the Minneapolis College of Art and Design, graduating in 1943.[1]

Having been chosen to receive the Ethel Morrison Van Derlip Traveling Scholarship, Morrison studied at the Art Students League from 1943 to 1946 in New York City, where he became part of a circle of abstract expressionists and was exposed to artistic styles such as cubism and surrealism.[4][citation needed]

In 1947 Morrison took a teaching position at the Cape Ann Art School; the following summer Morrison and Albert Kresch took over the school and renamed it the Rockport Art School.[3]

In 1952 after receiving a Fulbright scholarship he studied in Paris at the Ecole des Beaux-Arts and Antibes,[1] and at the University of Aix-Marseilles. In 1953 he was awarded a John Hay Whitney Fellowship and moved to Duluth, Minnesota.[3]

Later life[]

He lived in Duluth, Minnesota, for years and then moved back to New York City in 1954 where he became acquainted with prominent American expressionists: Willem de Kooning, Franz Kline and Jackson Pollock.[1]

He then taught in Minneapolis, Duluth, Dayton, Ohio at the Dayton Art Institute, Ithaca (Cornell University), Pennsylvania (Penn State), Iowa State Teachers College, and New York City.[1][3]

From 1963 to 1970 Morrison taught at the Rhode Island School of Design.[1]

In 1969 he was awarded an Honorary Master of Fine Arts at the Minneapolis College of Art and Design.

Beginning in 1970 he taught American Indian studies and art at the University of Minnesota until he retired in 1983.[1]

In 1999 Morrison was awarded the title of Master Artist by the Eiteljorg Fellowship for Native American Fine Art.[5]

Personal life[]

Morrison met his first wife, Ada Reed, in Provincetown, Massachusetts. The two were married in 1948. Morrison and Reed divorced at an unknown date.[3]

While teaching at the Dayton Art Institute Morrison met his second wife, Hazel Belvo. The two had one child together, Briand Mesaba; Belvo had two children from a previous marriage.[3]

He lived in a renovated church in Saint Paul, Minnesota with Briand and Belvo,[1] another Minnesota artist, who taught at Minneapolis College of Art and Design and Saint Paul Academy and is known for her series of pieces based on the Witch Tree.[citation needed]

During the mid-1970s, they acquired land near Grand Portage, Minnesota on Lake Superior, which they named Red Rock.[1] This became their home and studio.[1] He and Belvo divorced in 1991 but remained friends. Morrison suffered some life-threatening illnesses, including being diagnosed with Castleman's disease in 1984, but kept on working until he died at Red Rock in April 2000.[1][3]

Art[]

Morrison learned the established Western methods of representational painting during his time at the Minneapolis School of Art. However, during his time at the Art Students League in New York City Morrison's style became more modernist and abstract.[3]

Morrison acknowledged a variety of influences in his art, including cubism, surrealism, and abstract expressionism. In his drawings and paintings, Morrison used abstract forms to represent organic figures. Morrison commonly used landscapes and mosaic patterns in his paintings. For his wood collages, Morrison would gather driftwood along shorelines. Morrison's totem works were formally designed and glued to a piece of plywood that was the backbone of the piece.[4]

In addition to European and North American artistic movements, Morrison also was inspired by pre-Columbian art and architecture and Australian Aboriginal art.[5]

Morrison's work was part of Stretching the Canvas: Eight Decades of Native Painting (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center in New York.[6]

Selected solo exhibitions[]

Title:Untitled [sepia version]Date created:1987Artists/Makers:George Morrison, Minnesota Chippewa [Grand Portage, Minnesota], 1919-2000Series:Horizons seriesEdition:23/35Place:Minnesota; USA (inferred)Format/Object name:PrintMedia/Materials:Paper, inkTechniques:Lithographed, woodcut/woodblock printedCollection History/Provenance:Formerly in the collection of Terrence D. Curley; donated to NMAI in 2001 in memory of Olga M. Waisanen (1927–1995).Dimensions:189.3 x 65 cmCatalog number:25/9064

Notes[]

  1. ^ Jump up to: a b c d e f g h i j k Riddle, Mason (January 30, 2010). "An appreciation of George Morrison, a brilliant local artist who hung out with Jackson Pollock, who taught at Cornell and RISD, and who happened to be Native". Twin Cities Daily Planet. Retrieved January 30, 2010.
  2. ^ Wade, Edwin; Strickland, Rennard (1981). Magic Images: Contemporary Native American Art. Philbrook Art Center and University of Oklahoma Press. p. 4.
  3. ^ Jump up to: a b c d e f g h i Anthes, Bill (2006). Native Moderns: American Indian Painting, 1940–1960. Duke University Press.
  4. ^ Jump up to: a b c Katz, Jane, ed. (1980). This Song Remembers: Self-Portraits of Native Americans in the Arts. Boston: Houghton Mifflin Company. pp. 54–60.
  5. ^ Jump up to: a b Andrew White, Mark, ed. (2012). The James T. Bialac Native American Art Collection. University of Oklahoma Press. p. 114.
  6. ^ "Stretching the Canvas: Eight Decades of Native Painting". National Museum of the American Indian. Retrieved 7 March 2021.

References[]

Further reading[]

  • W. Jackson Rushing III, Modern Spirit: The Art of George Morrison. Norman: University of Oklahoma, 2013. ISBN 978-0-806-14393-4.

External links[]

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