Giovanni Baptista Ferrari

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Giovanni Baptista (also Battista) Ferrari (1584 in Siena – 1 February 1655 in Siena), was an Italian Jesuit and professor in Rome, a botanist, and an author of illustrated botanical books and a Syriac-Latin dictionary. Linguistically highly gifted and an able scientist, at 21 years of age Ferrari knew a good deal of Hebrew and spoke and wrote excellent Greek and Latin. He became a professor of Hebrew and Rhetoric at the Jesuit College in Rome and in 1622 was editor of a Syriac-Latin dictionary (Nomenclator Syriacus).[1]

Biography[]

Giovanni Baptista Ferrari was born to an affluent Sienese family and entered the Jesuit Order in Rome at the age of 19 in April 1602. After studying metaphysics, logic and natural philosophy with Giuseppe Agostini (and after the usual four years of theology), he was sent to the Maronite college in Rome in 1615/16 – where he learnt Syriac. The early progress reports at the Collegio Romano are complimentary about his literary and Hebraic talents, but rather critical of what appears to have been his somewhat frail state of health and melancholy character.[2]

By the schoolyear of 1619-20 he was teaching Arabic and Hebrew at the Roman College. His first published work was a Syriac Dictionary, or Nomenclator, which he published in 1622  (but with an approval from Mutio Vitelleschi and Francesco Donati of 1619). The chief object of the author is to explain the Syriac words in the Bible, in which he was assisted by some learned Maronites.[3] Although pretty innovative for its time, Ferrari's Nomenclator was not a very successful effort, and has not enjoyed much esteem in the subsequent literature (Bochart was especially cutting in his judgment). It is, however, interesting for its introduction, with its long list of profuse acknowledgements to various members of the Maronite college, especially Petrus Metoscita, and for its brief insight into the working procedures and resources of a Syriac scholar of those days.[4]

His Orationes, first printed in Lyons in 1625, and several times reprinted,[5] including two London editions in the 1650s and 1660s, are especially remarkable for four very noteworthy orations on the subject of Hebrew language and Hebrew literary style. In the oration on Hebraicae linguae suavitas Ferrari asserts the stylistic capabilities of Hebrew, and defends it against charges that it was limited and coarse; in the chapters Hebraicae Musae sive de Disciplinarum omnium Hebraica origine and Hebraicae litteraturae securitas, sive De arguto dicendi genere usurpando he justifies the difficulties of learning the language, and puts forward the case for studying it.[6]

His knowledge of the ancient authors, Greek and Latin, was extensive as was his command of the Semitic languages. Indeed, Ferrari was a member of the Papal Commission charged with translating the Bible into Arabic.[7]

De Florum Cultura[]

Ferrari's interests were not limited to Oriental languages. He devoted himself till 1632 to the study and cultivation of ornamental plants, and published De Florum Cultura,[8] which was illustrated with copperplates by, amongst others, Anna Maria Vaiani, possibly the first female copper-engraver. The first book deals with the design and maintenance of the garden and garden equipment. The second book provides descriptions of the different flowers, while the third book deals with the culture of these flowers. The fourth book, continues with a treatise on the use and beauty of the flower species, including their different varieties and mutations.

Through his acquaintance with Cassiano dal Pozzo, secretary of Cardinal Francesco Barberini, he was appointed to manage the new garden at the Barberini Palace. The plants featured in Ferrari's research came from Cardinal Francesco Barberini's private botanical garden, the Horti Barberini, a garden which was under the care of Ferrari.

Ferrari dedicated the Latin edition of De Florum Cultura to Cardinal Francesco Barberini. Ludovico Aureli translated the book into Italian and dedicated this edition, which is entitled Flora, overo Cultura di Fiori (1638) or simply Flora, to Barberini's sister-in-law, Anna Colonna.[9][10] Ferrari became Horticultural Advisor to the Papal family.[1] Ferrari was also closely associated with the Lincei, and in Book 1, chapter 2 of his Flora, he expressly thanks Federico Cesi for his “erudite additions” (“erudite aggiunte”) and the Accademia for incurring “liberal expenses” (“liberale spesa”) in connection with this book.[11]

Hesperides sive de Malorum...[]

Hand-colored engraving depicting citrus growing techniques. Illustration from Hesperides by Giovanni Battista Ferrari, 1646

Another work is the Hesperides sive de Malorum Aureorum Cultura et Usu Libri Quatuor, first published in 1646. Ferrari's close relationship with Cassiano dal Pozzo (1588-1657), a noted scholar and student of citrus, led to the creation of this work. The first volume of this work is devoted to citrus and its many varieties and variations.

The plates were produced by the best artists of the time, such as , Cornelis Bloemaert and . Plates were also prepared by the renowned painters and draughtsmen of Roman Baroque, such as Pietro da Cortona, Andrea Sacchi, Nicolas Poussin, Pietro Paolo Ubaldini, F. Perier, Francesco Albani, Filippo Gagliardi, Giovanni Francesco Romanelli, Guido Reni, Domenico Zampieri and H. Rinaldi. The plates show life-sized whole fruit, including sections. Other plates show Hercules, mythological scenes, garden buildings, Orangeries, garden tools, etc.. He published this at a time growing interest in and structural sophistication of seventeenth-century orangeries, constructed needed to protected citrus trees from the cold of Northern Europe or heat of Italian summers.[12]

Both works are important as they display accurate representations.

Ferrari was the first scientist to provide a complete description of the limes, lemons and pomegranates. He also described medical preparations, the details on citron and prescribed limes, lemons and pomegranates as medicinal plants against scurvy.

Works[]

Striatus amalphitanus. Handcoloured copper plate engraving from Giovanni Baptista Ferrari's Hesperides, 1646.
  • Ferrari, Giovanni Battista (1622). Nomenclator syriacus Io. Baptistae Ferrarii Senensis e Societate Iesu (in Latin). Stefano Paolini.
  • Hesperides siue de malorum aureorum cultura et vsu Libri quator Io. Baptistae Ferrarii Senensis e Societate Iesu, Romae: Sumptibus Hermanni Scheus, 1646.
  • In funere Marsilij Cagnati medici praestantissimi laudatio Ioannis Baptistae Ferrarij Senensis e Societate Iesu: habita in aede S. Mariae in Aquiro 5. Kal. Augusti 1612, Romae: apud Iacobum Mascardum, 1612.
  • Io. Bapt. Ferrarii ... De florum cultura libri 4, Romae: excudebat Stephanus Paulinus, 1633.
  • Io. Bapt. Ferrarii Senen. Societatis Iesu Orationes, Lugduni: sumptibus Ludouici Prost, haeredis Rouille, 1625.
  • Io. Bapt. Ferrarii Senensis ... Orationes, Venetiis: apud Beleonium, 1644.
  • Io. Bapt. Ferrarii Senensis e Soc. Iesu Orationes, Romae: apud Franc. Corbellettum, 1627.
  • Io. Bapt. Ferrarii Senensis e Societate Iesu Orationes quartum recognitae et auctae, (Romae: typis Petri Antonij Facciotti, 1635).
  • Io. Baptistae Ferrarii senensis ... Orationes, Mediolani: apud haer. Pacifici Pontij, & Io. Baptistam Piccaleum, impressores archiepiscopales, 1627.
  • Io. Bapt. Ferrarii Senensis e Societ. Iesu Orationes, Nouissima editio iuxta exemplar, Coloniae: apud Cornel. Egmont, imprim. 1634.
  • Io. Baptistae Ferrarii Senensi, S.I. Flora, seu De florum cultura lib. 4, Editio nova. Accurante Bernh Rottendorffio, Amstelodami: prostant apud Joannem Janssonium, 1664.
  • Io. Baptistae Ferrarii Senensi, S.I. Flora, seu de florum cultura lib. 4, Editio nova. Accurante Bernh Rottendorffio ..., Amstelodami: Prostant apud Joannem Janssonium, 1664.

See also[]

Gallery[]

  • Aurantium corniculatum from Hesperides (1646)

  • Alla lima citrata oblonga sive scabiosa et mostrosa from Hesperides (1646)

  • Lumia ollulae aspectu from Hesperides (1646)

  • Limon liguriae ceriescus from Hesperides (1646)

  • Flos indicus e violaceo fuscus radice tuberosa from Flora, seu de florum cultura (1646)

  • Narcissus indicus Liliaceus diluto colore purpurascens from Flora, seu de florum cultura (1646)

  • Limon S. Remi from Hesperides (1646)

  • Limon Caietanus from Hesperides (1646)

  • Aurantium dulci cortice et Sinense from Hesperides (1646)

  • Lima eadem rotunda from Hesperides (1646)

  • Limon perettae consimilis from Hesperides (1646)

  • Aurantium crispo folio from Hesperides (1646)

  • Aurantium sicciore medulla hibernum from Hesperides (1646)

References[]

  1. ^ Jump up to: a b Erickson, Robert F. "Giovanni Battista Ferrari". Missouri Botanical Garden. Archived from the original on March 3, 2016.
  2. ^ Freedberg 1989, p. 19.
  3. ^ Chalmers 1814, p. 236.
  4. ^ Freedberg 1997, p. 41.
  5. ^ Orationes XXV, Lyon (Sumptibus Ludovici Prost, heredis Rouille 1625), with a frontispiece by Johann Friedrich Greuter after Domenichino. Later editions include ones in Rome (Francesco Corbelletti), 1627; Rome (Typis Petri Antonij Facciotti), 1635, with a frontispiece by Francesco Cimi after Romanelli and three new orations; Venice (Apud Baleonium), 1644; Cologne (Apud Cornelium ab Egmont), 1650, with a frontispiece by Peter Paul Troschel after Romanelli (reversed); London (Ex officina Rogeri Danielis), 1657; and London (Ex officina Ioannis Redmayne), 1668.
  6. ^ Orationes XXX - XXXIII. The fourth oration dealing with Hebrew issues is entitled Stylus Hebraicus. Sive in hostes brevitatis (Orationes, 1650, pp. 195-239; Orationes, 1657, pp. 148-180).
  7. ^ Grand 1985, p. 6.
  8. ^ Gunn, Mary (1981). Botanical exploration of southern Africa : an illustrated history of early botanical literature on the Cape flora : biographical accounts of the leading plant collectors and their activities in southern Africa from the days of the East India Company until modern times. L. E. W. Codd. Cape Town: Published for the Botanical Research Institute by A.A. Balkema. p. 16. ISBN 0-86961-129-1. OCLC 8591273.
  9. ^ Grand 1985, p. 7.
  10. ^ Fountains, statues, and flowers: studies in Italian gardens of the sixteenth and seventeenth centuries by Elisabeth B. MacDougall (Dumbarton Oaks, 1994)
  11. ^ Grand 1985, p. 22.
  12. ^ "Hesperides sive de Malorum Aureorum cultura et usu", The Metropolitan Museum of Art

External links[]

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