Interiors
| Interiors | |
|---|---|
 Theatrical release poster | |
| Directed by | Woody Allen |
| Written by | Woody Allen |
| Produced by | Charles H. Joffe |
| Starring | |
| Cinematography | Gordon Willis |
| Edited by | Ralph Rosenblum |
| Distributed by | United Artists |
Release date |
|
Running time | 92 minutes |
| Country | United States |
| Language | English |
| Budget | $3.1 million[2][3] |
| Box office | $10.4 million[1] |
Interiors is a 1978 American drama film written and directed by Woody Allen. It stars Kristin Griffith, Mary Beth Hurt, Richard Jordan, Diane Keaton, E. G. Marshall, Geraldine Page, Maureen Stapleton, and Sam Waterston.
Allen's first fully-fledged film in the drama genre, it was met with acclaim from critics. It received five Academy Award nominations, including Best Director, Best Original Screenplay (both for Allen), Best Actress (Page), and Best Supporting Actress (Stapleton). Page also won the BAFTA Film Award for Best Supporting Actress.[4]
Plot[]
The film centers on the three children of Arthur (E. G. Marshall), a corporate attorney, and Eve (Geraldine Page), an interior decorator. Renata (Diane Keaton) is a poet whose husband Frederick (Richard Jordan), a struggling writer, feels eclipsed by her success. Flyn (Kristin Griffith) is an actress who is away most of the time filming; the low quality of her films is an object of ridicule behind her back. Joey (Mary Beth Hurt), who is in a relationship with Mike (Sam Waterston), cannot settle on a career, and resents her mother for favoring Renata, while Renata resents their father's concern over Joey's lack of direction.
One morning, Arthur unexpectedly announces that he wants a separation from his wife and would like to live alone. Eve, who is clinically depressed, attempts suicide. The shock of these two events causes a rift among the sisters. Arthur returns from a trip to Greece with Pearl (Maureen Stapleton), a high-spirited and more "normal" woman, whom he intends to marry. His daughters are disturbed that Arthur would disregard Eve's suicide attempt and find another woman, to whom Joey refers as a "vulgarian".
Arthur and Pearl marry at Arthur and Eve's former summer home, with Renata, Joey and Flyn in attendance. Later in the evening, Joey lashes out at Pearl when Pearl accidentally breaks one of Eve's vases. In the middle of the night, Frederick drunkenly attempts to rape Flyn. Meanwhile, Joey finds Eve in the house, and sadly explains how much she has given up for her mother, and how disdainfully she is treated. Eve walks out onto the beach and into the surf. Joey attempts unsuccessfully to save Eve, but almost drowns in the attempt. Mike rescues her and pulls her to shore where Pearl revives her with mouth-to-mouth resuscitation.
The film ends with the family silently attending Eve's funeral, each placing a single white rose, Eve's favorite flower and a symbol of hope to her, on Eve's wooden, perfectly polished coffin, after which all three sisters look out at the sea from their former family beachfront home and comment on how 'peaceful' the sea looks.
Cast[]
- Geraldine Page as Eve
- Diane Keaton as Renata
- Mary Beth Hurt as Joey
- Kristin Griffith as Flyn
- Richard Jordan as Frederick
- E. G. Marshall as Arthur
- Maureen Stapleton as Pearl
- Sam Waterston as Mike
Reception[]
Box office[]
Interiors grossed $10.4 million in the United States and Canada.[1]
Critical response[]
On Rotten Tomatoes, it has an approval rating of 80%, based on reviews from 15 critics, with an average score of 6.8/10.[5] On Metacritic, the film has a score of 67, based on reviews from 9 critics, indicating "generally favorable reviews".[6]
Vincent Canby of The New York Times called the film "beautiful" and complimented Gordon Willis on his "use of cool colors that suggest civilization's precarious control of natural forces", but noted:[7]
My problem with Interiors is that although I admire the performances and isolated moments...I haven't any real idea what the film is up to. It's almost as if Mr. Allen had set out to make someone else's movie, say a film in the manner of Mr. Bergman, without having any grasp of the material, or first-hand, gut feelings about the characters. They seem like other people's characters, known only through other people's art.
Richard Schickel of Time wrote that the film's "desperate sobriety...robs it of energy and passion"; Allen's "style is Bergmanesque, but his material is Mankiewiczian, and the discontinuity is fatal. Doubtless this was a necessary movie for Allen, but it is both unnecessary and a minor embarrassment for his well-wishers."[8]
Roger Ebert gave the film four stars and praised it highly, writing "Here we have a Woody Allen film, and we're talking about O'Neill and Bergman and traditions and influences? Yes, and correctly. Allen, whose comedies have been among the cheerful tonics of recent years, is astonishingly assured in his first drama."[9]
Gene Siskel awarded three stars out of four and wrote:
I thought the unremitting pain of the first half of the film was almost laughable, as if Allen had made a bad Bergman film. I thoroughly enjoyed the second half, in which the film's only bright, lively character (Maureen Stapleton as the father's new, romantic interest) makes her entrance. At the end, I left the theater thinking that the picture was painful and didn't have much applicability to my life, but that I would always remember its characters more for the superb acting than for Allen's script.[10]
Charles Champlin called the film "somber, intense and stunning," concluding "Like Cries and Whispers, Allen's Interiors is, for all the somberness of the material, in the end an affirmation of life and a transcendent piece of art. The film lovers will love it if joke-seekers do not.[11]
Penelope Gilliatt of The New Yorker wrote: "This droll piece of work is [Allen's] most majestic so far. The theme its characters express is very Chekhovian. It is pinned to the idea that the hardest, and most admirable thing to do is to act properly through a whole life."[12]
James Monaco, in his 1979 published book American Film Now, described Interiors as the most pretentious film by a major American filmmaker in the last thirty years.[13]
In 2016, Interiors was listed as Allen's 11th finest film in an article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote that "the emotional effort being expended is cumulatively hard to shrug off" and praised Stapleton's performance.[14]
Woody Allen's response[]
Allen's own fears about the film's reception are recounted in a biography of Allen by Eric Lax, where he quotes Ralph Rosenblum, the film's editor:[15]
He [Allen] managed to rescue Interiors, much to his credit. He was against the wall. I think he was afraid. He was testy, he was slightly short-tempered. He was fearful. He thought he had a real bomb. But he managed to pull it out with his own work. The day the reviews came out, he said to me, 'Well, we pulled this one out by the short hairs, didn't we?'
Later, while watching the film with an acquaintance, Allen reportedly said "It's always been my fear. I think I'm writing Long Day's Journey into Night and it turns into Edge of Night."[15]
Looking back on the film in 1982, Allen said:
I should have brought Pearl, Maureen Stapleton's character, in earlier. I thought the audience would be entertained before the nub of conflict emerged. I thought that it was entertaining enough before Pearl entered, but it wasn't. It should have been. I should have started it with Pearl coming in right away and the whole thing would have flowered right from the start.[16]
Accolades[]
Soundtrack[]
- "Keepin' Out of Mischief Now" (1932) - Written by Fats Waller & Andy Razaf - Performed by Tommy Dorsey & His Orchestra
- "Wolverine Blues" (1923) - Written by Ferdinand Morton - Performed by The World's Greatest Jazz Band[17]
Popular culture[]
The plot and characters of Interiors are alluded to in the Death Cab for Cutie song "Death of an Interior Decorator" (from Transatlanticism (2003)).[18]
References[]
- ^ Jump up to: a b c "Interiors (1978)". Box Office Mojo.
- ^ Interiors at the American Film Institute Catalog
- ^ "Allen's 'Interiors' Sets House Record In Coast Playdate". Variety. September 6, 1978. p. 3.
- ^ "Interiors: Awards". Movies & TV Dept. The New York Times. 2012. Archived from the original on October 20, 2012. Retrieved December 31, 2008.
- ^ Interiors at Rotten Tomatoes
- ^ "Interiors". Metacritic.
- ^ Canby, Vincent (August 6, 1978). "Woody Allen: Risking It Without Laughs". The New York Times. p. D1.
- ^ Schickel, Richard (August 1978). "Darkest Woody". Time.
- ^ Ebert, Roger (August 2, 1978). "Interiors – Movie Review & Film Summary (1978)". RogerEbert.com.
- ^ Siskel, Gene (September 22, 1978). "Allen's 'Interiors': A touch of Bergman plus fine acting". Chicago Tribune. Section 4, p. 3.
- ^ Champlin, Charles (August 27, 1978). "Woody Allen Drops the Mask". Los Angeles Times. Calendar, pp. 1, 32.
- ^ Gilliatt, Penelope (August 7, 1978). "The Current Cinema". The New Yorker. p. 78.
- ^ Monaco, James (1979). American Film Now. p. 264.
- ^ Collin, Robbie; Robey, Tim (October 12, 2016). "All 47 Woody Allen movies – ranked from worst to best". The Daily Telegraph. Retrieved January 31, 2017.
- ^ Jump up to: a b Lax, Eric (1991). Woody Allen: A Biography. Alfred A. Knopf. p. 335. ISBN 0-394-58349-3.
- ^ Arnold, Gary (July 16, 1982). "Woody Allen, Inside and Out". The Washington Post. pp. C1–2.
- ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. US: Macfarland & Company,Inc. p. 74. ISBN 9780786429684.
- ^ "Death Cab for Cutie – Death of an Interior Decorator". genius.com. Retrieved July 4, 2018.
- ^ Tied with Mona Washbourne for Stevie.
External links[]
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- 1978 films
- English-language films
- 1978 drama films
- American drama films
- American films
- Films about depression
- Films about dysfunctional families
- Films about suicide
- Films based on works by Ingmar Bergman
- Films directed by Woody Allen
- Films produced by Charles H. Joffe
- Films set in New York (state)
- Films shot in New York (state)
- Films shot in New York City
- Films with screenplays by Woody Allen
- United Artists films