Jesus: A Portrait

From Wikipedia, the free encyclopedia

Jesus: A Portrait
Leonardo, testa di cristo, 1494 circa, pinacoteca di brera.jpg
Leonardo da Vinci, Head of Christ (study for the Last Supper)
AuthorGerald O'Collins, SJ
CountryUnited Kingdom
LanguageEnglish
SubjectChristology
GenreTheology, Biography
PublisherDarton, Longman and Todd Ltd
Publication date
24 March 2008
Media typePaperback, E-Book at Google Books
ISBN978-0232527193
Dewey Decimal
232.9/01
LC Class2007-044172
Preceded bySalvation for All. God's Other Peoples 
Followed byChristology: A Biblical, Historical, and Systematic Study of Jesus 

Jesus: A Portrait is a 2008 Christological book by the Australian Jesuit priest and academic Gerald O'Collins.

Synopsis[]

The testimony embodied in the Gospels and coming from eyewitnesses[citation needed] provides the substance for O'Collins' book. The author states that to portray Jesus adequately is an impossible dream (John 20:30;21:25). Unlike his near contemporary Marcus Tullius Cicero (106-43 BC/BCE), he left no letters or other personal documents. The only time he was remembered as writing anything, came when he 'wrote with his finger on the ground' (John 8:6–8). This was in response to some scribes and Pharisees who had caught a woman in adultery and wanted Jesus to agree to her being stoned. According to several later manuscripts, Jesus wrote on the ground nothing about himself but 'the sins of each of them'.[1] Jesus did not bequeath to his followers any written instructions, and he lived in almost total obscurity, except for the brief period of his public ministry. According to the testimony provided by the Synoptic Gospels, that ministry could have lasted as little as a year or eighteen months. John implies a period of two or three years. Even for the brief span of that ministry, much of the chronological sequence of events (except for the baptism of Jesus at the start and his passion at the end) is, by and large, irretrievably lost. The author therefore states that the fact that, explicitly and for the most part, Jesus did not proclaim himself but the kingdom of God, as well as the fact that he left no personal papers, makes access to his interior life difficult. In any case the Gospels rarely mention his motives or deal with his states of mind. These sources make it hard (but not impossible) to penetrate his inner life. But they do allow one to reconstruct much of the message, activity, claims, and impact of Jesus in the final years of his life, as well as glimpsing every now and then his feelings and intentions.[2] This O'Collins does right through the book, with fluency and appropriate substantiation.[3]

Jesus himself never wrote, O'Collins affirms, but he continues to speak through the writings of the evangelists.[4] In drawing on the Gospels, O'Collins uses the widely accepted scheme of three stages[2] in the transmission of testimony to Jesus' deeds and words: (1) the initial stage in his earthly life when his disciples and others spoke about him, repeated to others his teaching, and began interpreting his identity and mission; (2) the handing on by word of mouth or in writing of testimony about him after his death and resurrection; and (3) the authorial work of the four evangelists later in the first century.[5]

Excerpt[]

Getting to know any person and, in particular, someone of world stature and significance is always much more than a mere problem to be solved; it is a mystery to be wondered at and grappled with. It is at our peril that we approach our knowledge of Jesus as a problem to be solved by honesty and scholarship rather than as a mystery (or rather the mystery) with which to engage ourselves for a lifetime.[6] We are all part of the history of Jesus and his mystery - whether we realise this or not. This necessary involvement of ourselves in his full and unfolding story rules out attempts to tackle the history of Jesus as if it were no more than a mere problem 'out there' or 'back there', standing quite apart from our personal existence. Really knowing another person in depth - and, especially, Jesus - always demands that we relate to and participate in another personal mystery.

— Gerald O'Collins, Jesus: A Portrait, p. xv

Contents[]

Preface

  1. The Beauty of Jesus
  2. God's Kingdom in Person
  3. Divine and Human
  4. Jesus the Healer
  5. The Meanings of the Miracles
  6. Jesus the Story-teller
  7. The Parable of the Father's Love
  8. Jesus the Teacher
  9. Facing Death
  10. Jesus the Suffering Servant
  11. Jesus the Lord of Glory
  12. Jesus the Abiding Presence

Epilogue - Notes - Select Bibliography - Index of names

See also[]

References[]

  1. ^ For this and the subsequent affirmations, cf. Preface, pp.vii-xvi and 225-6.
  2. ^ Jump up to: a b Cf. Richard Bauckham, Jesus and the Eyewitnesses. The Gospels as Eyewitness Testimony, Eerdmans, 2006.
  3. ^ Cf. Review of Jesus, by Angela Kitching, on Thinking Faith. Retrieved 2 November 2012
  4. ^ O'Collins mentions the portraits of Jesus provided by the four evangelists, but rather than expounding them, he concentrates on developing his own portrait of Jesus in the book. Hence he does not take up, for instance, the way in which each evangelist treats and contextualizes the miracles and parables of Jesus.
  5. ^ Cf. Preface, pp.ix-x and passim.
  6. ^ As Albert Schweitzer wisely remarked, 'the better we get to know each other, the more mystery we see in each other' (Memories of Childhood and Youth, Macmillan 1931, p. 70).

External links[]

Retrieved from ""