La Maison Francaise (Rockefeller Center)

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Coordinates: 40°45′31″N 73°58′39″W / 40.75856°N 73.97762°W / 40.75856; -73.97762

Buildings of Rockefeller Center
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Buildings and structures in Rockefeller Center:
1
1 Rockefeller Plaza
2
10 Rockefeller Plaza
3
La Maison Francaise
4
British Empire Building
5
30 Rockefeller Plaza
6
International Building
7
50 Rockefeller Plaza
8
1230 Avenue of the Americas
9
Radio City Music Hall
10
1270 Avenue of the Americas
11
75 Rockefeller Plaza
12
600 Fifth Avenue
13
608 Fifth Avenue
14
1271 Avenue of the Americas
15
1251 Avenue of the Americas
16
1221 Avenue of the Americas
17
1211 Avenue of the Americas

La Maison Francaise (French: La Maison Française, literally French House), also known by its address 610 Fifth Avenue, is a 6-story retail building on the west side of Fifth Avenue between 49th and 50th Streets in Midtown Manhattan, New York City. Completed in 1934, the structure is part of Rockefeller Center, and was built in the Art Deco style.

Construction[]

Fifth Avenue facade

The building was part of the original construction of the Rockefeller Center, with an oval-shaped retail building originally planned for the block. The oval building was scrapped in early 1931,[1][2] and an updated plan proposed a tall 41-story tower and two smaller 6-story retail buildings on the site of the oval building.[1] Because the canceled oval building had contained rooftop gardens, Raymond Hood suggested the idea for rooftop gardens across the complex, including on all of the retail buildings.[3][4] These gardens would be curated by Ralph Hancock.[5][6]

As American tenants were reluctant to rent in these retail buildings, Rockefeller Center's manager Hugh Robertson, formerly of Todd, Robertson and Todd, suggested foreign tenants for the buildings.[7][8] French tenants agreed to occupy the building in February 1932. This made La Maison Francaise the second themed building to be agreed on, after the British Empire Building to its north.[9]

Description[]

Janniot cartouche.

La Maison Francaise is the southernmost of five buildings in Rockefeller Center's International Complex. It is located south of its architectural twin, the British Empire Building. The other three buildings in the International Complex are the International Building, Palazzo d'Italia, and International Building North, located one block north.[10] It is a six-story standalone building with a limestone facade with a sixth-story setback, as well as a partial 1+1⁄2-story penthouse on the west half of the seventh story and a garden on the east side of the seventh-story roof.[11] France's economy was relatively stable at the time of the building's construction, but French prime minister Herriot praised Rockefeller Center building as embodying "prosperity, freedom and peace of the world".[12][13] La Maison Francaise contains ground-level storefronts on all four sides and a cornerstone inscribed with the building's name.[14] The Channel, a 60-foot-wide (18 m), 200-foot-long (61 m) planted pedestrian esplanade, separates the British Empire Building and La Maison Francaise.[15]

Janniot gilded bronze engraving.

The building's art was mostly designed by artists designing in the French architectural style.[11] Alfred Janniot's 10-short-ton (8.9-long-ton) gilded bronze engraving above the entrance depicts personifications of France and New York holding hands above the ocean and the heads of the personifications of poetry, beauty, and elegance (inscribed "Poésie, Beauté, Élégance").[16][17] [18] The personification of France holds the Notre Dame on her lap and the scroll unfurling behind is inscribed with the Latin motto of Paris: "fluctuat nec mergitur" (it floats, but never sinks).[12]

Above this bronze engraving, Janniot also sculpted a cartouche of a female personification of French freedom, proclaiming "Liberté, Egalité, Fraternité" (Liberty, Equality, Fraternity).[19]

In 1934, Rene Chambellan created four bronze bas-reliefs on the sixth floor, which symbolize historical eras of France: Charlemagne's Empire, New France, Louis XIV's Absolute Monarchy, and the French Republic.[20][21] The one non-French artist was Lee Lawrie,[11] who decorated the secondary entrances with scalloped and triangle-patterned lintels, gold-covered fleurs-de-lis, and a woman wearing a Phrygian cap.[22][23] The building's lobby also contains a model airplane created by Cartier & Co, which signifies the transatlantic flight that Dieudonné Costes and Maurice Bellonte made from France to New York in 1930.[24]

The New York City Landmarks Preservation Commission added landmark status to the exteriors of all the original Rockefeller Center's buildings in 1985.[25][26] In its approval of the complex's status, the commission wrote, "Rockefeller Center ranks among the grandest architectural projects ever undertaken in the United States".[27] The roof gardens of the wings were restored in 1986 for $48,000 each.[28]

References[]

  1. ^ a b Adams 1985, p. 92.
  2. ^ Krinsky 1978, p. 59.
  3. ^ "PLANS REVISED FOR RADIO CITY" (PDF). The New York Sun. August 24, 1931. p. 20. Retrieved November 16, 2017 – via Fultonhistory.com.
  4. ^ Hood, Raymond (August 23, 1931). "The Babylonian Dream Soon to Be Made Reality in Radio City Is Seen by the Architects as a Huge Experiment Holding the Possibility of a Completely Transformed Metropolis" (PDF). The New York Times. ISSN 0362-4331. Retrieved November 11, 2017.
  5. ^ "GARDENS OF THE WORLD ATOP RADIO CITY; New York Watches the Growth of a New Venture in the Realm of Horticulture" (PDF). The New York Times. September 2, 1934. Retrieved November 20, 2017.
  6. ^ "New York's "Hanging Gardens"" (PDF). Albany Times-Union. 1934. Retrieved November 20, 2017.
  7. ^ Adams 1985, p. 87.
  8. ^ Krinsky 1978, p. 69.
  9. ^ "ROCKEFELLER CITY ADDS FRENCH UNIT" (PDF). The New York Times. March 31, 1932. ISSN 0362-4331. Retrieved November 11, 2017.
  10. ^ White, Norval; Willensky, Elliot & Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 326. ISBN 978-0-19538-386-7.
  11. ^ a b c Adams 1985, p. 96.
  12. ^ a b Adams 1985, p. 107.
  13. ^ "HERRIOT DEPARTS HAILING NEW AMITY" (PDF). The New York Times. April 30, 1933. Retrieved November 18, 2017.
  14. ^ Adams 1985, pp. 111–112.
  15. ^ Federal Writers' Project 1939, pp. 334–335.
  16. ^ Federal Writers' Project 1939, p. 339.
  17. ^ Adams 1985, pp. 107–108.
  18. ^ Roussel 2006, p. 87.
  19. ^ Roussel 2006, p. 88.
  20. ^ Adams 1985, pp. 108–109.
  21. ^ Roussel 2006, pp. 90–91.
  22. ^ Adams 1985, pp. 109–110.
  23. ^ Roussel 2006, pp. 94–95.
  24. ^ Roussel 2006, p. 93.
  25. ^ Glancy, Dorothy J. (January 1, 1992). "Preserving Rockefeller Center". 24 Urb. Law. 423. Santa Clara University School of Law: 426. Retrieved March 6, 2014.
  26. ^ Adams 1985, pp. 270–271.
  27. ^ Adams 1985, p. 269.
  28. ^ "PROSPECTS; Roof-Garden Restorations". The New York Times. June 29, 1986. ISSN 0362-4331. Retrieved November 23, 2017.

Sources[]

  1. Adams, Janet (1985). "Rockefeller Center Designation Report" (PDF). City of New York; New York City Landmarks Preservation Commission. Archived from the original (PDF) on 2017-11-07. Retrieved 2017-11-23.
  2. Federal Writers' Project (1939). New York City Guide. New York: Random House. ISBN 978-1-60354-055-1.{{cite book}}: CS1 maint: ref duplicates default (link) (Reprinted by Scholarly Press, 1976; often referred to as WPA Guide to New York City.)
  3. Krinsky, Carol H. (1978). Rockefeller Center. Oxford University Press. ISBN 978-0-19-502404-3.
  4. Roussel, Christine (May 17, 2006). The Art of Rockefeller Center. New York: W.W. Norton & Company. ISBN 978-0-3930-6082-9.
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