List of symphonic poems

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This is a list of some notable composers who wrote symphonic poems.

Mily Balakirev[]

  • Russia (Second Overture on Russian Themes)
  • In Bohemia (Overture on Czech Themes)
  • Tamara

Béla Bartók[]

Arnold Bax[]

  • Cathaleen-ni-Hoolihan (1905)
  • Into the Twilight (1908)
  • In the Faëry Hills (1909)
  • Rosc-catha (1910)
  • Christmas Eve (1912, r. 1921)
  • Nympholept (1912, orch. 1915, r. 1935)
  • The Garden of Fand (1913, orch. 1916)
  • Spring Fire (1913)
  • In Memoriam (1916)
  • November Woods (1917)
  • Tintagel (1917, orch. 1919)
  • Summer Music (1917, orch. 1921, r. 1932)
  • The Happy Forest (1922)
  • The Tale the Pine Trees Knew (1931)
  • Northern Ballad No. 1 (1927)
  • Northern Ballad No. 2 (1934)
  • Prelude for a Solemn Occasion (Northern Ballad No. 3) (1927, orch. 1933)
  • A Legend (1944)

Hector Berlioz[]

  • Chasse royale et orage

Alexander Borodin[]

George Whitefield Chadwick[]

Ernest Chausson[]

  • Viviane

Claude Debussy[]

Frederick Delius[]

  • Hiawatha, VI/2 (1888)
  • Three Small Tone-poems, VI/7 (1890)
  1. Summer Evening
  2. Winter Night (or, Sleigh Ride)
  3. Spring Morning
  • Paa Vidderne (On the Mountains), VI/10 (1890–92)
  • Over the Hills and Far Away, VI/11 (1895–97); fantasy overture for orchestra
  • Paris: The Song of a Great City, VI/14 (1899–1900); nocturne for orchestra
  • Two Pieces for Small Orchestra, VI/19 (1911–12)
  1. On Hearing the First Cuckoo in Spring
  2. Summer Night on the River

Paul Dukas[]

Antonín Dvořák[]

Edward Elgar[]

George Enescu[]

  • Vox maris

Lorenzo Ferrero[]

Zdeněk Fibich[]

  • Othello, Op. 6
  • Spring, Op 13
  • Záboj, Slavoj a Luděk, Op. 37
  • The Tempest, Op. 46
  • Toman and the Wood Nymph, Op. 49

César Franck[]

  • Ce qu'on entend sur la montagne, symphonic poem after Victor Hugo, (1845–87, posth.)
  • Rédemption, for soprano, chorus and orchestra, M. 52 (1872, r. 1874)
  • Les Éolides, M. 43 (1876)
  • Le Chasseur maudit (The Accursed Huntsman), M. 44 (1882)
  • Les Djinns, for piano and orchestra, M. 45 (1884)
  • Psyché, for orchestra and chorus, M. 47 (1886–88)

George Gershwin[]

Alexander Glazunov[]

Geoffrey Gordon[]

Ferde Grofé[]

Percy Grainger[]

Karl Amadeus Hartmann[]

  • Miserae (1933–34, previously titled Symphony No. 1)

Lee Holdridge[]

  • Scenes of Summer (September/October 1973)

Gustav Holst[]

Arthur Honegger[]

John Ireland[]

Mieczysław Karłowicz[]

  • Returning Waves, Op. 9 (1904)
  • Eternal Songs, Op. 10 (1906)
  • Lithuanian Rhapsody, Op. 11 (1906)
  • Stanisław i Anna Oświecimowie, Op. 12 (1906)
  • A Sorrowful Tale, Op. 13 (1907–1908)
  • An Episode during Masquerade, Op. 14 (1908–09)

Franz Liszt[]

William Lloyd Webber[]

Leevi Madetoja[]

  • Kullervo, Op. 15 (1913)
  • Sammon ryöstö (The Abduction of The Sampo), for baritone and male choir, Op. 24 (1915); text from the Kalevala
  • Aslak Smaukka, for baritone and male choir, Op. 37 (1917)
  • Väinämöisen kylvö (Väinämöinen Sows the Wilderness), for soprano (or tenor), Op. 46 (1919–20); text from the Kalevala

Frederik Magle[]

Richard Mohaupt[]

  • Town Piper Music (Stadtpfeifermusik) (1941)

Modest Mussorgsky[]

  • Night on the Bare Mountain

Carl Nielsen[]

Sergei Rachmaninoff[]

Osmo Tapio Räihälä[]

Max Reger[]

Cemal Reşit Rey[]

  • Bebek Efsanesi, symphonic poem for orchestra
  • Karagöz
  • Denizciler Marşı Başlayış
  • Çağrılış
  • Fatih

Ottorino Respighi[]

  • Fontane di Roma (Fountains of Rome), P 106 (1916); part I of Respighi's Roman Trilogy
  • Ballata delle gnomidi (Ballad of the Gnomes), P 124 (1919)
  • Pini di Roma (Pines of Rome), P 141 (1924); part II of Respighi's Roman Trilogy
  • Feste Romane (Roman Festivals), P 157 (1928); part III of Respighi's Roman Trilogy

Silvestre Revueltas[]

Nikolai Rimsky-Korsakov[]

Camille Saint-Saëns[]

  • Spartacus (1863)
  • Le Rouet d'Omphale, op.31 (1869)
  • Phaéton, op. 39 (1873)
  • Danse macabre, Op.40 (1874)
  • La Jeunesse d'Hercule, Op.50 (1877)
  • La Muse et le Poète, Op.132 (1910)

Arnold Schoenberg[]

Alexander Scriabin[]

Dmitri Shostakovich[]

Jean Sibelius[]

One of the most prolific (and significant) contributors to the genre; compositions marked with an asterisk were inspired by Finnish mythology:

  • En saga (A Saga or A Fairy Tale), Op. 9 (1892, r. 1902)
  • Vårsång (Spring Song), Op. 16 (1894, r. 1895 and 1902)
  • Skogsrået (The Wood Nymph), Op. 15 (1894–95)
  • Lemminkäinen Suite (also known as Four Legends from the Kalevala), a cycle of four symphonic poems, Op. 22 (1895) *
  1. Lemminkäinen ja saaren neidot (Lemminkäinen and the Maidens of the Island) (1895, r. 1897 and 1939) *
  2. Tuonelan joutsen (The Swan of Tuonela) (1893-1895, r. 1897 and 1900) *
  3. Lemminkäinen Tuonelassa (Lemminkäinen in Tuonela) (1895, r. 1897 and 1939) *
  4. Lemminkäinen palaa kotitienoille (Lemminkäinen's Return) (1895, r. 1897 and 1900) *

Bedřich Smetana[]

  • Richard III, Op. 11/JB 1:70 (1857–58)
  • Valdštýnův tábor (Wallenstein's Camp), Op. 14/JB 1:72 (1858–59)
  • Hakon Jarl, Op. 16/JB 1:79 (1860–61)
  • Má vlast (My Homeland), JB 1:112 (1874–79); a cycle of six symphonic poems
  1. Vyšehrad (The High Castle)
  2. Vltava (The Moldau)
  3. Šárka
  4. Z českých luhů a hájů (From Bohemia's Woods and Fields)
  5. Tábor
  6. Blaník

William Grant Still[]

Richard Strauss[]

One of the most prolific (and important) contributors to the genre. He preferred the term "tone poem," rather than "symphonic poem."

Josef Suk[]

  • , Op.29 (A Summer's Tale)
  • Praga
  • The Ripening
  • Cycle of Symphonic Poems from Czech History

Igor Stravinsky[]

Sergei Taneyev[]

Pyotr Ilyich Tchaikovsky[]

Geirr Tveitt[]

Johan Wagenaar[]

Richard Wagner[]

Anton Webern[]

  • Im Sommerwind (actually 'Idyll after B. Wille', 1904)

Eric Whitacre[]

  • Godzilla Eats Las Vegas (for winds, 1996)

Haydn Wood[]

  • Mannin Veen: Dear Isle of Man (1933)

Alexander von Zemlinsky[]

Airat Ichmouratov[]

See also[]

References[]

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