Locust Abortion Technician

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Locust Abortion Technician
ButtholeSurfersLocustAbortionTechnician.jpg
Studio album by
ReleasedMarch 1987 (US)
1987 (Europe and Australia)
Recorded1985–1986
Genre
Length32:34
LabelTouch and Go (original US release)
Latino Buggerveil (1999 US reissue)
Blast First (UK)
Au Go Go (Australia)
ProducerButthole Surfers
Butthole Surfers chronology
Blind Eye Sees All
(1986)
Locust Abortion Technician
(1987)
Hairway to Steven
(1988)

Locust Abortion Technician is the third full-length studio album by American rock band Butthole Surfers, released in March 1987. All songs were written and produced by Butthole Surfers, except for "Kuntz", which was by Thai artists Phloen Phromdaen and Kong Katkamngae, who were originally uncredited for their work. The album was originally released as vinyl on Touch and Go, and was remastered to CD on Latino Buggerveil in 1999.

Background[]

Locust Abortion Technician was the first Butthole Surfers album to not be recorded in a professional studio. After growing tired of living on the road, the band relocated to Winterville sometime in 1986, where they rented a small two-bedroom house, and used their meager savings to purchase an old Ampex 8-track tape machine and two microphones. Having set up a temporary home studio, the band set off to record what would become their third full-length LP. Despite the band downgrading from the equipment used on their previous record, guitarist Paul Leary believes that the inferior equipment forced the band to be more creative than they might otherwise have been.[1]

Additionally, the new studio freed the band from having to worry about recording costs, allowing them to experiment even more than on previous releases. Jeff Pinkus has also said that the home studio gave them the luxury of taking extended breaks for drug use.[2]

Many of the album's tracks also underwent extensive in-studio development. Although doing this had become a Butthole Surfers tradition, Locust Abortion Technician was one of their last recordings done in such a manner; on subsequent releases the band would go into the studio with more fully formed songs. Pinkus has expressed the opinion that the earlier, more chaotic recording sessions resulted in much of the spontaneous creativity that had propelled the group's early albums.[1]

Music[]

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Audio sample of "Human Cannonball"

Locust Abortion Technician is an experimental blend of punk rock, heavy metal, and psychedelic music.[3] This fusion led the band to be associated with the emerging grunge and sludge metal sounds.[4] It also employs elements of worldbeat rhythms,[3] noise music,[4] progressive guitar,[4] and folk music,[4] and has been described as art rock,[3] noise rock[4] and alternative metal.[5] The song "Sweat Loaf" utilizes a warped riff parodying the verse riff from the Black Sabbath song "Sweet Leaf".[4] Not all the tracks are guitar-oriented, though; the song "Kuntz" was created by processing an original Eastern recording by a Thai artist through Gibby Haynes' "Gibbytronix" system.[1] The song "22 Going On 23" is an early example of a song dealing directly with a woman's coping, or lack thereof, of sexual assault.[6]

This album marked the debut of bass player Jeff Pinkus, as well as the return of co-drummer Teresa Nervosa, who had left the band in December 1985.[2] It was also the first Surfers full-length album to feature lead singer Gibby Haynes' Gibbytronix vocal effects, which feature on the songs "Sweat Loaf" and "Human Cannonball" (though Gibbytronix were employed on "Comb" on the Cream Corn from the Socket of Davis EP a year earlier).

The Butthole Surfers regularly play songs from Locust Abortion Technician during their live concerts, including "Sweat Loaf", "Graveyard", "Pittsburgh to Lebanon", "U.S.S.A.", "Kuntz" and "22 Going on 23".

Notes[]

  • "Sweat Loaf" is a take on the Black Sabbath song, "Sweet Leaf".
  • "HAY" is a different mix of the "22 Going on 23" recording, played backwards at double speed. What sounds like voices saying "Hey!" in the song are, in fact, field recordings the band made of cows mooing outside a nearby slaughterhouse, also backwards at double speed. In the final part, there is something that seems to be a high-pitched voice speaking gibberish. This is the speech from the beginning of "22 Going on 23," including the repeated words.
  • "22 Going on 23" brought the band to wider UK attention when it was voted number 44 in John Peel's 1987 Festive Fifty.
  • "Kuntz" is a heavily distorted version of the song "Klua Duang" (or "The Fear") by Thai artists Phloen Phromdaen and Kong Katkamngae.[7]
  • "The O-Men" is a spoof on the speed metal band Omen, inspired by and lifting its chorus from their song "Termination".[7]

Artwork[]

Locust Abortion Technician's front cover illustration of two clowns playing with a dog was painted by Arthur Sarnoff, entitled "Fido and the Clowns".

Reception and legacy[]

Professional ratings
Review scores
SourceRating
AllMusic4.5/5 stars[4]
Encyclopedia of Popular Music3/5 stars[8]
The Great Rock Discography8/10[9]
MusicHound4/5[10]
OndaRock8/10[11]
The Rolling Stone Album Guide4/5 stars[12]
Spin Alternative Record Guide8/10[13]
Sputnikmusic5.0/5[15]
Uncut5/5 stars[14]

Steve Huey, reviewing the album for Allmusic, writes:

The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge (even parodying that band on "Sweat Loaf") to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic mess.[4]

The album received critical acclaim upon initial release, appearing in the year-end lists of noteworthy publications such as Melody Maker,[16] NME[17] and OOR.[18] It would go on to feature in Robert Dimery's 1001 Albums You Must Hear Before You Die[19] and Terrorizer magazine's "The 100 Most Important Albums of the 80s",[20] while Alternative Press ranked it at #28 on their list of the "Top 99 Albums of '85 to '95".[21] In 2018, Pitchfork included the album on their list of "The 200 Best Albums of the 1980s", writing:

From the John Wayne Gacy-indebted cover art to the turbid sounds within, the group’s third LP took a chainsaw to hardcore, psychedelic rock, country blues, Black Sabbath, and, on closer “22 Going on 23,” the sound of mooing cows and the agonizing confession of a sexual assault victim. Butchering every notion of good taste in their path, the Butthole Surfers revelled in the most cartoonish and nightmarish aspects of reality without regret.[22]

Kurt Cobain listed it in his top 50 albums of all time.[23][24] Doug Martsch included the album among the 10 records that shaped the music of his band Built to Spill.[25]

Samples, covers and tributes[]

Track listing[]

All songs written and produced by Butthole Surfers, except where noted.

Side A
No.TitleLength
1."Sweat Loaf"6:09
2."Graveyard"2:27
3."Pittsburgh to Lebanon"2:29
4."Weber"0:35
5."HAY"1:50
6."Human Cannonball"3:51
Side B
No.TitleLength
7."U.S.S.A."2:14
8."The O-Men"3:27
9."Kuntz" (written by Kong Katkamngae, performed by Phloen Phromdaen [uncredited])2:24
10."Graveyard"2:45
11."22 Going on 23"4:23

Personnel[]

Charts[]

Chart (1987) Peak
position
UK Indie Chart[29] 3

References[]

  1. ^ Jump up to: a b c "Ken Lieck, "Reissuing the Butthole Surfers," The Austin Chronicle Newspaper Vol. 18 Issue 52". Archived from the original on November 10, 2007.
  2. ^ Jump up to: a b Michael Azerrad, Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991 (New York, Boston: Little, Brown and Company, 2001) 303
  3. ^ Jump up to: a b c Ankeny, Jason. "Butthole Surfers – Biography". AllMusic. Retrieved November 4, 2017.
  4. ^ Jump up to: a b c d e f g h Huey, Steve. "Locust Abortion Technician – Butthole Surfers". AllMusic. Retrieved March 17, 2010.
  5. ^ Christe, Ian (2003). Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins. Chapter 13 Transforming the 1990s: The Black Album & Beyond.
  6. ^ https://genius.com/Butthole-surfers-22-going-on-23-lyrics
  7. ^ Jump up to: a b c Graham, Ben (March 20, 2017). "The Day Of The Locust: Paul Leary Of The Butthole Surfers Interviewed". The Quietus. Retrieved July 6, 2020.
  8. ^ Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 0-85712-595-8.
  9. ^ Martin C. Strong (1998). The Great Rock Discography (1st ed.). Canongate Books. ISBN 978-0-86241-827-4. Retrieved March 15, 2020.
  10. ^ Gary Graff, ed. (1996). MusicHound Rock: The Essential Album Guide (1st ed.). London: Visible Ink Press. ISBN 978-0-7876-1037-1.
  11. ^ [1]
  12. ^ Young, Charles M. (2004). "Butthole Surfers". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 123–24. ISBN 0-7432-0169-8.
  13. ^ Weisbard, Eric; Marks, Craig, eds. (1995). Spin Alternative Record Guide. Vintage Books. ISBN 0-679-75574-8.
  14. ^ "Butthole Surfers: Locust Abortion Technician". Uncut: 84. [P]robably the Buttholes' finest work....They're best remembered as purveyors of the best sort of '70s excess.
  15. ^ "Butthole Surfers - Locust Abortion Technician (album review ) | Sputnikmusic". www.sputnikmusic.com.
  16. ^ "Melody Maker". Rocklist. Retrieved July 5, 2020.
  17. ^ "NME". Rocklist. Retrieved July 5, 2020.
  18. ^ "OOR". Muzieklijstjes. Retrieved July 5, 2020.
  19. ^ Robert Dimery; Michael Lydon (February 7, 2006). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 0-7893-1371-5.
  20. ^ "Terrorizer". Rocklist. Retrieved July 5, 2020.
  21. ^ "Altpress". Rocklist. Retrieved July 5, 2020.
  22. ^ "The 200 Best Albums of the 1980s". Pitchfork.
  23. ^ "Top 50 by Nirvana [MIXTAPE]". Archived from the original on October 18, 2014. Retrieved May 8, 2013.
  24. ^ Cross, Gaar, Gendron, Martens, Yarm (2013). Nirvana: The Complete Illustrated History. p. 145. ISBN 978-0-7603-4521-4.CS1 maint: multiple names: authors list (link)
  25. ^ Lucy Dayman (May 26, 2015). "The 10 Records That Shaped Built To Spill". Tone Deaf. Retrieved July 5, 2020. This record taught me that anything can be considered music.
  26. ^ Darzin, Daina (October 5, 1995). "One Hot Minute". Rolling Stone. Retrieved July 6, 2020.
  27. ^ Jeff, McCord. "All Grown Up". Texas Monthly. Retrieved July 6, 2020.
  28. ^ Camp, Zoe (February 20, 2018). "HEAR MELVINS' INSANE JAMES GANG/BUTTHOLE SURFERS MEDLEY "STOP MOVING TO FLORIDA"". Revolver. Retrieved July 6, 2020.
  29. ^ Lazell, Barry (1997). Indie Hits 1980-1989. Cherry Red Books. Archived from the original on June 6, 2011. Retrieved September 5, 2014.CS1 maint: bot: original URL status unknown (link)

External links[]

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