Mae Busch

Mae Busch
Busch featured in The Blue Book of the Screen, 1923
Born	Annie May Busch (1891-06-18)18 June 1891 Melbourne, Victoria, Australia
Died	20 April 1946(1946-04-20) (aged 54) San Fernando Valley, California, U.S.
Resting place	Chapel of the Pines Crematory
Occupation	Actress
Years active	1912–1946
Spouse(s)	Francis McDonald ​ ​ (m. 1915; div. 1922)​ John Earl Cassell ​ ​ (m. 1926; div. 1929)​ Thomas C. Tate ​ ​ (m. 1936; her death 1946)​
Signature

Mae Busch (born Annie May Busch; 18 June 1891 – 20 April 1946)^[1][2][3] was an Australian-born actress who worked in both silent and sound films in early Hollywood. In the latter part of her career she appeared in many Laurel and Hardy comedies, frequently playing Hardy's shrewish wife.

Early life and career[]

Busch in the film publication the Stars of the Photoplay, 1924

Busch was born in Melbourne, Victoria to popular Australian vaudeville performers Elizabeth Maria Lay and Frederick William Busch.^[4] Her mother had been active since 1883 under the stage names Dora Devere and then Dora Busch; she toured India with Hudson's Surprise Party and toured New Zealand twice.^[5] They continued to tour with various companies with short breaks when their two children were born, Dorothy in 1889 (who lived for only 4 months) and Annie May in 1891. Following a concert tour of New Zealand, the family left for the United States via Tahiti.^[6] They departed on 8 August 1896 and arrived in San Francisco at the end of 1896 or in early 1897.

While her parents were touring the United States, 6-year-old Annie May was placed in a convent school in New Jersey. At the age of 12, she joined her parents as the Busch Devere Trio, which was active from 1903 until 1912. As Mae Busch she performed with her mother in Guy Fletch Bragdon's "The Fixer" to good reviews, and in 1911 they featured in Tom Reeves' "Big Show Burlesque". Mae's big break came in March 1912 when she replaced Lillian Lorraine as the lead female in "Over the River" with Eddie Foy.^[7]

Mae's first film appearances are reputed to be in and The Water Nymph, both released in 1912. There is some doubt about Mae's being in these films, though, as the production of both films in California appears to clash with Busch's commitments in New York.^{[citation needed]} In 1915 she began working at Keystone Studios, where she appeared in comedy two-reelers. Her dalliance with studio chief Mack Sennett famously ended his engagement to actress Mabel Normand—who had actually been Busch's mentor and friend—when Normand walked in on the pair. According to some accounts, Busch, who was known for pinpoint throwing accuracy, inflicted a serious head injury on Normand by striking her with a vase.

At the pinnacle of her film career, Busch was known as the versatile vamp. She starred in such feature films as The Devil's Pass Key (1920) and Foolish Wives (1923), both directed by Erich von Stroheim, and in The Unholy Three (1925), with Lon Chaney. Her career declined abruptly after 1926, when she walked out on her contract at Metro–Goldwyn–Mayer and suffered a nervous breakdown.^[8] Afterwards, she found herself working for less prestigious studios such as and Tiffany, where she was relegated mostly to supporting roles.^[8]

In 1927, she was offered a leading role in a Hal Roach two-reeler, Love 'em and Weep, which began her long association with Laurel and Hardy. She appeared in 13 of their comedies, often as shrewish, gold-digging floozies (Chickens Come Home, Come Clean), a volatile wife of Oliver Hardy (Sons of the Desert, Their First Mistake), or more sympathetic roles (Them Thar Hills, Tit for Tat, The Fixer Uppers). Her last role in a Laurel and Hardy film was in The Bohemian Girl, again as a combative spouse of Hardy's, released in 1936. Her film roles after 1936 were often uncredited. Overall, she had roles in approximately 130 motion pictures between 1912 and 1946. Jackie Gleason later mentioned her name on his TV show as "the ever-popular Mae Busch".

In 2014 The Grim Game, the believed-lost 1919 film that was the first feature to star Harry Houdini, was discovered and restored by Rick Schmidlin for Turner Classic Movies.^[9] Busch appears, credited as Bush.

Personal life and death[]

Busch was married three times: to actor Francis McDonald (1915–22), to John Earl Cassell (1926–29), and to civil engineer Thomas C. Tate (1936–her death).

Busch died on 20 April 1946, age 54, at a San Fernando Valley sanitarium where she had been ill for five months with colon cancer.^[10]

For her contributions to the film industry, Busch was inducted into the Hollywood Walk of Fame in 1960 with a motion pictures star located at 7021 Hollywood Boulevard.^[11]

In the 1970s it was discovered that her ashes had remained unclaimed; the Way Out West Tent, a chapter of The Sons of the Desert (the international Laurel and Hardy appreciation society), paid for their interment at Chapel of the Pines Crematory.^[12] The memorial plaque is incorrectly dated 1901.^[13]

Selected filmography[]

References[]

Citations

Bibliography

• "Death Claims Mae Busch, 54". The Los Angeles Times. p. A1.
• Maltin, Leonard (1973). The Laurel and Hardy Book. New York: Curtis.

External links[]

Wikimedia Commons has media related to Mae Busch.

• Works by or about Mae Busch at Internet Archive
• Mae Busch at IMDb
• Mae Busch at Find a Grave
• Mae Busch at Virtual History
• Mae Busch at the Way Out West Tent