Music of Auvergne

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Music of France
General topics
Composers History Festivals Musical instruments
Genres
gregorian classical opera folk chanson nouvelle chanson cancan musette cabaret popular yé-yé pop jazz rock hip hop house electronic celtic
Media and performance
Music awards Victoires de la Musique Prix Constantin NRJ Music Awards Music charts SNEP Music festivals Aix-en-Provence Bourges Eurockéennes Francofolies Hellfest Interceltique Rock en Seine Vieilles Charrues
Nationalistic and patriotic songs
National anthem "La Marseillaise"
Regional music
Local forms Auvergne Aquitaine Brittany Burgundy Corsica Gascony Limousin Other regions French Polynesia and Tahiti Guadeloupe Guiana Martinique New Caledonia Réunion
v

Auvergne is a region in France. Its best-known form of folk music is that played on the cabrette (little goat in Auvergnat), a bagpipe made of goatskin. This is used to play swift, 3/8 dance music, slow airs (regrets) and other styles. The traditional master taught many modern players, including , and . Other styles of music include the shepherd's calls known as ballero.

Joseph Canteloube was a well-known composer from Auvergne in the early 20th century, and produced a famous collection of folk music called Songs of the Auvergne.

The hurdy-gurdy became the basis for bal-musette music, which arrived in Paris by 1880 as a result of Auvergnat migration. The influence of Antoine Bouscatel led to bal-musette incorporating the Italian accordion, which soon came to dominate the music. This is the period that produced internationally known masters like , Emile Vacher and . Vacher's light style, rhythmic nature and distinctive tremolo defined the genre for many audiences in France and beyond. During World War I, elements of American jazz became a part of bal-musette. The style also became the basis for a genre called .

Other Auvergnat musicians include and Jean-Louis Murat.