Norman Zamcheck

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Norman Zamcheck
Birth nameNorman Zamcheck
Born(1947-02-23)February 23, 1947
Washington, D.C., United States
GenresBlues, Boogie Woogie, Jazz, Vaudeville, Rock, Folk Cabaret, Musical Theater
Occupation(s)Pianist, compser singer/songwriter
Associated actsStormin' Norman and Suzy, The Real Stormin' Norman

"The Real Stormin" Norman Zamcheck (born 1947) is an American pianist and singer/songwriter, best known as bandleader of the New York-based Real Stormin' Norman Band, and the rock/vaudeville group Stormin' Norman and Suzy. Considered an innovator in the blues-ragtime revival, Zamcheck is known for his boogie-woogie blues, rag, and klezmer piano technique; his original long-form ballad songs; as well as for musicals and film soundtracks.

Life and career[]

Early career[]

Zamcheck was born in Washington, D.C., but raised in Newton, a suburb of Boston, Massachusetts. Zamcheck is a member of the Boston-based Zamcheck musical family. Alongside his siblings Mark and Erica (of The Make.,[1] Mother Zamcheck's Bacon Band,[2] and "Zamcheck"[3]), Zamcheck was an influential member of the New England rock scene of the early 1970's.[4][5][6]

Zamcheck's professional career began in 1969 as a songwriter and keyboardist for the rock collective Milkweed, composed of students from Yale University. Milkweed, an orchestral folk-rock group, played with major rock acts such as the Allman Brothers, Jimmy Buffett, and John Hammond Jr., during the 1970 and 1971 summer music festival seasons.[7] Soon after leaving Milkweed in 1971, Zamcheck began a decades-long collaboration with singer Suzy Williams of Venice, California.

Stormin' Norman and Suzy[]

The duo, Stormin' Norman and Suzy, released their first LP, "Fantasy Rag", on Perfect Crime Records, in 1975, and toured throughout New England playing clubs, saloons, and hotels.[8] Stormin' Norman and Suzy signed to Polydor Records in 1976,[9][10] and released their second LP, "Ocean of Love".[11] With a newly formed Stormin' Norman and Suzy Band including the musicians Mark Ribot,[12] Mark Schulman, and Joe Dimone, they moved to New York to begin an open residency at Tramp's Cabaret, an event the New York Times called "The Hottest Act in Town".[13] With positive reviews from major media publications,[14][15] the Stormin' Norman and Suzy Band went on to play events at Carnegie Hall, network television showcases,[16][17] and toured with acts including Bette Midler, Tom Waits,[18] Loudon Wainwright III, Roosevelt Sykes, and The Manhattan Transfer. The band embarked on an international tour in 1979. In 1980, they began a 2-month-residency at the Hotel Palmas in The Canary Islands.[19]

During the early 1980's, Stormin' Norman and Suzy developed musicals,[20] cabaret programs, and various collaborations, including a tour with Moses Pendleton's Pilobolus Dance Company.[21] However, by the late 1980's, Suzy and Norman were pursuing independent projects. By 1989, Williams had moved back to Los Angeles to develop her solo career and her Venice-based big band, Suzy and the Solid Senders,[22] and SN&S had mostly stopped performing.

In 2007, after a two-decade hiatus, the Stormin' Norman and Suzy Band reunited for a tour on the east coast and released their third album, "Live at the P & G Bar".[23] They have toured again in 2008,[24] 2012, and 2014[25]

Real Stormin' Norman[]

In response to the proliferation of "Stormin' Norman's", Zamcheck initiated the moniker The Real Stormin' Norman in 2006, with the release of his CD "Everyone Tells a Story" (Abaraki).[26] Ending a decade-long break from public performance, Zamcheck's new band began performing regularly in New York. They have released four albums on the Abaraki label; Matchbox Universe,[27] Newton, 1969,[28] and The Oyster[29] in January, 2018.

The Real Stormin' Norman Band has been called "the longest running rock-big band gig in New York", with open-ended residencies at jazz and rock standards The Bitter End, The Shrine,[30] and Silvana's Lounge.[31] Long-term members include Tad McCully,[32] Pete O'Connel, Ryoku Fukishiro,[33] John "Gerry Putnam", Adrienne Asterita, "Even Stephen" Levee,[34] Rodger Bartlett, and others.[35]

Other works[]

In 1978, Zamcheck, together with Suzy Williams, collaborated with director Nicholas Ray (Rebel Without a Cause) on the soundtrack for Ray's final film, "We Can't Go Home Again". The duo appear throughout Ray's film, singing Zamcheck's song "Bless the Family"..[36] Thirty years later, Zamcheck contributed to the soundtrack for "Don't Expect Too Much", a documentary about the making of "We Can't Go Home Again". The original film, as well as the documentary, were released posthumously by Oscilloscope in 2012 at Lincoln Center, with a reunion performance by Stormin' Norman and Suzy.

Zamcheck has also written musicals, including "Cinderella Street" (performed with Suzy at the Silver Linings Cabaret Theatre in 1979)[37][1]; and "Checkov Shmekov", which debuted at the New York Musical Festival in January, 2018.[38]

Zamcheck was keyboardist for Andy Statman's Klezmer Orchestra in the early 90's, during their tours of Europe and Israel.[39]

Musical style[]

During the Stormin' Norman and Suzy years, critics focused on Zamcheck's ragtime, vaudeville, and old-timey style. The New York Times critic Robert Palmer deemed Zamcheck "a turpentine camp blues pianist, a turn-of-the-century-jazz and ragtime ivory tickler",[40] while Rolling Stone critic Robert Christgau considered Zamcheck's songs to be "piquant 20's camp".[41] Critics generally referred to SN&S's eclecticism, and disagreed as to whether the duo was a nostalgic comedy act -"A down-and dirty dance-hall duo that might've entertained cowpokes in the wild west" (Washington Post);[42] or a serious musical project; "exceptionally original…. modern without sounding strident…." (New York Times).[43] SN&S were generally seen as a divergence from rock trends of the late 70's, as described in a 1976 profile in The New York Times; "In New Jersey's recent rock revival, Bruce Springsteen is being touted as the biggest sensation since Sinatra; his cronies, Southside Johnny and the Asbury Dukes, have a large club following and Jersey‐born Patti Smith is being pushed as a national star. But here at Upsala College, a small, sleepy school where intimacy seems pleasant, not oppressive, many students seemed to prefer the folksy, slightly nostalgic approach of Stormin' Norman and Suzy (and their hack‐up band) to the piercing sound of hard rock".[44]

Other critics focused on Suzy's star power, and questioned the potential of SN&S as a vehicle for Zamcheck's music; "Stormin' Norman and Suzy have returned to [Tramps], the room where they have acquired a following. Suzy is a funny, racy, slightly atavistic cross between a Texas Guinean and a contemporary folkie, but Stormin' Norman would be better christened vaguely Competent Norman; she deserved a better band". (New York Magazine, 1977);[45] "Norman writes the songs and the band mugs and clowns while performing them, but the focus is Suzy. With the voice and the generally cut floozy appearance of a fresh Janis Joplin, Suzy delivers an off-the-wall performance of jazzy-blues and barroom rag" (Billboard).[46] In a similar vein, Norman was considered a nuisance to his own songs in the Rolling Stone review of Fantasy Rag; "Suzy Williams's natural echo, which calls up images of riverboats and cathouse pianos despite the thin recording. Unfortunately, Norman Zamcheck's voice calls up images of an account executive fulfilling his inner nature".[47]

Discography[]

  • Fantasy Rag (Perfect Crime, 1975)
  • Ocean of Love (Polydor, 1976)
  • Everyone Tells a Story (Abaraki 2008)
  • Stormin' Norman and Suzy: Live at P & G Bar (Abaraki, 2009)
  • Matchbox Universe (Abaraki, 2010)
  • Newton, 1969 (Abaraki, 2016)
  • The Oyster (Abaraki, 2018)

Other appearances[]

  • Andy Statman – Andy's Ramble (Rounder Records, 1994)[48]
  • The Andy Statman Klesmer Orchestra- Jewish Music Institute (WEA, 1986)[49]

References[]

  1. ^ "The Make". Music Museum of New England. Retrieved 2018-02-28.
  2. ^ Anyone (2006-07-19). "Newton Highlands: Mimi Kravitz and Paul Friedlander On Stage". Newton Highlands. Retrieved 2018-02-28.
  3. ^ "Back to Bond Street: An Interview with West End Legend Ray Shell". PopMatters. 2018-01-16. Retrieved 2018-02-28.
  4. ^ "About | John Cate". johncate.com. Retrieved 2018-02-28.
  5. ^ Susan Chaityn Lebovits, Susan Chaityn (February 5, 2006). ""Silver age of rock; Baby boom performers couldn't stay away"". The Boston Globe. Retrieved February 20, 2018.
  6. ^ "Sunday In The Common With The Allmans, 1969 | The Music Museum of New England". The Music Museum of New England. 2017-06-13. Retrieved 2018-02-28.
  7. ^ Spencer, Reid. "From May Day to iTunes, Yalie musicians reunite". Yale Alumni Magazine.
  8. ^ "Robert Christgau: CG: Stormin' Norman". www.robertchristgau.com. Retrieved 2018-05-01.
  9. ^ "RECORD WORLD" (PDF). Record World: 34. December 31, 1977 – via American Radio History.
  10. ^ Inc, Nielsen Business Media (1977-03-26). Billboard. Nielsen Business Media, Inc. pp. Signings.
  11. ^ Inc, Nielsen Business Media (1978-03-04). Billboard. Nielsen Business Media, Inc.
  12. ^ "Stormin' Norman & Suzy". www.laughtears.com. Retrieved 2018-02-28.
  13. ^ Palmer, Robert (1976-09-10). "A Hot New Act At the Cabarets". The New York Times. ISSN 0362-4331. Retrieved 2018-02-28.
  14. ^ "Stormin' Norman, Suzy in Wry Boogie". The New York Times. 1976-08-22. ISSN 0362-4331. Retrieved 2018-02-28.
  15. ^ Sumrall, Harry (1979-09-12). "Stormin' Norman and Suzy". Washington Post. ISSN 0190-8286. Retrieved 2018-02-28.
  16. ^ "Don Kirshner's Rock Concert". TVGuide.com. Retrieved 2018-02-28.
  17. ^ Terrace, Vincent (2013-06-19). Television Specials: 5,336 Entertainment Programs, 1936-2012, 2d ed. McFarland. ISBN 9780786474448.
  18. ^ "Performances: 1976 - 1980". www.tomwaitsfan.com. Retrieved 2018-02-28.
  19. ^ "Stormin? Norman and Suzy?s chemistry to light up Studzinski — The Bowdoin Orient". The Bowdoin Orient. Retrieved 2018-03-01.
  20. ^ LLC, New York Media (1984-01-30). New York Magazine. New York Media, LLC.
  21. ^ Black and Blue; Choreography; Pilobolus; Alison Chase, Moses Pendleton Music: Stormin' Norman, Suzy and the Frugtones (1980). "Black and Blue; Choreography; Pilobolus; Alison Chase, Moses Pendleton Music: Stormin' Norman, Suzy and the Frugtones" (PDF). American Dance Festival.CS1 maint: multiple names: authors list (link)
  22. ^ Jazz, All About. "Suzy Williams: Suzy Williams: Enjoy the Ride". All About Jazz. Retrieved 2018-03-01.
  23. ^ "STORMIN' NORMAN & SUZY – Live at the P&G Bar". Real Stormin Norman. 2016-08-11. Retrieved 2018-02-28.
  24. ^ Communications, Emmis (July 2005). Los Angeles Magazine. Emmis Communications.
  25. ^ "Stormin Norman and Suzy at the Red Lion Inn". Red Lion Inn.
  26. ^ "Every One Tells a Story - The Real Stormin Norman | Songs, Reviews, Credits | AllMusic". AllMusic. Retrieved 2018-02-28.
  27. ^ "Real Stormin' Norman - Home". www.zamcheck.net. Retrieved 2018-03-01.
  28. ^ "Newton 1969 Songs of a Very Young Man - The Real Stormin Norman | User Reviews | AllMusic". AllMusic. Retrieved 2018-02-28.
  29. ^ OYSTER, retrieved 2018-03-01
  30. ^ "Real Stormin' Norman Monthly Residency @ the Shrine". DoNYC.
  31. ^ "This Weekend's Kids & Family Activities in Bronx". Retrieved 2018-02-28.
  32. ^ "Tad McCully - Jazz Quartet New York City, NY". www.gigmasters.com. Retrieved 2018-02-28.
  33. ^ "Ryoju Fukushiro (Riyo) - Blog". Ryoju Fukushiro (Riyo) - Blog. Retrieved 2018-02-28.
  34. ^ "The Bass Master General". www.bassmastergeneral.com. Retrieved 2018-03-01.
  35. ^ Fuchs, Daniel. "Newton 'boogy-woogy' singer Norman Zamcheck comes home – for a night". Wicked Local. Retrieved 2018-02-28.
  36. ^ Scheibel, Will (2017-03-02). American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray. SUNY Press. ISBN 9781438464138.
  37. ^ Page, Tim (1984). "Going Out Guide;". The New York Times. ISSN 0362-4331. Retrieved 2018-02-28.
  38. ^ "CHEKHOV, SHMEKHOV... THE MUSICAL - New York Theater Festival". New York Theater Festival. 2016-02-08. Retrieved 2018-02-28.
  39. ^ Rubin, Joel (1992). Jewish Folklore and Ethnology Review. Simon Bronner. p. 33.
  40. ^ Palmer, Robert (1976-09-10). "A Hot New Act At the Cabarets". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  41. ^ "Robert Christgau: CG: Stormin' Norman". www.robertchristgau.com. Retrieved 2018-03-02.
  42. ^ Sumrall, Harry (1979-09-12). "Stormin' Norman and Suzy". Washington Post. ISSN 0190-8286. Retrieved 2018-03-02.
  43. ^ "Stormin' Norman, Suzy in Wry Boogie". The New York Times. 1976-08-22. ISSN 0362-4331. Retrieved 2018-03-02.
  44. ^ Beshears, Jack (1976-10-24). "New Music on The Campus". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  45. ^ LLC, New York Media (1977-01-10). New York Magazine. New York Media, LLC.
  46. ^ Inc, Nielsen Business Media (1976-12-18). Billboard. Nielsen Business Media, Inc.
  47. ^ "Robert Christgau: CG: Stormin' Norman". www.robertchristgau.com. Retrieved 2018-03-02.
  48. ^ "Andy's Ramble - Andy Statman | Credits | AllMusic". AllMusic. Retrieved 2018-02-28.
  49. ^ "transforming Lives through Jewish Music". JMI. Retrieved 2018-03-01.

Sources[]

  • Sheibel, Will (2017). American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray. Simon & Schuster. ISBN 978-1-4165-5120-1.
  • Rubin, Joel (1992). Jewish Folklore and Ethnology Review; "Notes from the field: Jewish Cultural Festivals in Europe". Simon Bronner.

External links[]

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