Tammy L. Kernodle

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Tammy L. Kernodle is a musicologist and the current President of the Society for American Music (2019–21).[1][2] Her academic writing and public intellectual work has highlighted Black women musicians like Mary Lou Williams, Meshell Ndegeocello, Alice Coltrane, and Melba Liston and has considered African American women's role in contemporary gospel music and jazz.[3][4][5][6][7]

Education[]

Kernodle holds a BM in choral music education and piano from Virginia State University, and an MA and PhD in music history from Ohio State University.[8]

Career[]

Kernodle has been professor of musicology at Miami University in Oxford, Ohio since 1997.[2][8] In 2018 she was awarded the Benjamin Harrison Medallion in recognition of "Outstanding Contribution to the Education of the Nation".[9] In 2019 Kernodle became President of the Society for American Music, a title she will hold through 2021.[1] With Lisa Barg, Dianthe Spencer, and Sherrie Tucker, Kernodle formed the Melba Liston Research Collective whose members work toward "the inclusion of women musicians and analyses of gender in the emerging jazz historiographical directions of 'new' jazz studies".[10]

Her book, Soul on Soul: The Life and Music of Mary Lou Williams, has been reviewed by Sherrie Tucker for ,[7] Chris J. Walker for JazzTimes,[11] and Edward M. Komara for the Music Library Association's quarterly Notes.[12]

Kernodle has contributed to NPR's "Turning the Tables" series (2019)[5][13] and to the Walker Art Center's digital exhibit "Creative Black Music".[14] She has appeared in several documentaries about the history of jazz, including The Girls in the Band (2011),[15] Mary Lou Williams: The Lady Who Swings the Band (2015),[16] and Miles Davis: The Birth of Cool (2020).[17]

She has been quoted or interviewed as an expert for The New York Times,[18] NPR's All Things Considered,[19][20] and Marketplace.[21]

Selected works[]

Books[]

Articles[]

Edited books[]

References[]

  1. ^ a b "Board of Trustees". Society for American Music. Retrieved 2021-01-19.{{cite web}}: CS1 maint: url-status (link)
  2. ^ a b "Kernodle elected President of the Society for American Music". Miami University. 2018-01-10. Retrieved 2021-01-19.{{cite web}}: CS1 maint: url-status (link)
  3. ^ Kernodle, Tammy L. (2020) [2004]. Soul On Soul: The Life of Mary Lou Williams. Urbana: University of Illinois Press. ISBN 978-0-252-08553-6. OCLC 1142759993.
  4. ^ Kernodle, Tammy L. (2013). "Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America". American Studies. 52 (4): 181–204. doi:10.1353/ams.2013.0109. ISSN 2153-6856. S2CID 143927603.
  5. ^ a b "Q&A with visiting guest Dr. Tammy Kernodle". McGill Schulich School of Music. 2020-10-16. Retrieved 2021-01-19.{{cite web}}: CS1 maint: url-status (link)
  6. ^ Contreras, Ayana (2020-12-07). "Mary Lou Williams, Writ Large". DownBeat. Retrieved 2021-01-19.{{cite web}}: CS1 maint: url-status (link)
  7. ^ a b Tucker, Sherrie (2007). "Reviews: 'Soul on Soul: The Life and Music of Mary Lou Williams,' by Tammy L. Kernodle". Women & Music. 11: 95–100. doi:10.1353/wam.2007.0022. S2CID 191459824 – via ProQuest. I fully expected that Tammy Kernodle's Soul on Soul: The Life and Music of Mary Lou Williams would extend my knowledge of the life and especially of the music of Mary Lou Williams, but I didn't expect that this book would also push me to think more critically about how to negotiate the available paradigms for talking about Williams, to up the ante for why it is so important to do critical work in musical biographies, and to present, by example, a host of alternative models.
  8. ^ a b "Tammy L. Kernodle, Musicology". Miami University.{{cite web}}: CS1 maint: url-status (link)
  9. ^ "Tammy Kernodle awarded Benjamin Harrison Medallion". Miami University. 2018-04-11.{{cite web}}: CS1 maint: url-status (link)
  10. ^ Barg, Lisa; Kernodle, Tammy; Spencer, Dianthe; Tucker, Sherrie (2014). "Introduction". Black Music Research Journal. 34 (1): 2. doi:10.5406/blacmusiresej.34.1.0001. JSTOR 10.5406/blacmusiresej.34.1.0001 – via JSTOR.
  11. ^ Walker, Chris J. (Dec 2004). "Soul on Soul: The Life of Mary Lou Williams by Tammy Kernodle". JazzTimes. 34 (10): 122. hdl:2027/mdp.39015057437140 – via HathiTrust.
  12. ^ Komara, Edward M. (June 2005). "Soul on Soul: The Life and Music of Mary Lou Williams". Music Library Association. Notes. 61 (4): 1019–1021 – via ProQuest.
  13. ^ "Turning The Tables: 8 Women Who Invented American Popular Music". NPR.org. Retrieved 2021-01-19.
  14. ^ Kernodle, Tammy L. (2020). "Beyond the Chord, the Club, and the Critics: A Historical and Musicological Perspective of the Jazz Avant-Garde". walkerart.org. Retrieved 2021-01-19.{{cite web}}: CS1 maint: url-status (link)
  15. ^ "The Girls in the Band". IMDb.{{cite web}}: CS1 maint: url-status (link)
  16. ^ "Mary Lou Williams: The Lady Who Swings the Band (2015)". IMDb.{{cite web}}: CS1 maint: url-status (link)
  17. ^ "Miles Davis: Birth of the Cool". IMDb.{{cite web}}: CS1 maint: url-status (link)
  18. ^ Russonello, Giovanni (2020-02-22). "Overlooked No More: Valaida Snow, Charismatic 'Queen of the Trumpet'". The New York Times. ISSN 0362-4331. Retrieved 2021-01-20.
  19. ^ Elliott, Debbie (March 25, 2006). "Roberta Flack, In Full Voice on America's Soundtrack". NPR (Weekend All Things Considered). Retrieved 2021-01-20.{{cite web}}: CS1 maint: url-status (link)
  20. ^ Gathright, Jenny (September 11, 2019). "Mary Lou Williams, Missionary Of Jazz". NPR. Retrieved 2021-01-20.{{cite web}}: CS1 maint: url-status (link)
  21. ^ "What live music looks like during a pandemic". Marketplace. 2020-09-11. Retrieved 2021-01-20.
  22. ^ "The Grove Dictionary of American Music". Oxford Music Online. Retrieved 2021-01-20.
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