The Anomaly (novel)

The Anomaly

2020 Gallimard 'Collection Blanche' edition
Author	Hervé Le Tellier
Original title	L'anomalie
Translator	Adriana Hunter
Country	France
Language	French
Publisher	Éditions Gallimard
Publication date	20 August 2020
Published in English	2021
Pages	336
Awards	Prix Goncourt (2020)
ISBN	978-2-0728-9509-8
OCLC	1187223605
Dewey Decimal	843/.914
LC Class	PQ2672.E11455 A86 2020

The Anomaly (French: L'anomalie) is a 2020 novel by French writer Hervé Le Tellier. It was published by Éditions Gallimard on 20 August 2020.^[1] An English translation by Adriana Hunter is scheduled to be published by Other Press in November 2021.^[2]

The novel received positive reviews from the literary press. It received the Prix Goncourt on 30 November 2020.^[3]

Summary[]

An Oulipian work, it is structured around three parts, Aussi noir que le ciel, La vie est un songe dit-on, and La chanson du néant, whose names are taken from the poetry of Raymond Queneau. The novel asks several questions about the reality of the world and fiction.

Style[]

Organized like a "novel of novels",^[4] L'Anomalie begins with the presentation of several characters, in as many chapters written according to the stylistic codes of different genres, from thriller to the psychological novel, from littérature blanche to the introspective narrative. The reader quickly understands that an event, the "anomaly" of a Paris–New York flight in March 2021, is the link between all these characters.

Annick Geille wrote that Le Tellier seems inspired by the "postmodern science fiction" of the cyberpunk subgenre.^[5] The work is structured similarly to that of a television series script.^[6][5] The novel contains many literary allusions.^[7]

Le Tellier described the novel as a scoubidou.^[8]

Characters[]

In order of appearance in the novel.

• Blake – Hitman, French, leading a double life.
• Victor Miesel – Unsuccessful writer who committed suicide before publishing his latest novel: L'Anomalie, which developed a cult following. The character was inspired by two dead writers, including Edouard Levé, and two living writers, friends of Le Tellier.^[9] Hervé Le Tellier published a portrait of Miesel, illustrated by Frédéric Rébéna, in Libération on 1 August 2021.^[10]
• Lucie Bogaert – French film editor. Her relationship with André, an architect thirty years her senior, is dysfunctional.
• David Markle – American airline pilot who suffers from pancreatic cancer that was detected too late.
• Sophia Kleffman – Seven-year-old girl; daughter of a United States soldier serving in Afghanistan and Iraq.
• Joanna Woods – African-American lawyer defending a large pharmaceutical firm.
• Slimboy – Nigerian gay singer, tired of living a lie.
• Adrian Miller – American mathematician of probability, teacher at Princeton University.
• Meredith Harper – British mathematician of topology, teacher at Princeton University.
• Jamy Pudlowski – Agent of the Federal Bureau of Investigation, in charge of Psychological operations (PSYOP).
• André Vannier – French architect, manager of Vannier & Edelman. His relationship with Lucie, who is thirty years younger than him, is threatened.

Final page[]

The final page of the novel is in the form of a calligram.^[6] The last sentence leaves the reader with some work of creative interpretation. The letters, in increasing number, disappear from the page while the width of the lines decreases until there is only one character. It is an invitation to readers to restore an absent text. The first words are easy to guess: "et la tasse à café rouge de mar e I y da la ma de ctor" can be read "et la tasse à café rouge de marque Illy dans la main de Victor Miesel," and the following sentence could be: "et le diamant noir sur la bague d'Anne Vasseur."^{[citation needed]}

The rest of the work is more difficult. Among others, there is the series of letters "u.l.c.é.r.a.t.i.o.n.s.," a reference to the extended heterogrammatic poem "Ulcérations" by Georges Perec, which in 1974 was the first publication of La Bibliothèque oulipienne. The last three letters can be read as forming the word "mot" (English: word) vertically. The five preceding ones release yet another meaning, "sable fin" (English: fine sand), which evokes the granularity of time.^{[citation needed]} However, if these last lines in the shape of an hourglass provide a key to the novel, it is a deliberately incomplete key. During a round table discussion held on 14 May 2021 at the  [fr] in Paris, Hervé Le Tellier and nine of the translators of L'anomalie spoke at length about the final page.^[11] While confirming the existence of an underlying text, the author refused to make it known, preferring to leave it to readers and translators to reconstruct it.

Publication[]

On 4 January 2021, the novel reached a circulation of 820,000 copies.^[9] On 6 May 2021, a circulation of one million copies was declared by Éditions Gallimard and GfK; this figure constitutes a threshold rarely reached by a Prix Goncourt-winning novel.^[12]

According to Challenges, thirty-seven translations were in progress as of January 2021.^[13]

Reception[]

Upon its release, the novel was selected to compete for the Prix Goncourt, Prix Renaudot, Prix Médicis, Prix Décembre, Prix du roman Fnac and Prix Wepler.^[1] It was awarded the Prix Goncourt on 30 November 2020. The prize was announced through a Zoom video link, the first time in history, due to the COVID-19 pandemic. The prize was also delayed, in solidarity with bookstores that were forced to shut down due to lockdowns.^[3]

Derivative works[]

The writer  [fr] wrote a pastiche of the novel, entitled L'Anomalie du train 006 de Brive, published by Éditions Herodios in June 2021.^[14][15] Hervé Le Tellier wrote the preface to the book.^[16]

Television adaptation[]

During an online "literary café" organized by the Escales des Lettres on April 16, 2021, Hervé Le Tellier announced that a television adaptation of the novel is in production.^[17]

References[]