Tin Machine II

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Tin Machine II
The European album cover, showing 4 Greek Koroi statues and the name of the band
The unedited European album cover
Studio album by
Tin Machine
Released2 September 1991 (1991-09-02)
3 September 1991 (1991-09-03) (North America)[1]
RecordedSydney September 1989 (1989-09) – November 1989 (1989-11); April 1990 (1990-04); September 1990 (1990-09) – October 1990 (1990-10); Los Angeles, March 1991 (1991-03)
Studio
Various
GenreRock, hard rock, art rock[2]
Length49:07
LabelVictory Music/London
Producer
Tin Machine chronology
Tin Machine
(1989) 		Tin Machine II
(1991) 		Tin Machine Live: Oy Vey, Baby
(1992)
Singles from Tin Machine II
  1. "You Belong in Rock n' Roll"
    Released: August 1991
  2. "Baby Universal"
    Released: October 1991
  3. "One Shot"
    Released: November 1991
US album cover
The US album cover, with the Kouroi's penises airbrushed out
The US album cover, with the Kouroi's penises airbrushed out

Tin Machine II is the second and final studio album by Anglo-American rock group Tin Machine, released by Victory Music in 1991. Supported by 3 singles, the album peaked at number 23 in the UK, though it only made it to number 126 in the US.

The band's label, Victory Music, went bankrupt after the album's release, leading to it being mostly unavailable for purchase until 2020, when it was given its first major reissue on both vinyl and CD.

After supporting the album with the It's My Life Tour (1991–92), Tin Machine dissolved and frontman, singer and songwriter David Bowie resumed his solo career alongside guitarist Reeves Gabrels, a partnership that would continue through the end of the decade.

Recording[]

The band reconvened following their 1989 tour, recording most of the album in Sydney.[3] The band played an impromptu show at a small Sydney venue on 4 November 1989, which prompted a rebuke from the local musician's union[4] before taking a rest while David Bowie conducted his solo Sound+Vision Tour and filmed The Linguini Incident.

In describing this album, guitarist Reeves Gabrels said "this album is as aggressive as the first one, but the songs are more melodic. Last time, we were screaming at the world. This time, I think, they're all love songs in a strange kind of way",[5] and he joked that his personal playing style was something his friends called "modal chromaticism, which is 'any note you want as long as you end on a right note.'"[6] In another contemporary interview, he said "we didn't set out to do anything different or anything the same [as the first album] ... If anything the approach was more like doing a record / album as opposed to the first record, which was sort of a live documentary of the band running into each other in the studio."[1]

Gabrels later stated that at the time he was deeply into Nine Inch Nails' album Pretty Hate Machine and was looking for an industrial edge to his own guitar work for the album. Ultimately (after recording track after track of guitar noise), he found a "shard of guitar noise" that he liked and used it on the album track "Shopping for Girls,"[7] a song about child prostitution in Thailand.[6] Said Bowie, "That song actually came out of an investigative magazine article that Reeves' wife wrote on child prostitution around the world. And one of the places she went to was Thailand. Reeves had the rather unsavory job of hiring the children and then getting them out of the brothels to Sara, who could then interview them. We were just talking about those experiences one night. And I've also been in Thailand and witnessed the same kind of thing. The actual approach of how to write the song was quite devastating. 'Cause it was so easy to slip into sensationalism. I tried all kinds of ways of approaching it … the moral point of view … and I just ended up doing it straight narrative. That seems to make it stronger than any other approach."[8]

"If There Is Something", a Roxy Music cover, was the second song that the band recorded, after "Heaven's in Here."[9] Said Bowie, "we were so exhausted that we didn't have it in us to write another song, so we used an old song to show how we as a band would approach someone else's material."[9] However, it was set aside after recording, and shelved until this album.[8] Bowie said "we pulled it out to see how it sounded. We really got off on it."[9] Bowie said that he had to get the lyrics from a Japanese release of the original album, acknowledging that the lyrics he sang in the cover might not actually be accurate.[1]

The track "Goodbye Mr. Ed" was started as a jam the band used to tune up one day. Tony Hunt recalled "We all came back from lunch and David had written a whole sheet of lyrics for it, and then he put the vocal on later with the melody." Bowie described the meaning of the song saying, it "is very much juxtaposing lines which really shouldn't fit, free-association around the idea of 'bye-bye, '50s America.' New York once belonged to the Manahattos — a tribe that used to have that bit of land before it became Manhattan. That was the first real, solid image I had ... I thought, 'That's what this song's about.'[6]

The group signed to [10] and added three further tracks in Los Angeles, with Hugh Padgham (producer of Bowie's 1984 album Tonight) overseeing the song "One Shot".[11] Gabrels later said the band was pressured by Victory Music's owner Phil Carson to re-record "One Shot" with Padgham because "radio would play the song if they saw Hugh’s name", but in essence the original and released version of the song were "nearly identical." Gabrels said "the only difference is the hi-hat pattern. And I think the guitar solo is better on the Hugh version."[12] Hunt Sales took lead vocals on two tracks: "Stateside" and "Sorry".[11]

The song "Betty Wrong" is featured in the 1990 film The Crossing.

Artwork[]

The album's cover was created by Edward Bell, who had previously worked with Bowie in making artwork for Scary Monsters (and Super Creeps). In a manner similar to pop art, it consists of a photo of the Kroisos Kouros repeated fourfold. The original concept had each one overlaid with torn pieces of photos of each member to represent them (except for Gabrels', which featured a cutout of a Steinberger guitar).[13] A mock-up of this original and unreleased design was put up for auction by Bell (among other Bowie and Tin Machine-era items) in mid-2021 with an expected price of more than $3000, and sold for nearly twice that amount.[14] The photo that would have represented Bowie was used to emblazon the CD label.

Censorship[]

For the American release of the album, the cover was airbrushed to remove the genitalia of the Kouroi statues.[8] "Even Canada has the original cover," Bowie said, "Only in America ..."[15] Bowie floated the idea of allowing American album-buyers to send away to the record company for the genitalia that were struck from their version of the cover, but the label balked. He said: "then [the fans] could paste them back on. But the label freaked out at the idea. Sending genitals through the mail is a serious offense."[8]

Release and reviews[]

Professional ratings
Review scores
SourceRating
AllMusic3/5 stars[16]
Blender1/5 stars[17]
Entertainment WeeklyC[18]
MusicHound"woof!"[19]
The New York Timesfavourable[20]
Q3/5 stars[21]
Select1/5[22]
Trouser Pressunfavourable[23]

Less successful than the band's debut album, Tin Machine II peaked at No. 23 in the UK and No. 126 in the USA. It received generally poor reviews on release,[17][21] although it achieved success on the Modern Rock chart in the USA, where "Baby Universal" reached No. 21, and "One Shot" became an even bigger hit, reaching No. 3. Q magazine, in a review that stated on the cover the question "Are Tin Machine Crap?", felt that this album did not "quite match up to their wonderfully overwrought but sadly under bought debut", while praising such individual tracks such as "If There Was Something", "You Belong in Rock 'n' Roll" and "Shopping for Girls".[21] There were positive reviews, with one reviewer finding the album "a return to raw form" and called it "the best music Bowie's released since 1980s Scary Monsters",[11] while another found the album "well-conceived and well-executed", only lamenting that it had perhaps been released before radio listeners were ready to hear it.[16] Yet another critic praised Gabrels' guitar work as "two parts Robert Fripp, one part Eddie Van Halen and one part speeding ambulance" in a review that also praised the album.[24] In 2010 and again in 2015, Uncut magazine placed the album on their list of 50 Great Lost Albums (their list of great albums not currently available for purchase), calling the album "extraordinary".[25][26]

In the late 1990s, some critics have suggested that the album was "unjustly" harshly reviewed at the time of its release.[27][28]

In 2020, the Bowie estate announced that the album would be re-released for the first time since its original release in 1991, via reissue label Music on Vinyl, on both vinyl and CD,[29] with the reissue reaching store shelves on July 17 of that year. However, Gabrels immediately stated after the initial announcement that neither he nor producer Tim Palmer knew anything about the re-release.[30]

Live performances[]

The band supported the album with a seven-month tour called the "It's My Life Tour", which started in late 1991 and ran through early 1992. They recorded one show for fans on 1 September 1991 at the Los Angeles airport which was taped for broadcast in America as part of the ABC In Concert series (aired on 6 September 1991).[1] They appeared as the musical guest on Saturday Night Live's 17th season at the end of November 1991.[1] Tracks from this and the first Tin Machine album were released on Tin Machine Live: Oy Vey, Baby (1992).

Track listing[]

All tracks are written by David Bowie and Reeves Gabrels, except where noted.

No.TitleWriter(s)Length
1."Baby Universal" 3:18
2."One Shot"Bowie, Gabrels, Hunt Sales, Tony Fox Sales5:11
3."You Belong in Rock n' Roll" 4:07
4."If There Is Something"Bryan Ferry4:45
5."Amlapura" 3:46
6."Betty Wrong" 3:48
7."You Can't Talk"Bowie, Gabrels, H. Sales, T. Sales3:09
8."Stateside"Bowie, H. Sales5:38
9."Shopping for Girls" 3:44
10."A Big Hurt"Bowie3:40
11."Sorry"H. Sales3:29
12."Goodbye Mr. Ed"Bowie, H. Sales, T. Sales3:24
13."Hammerhead" (instrumental) (hidden track)Bowie, H. Sales0:57

"Hammerhead" is an edit from the longer vocal version that was issued as the B-side for some releases of the "You Belong in Rock 'n' Roll" and "One Shot" singles.

Personnel[]

Tin Machine – producers, mixing

  • David Bowie – lead (1–7, 9, 10, 12) and backing (8, 11) vocals, rhythm guitar, piano, saxophone
  • Reeves Gabrels – guitar, backing vocals, vibrators, organ
  • Hunt Sales – drums, percussion, backing and lead (8, 11) vocals
  • Tony Sales – bass, backing vocals
production

Charts[]

Album

Chart (1991) Position
Austrian Albums (Ö3 Austria)[31] 25
Dutch Albums (Album Top 100)[32] 33
German Albums (Offizielle Top 100)[33] 56
Norwegian Albums (VG-lista)[34] 14
Swedish Albums (Sverigetopplistan)[35] 19
UK Albums (OCC)[36] 23
US Billboard 200[37] 126

References[]

  1. ^ Jump up to: a b c d e Tin Machine Rockline Interview 1991. Retrieved 8 August 2021.
  2. ^ "David Bowie's genre-hopping career". 12 January 2016. Retrieved 10 March 2017.
  3. ^ Du Noyer, Paul (April 1990), "David Bowie (Interview)", Q, pp. 60–70
  4. ^ Mann, Tom (12 January 2016). "David Bowie's Australia: Glass Spiders, Tin Machines, iconic videos and Molly Meldrum". Faster - Louder Junkee. Retrieved 3 March 2016.
  5. ^ "Rock 'n Roll notes", Rolling Stone, 1991
  6. ^ Jump up to: a b c Resnicoff, Matt (September 1991), "Tin Machine's Progression of Perversions", Musician, no. 155, pp. 46–52, 94–95
  7. ^ "Changes 2.1" by Joe Gore, Guitar Player, June 1997, pp 45-58
  8. ^ Jump up to: a b c d di Perna, Alan (1991). "Ballad of the Tin Men". Creem. 2 (1): 50–59.
  9. ^ Jump up to: a b c O'Leary, Chris (2019). Ashes to Ashes The Songs of David Bowie 1976–2016. Repeater Books. ISBN 9781912248308.
  10. ^ Varga, George (1–7 January 1992). "David Bowie Music Interview". The Star Entertainment Weekly. 2 (5). Lynnwood, Washington. pp. 2, 10.
  11. ^ Jump up to: a b c Appleford, Steve (1991). "Tin Machine II Review". Creem. 2 (1): 59.
  12. ^ Ives, Brian (20 February 2017). "David Bowie: A Look Back at His '90s Era — When He Got Weird Again". Archived from the original on 28 March 2018. Retrieved 27 March 2018.
  13. ^ "Artist writes book about his friendship with music icon David Bowie" (video). BBC.com. 19 June 2017. Retrieved 13 March 2019.
  14. ^ "(Timed Auction - The David Bowie Collection of Artist Edward Bell, starts 16/07/2021 10:00, ending Sun, 1st Aug 2021 17:00)". June 2021. Retrieved 17 June 2021.
  15. ^ MacDonald, Patrick (20 December 1991). "Beaming Bowie excited about current direction of his life, music". The Seattle Times.
  16. ^ Jump up to: a b Allender, Mark. "Tin Machine II - Tin Machine | Songs, Reviews, Credits". AllMusic. Retrieved 12 January 2016.
  17. ^ Jump up to: a b "Tin Machine II". Blender.com. Retrieved 6 November 2011.[dead link]
  18. ^ "Tin Machine II Review", Entertainment Weekly, retrieved 8 January 2013
  19. ^ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, Michigan: Visible Ink Press. p. 151. ISBN 1-57859-061-2.CS1 maint: extra text: authors list (link)
  20. ^ Pareles, Jon (1 September 2013), "RECORDINGS VIEW; David Bowie Makes News With Noise", The New York Times, retrieved 29 October 2013
  21. ^ Jump up to: a b c Deevoy, Adrian (October 1991). "Tin Machine II Album Review". Q. p. 105.
  22. ^ Cavanagh, David (October 1991). "Tin Machine Tin Machine II". Select: 72.
  23. ^ Walker, John; Robbins, Ira; Neugebauer, Delvin. "David Bowie". TrouserPress.com. Retrieved 7 July 2016.
  24. ^ Pareles, John (1991). "Bowie's newest album rocks". The New York Times, Journal American.
  25. ^ "Uncut's 50 Greatest Lost Albums". NME. Retrieved 8 January 2013.
  26. ^ Uncut (17 April 2015). "Uncut's greatest lost albums". Uncut Magazine. Retrieved 19 July 2020.
  27. ^ Sprague, David (February 1997), "After a decade of missteps, David Bowie reinvents himself again ... and this time he's on target", Pulse!, no. 156, pp. 34–37, 72–73
  28. ^ Pond, Steve (March 1997). "Beyond Bowie". Live. pp. 38–41, 93.
  29. ^ "Tin Machine II due on MOV next month". 5 June 2020. Retrieved 5 June 2020.
  30. ^ "This news of a reissue of Tin Machine II comes as a complete surprise to me..." 5 June 2020. Retrieved 5 June 2020.
  31. ^ "Austriancharts.at – Tin Machine – Tin Machine II" (in German). Hung Medien. Retrieved 22 July 2020.
  32. ^ "Dutchcharts.nl – Tin Machine – Tin Machine II" (in Dutch). Hung Medien. Retrieved 22 July 2020.
  33. ^ "Offiziellecharts.de – Tin Machine – Tin Machine II" (in German). GfK Entertainment Charts. Retrieved 22 July 2020.
  34. ^ "Norwegiancharts.com – Tin Machine – Tin Machine II". Hung Medien. Retrieved 22 July 2020.
  35. ^ "Swedishcharts.com – Tin Machine – Tin Machine II". Hung Medien. Retrieved 22 July 2020.
  36. ^ "Official Charts: Tin Machine", Officialcharts.com, retrieved 23 May 2013
  37. ^ "Billboard Artists: Tin Machine", Billboard.com, retrieved 24 May 2013

Bibliography[]

  • Pegg, Nicholas, The Complete David Bowie, Reynolds & Hearn Ltd, 2004, ISBN 1-903111-73-0

External links[]

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