Titanic: Music from the Motion Picture
Titanic: Music from the Motion Picture | |
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Soundtrack album by James Horner | |
Released | November 18, 1997 |
Recorded | 1996–1997 |
Length | 72:31 |
Label | Sony Classical/Sony Music Soundtracks |
Singles from Titanic: Music from the Motion Picture | |
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Review scores | |
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Source | Rating |
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Titanic: Music from the Motion Picture is the soundtrack to the film of the same name composed, orchestrated, and conducted by James Horner. The soundtrack was released by Sony Classical/Sony Music Soundtrax on November 18, 1997.[1]
Riding the wave of the film's immense success, the soundtrack shot to the top of the charts in nearly two-dozen territories,[2] selling over 30 million copies, making it one of the top 100 best-selling albums in the United States.[3] It is one of the best-selling albums of all time, and the highest-selling primarily orchestral soundtrack ever.[4]
In 2012, the album, along with its successor Back to Titanic (1998), was re-issued as part of the Collector's Anniversary Edition set for the 3D re-release of the film. In 2017, La-La Land Records released the 20th Anniversary Edition in a limited edition 4-disc release.
Album information[]
Director James Cameron originally intended Enya to compose the music, and in fact put together a rough edit of the film using her music as a temporary soundtrack.[5] After she declined, he approached James Horner. Their relationship was strained after their first collaboration in Aliens, but the soundtrack of Braveheart made Cameron overlook it. Horner composed the soundtrack having in mind Enya's style; Norwegian singer Sissel Kyrkjebø performed the wordless vocals on the soundtrack.
Horner knew Sissel from the album Innerst i sjelen and he particularly liked how she sang the song Eg Veit I Himmerik Ei Borg ("I Know in Heaven There Is a Castle"). Horner had tried 25 or 30 singers and, in the end, he chose Sissel to sing the wordless tune.[6]
Céline Dion, who was no stranger to movie songs in the 1990s, since her contribution to Walt Disney's Beauty and the Beast, sang "My Heart Will Go On", the film's signature song written by James Horner and Will Jennings. At first, Cameron did not want a song sung over the film's ending credits, but Horner disagreed. Without telling Cameron, he went ahead and wrote the song anyway, and recorded Dion singing it. Cameron changed his mind when Horner presented the song to him. "My Heart Will Go On" became a worldwide smash hit, going to the top of the music charts around the world. "My Heart Will Go On" also ended up winning the 1997 Academy Award for Best Original Song as well as the Golden Globe Award for Best Original Song in 1998.
Other artists were invited to submit songs for the movie including contemporary Christian artist Michael W. Smith. He mentions in the liner notes to the song "In My Arms Again" from his 1998 album Live the Life;[7] "Inspired and written for the movie Titanic, grateful for the opportunity to send them a song; grateful it landed on this record."
For the choral background of certain tracks, Horner made use of a digital choir instead of a real one; after the orchestral music was recorded, Horner personally performed the synthesized choir over a playback of the recording.[8][9] The idea behind using electronics, rather than a real choir, stemmed from Horner wanting to avoid a 'church'-like sound.[10]
Principal leitmotifs[]
Throughout the film, the composer created themes for particular characters, events, locations, and ideas.[11]
- "Hymn to the Sea" — A sorrowful, melancholic theme which expresses the tragic side of the Titanic. It's also featured prominently in "Never An Absolution". This theme contains uilleann pipes and vocals by Sissel Kyrkjebø. An alternate version is first heard in the film's opening sequence. Furthermore, the track contains a menacing, descending, three-note motif which signifies the wreck of the ship and is first featured when Titanic's wreck site comes in view at the beginning of the film. A more dramatic and rousing version is heard when Rose jumps back on the ship to Jack, and when Jack and Rose reunite on the ship's Grand Staircase during the so-called dream sequence at the end of the film. Also used in the intro of My Heart Will Go On by Céline Dion, which is the theme to the movie.
- "Southampton" — Uplifting, adventurous and rather heroic-sounding theme which signifies the spectacle of the Titanic. This melody features an electronic choir and snare drum clumps. This theme is first heard when bringing the safe up to the research vessel Akademik Mstislav Keldysh. Parts of its can be heard in "Hymn to the Sea".
- "Distant Memories" — This leitmotif contains synth choir vocals and an aquatic, chiming tone. It represents the Heart of the Ocean and the history of the Titanic. This piece is first heard when old Rose is taken aboard the "Keldysh".
- "Rose" — The sentimental theme of the film that is associated with the romance between Jack and Rose. Whilst in the major key for the most parts, this leitmotif's rousing chorus modulates to the relative minor key. The theme features orchestral violin, strings and piano. Electronic choir intrudes at times. Sissel Kyrkjebø performs the wordless vocals of this theme, with Céline Dion singing this leitmotif in lyrical form (as "My Heart Will Go On"). This theme is first heard when Jack sees Rose for the first time on the deck and it would usually interpose during sequences when other music is playing, such as in "Hard to Starboard" and "Death of the Titanic".
- "Hard to Starboard" — This piece contains the ominous leitmotif associated with the iceberg (i.e. "Iceberg Theme"), which is first heard when the iceberg is spotted. It also contains a percussion-heavy, pulsating motif that corresponds to the peril and danger the characters endure during the sinking. Anvils are extensively used in this track.
- "Death of Titanic" — This track contains a descending, tumid and foreboding motif that also corresponds to peril and danger. It is played during the scene where the ship slowly starts to submerge into the ocean. To note, the descending cue is also heard in other tracks (i.e. "Unable to Stay, Unwilling to Leave"), such as when Jack and Rose are chased by Cal, although it sounds slightly altered.
- "2 1/2 Miles Down" — Although this track is mostly incidental, ambient music with droning synth voices and eerie strings,[12] it features the menacing, descending, three-note motif which signifies the wreck of the ship and is first featured when Titanic's wreck site comes in view at the beginning of the film, which is also heard in "Hymn to the Sea".
Commercial performance[]
Titanic: Music from the Motion Picture became the highest-selling primarily orchestral film score in history, with worldwide sales surpassing 30 million copies. The soundtrack quickly moved up the US Billboard 200, going from number eleven to number one on the chart in January 1998, keeping Shania Twain's Come On Over and Madonna's Ray of Light from reaching the top spot. It remained at the top for sixteen straight weeks until it was replaced by the Dave Matthews Band album Before These Crowded Streets. No album since has spent at least ten consecutive weeks at number-one. The soundtrack has been certified 11× Platinum for 11 million copies shipped in the United States,[13] becoming the best-selling album of 1998, and the fastest-certified soundtrack album ever.[14][15]
The soundtrack also hit number-one in at least 14 other countries, including the United Kingdom, Canada, and Australia. The soundtrack was certified 5× Platinum by the ARIA in Australia for 350,000 copies shipped.[16] It was certified 3× Platinum in the United Kingdom for over 900,000 copies shipped;[17] and was certified diamond by the CRIA in Canada for 1 million copies shipped.[18] The soundtrack is the best-selling non-Chinese CD album in Taiwan, selling 1.1 million copies.
The soundtrack's success led to the release of a second volume, called Back to Titanic which contained a mixture of previously unreleased soundtrack recordings and newly recorded performances of some of the songs in the film, including one track recorded by Clannad (of which Enya is an ex-member) singer, Máire Brennan. Back to Titanic was certified platinum by the RIAA.[19]
Track listing[]
Standard edition[]
All music is composed by James Horner, "My Heart Will Go On" lyrics written by Will Jennings.
No. | Title | Length |
---|---|---|
1. | "Never an Absolution" | 3:03 |
2. | "Distant Memories" | 2:23 |
3. | "Southampton" | 4:01 |
4. | "Rose" | 2:52 |
5. | "Leaving Port" | 3:26 |
6. | "Take Her to Sea, Mr. Murdoch" | 4:31 |
7. | "Hard to Starboard" | 6:52 |
8. | "Unable to Stay, Unwilling to Leave" | 3:56 |
9. | "The Sinking" | 5:05 |
10. | "Death of Titanic" | 8:26 |
11. | "A Promise Kept" | 6:02 |
12. | "A Life So Changed" | 2:13 |
13. | "An Ocean of Memories" | 7:57 |
14. | "My Heart Will Go On" (Lyric by Will Jennings, vocals by Céline Dion, produced by James Horner, Walter Afanasieff, and Simon Franglen) | 5:11 |
15. | "Hymn to the Sea" | 6:26 |
Two-Disc Anniversary Edition[]
All tracks are written by James Horner, "My Heart Will Go On" lyrics written by Will Jennings.
No. | Title | Length |
---|---|---|
1. | "Never an Absolution" | 3:03 |
2. | "Distant Memories" | 2:23 |
3. | "Southampton" | 4:01 |
4. | "Rose" | 2:52 |
5. | "Leaving Port" | 3:26 |
6. | "Take Her to Sea, Mr. Murdoch" | 4:31 |
7. | "Hard to Starboard" | 6:52 |
8. | "Unable to Stay, Unwilling to Leave" | 3:56 |
9. | "The Sinking" | 5:05 |
10. | "Death of Titanic" | 8:26 |
11. | "A Promise Kept" | 6:02 |
12. | "A Life So Changed" | 2:13 |
13. | "An Ocean of Memories" | 7:57 |
14. | "My Heart Will Go On" (Lyric by Will Jennings, vocals by Céline Dion, produced by James Horner, Walter Afanasieff, and Simon Franglen) | 5:11 |
15. | "Hymn to the Sea" | 6:26 |
All tracks performed by I Salonisti. Each tracks written by various composers as noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Valse Septembre" | Felix Godin (aka Henry Albert Brown) | 3:41 |
2. | "Marguerite Waltz" | Charles Gounod | 2:35 |
3. | "Wedding Dance" | Paul Lincke | 2:32 |
4. | "Poet and Peasant" | Franz von Suppé | 6:50 |
5. | "Blue Danube" | Johann Strauss II | 6:56 |
6. | "Song Without Words" | Pyotr Ilyich Tchaikovsky | 2:38 |
7. | "Estudiantina" |
| 3:12 |
8. | "Vision of Salome" | Archibald Joyce | 2:43 |
9. | "Titsy Bitsy Girl" |
| 1:37 |
10. | "Alexander's Ragtime Band" | Irving Berlin | 2:29 |
11. | "Sphinx" |
| 3:49 |
12. | "Barcarole" | Jacques Offenbach | 3:32 |
13. | "Orpheus" | Jacques Offenbach | 8:41 |
14. | "Song of Autumn" | Archibald Joyce | 3:54 |
15. | "Nearer My God to Thee" |
| 2:50 |
Four-Disc Anniversary Edition[]
All music is composed by James Horner, "My Heart Will Go On" lyrics written by Will Jennings.
No. | Title | Length |
---|---|---|
1. | "Never an Absolution" | 3:03 |
2. | "Distant Memories" | 2:23 |
3. | "Southampton" | 4:01 |
4. | "Rose" | 2:52 |
5. | "Leaving Port" | 3:26 |
6. | "Take Her to Sea, Mr. Murdoch" | 4:31 |
7. | "Hard to Starboard" | 6:52 |
8. | "Unable to Stay, Unwilling to Leave" | 3:56 |
9. | "The Sinking" | 5:05 |
10. | "Death of Titanic" | 8:26 |
11. | "A Promise Kept" | 6:02 |
12. | "A Life So Changed" | 2:13 |
13. | "An Ocean of Memories" | 7:57 |
14. | ""My Heart Will Go On"" (Lyric by Will Jennings, vocals by Céline Dion, produced by James Horner, Walter Afanasieff, and Simon Franglen) | 5:11 |
15. | "Hymn to the Sea" | 6:26 |
All music is composed by James Horner, except where noted.
No. | Title | Writer(s) | Artist(s) | Length |
---|---|---|---|---|
1. | "Titanic Suite" | James Horner | James Horner | 19:05 |
2. | "An Irish Party in Third Class" (includes "John Ryan's Polka" and "Blarney Pilgrim") | Traditional | Gaelic Storm | 3:48 |
3. | "Alexander's Ragtime Band" | Irving Berlin | I Salonisti | 2:31 |
4. | "The Portrait" | James Horner | James Horner | 4:44 |
5. | "Jack Dawson's Luck" (includes "Humours of Caledon", "The Red-Haired Lass", "The Boys on the Hilltop" & "The Bucks of Oranmore") | Traditional | James Horner | 5:39 |
6. | "A Building Panic" | James Horner | James Horner | 8:09 |
7. | "Nearer My God to Thee" |
| I Salonisti | 2:51 |
8. | "Come Josephine, in My Flying Machine" |
| Máire Brennan | 3:33 |
9. | "Lament" (includes "A Spailpín A Rún") | Traditional | James Horner | 4:37 |
10. | "A Shore Never Reached" | James Horner | James Horner | 4:27 |
11. | "My Heart Will Go On" (with dialogue from the film) |
| Celine Dion | 4:43 |
12. | "Nearer My God to Thee" |
| Eileen Ivers | 2:23 |
13. | "Epilogue – The Deep and Timeless Sea" | James Horner | James Horner | 12:38 |
All tracks performed by I Salonisti. Each tracks written by various composers as noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Valse Septembre" | Felix Godin (aka Henry Albert Brown) | 3:41 |
2. | "Marguerite Waltz" | Charles Gounod | 2:35 |
3. | "Wedding Dance" | Paul Lincke | 2:32 |
4. | "Poet and Peasant" | Franz von Suppé | 6:50 |
5. | "Blue Danube" | Johann Strauss II | 6:56 |
6. | "Song Without Words" | Pyotr Ilyich Tchaikovsky | 2:38 |
7. | "Estudiantina" |
| 3:12 |
8. | "Vision of Salome" | Archibald Joyce | 2:43 |
9. | "Titsy Bitsy Girl" |
| 1:37 |
10. | "Alexander's Ragtime Band" | Irving Berlin | 2:29 |
11. | "Sphinx" |
| 3:49 |
12. | "Barcarole" | Jacques Offenbach | 3:32 |
13. | "Orpheus" | Jacques Offenbach | 8:41 |
14. | "Song of Autumn" | Archibald Joyce | 3:54 |
15. | "Nearer My God to Thee" |
| 2:50 |
Each tracks performed by various artists as noted.
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "It's a Long Way to Tipperary" |
| John McCormack | 3:10 |
2. | "Let Me Call You Sweetheart" |
| Halfway House Dance Orchestra | 3:05 |
3. | "Vilia" | Guy Lombardo & His Orchestra | 2:44 | |
4. | "My Gal Sal" | Paul Dresser | Chick Bullock & His Levee Loungers | 2:57 |
5. | "Oh! You Beautiful Doll" |
| Chuck Foster & His Orchestra | 2:53 |
6. | "Martha" | Adrian Rollini Trio | 2:58 | |
7. | "In the Shade of the Old Apple Tree" |
| Duke Ellington & His Orchestra | 3:11 |
8. | "Waiting at the Church" |
| Beatrice Kay | 2:38 |
9. | "Frasquita Serenade" | John Kirby & His Orchestra | 2:40 | |
10. | "Shine On Harvest Moon" |
| Hal Kemp | 3:06 |
11. | "From the Land of the Sky Blue Water" |
| Mildred Bailey & Her Orchestra | 2:47 |
12. | "Loch Lomond" | Traditional | Maxine Sullivan & Her Orchestra | 2:57 |
13. | "A Hot Time in the Old Town Tonight" |
| Miff Mole's Molers | 2:46 |
14. | "Nearer My God to Thee" |
| Nelson Eddy | 3:10 |
20th Anniversary Edition[]
All music is composed by James Horner, except where noted.
No. | Title | Length |
---|---|---|
1. | "Logo/Main Title" | 2:28 |
2. | "2 1/2 Miles Down" | 10:33 |
3. | "To the Keldysh/Rose Revealed" | 1:43 |
4. | "Distant Memories" | 2:24 |
5. | "My Drawing/Relics & Treasures" | 1:52 |
6. | "Southampton" | 4:00 |
7. | "Leaving Port" | 3:27 |
8. | "Take Her to Sea, Mr. Murdoch" | 4:31 |
9. | "First Sighting/Rose’s Suicide Attempt" | 3:05 |
10. | "Jack Saves Rose" | 1:42 |
11. | "The Promenade/Butterfly Comb" | 2:40 |
12. | "Rose" | 2:54 |
13. | "The Portrait" | 1:58 |
14. | "Lovejoy Chases Jack and Rose" (Based of traditional Irish reel music, titled "Rakish Paddy") | 2:24 |
15. | "Lovemaking" | 2:26 |
16. | "Hard to Starboard (Extended Version)" | 7:42 |
17. | "Rose Frees Jack" | 2:41 |
All music is composed by James Horner.
No. | Title | Length |
---|---|---|
1. | "A Building Panic (Film Version)" | 7:25 |
2. | "Unable to Stay, Unwilling to Leave" | 3:56 |
3. | "Trapped on "D" Deck" | 8:46 |
4. | "Murdoch’s Suicide" | 0:37 |
5. | "The Sinking" | 5:06 |
6. | "Death of Titanic" | 8:25 |
7. | "A Promise Kept" | 6:03 |
8. | "A Life so Changed" | 2:14 |
9. | "A Woman’s Heart Is a Deep Ocean of Secrets" | 1:43 |
10. | "An Ocean of Memories" | 8:00 |
11. | "Post" | 2:44 |
All music is composed by James Horner.
No. | Title | Length |
---|---|---|
1. | "Never an Absolution" | 3:06 |
2. | "Trailer" | 4:12 |
3. | "The Portrait (Album Version)" | 4:43 |
4. | "Logo (Alternate Extended Version)" | 2:10 |
5. | "2 1/2 Miles Down (Alternate)" | 1:36 |
6. | "Southampton (Alternate)" | 3:05 |
7. | "Leaving Port (with Alternate Ending)" | 3:00 |
8. | "Leaving Port (Alternate)" | 2:15 |
9. | "Take Her to Sea, Mr. Murdoch (Alternate)" | 4:29 |
10. | "Rose (Alternate)" | 2:58 |
11. | "Piano Theme—The Portrait" | 5:00 |
12. | "Lovejoy Chases Jack (Alternate)" | 1:55 |
13. | "Hard to Starboard (Alternate)" | 6:50 |
14. | "A Building Panic (Album Suite)" | 8:05 |
15. | "Death of Titanic (Alternate)" | 8:29 |
16. | "A Promise Kept (Alternate)" | 4:32 |
17. | "Hymn to the Sea" | 6:26 |
Tracks performed by various artists as noted. Each tracks written by various composers as noted.
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | "Valse Septembre" | Felix Godin (aka Henry Albert Brown) | I Salonisti | 3:43 |
2. | "Marguerite Waltz" | Charles Gounod | I Salonisti | 2:34 |
3. | "Wedding Dance" | Paul Lincke | I Salonisti | 2:30 |
4. | "Poet and Peasant" | Franz von Suppé | I Salonisti | 6:48 |
5. | "Blue Danube" | Johann Strauss II | I Salonisti | 6:55 |
6. | "Song Without Words" | Pyotr Ilyich Tchaikovsky | I Salonisti | 2:37 |
7. | "Estudiantina" |
| I Salonisti | 3:11 |
8. | "Oh, You Beautiful Doll" |
| cond. William Ross | 2:12 |
9. | "Blarney Pilgrims" | Traditional | Gaelic Storm | 2:11 |
10. | "John Ryan’s Polka" | Traditional | Gaelic Storm | 2:53 |
11. | "Kesh Jig" | Traditional | Gaelic Storm | 1:59 |
12. | "Drowsy Maggie Dance" | Traditional | Gaelic Storm | 1:22 |
13. | "Come Josephine in My Flying Machine" |
| cond. William Ross | |
14. | "The Merry Widow" | Franz Lehár | cond. William Ross | 1:30 |
15. | "Méditation de Thaïs" | Jules Massenet | I Salonisti | 4:25 |
16. | "Vision of Salome" | Archibald Joyce | I Salonisti | 2:42 |
17. | "Titsy Bitsy Girl" |
| I Salonisti | 1:35 |
18. | "Alexander's Ragtime Band" | Irving Berlin | I Salonisti | 1:46 |
19. | "Sphinx" |
| I Salonisti | 3:48 |
20. | "Barcarole" | Jacques Offenbach | I Salonisti | 3:31 |
21. | "Orpheus" | Jacques Offenbach | I Salonisti | 8:40 |
22. | "Song of Autumn" | Archibald Joyce | I Salonisti | 3:53 |
23. | "Nearer My God to Thee (Extended Version)" |
| I Salonisti | 3:14 |
Charts[]
Weekly charts[]
Monthly charts[]
|
Year-end charts[]
End-of-decade charts[]
Best of all time charts (Top 200)[]
|
Certifications and sales[]
Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[57] | Platinum | 60,000^ |
Australia (ARIA)[58] | 5× Platinum | 350,000^ |
Austria (IFPI Austria)[59] | 2× Platinum | 100,000* |
Belgium (BEA)[60] | 3× Platinum | 150,000* |
Brazil | — | 650,000[61] |
Canada (Music Canada)[62] | Diamond | 1,000,000^ |
China | — | 1,000,000[63] |
Finland (Musiikkituottajat)[64] | Platinum | 73,509[64] |
France (SNEP)[66] | Diamond | 1,726,800[65] |
Germany (BVMI)[67] | 5× Gold | 1,250,000^ |
Hong Kong (IFPI Hong Kong)[68] | Platinum | 20,000* |
Italy | — | 800,000[69] |
Japan (RIAJ)[70] | Million | 1,410,000[71] |
Netherlands (NVPI)[72] | 7× Platinum | 700,000^ |
New Zealand (RMNZ)[73] | Platinum | 15,000^ |
Norway (IFPI Norway)[74] | 2× Platinum | 100,000* |
Philippines | — | 230,000[75] |
Poland (ZPAV)[76] | 7× Platinum | 700,000* |
Spain (PROMUSICAE)[77] | 4× Platinum | 400,000^ |
Sweden (GLF)[78] | 2× Platinum | 160,000^ |
Switzerland (IFPI Switzerland)[79] | 4× Platinum | 200,000^ |
Taiwan (RIT)[80] | 21× Platinum | 1,164,229[80] |
United Kingdom (BPI)[82] | 3× Platinum | 1,002,000[81] |
United States (RIAA)[84] | Diamond | 10,200,000[83] |
Summaries | ||
Europe (IFPI)[85] | 5× Platinum | 5,000,000* |
Worldwide | — | 30,000,000[86] |
* Sales figures based on certification alone. |
See also[]
- List of best-selling albums
- List of best-selling albums in Brazil
- List of best-selling albums in China
- List of best-selling albums in France
- List of best-selling albums in Germany
- List of best-selling albums in Italy
- List of best-selling albums in Japan
- List of best-selling albums in Taiwan
- List of best-selling albums in the United States
- List of diamond-certified albums in Canada
References[]
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- ^ Billboard 200
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In Brazil, the CD has already reached the considerable mark of 650,000 copies.
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The Sony Classical soundtrack album to the movie is now reported to have sold more than 1 million legitimate copies in the People's Republic of China
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la colpa e del titanic asso pigliatutto e delle donne che andavano a vedere soltanto leonardo di caprio se abbiamo incassato meno del previsto (quasi 56 miliardi di lire). però, poi, abbiamo venduto migliaia di videocassette e siamo al top con 800 mila copie della colonna sonora
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External links[]
- Official website (via Sony BMG Masterworks)
- James Horner albums
- 1997 soundtrack albums
- Titanic (1997 film)
- Sony Classical Records soundtracks