VI (You Me at Six album)

From Wikipedia, the free encyclopedia
VI
YMAS VI.jpg
Studio album by
Released5 October 2018
RecordedMay 2018
StudioVADA Studios, Alcester
GenrePop rock, hard rock, dance rock
Length33:49
LabelUnderdog, AWAL
Producer
You Me at Six chronology
Night People
(2017)
VI
(2018)
Suckapunch
(2021)
Singles from VI
  1. "3AM"/"Fast Forward"
    Released: 8 June 2018
  2. "Back Again"
    Released: 21 August 2018

VI is the sixth studio album by English rock band You Me at Six. It was released on 5 October 2018 through Underdog and AWAL.

Background[]

You Me at Six released their fifth album Night People in January 2017.[1] Despite reaching number three in the UK, it received a mixed reception from both their fans and critics.[2] Within a week of the album coming out, the band had no management and found themselves stuck in private legal battles.[3] The band were initially ecstatic about the album at its release,[2] however, by August they expressed disdain for it.[4] On a number of occasions while making the album, the members felt complacent when trying to be creative and self-motivating. In addition, they were around people that didn't help stimulate their creativity.[2]

In September, guitarist Max Helyer and vocalist Josh Franceschi revealed they were working on new music[5] at drummer Dan Flint's home studio.[3] The members had conversations whether to revisit the sound of their most successful record Cavalier Youth (2014).[2] Eventually, it reached a point where Franceschi and Flint were content with breaking up the band[6] if they were unable to move forward musically.[2] Sometime afterwards, they went on residential studio writing retreats to The Doghouse in Reading and Monkey Puzzle in Bury St Edmunds.[7] The group then made demos piece-by-piece with loops. Whenever a member came up with an interesting idea, they attempted it before working on another idea. They didn't move on to a new song until the current one they were working on was roughly 50–60% complete.[8]

Production[]

The band had discussions with various producers, who wanted to record in locations such as Los Angeles, New York City and the south of France.[2] When the group made it clear that they wanted to record in the UK, a number of them were no longer interested.[9] They made some test tracks with two different people before eventually settling on Dan Austin.[2] The band had worked with Austin previously as he engineered the session that resulted in their non-album single "The Swarm" in 2012.[10] Sessions took place at VADA Studios,[10] a residential studio in Alcester, UK;[6] a location chosen as it was far away from everyday distractions of the members' lives.[2] The band co-produced the sessions with Austin. Austin, who shared similar music tastes with the members, understood the band's direction for the album.[8]

While Night People was made akin to a 9–5 job,[2] the band made VI working 14-hour days,[11] pausing only to sleep.[12] They didn't track on a song-by-song basis, opting to work on all of the songs at the same time.[9] The band and Austin used the Weeknd's albums as reference points, especially the low-end sound and the textures on his vocals.[8] If a member wasn't tracking their part, they were able to take a walk around the lakes close by or watch the local football matches.[7] Flint used a lot of his spare time finding loops and particular instrument sounds on his laptop to help expand the songs. They used a number of Telefunken microphones, and mainly a U47 microphone for vocals. A C-12 microphone was used as an overhead for the drums.[8]

Franceschi said Austin felt like a sixth member of band in the way he was hard working and highly enthusiastic about pushing the band. He also mentioned that other producers would have led the band down a musical route that they had already explored.[2] The band and Austin produced all of the songs bar "Pray for Me" (which was produced by Pott) and "Losing You" (which was produced by White). White did additional production on "Fast Forward", while Pott did the same on "Back Again" and "3AM".[13] During the mixing process, the band worked collectively to decide what worked best. Flint built a close friendship with mixing engineer Cenzo Townsend, who Flint would often relay the band's thoughts to.[8] The recordings were then mastered by John Davis at Metropolis Studios.[13] On 25 May 2018, the band announced they had finished working on VI.[14]

Composition[]

Discussing the album's name VI, Franceschi explained: "There's a feeling within us that we already have our identity, so we don't need to create new one."[11] He said the record featured more hip hop and R&B elements, something that the band had difficulty incorporating successfully with their previous albums.[10] While on their song writing retreats, the members collaborated with acclaimed songwriters Eg White and Joel Pott, and were encouraged to bring their individual influences into the songs.[7] All of songs were written by the band, with lyrics by Franceschi. Additional writing was done to "Fast Forward" and "Losing You" by White, and to "Back Again", "3AM" and "Pray for Me" by Pott.[13] Musically, VI has been classed as pop[15][16][17] and rock,[17] incorporating electronic influences.[18] According to Helyer, the album was influenced by the Weeknd, Two Door Cinema Club and Jess Glynne.[19]

The opening track "Fast Forward" is an alternative rock song that opens with a synthesizer part, before switching to guitars and drums in the vein of Royal Blood.[20][21] Franceschi claimed the song "really shaped" the album[2] and said it was a self-assessment of his personal life during the Night People cycle.[12] The stadium rock song "Straight to My Head" is followed by the disco-indebted "Back Again", which discusses recovery from being lost within yourself.[16][22] Franceschi said the song was stylistic departure for the band, as they wanted to "soundtrack people's weekends."[22] Helyer started the song, and "after four or five bottles of wine one night" he "nailed it" with Franceschi.[23]

"Miracle in the Mourning" features R&B drums and post-punk keyboard work, and is followed by the pop song "3AM", which recalls the works of Beck.[21][24][25] The bass-led "I O U" mixed R&B vibes with influence from hip hop musicians that the band enjoyed.[18][26] The garage rock song "Predictable" evolved from a jam into a song while Franceschi was intoxicated at 3am and began spit balling lyrics.[2][20] It went through a few different style changes, from reggae to hip hop to rock, incorporating the dark parts of their third studio album Sinners Never Sleep (2011).[20][27] The closing track "Losing You" features synthesizers and distorted vocals.[18]

Release[]

Two men on stage, one of them singing into a microphone and the other playing the drums
You Me at Six performing at a festival.

On 5 June 2018, the band's website was altered to include a big countdown clock.[28] The following day, VI was announced for release in October. The album's track listing and artwork were revealed.[29] In addition, "3AM" and "Fast Forward" were released as a Double A-Side single. Around this time, the band performed at the Download and Community festivals.[30] On 1 August, a music video was released for "3AM".[31] It was directed by Dan Broadley and filmed at The Mildmay Club in London.[32] The video sees the band going on a night out to three different places and features the band doing a full dance routine at the end. The concept for the video came out after the band watched The Wolf of Wall Street (2013). Specifically, the scene where actor Leonardo DiCaprio lives through a split reality while being under the influence. Broadley loved a scene from the while where DiCaprio arrives from home while on drugs, before later revealing the true events that aspired. Broadley adapted it into a scenario where Franceschi performs as an alter-ego of himself. Franceschi worked with Broadley closely to help him boost his confidence in his role in the video.[33] The group struggled with the dance routine, unable to keep in time; the version that appears in the video was edited together from the various takes they filmed.[34]

"I O U" was made available for streaming on 6 August.[26] "Back Again" was made available for streaming on 20 August following a premiere on BBC Radio 1.[22] It was released as a single the following day.[35] VI was released on 5 October through the band's own label Underdog Records and AWAL.[29] Some copies included a bonus CD that featured two demos and two acoustic versions of albums tracks. The Japanese edition featured the two acoustic versions as bonus tracks.[36] Franceschi explained that the main reason behind starting Underdog Records was the end-goal of using it as a vehicle to sign artists from different genres.[11] Franceschi said AWAL, a subsidiary of Kobalt, "embodied the spirit" of what the group were trying to do with their Underdog label.[37] On the same day, a music video was released for "Back Again",[38] directed by Broadley.[39] Broadley's treatment for the clip was to pay homage to a cult classic film, namely The Big Lebowski (1998).[40] It features a rumble at a bowling alley and Franceschi's dog getting kidnapped.[38]

To promote the album's release, the band performed a series of in-store signings and performances.[41] In November and December, the group went on a headlining UK tour with support from Marmozets and the Xcerts.[42] At some of the shows, the band celebrated the anniversary of their debut album Take Off Your Colours (2008).[43] The band took a break for the Christmas period, with the members opting to travel abroad.[44] On 11 December, a lyric video was released for "Straight to My Head", directed by Peter Reever, and done in the animated style of Rick and Morty.[45] In January and February 2019, the band embarked on a headlining European tour.[46] On 22 February, the band released an acoustic version of "Back Again".[47] In February and March, the band embarked on a US tour, dubbed Back Again Tour, with Dreamers and Machineheart.[48] It was followed by three shows supporting Bring Me the Horizon on their Australian tour.[49] In July and August, the band appeared at the 2000trees, Truck and Reading and Leeds Festivals.[50][51][52] In September, they headlined Gunnersville festival, where they exclusively played their singles.[53]

Reception[]

Professional ratings
Aggregate scores
SourceRating
Metacritic74/100[54]
Review scores
SourceRating
The Arts Desk3/5 stars[16]
Belfast Telegraph7/10[55]
Dead Press!7/10 stars[56]
DIY4/5 stars[57]
Gigwise7/10 stars[58]
idobi6/10[59]
Kerrang!4/5[23]
The Music4/5 stars[60]
NME4/5 stars[18]
The Skinny3/5 stars[17]

VI received generally favourable reviews from critics, according to review aggregation website Metacritic.[54]

As of November 2018, the album has sold 11,559 copies in the UK.[61]

Track listing[]

All lyrics by Josh Franceschi. All songs written by You Me at Six. Additional writing on "Fast Forward and "Losing You" by Eg White, and on "Back Again", "3AM" and "Pray for Me" by Joel Pott.[13]

No.TitleProducerLength
1."Fast Forward"
3:14
2."Straight to My Head"
  • Austin
  • You Me at Six
3:37
3."Back Again"
2:56
4."Miracle in the Mourning"
  • Austin
  • You Me at Six
3:15
5."3AM"
  • Austin
  • You Me at Six
  • Pott (add.)
3:34
6."I O U"
  • Austin
  • You Me at Six
3:31
7."Pray for Me"Pott3:05
8."Predictable"
  • Austin
  • You Me at Six
3:56
9."Danger"
  • Austin
  • You Me at Six
3:11
10."Losing You"White3:30
Total length:33:49
Japanese bonus tracks
No.TitleLength
11."Back Again" (acoustic)3:03
12."Fast Forward" (acoustic)3:20
Total length:40:24
The VI Sessions bonus CD
No.TitleLength
1."Predictable" (demo) 
2."Danger" (demo) 
3."Back Again" (acoustic) 
4."Fast Forward" (acoustic) 

Personnel[]

Personnel per booklet.[13]

Charts[]

Chart (2018) Peak
position
Australian Albums (ARIA)[62] 73
Scottish Albums (OCC)[63] 8
UK Albums (OCC)[64] 6
US Heatseekers Albums (Billboard)[65] 19

References[]

Citations

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  3. ^ Jump up to: a b McLaughlin 2018, p. 26
  4. ^ Cross, Will (20 August 2017). "Josh Franceschi On 'Night People': "I Don't Think We Managed To Deliver What We Wanted To"". Rock Sound. Archived from the original on 8 January 2021. Retrieved 4 October 2018.
  5. ^ Rock Sound 2017, event occurs at 3:30–36
  6. ^ Jump up to: a b Sayce 2018, p. 11
  7. ^ Jump up to: a b c McLaughlin 2018, p. 29
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  9. ^ Jump up to: a b Issa, Chanel (5 October 2018). "YOU ME AT SIX // Firing Straight Sixes". Hysteria. Archived from the original on 8 January 2021. Retrieved 5 October 2018.
  10. ^ Jump up to: a b c Shepherd 2018, p. 21
  11. ^ Jump up to: a b c Shepherd 2018, p. 22
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  13. ^ Jump up to: a b c d e VI (booklet). You Me at Six. Underdog Records. 2018. YMAS001CD.CS1 maint: others in cite AV media (notes) (link)
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  23. ^ Jump up to: a b Longbottom 2018, p. 53
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  27. ^ McLaughlin 2018, p. 30
  28. ^ Jamieson, Brii (5 June 2018). "You Me At Six Are Teasing Something". Rock Sound. Archived from the original on 8 January 2021. Retrieved 4 October 2018.
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  33. ^ Munro, Scott (2 August 2018). "Follow You Me At Six on a rowdy night out in new 3am video". Louder. Archived from the original on 8 January 2021. Retrieved 4 October 2018.
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Sources

  • Longbottom, John (29 September 2018). Coare, Sam (ed.). "Reviews". Kerrang!. London (1741). ISSN 0262-6624.
  • McLaughlin, David (22 September 2018). Coare, Sam (ed.). "True Colours". Kerrang!. London (1740). ISSN 0262-6624.
  • Rock Sound (6 September 2017). You Me At Six - The Stories Behind The Songs (Part 2). Retrieved 3 October 2018 – via YouTube.
  • Sayce, Rob (August 2018). Bird, Ryan (ed.). "Call That a Comeback". Rock Sound. London (241). ISSN 1465-0185.
  • Shepherd, Tom (16 June 2018). Coare, Sam (ed.). "Number of the Beast". Kerrang!. London (1726). ISSN 0262-6624.

External links[]

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