Truyện tranh

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Truyện tranh (Hán Nôm: 傳幀) means comic in Vietnamese (aka Vietnamese Comics). This term has the English name Viet comics created by Floral Age Bimonthly magazine in the 1960s to refer to comics originating in Vietnam. It is sometimes called by the older name Mạn họa (Hán Nôm: 漫畫). In Vietnamese sometimes it will be called by longer names such as: "Truyện tranh Việt Nam", "truyện tranh Việt", "truyện tranh nội", "truyện tranh ta", "truyện tranh trong nước",... to distinguish it from other types of foreign comics such as: "Truyện tranh Âu Mỹ" (Western comics), "truyện tranh Nhật Bản" (Manga),...

History[]

Pre-1900[]

Further information: Hàng Trống painting and Đông Hồ painting

During the medieval period, "Viet comics" were often called mạn họa (漫畫), liên-hoàn họa (連環畫, sequential drawings) or phong-tục họa (風俗畫, custom drawings), and were influenced by China and sometimes India.[1] They illustrated philosophy or stories and were printed using woodcuts.[2] There were some drawings called "moral books" (Luân-lý giáo-khoa thư) for the education of women.

French Indochina (1900–1953)[]

Lý-Toét and the Chief Justice in Customs & Mores Weekly
Madame – An artist who made paintings of children

After the establishment of French Indochina, printing technology developed enough that books and newspapers became more common. Viet comics appeared gradually as cartoons called hoạt kê họa (滑稽畫), hí họa (戲畫) or biếm họa (貶畫).

In the 1930s during the Westernization movement, Viet comics became an independent art with numerous artists and readers. Customs & Mores Weekly (Phong-Hóa tuần-báo) and Today Weekly (Ngày-Nay tuần-báo) published cartoons such as Bang Bạnh - Xã Xệ - Lý Toét. The weekly newspaper Cậu-Ấm tuần-báo featured the "Three adventurous kids" (Ba đứa trẻ mạo-hiểm), Drake Weekly (Vịt-Đực tuần-báo) published sequential drawings that often satirized Annamese writers and the Indochinese government, especially the Governors-General. Viet comics were called chuyện bằng tranh (stories by drawings).

After World War II, there were propaganda comics against the occupying French forces. In Hanoi and Saigon there were comics what based on romance novels or knightly tales. Some comics were on the topic of Vietnamese history and mythology.

Northern and Southern Vietnam (1954–1975)[]

Article about ViVi and his career in Floral Age Bimonthly

Floral Age Bimonthly (established in 1962) called "Viet comics" as Tranh-truyện Việt-nam (Vietnamese pictorial stories).

Topics included family, friendship, adventure, detective stories, science fiction, wuxia, and fairy tales. The works were influenced by French comics, American comics, Hollywood, and even Jin Yong's works.

In the Democratic Republic of Vietnam, comics usually appeared in Pioneer Magazine, Children Magazine and Kim-Đồng books. Northern artists' styles were influenced by Soviet art.

Era of Subsidy (1976–1985)[]

After Reunification Day, Viet comics' style became less diverse because of censorship and a lack of printing facilities. In the 1980s there were some artists of Kim Đồng Publishing House who began working using inexpensive dó paper. Topics were often chosen to avoid censorship.

Era of Reform (1986–2006)[]

The most famous artist was , whose popular comics included Hero Hesman, , and Vietnamese fairytales. Many artists borrowed topics and characters from international comics and animated films for imitating. Examples include Well, Just You Wait!, Superman, Jurassic Park and Tom and Jerry.

Era of Recession (2007 to now)[]

Youth Laughs Monthly, Hoa Học Trò Weekly and Truyện Tranh Trẻ Magazine () continue to produce comics. Some of the work is influenced by manga, manhwa, and manhua.[4]

In 2013, the historical comic The Holy Dragon Imperator (Long thần tướng) created by Nguyễn Thành Phong and Nguyễn Khánh Dương became a successful crowd-funding project.[5] The comic earned a Silver Award at Japan’s 2016 International MANGA Awards.[6][7][8] Then there are many other Viet comics were published using the crowd-funding method. For example "Bad Luck" by Châu Chặt Chém (con chó), "Gateway to Underworld" (Địa Ngục Môn) by Can Tiểu Hy (con căch). "Gateway to Underworld" also earned a Silver Award at Japan’s 2017 International MANGA Awards.[9]

Viet comics in this era is full of historical and Vietnamese culture. The "Holy Dragon Imperator" has Trần Quang Đức as a Historical Consultant and main character in "Gateway to Underworld" wear Áo dài (Vietnamese traditional costume).

See also[]

  • Literature of Vietnam

References[]

  1. ^ "Vietnamese sequential drawings" (in Vietnamese). Thethaovanhoa.vn. 2009-01-26.
  2. ^ "Kaleidoscope". Vietnam News Agency. 2005-03-13. Archived from the original on 2005-11-23.
  3. ^ Caricatures should better be thrilling
  4. ^ Can Vietnamese comics win readers' hearts ?
  5. ^ "Crowd-funded project promotes Vietnamese comics". en.nhandan.org.vn. Retrieved 2019-02-23.
  6. ^ "Announcement of Winners for the Ninth International MANGA Award". 国際漫画賞 (in Japanese). Retrieved 2019-02-23.
  7. ^ "[Press Releases] Announcement of Winners of the Ninth International MANGA Award". Ministry of Foreign Affairs of Japan. Retrieved 2019-02-23.
  8. ^ "Award-Winning Vietnamese Graphic Novel 'Long Than Tuong' Released as English E-Book | Saigoneer". saigoneer.com. Retrieved 2019-02-23.
  9. ^ "The Tenth Japan International MANGA Award Winners Announcement". 国際漫画賞 (in Japanese). Retrieved 2019-02-23.
  10. ^ Biographie de Marcelino Truong
  11. ^ Without comics which about 1930-45 Vietnam

External links[]

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