William Cullen Bryant

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William Cullen Bryant
Cabinet card of Bryant, c.  1876
Cabinet card of Bryant, c.  1876
Born(1794-11-03)November 3, 1794
Cummington, Massachusetts, U.S.
DiedJune 12, 1878(1878-06-12) (aged 83)
New York City, U.S.
Occupation
  • Poet
  • journalist
  • editor
Notable works"Thanatopsis"
Signature
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William Cullen Bryant (November 3, 1794 – June 12, 1878) was an American romantic poet, journalist, and long-time editor of the New York Evening Post. Born in Massachusetts, he started his career as a lawyer but showed an interest in poetry early in his life. He soon relocated to New York and took up work as an editor at various newspapers. He became one of the most significant poets in early literary America and has been grouped among the fireside poets for his accessible, popular poetry.

Biography[]

Youth and education[]

Bryant was born on November 3, 1794,[1] in a log cabin near Cummington, Massachusetts; the home of his birth is today marked with a plaque.[2] He was the second son of Peter Bryant (b. Aug. 12, 1767, d. Mar. 20, 1820), a doctor and later a state legislator, and Sarah Snell (b. Dec. 4, 1768, d. May 6, 1847). The genealogy of his mother traces back to passengers on the Mayflower: John Alden (b. 1599, d. 1687), his wife Priscilla Mullins and her parents William and Alice Mullins. The story of the romance between John and Priscilla is the subject of a famous narrative poem by Henry Wadsworth Longfellow The Courtship of Miles Standish.

He was also the nephew of Charity Bryant, a Vermont seamstress who is the subject of Rachel Hope Cleves's 2014 book Charity and Sylvia: A Same-Sex Marriage in Early America.[3] William Cullen Bryant described their relationship: "If I were permitted to draw the veil of private life, I would briefly give you the singular, and to me interesting, story of two maiden ladies who dwell in this valley. I would tell you how, in their youthful days, they took each other as companions for life, and how this union, no less sacred to them than the tie of marriage, has subsisted, in uninterrupted harmony, for more than forty years."[citation needed] Charity and Sylvia Drake are buried together at Weybridge Hill Cemetery, Weybridge, Vermont.

Bryant and his family moved to a new home when he was two years old. The William Cullen Bryant Homestead, his boyhood home, is now a museum. After just one year at Williams College (he entered with sophomore standing), he hoped to transfer to Yale, but a talk with his father led to the realization that family finances would not support it. His father counseled a legal career as his best available choice, and the disappointed poet began to study law in Worthington and Bridgewater in Massachusetts. He was admitted to the bar in 1815 and began practicing law in nearby Plainfield, walking the seven miles from Cummington every day. On one of these walks, in December 1815, he noticed a single bird flying on the horizon; the sight moved him enough to write "To a Waterfowl".[4]

Bryant developed an interest in poetry early in life. Under his father's tutelage, he emulated Alexander Pope and other Neo-Classic British poets. "The Embargo", a savage attack on President Thomas Jefferson published in 1808, reflected Dr. Bryant's Federalist political views. The first edition quickly sold out—partly because of publicity attached to the poet's young age. A second, expanded edition included Bryant's translation of classical verse. During his collegiate studies and his reading for the law, he wrote little poetry, but encounters with the Graveyard Poets and then Wordsworth regenerated his passion for "the witchery of song."[citation needed]

Early poetry[]

Engraving of Bryant c. 1843

"Thanatopsis" is Bryant's most famous poem, which Bryant may have been working on as early as 1811. In 1817 his father took some pages of verse from his son's desk, and at the invitation of Willard Phillips, an editor of the North American Review who had previously been tutored in the classics by Dr. Bryant, he submitted them along with his own work. The editor of the Review, Edward Tyrrel Channing, read the poem to associate editor Richard Henry Dana Sr., who immediately exclaimed, "That was never written on this side of the water!"[5] Someone at the North American joined two of the son's discrete fragments, gave the result the Greek-derived title Thanatopsis ("meditation on death"), mistakenly attributed it to the father, and published it. After clarification of the authorship, the son's poems began appearing with some regularity in the Review. A portion of Bryant’s poem, Thanatopsis, is at the base of the William Cullen Bryant Memorial behind the New York Public Library which was dedicated in 1911. "To a Waterfowl", published in 1821, was the most popular.[citation needed]

On January 11, 1821,[6] Bryant, still striving to build a legal career, married Frances Fairchild. Soon after, having received an invitation to address the Harvard University Phi Beta Kappa Society at the school's August commencement, Bryant spent months working on "The Ages", a panorama in verse of the history of civilization, culminating in the establishment of the United States. As it would in all collections he subsequently issued, "The Ages" led the volume, also entitled Poems, which he arranged to publish on the same trip to Cambridge. For that book, he added sets of lines at the beginning and end of "Thanatopsis" that changed the poem. His career as a poet was now established, though recognition as America's leading poet waited until 1832, when an expanded Poems was published in the U.S. and, with the assistance of Washington Irving, in Britain.

Editorial work[]

From 1816 to 1825, Bryant depended on his law practice in Great Barrington, Massachusetts to sustain his family financially, but the strain of dealing with unsophisticated neighbors pushed him to trade his unrewarding profession for New York City and the promise of a literary career. With the encouragement of a distinguished and well-connected literary family, the Sedgwicks, he quickly gained a foothold in New York City's vibrant cultural life. His first employment, in 1825, was as editor of the New-York Review, which within the next year merged with the United States Review and Literary Gazette. Although literary historians have neglected his fiction, Bryant's stories over the seven-year period from his time with the Review to the publication of Tales of Glauber Spa in 1832 show a variety of strategies, making him the most inventive of practitioners of the genre during this early stage of its evolution.[7]

In the throes of the failing struggle to raise subscriptions, he accepted part-time duties with the New-York Evening Post under William Coleman; then, partly because of Coleman's ill health, traceable to the consequences of a duel and then a stroke, Bryant's responsibilities expanded rapidly. From assistant editor he rose to editor-in-chief and co-owner of the newspaper that had been founded by Alexander Hamilton. Over the next half century, the Post would become the most respected paper in the city and, from the election of Andrew Jackson, the major platform in the Northeast for the Democratic Party and subsequently of the Free Soil and Republican Parties. In the process, the Evening-Post also became the pillar of a substantial fortune. Despite his Federalist beginnings, Bryant had shifted to being one of the most liberal voices of the century. An early supporter of organized labor, with his 1836 editorials asserting the right of workmen to strike, Bryant also defended religious minorities and immigrants, and promoted the abolition of slavery.[8] He "threw himself into the foreground of the battle for human rights"[9] and did not cease speaking out against the corrupting influence of certain bankers in spite of their efforts to break down the paper.[10] According to newspaper historian Frank Luther Mott, Bryant was "a great liberal seldom done justice by modern writers".[11]

He was elected an Associate Fellow of the American Academy of Arts and Sciences in 1855.[12]

Despite his once staunch opposition to Thomas Jefferson and his party, Bryant became one of the key supporters in the Northeast of that same party under Jackson. Bryant's views, always progressive though not quite populist, in course led him to join the Free Soilers, and when the Free Soil Party became a core of the new Republican Party in 1856, Bryant vigorously campaigned for John Frémont. That exertion enhanced his standing in party councils, and in 1860, he was one of the prime Eastern exponents of Abraham Lincoln, whom he introduced at Cooper Union. (That "Cooper Union speech" lifted Lincoln to the nomination, and then the presidency.) In the 1860 presidential election, he elected Lincoln and Hannibal Hamlin as a presidential elector.[13]

Later years[]

Hiram Powers and William Cullen Bryant, 1867, albumen print, National Gallery of Art, Washington, DC, Department of Image Collections

Bryant edited the very successful Picturesque America, which was published between 1872 and 1874. This two-volume set was lavishly illustrated and described scenic places in the United States and Canada.[14] In his last decade, Bryant shifted from writing his own poetry to a blank verse translation of Homer's works. He assiduously worked on the Iliad and The Odyssey from 1871 to 1874. He is also remembered as one of the principal authorities on homeopathy and as a hymnist for the Unitarian Church, both legacies of his father's influence on him.

Bryant died in 1878 of complications from an accidental fall suffered after participating in a Central Park ceremony to honor Italian patriot Giuseppe Mazzini. He is buried at Roslyn Cemetery in Roslyn, New York.[15]

Critical response[]

Asher Durand's 1849 Kindred Spirits depicts William Cullen Bryant with Thomas Cole, in this quintessentially Hudson River School work.

Bryant became one of the most significant poets in early American literary history. He is typically included among the group of poets referred to as the fireside poets, along with Longfellow, John Greenleaf Whittier, James Russell Lowell, and Oliver Wendell Holmes Sr.[16] They are considered to be among the first American poets whose popularity rivaled that of British poets, both at home and abroad and are so named because their writing was a source of entertainment for families gathered around the fire at home.[17] Bryant's poetry has been described as being "of a thoughtful, meditative character, and makes but slight appeal to the mass of readers."[18]

Edgar Allan Poe praised Bryant and specifically the poem "June" in his essay "The Poetic Principle":

The rhythmical flow, here, is even voluptuous—nothing could be more melodious. The poem has always affected me in a remarkable manner. The intense melancholy which seems to well up, perforce, to the surface of all the poet's cheerful sayings about his grave, we find thrilling us to the soul—while there is the truest poetic elevation in the thrill. The impression left is one of a pleasurable sadness.[19]

Editor and children's writer Mary Mapes Dodge wrote that Bryant's poems "have wrought vast and far-reaching good in the world." She predicted, "You will admire more and more, as you grow older, the noble poems of this great and good man."[20] Poet and literary critic Thomas Holley Chivers said that the "only thing [Bryant] ever wrote that may be called Poetry is 'Thanatopsis', which he stole line for line from the Spanish. The fact is, that he never did anything but steal—as nothing he ever wrote is original."[21]

Bryant's poetry is tender and graceful, pervaded by a contemplative melancholy, and a love of solitude and the silence of the woods. Though he was brought up to admire Pope, and in his early youth imitated him, he was one of the first American poets to throw off his influence. Bryant had an interest in science and in geology especially. Thomas Cole was a friend and both, at different times, considered the "geological structure" of Volterra in Italy. He met Charles Lyell in England in 1845.[22]

As a writer, Bryant was an early advocate of American literary nationalism, and his own poetry focusing on nature as a metaphor for truth established a central pattern in the American literary tradition.

Some[23] however, argue that a reassessment is long overdue. It finds great merit in a couple of short stories Bryant wrote while trying to build interest in periodicals he edited. More importantly, it perceives a poet of great technical sophistication who was a progenitor of Walt Whitman, to whom he was a mentor.[23]

Legacy[]

William Cullen Bryant Memorial in Bryant Park adjacent to the New York Public Library

Although born in and with deep family ties in New England, Bryant for most of his lifetime was thoroughly a New Yorker—and a very dedicated one at that. He was a major force behind the idea that became Central Park, as well as a leading proponent of creating the Metropolitan Museum of Art. He was one of a group of founders of New York Medical College.[24] He had close affinities with the Hudson River School of art and was an intimate friend of Thomas Cole. A statue of William Cullen Bryant was one of the statues of “Eminent Americans” that surrounded the Palace of Fine Arts at the 1915 Panama Pacific International Exposition in San Francisco, California. The William Cullen Bryant Memorial, in Bryant Park, includes a bronze of the same work by sculptor Herbert Adams. Bryant Park, behind the New York Public Library, in New York bears his name. In 1884, New York City's Reservoir Square, at the intersection of 42nd Street and Sixth Avenue, was renamed Bryant Park, and later Herbert Adam's statue was placed, in Bryant's honor. A park in East York, a suburb of Toronto, Canada, bears the name of Cullen Bryant Park as well.

Other locations named after Bryant include: neighborhood in Seattle; Bryant Woods, one of the four original villages in Columbia, Maryland; and the Bryant House at Williams College.

Several schools are named after Bryant, including William Cullen Bryant High School in Long Island City, New York, and elementary schools in Milwaukee, Wisconsin, Long Beach, California, Cleveland, Ohio, and Great Barrington, Massachusetts. A rural schoolhouse in Sanford, Maine was also named for Bryant.

Martin Luther King Jr. quoted Bryant in his speech "Give Us the Ballot", when he said, "there is something in this universe which justifies William Cullen Bryant in saying: 'Truth crushed to earth will rise again.'"[25]

See also[]

Notes[]

  1. ^ Nelson, Randy F. (1981). The Almanac of American Letters. Los Altos, California: William Kaufmann, Inc. pp. 48. ISBN 0-86576-008-X.
  2. ^ Ehrlich, Eugene and Gorton Carruth. The Oxford Illustrated Literary Guide to the United States. New York: Oxford University Press, 1982: 46. ISBN 0-19-503186-5
  3. ^ "The improbable, 200-year-old story of one of America's first same-sex 'marriages'". Washington Post, March 20, 2015.
  4. ^ Ehrlich, Eugene and Gorton Carruth. The Oxford Illustrated Literary Guide to the United States. New York: Oxford University Press, 1982: 56. ISBN 0-19-503186-5
  5. ^ Brooks, Van Wyck (1952). The Flowering of New England. New York: E. P. Dutton and Company. p. 116.
  6. ^ Vital Records of Great Barrington, Massachusetts, to the Year 1850. NEHGS. 1904. p. 31. His 1878 biographer, Parke Godwin, confused the issue of the marriage date through a typographical error, as explained at Genealogy.com
  7. ^ Gado, Frank (ed.) The Complete Stories of William Cullen Bryant. Antoc, 2014.
  8. ^ Bryant, William Cullen (1994). Power For Sanity: Selected Editorials of William Cullen Bryant, 1829-61. New York: Fordham University Press.
  9. ^ Felton, Cornelius, in North America Review, quoted in Parke Godwin, A Biography of William Cullen Bryant (New York: D. Appleton, 1993) I, pp. 400–401.
  10. ^ Bryant, Evening Post, November 25, 1837
  11. ^ American Journalism, a History, 1690–1960, Macmillan (1962).
  12. ^ "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved September 15, 2016.
  13. ^ Proceedings of the New York Electoral College, Held at the Capitol in the City of Albany, December 4, 1860. Albany: Weed, Parsons & Company. 1861. p. 11.
  14. ^ "Steel engraved prints from 'Picturesque America' by William Cullen Bryant 1872–1874: Some Background Information About the Author: W. C. Bryant and the Prints" (2016). Antiqua Print Gallery.
  15. ^ The Bryant Library
  16. ^ Heymann, C. David. American Aristocracy: The Lives and Times of James Russell, Amy, and Robert Lowell. New York: Dodd, Mead & Company, 1980: 91. ISBN 0-396-07608-4
  17. ^ Bertens, Hans and Theo D'haen. American Literature: A History. London: Routledge, 2014: 62. ISBN 978-0-415-56998-9
  18. ^ Alexander K. McClure, ed. (1902). Famous American Statesmen & Orators. VI. New York: F. F. Lovell Publishing Company. p. 62.
  19. ^ Sova, Dawn B. Edgar Allan Poe: A to Z. New York: Checkmark Books, 2001: 37. ISBN 0-8160-4161-X
  20. ^ Sorby, Angela. Schoolroom Poets: Childhood, Performance, and the Place of American Poetry, 1865–1917. Durham, NH: University of New Hampshire Press, 2005: 77. ISBN 1-58465-458-9
  21. ^ Parks, Edd Winfield (1962). Ante-Bellum Southern Literary Critics. Athens, GA: University of Georgia Press. p. 175.
  22. ^ Ringe, D.A., 1955. William Cullen Bryant and the Science of Geology. American Literature, 26(4): 507-514.
  23. ^ Jump up to: a b Frank Gado, ed. (1996). Famous American Statesmen & Orators. New York: Antoca. p. 198.
  24. ^ "About NYMC". New York Medical College.
  25. ^ King, Martin Luther, Jr. (17 May 1957). "'Give Us the Ballot', Address at the Prayer Pilgrimage for Freedom".CS1 maint: multiple names: authors list (link)

References[]

Further reading[]

  • Muller, Gilbert H. William Cullen Bryant: Author of America. New York: State University of New York Press, 2008. ISBN 978-0-7914-7467-9
  • Symington, Andrew James. William Cullen Bryant: a biographical sketch : with selections from his poems and other writings. New York: Harper and Brothers, 1880. Internet Archive.

External links[]

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